By Alan Lee Silva. For string orchestra. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and parts. Published by Carl Fischer

Orchestra

SKU: FG.55011-315-2

Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2).

ISBN 9790550113152.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normal ly, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

Composed by Bob Buckley. Opus III Wind Orchestra series. Audio recording available separately (item CL.WFR375). Score and set of parts. Composed 2012. Duration 6 minutes, 12 seconds. Published by Opus III Wind Orchestra Publications

Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).

By W. A. Mozart (1756-1791). For Horn. DOWANI 3 Tempi Play Along - Horn. Artist: Gleb Karpushkin - Horn; Konstantin Krimets - Conductor; Russian Philharmonic Orchestra - Orchestra accompaniment; Vitaly Junitsky - Piano. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International

By J. Haydn (1732-1809). For Trumpet. DOWANI 3 Tempi Play Along - Trumpet. Artist: Boris Schlepakov - Trumpet; Konstantin Krimets - Conductor; Russian Philharmonic Orchestra - Orchestra accompaniment; Vitaly Junitsky - Piano. Level: Advanced. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

By W. A. Mozart (1756-1791). For Clarinet. DOWANI 3 Tempi Play Along - Clarinet. Level: Advanced. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

By Oscar Rieding. (Violin). This edition: DOW4517. Dowani Book/CD. Play Along. BOOK W/CD. 22 pages. Published by Dowani Editions.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Viola. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Violin 2. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Conductor's Score. String Orchestra Method/Supplement. Book. 116 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Violin 1. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

By Anne Mcginty; John Edmondson. Orchestra. For violin 1. Queenwood Beginning String Orchestra. Queenwood Orchestra. Elementary. String orchestra method

By Edmund J. Siennicki. Orchestra. For String Orchestra. String Orchestra. Strictly Strings Series. 2 (grade 2). Score. 8 pages

By Bob Phillips. Orchestra. For String Orchestra. String Orchestra. String Explorer. 2.5 (grade 2.5). Score. 8 pages

By Edmund J. Siennicki. Orchestra. String Orchestra. Highland Strictly Strings Series. Grade 2. Conductor Score and Parts. 72 pages. Published by Alfred Music Publishing

By Bob Phillips. Orchestra. String Orchestra. Highland String Explorer. Grade 2.5. Conductor Score and Parts. 74 pages. Published by Alfred Music Publishing

Arranged by Mark Williams. Orchestra. String Orchestra. Strictly Strings Series. Form: Medley. Christmas; Contemporary; Winter. Grade 1. Conductor Score and Parts. 72 pages. Published by Alfred Music Publishing

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Loreta Fin. Masterworks; Score; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Form: Fugue. Classical; Masterwork Arrangement. 12 pages. Published by Alfred Music (AP.76-45310S).

Arranged by Michael Story and Michael Story. Orchestra. Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Folk; Traditional. Grade 1.5. 152 pages. Published by Belwin Music

By Georg Philipp Telemann (1681-1767). Arranged by Tim McCarrick. Orchestra. String Orchestra. Belwin Intermediate String Orchestra. Form: Concerto. Baroque. Grade 2.5. Conductor Score and Parts. 67 pages

By Luigi Boccherini. For Cello, Orchestra. Play Along. CD/DVD. Published by Edition Peters.

(Conductor's Score). By Bob Phillips and Kirk Moss. Orchestra. For Conductor's Score. Method/Instruction; Score; SmartMusic; String Orchestra Method/Supplement. Sound Innovations Series for Strings. 228 pages. Published by Alfred Music Publishing

(Bass). By Bob Phillips and Kirk Moss. Orchestra. For Bass. This edition: Bass. Book; Method/Instruction; String Orchestra Method/Supplement. Sound Innovations Series for Strings. 56 pages. Published by Alfred Music Publishing