Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

SKU: GI.G-CD-870

Sacred. CD. GIA Publications #870. Published by GIA Publications (GI.G-CD-870).

UPC: 785147087021.

Featu ring: • Ben Hill United Methodist • Big Bethel AME • First Congregational • Friendship Baptist • Radcliffe Presbyterian • Uzee Brown Society of Choraliers James Abbington and Uzee Brown, Conductors Some of the finest choirs in Atlanta teamed up at Cannon Chapel on the campus of Emory University to record excerpts from New Wine in Old Wineskins, Vols 1 & 2. Conductors James Abbington and Uzee Brown highlight many soon-to-be classics in our worship and devotional time. Familiar songs include: I Am Kept by the Grace of God • Thank You for Hearing Our Prayer • O Lord, Fix Me • Renew in Me a Right Spirit • Christ Is for Losers • As We Enter • Oh, Give Thanks.

Composed by Jonathan Leshnoff. Premiered by the Atlanta Symphony Orchestra, conducted by Robert Spano, November 2014. Full score (study). With Standard notation. Duration 35 minutes. Theodore Presser Company #496-00107. Published by Theodore Presser Company (PR.496001070).

Performed by Alison Krauss. Guitar tablature songbook for guitar and voice. 84 pages. Published by Alfred Publishing.

(Jazz Piano Solos Volume 21). By Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 96 pages. Published by Hal Leonard

19 Note-for-Note Piano Transcriptions. By Various. Piano Collection. Softcover. 164 pages. Published by Cherry Lane Music.

By Johann Sebastian Bach (1685-1750). Arranged by John Anthony Lennon. For Brass Quintet. Baroque. Moderately Advanced. Score and parts. Published by Cherry Classics

By Kevin Johnson. For SSAA choir, soprano solo. (with piano, percussion). Christmas, Sacred. Level: Medium. Published by Treble Clef Music Press.

Score and Parts. By John Harbison. Ensemble. Size 9x12 inches. 48 pages. Published by Associated.

March. Composed by John Innes. BOVACO Classic CB. Score and set of parts. Published by BOVACO Music Publications (CL.BOV-S3388-00).

SKU: GI.G-8462

Composed by James Abbington. Edited by James Abbington. African American Church Music Series. Sacred. Book. 824 pages. GIA Publications #8462. Published by GIA Publications (GI.G-8462).

ISBN 9781622771004. English.

The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.

Full Score Concert Band (Score) - Grade 2

SKU: HL.862121

Composed by John Williams. Arranged by Michael Sweeney. Essential Elements Master Level. Concert, Olympics, Symphonic. 16 pages. Published by Hal Leonard (HL.862121).

UPC: 884088169008. 9.0x12.0x0.037 inches.

Master Level (correlates with Book 2, p. 32) Written for the '96 Olympic Games in Atlanta, this stirring theme has been superbly arranged for younger bands by Michael Sweeney. Solid key centers, easy style shifts, and careful rhythmic notation make this an ideal confidence builder and impressive concert selection.

About Essential Elements Band Method

Abo ut Essential Elements Band Method: Essential Elements Band Method provides a complete system of books and accompanying materials that make the educator's job easier, and the students' learning more thorough and enjoyable. By Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser, John Higgens, Linda Petersen.

15-part brass ensemble - advanced

SKU: CY.CC2630

Composed by John Anthony Lennon. Contemporary. Score and parts. Published by Cherry Classics (CY.CC2630).

Cor prudentis is a grand and noble work for 15-part brass ensemble and Timpani. Mr. Lennon's work was commissioned in 1994 for the inauguration of Emory University's new president, William Chase and was premiered in the spring of 1995.

The Latin phrase is the motto of the University, which is situated in Atlanta Georgia
cor prudentis possidebit scientiam
The English translation of the title is:
The wise heart seeks knowledge

For advanced performers this work of about 6 minutes in length is scored for:

4 Horns in F, 6 Trumpets in C, 3 Trombones, Tuba and Timpani.

Chamber Music Piano, Trumpet

SKU: PR.114419070

Composed by Martin Amlin. With Standard notation. 20+16 pages. Duration 9 minutes. Theodore Presser Company #114-41907. Published by Theodore Presser Company (PR.114419070).

ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.

Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .

Squareback saddle stitch. Grossman Audio. Ragtime. Book and online audio. 143 pages. Mel Bay Publications, Inc #30935M. Published by Mel Bay Publications, Inc