C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.

By Various. Arranged by Lee Patrick. alto saxophone and piano. Published by Carl Fischer.

For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Published by Paterson Ltd.

By Mary Ann Harbar. For Violin. Solos. Classic. Level: Intermediate. Book/CD Set. Size 9x11.75. 128 pages. Published by Mel Bay Publications, Inc.

Audio Access Included!. Instructional. Folk, Scottish, Traditional. Softcover Audio Online. 80 pages. Published by Hal Leonard

Edited by Nancy Bachus. Collection for piano solo. With performance CDs and historical background information. Series: A History of Piano Masterworks. 128 pages. Published by Alfred Publishing.

By Various. For Piano/Keyboard. Music Sales America. Softcover. 72 pages. Music Sales #AM995511. Published by Music Sales . Softcover.

Cello - Early Intermediate

SKU: FH.VC3

Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC3. Published by The Frederick Harris Music Company (FH.VC3).

ISBN 978-1-55440-539-8.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Baroque and Classical Repertoire:
Trio Sonata in D Minor (La Follia), RV 63 - Vivaldi, Antonio arr. arpad Pejtsik
Sonata in F Major, TWV 41:F2 - Telemann, Georg Philipp arr. Kathleen Wood
- First Movement
Sonata in D Major, HWV 371 - Handel, George Frideric
- Third Movement
Suite No. 3 - Caix d'Hervelois, Louis de arr. L.-R. Feuillard
- Eleventh Movement: Musette (La Brantes)
Ave Verum Corpus (Hail, True Body), K 618 - Mozart, Wolfgang Amadeus arr. Jason Gray
Concertino No. 5 in D Major - Breval, Jean-Baptiste arr. Pierre Ruyssen
- First Movement
Traditional and Romantic Repertoire:
Norweigian Dance, op. 35, no. 2 - Grieg, Edvard arr. Christine Donkin
Prelude in B Minor, op. 28, no. 6 - Chopin, Frederic arr. Jason Noble
El cant dels ocells (Song of the Birds) - Catalan Christmas carol arr. Jason Gray
On Wings of Song, op. 34, no. 2 - Mendelssohn, Felix
L'elephant (The Elephant) - Saint-Saens, Camille
Standchen (Serenade), D 957, no. 4 - Schubert, Franz
Repertoire Composed After ca 1930
My Blue 'Cello - Gout, Alan
Rondo - Matz, Rudolf
Just Passing By - Wedgwood, Pam
Fuego Espanol! (Spanish Fire!) - Birston, Harold
Minuet, op. 19, no. 3 - Squire, William Henry
Langsam (Slowly) - Hindemith, Paul.

100 Solos. Pop and Rock. Book Only. Music Sales #MUSAM38365. Published by Music Sales

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.144407570

Composed by Ellen Taaffe Zwilich. Set of Score and Parts. 64+12+12+12+12+12+12 pages. Duration 24 minutes. Merion Music #144-40757. Published by Merion Music (PR.144407570).

ISBN 9781491136522. UPC: 680160689330.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.14440757S

Composed by Ellen Taaffe Zwilich. Full score. 64 pages. Duration 24 minutes. Merion Music #144-40757S. Published by Merion Music (PR.14440757S).

ISBN 9781491136539. UPC: 680160689347.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

For Piano. Classical, Folk, Holiday. Sheet Music. 240 pages. Published by Music Sales.

by Mel Bay. For tenor banjo. Complete. All styles, solos and duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 104 pages. Published by Mel Bay Pub., Inc.

Saddle-stitched, Solos. World. Book. 76 pages. Mel Bay Publications, Inc #30839. Published by Mel Bay Publications, Inc

Violin 1 (Violin 1)

SKU: HL.51480733

Violin I. Composed by Franz Joseph Haydn. Edited by Horst Walter. Sheet Music. Paperbound. Henle Music Folios. Pages: Vl I Part = 7. Classical. Individual instrument part. 8 pages. G. Henle #HN733. Published by G. Henle (HL.51480733).

ISBN 9790201807331. UPC: 884088178475. 9.25x12.25x0.027 inches.

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (or harpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Keyboard (Masterworks Book). Level: Intermediate/Early Advanced (4/5/6/6 ). Published by Alfred Publishing.

(The Auernhammer Sonatas Op. II) Composed by Wolfgang Amadeus Mozart (1756-1791), edited by W. D. Seiffert. Collection and set of performance parts for Violin and piano. With introductory text, performance notes, bowings and fingerings. Urtext edition-paper bound. 168 pages. Published by G. Henle.

The Complete Classical Wedding Book for Piano by Mark Barnard. For piano. Sacred, Wedding. Intermediate. Published by Unity Music Press

By Mark Barnard. Organ. Level: 3-staff. Sacred Organ. Published by Unity Music Press.

Composed by Ludwig van Beethoven (1770-1827), edited by Sieghard Brandenburg. Collection and set of performance parts for Violin and piano. With bowings and fingerings. Urtext edition-paper bound. 159 pages. Published by G. Henle.

B flat Instruments. Composed by Christopher D. Azzara / Richard F. Grunow. This edition: B-flat Instruments edition. Developing Musicianship. Music Education. Book. 86 pages. GIA Publications #7903. Published by GIA Publications (GI.G-7903).

B flat Instruments. Composed by Christopher D. Azzara / Richard F. Grunow. This edition: B-flat Instruments edition. Developing Musicianship. Music Education. Book. 68 pages. Published by GIA Publications (GI.G-7895).

Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performance parts for violin solo and piano accompaniment. With bowings, fingerings, introductory text and discography. 128 pages. Published by Carl Fischer.

Composed by Arcangelo Corelli (1653-1713), edited by Paul Paradise. Performance part for 1st violin. With bowings and fingerings. 36 pages. Published by Belwin.

SATB choir; orchestra

SKU: HP.C5011O

Composed by Michael Joncas. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Hymntune, General Worship, Assurance, Comfort, Encouragement, Guidance, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5011O. Published by Hope Publishing Company (HP.C5011O).

UPC: 763628144869. By Michael Joncas. Deuteronomy 32:11, Ephesians 5:14, Isaiah 40:31, Matthew 13:43, Numbers 6:25, Proverbs 30:5, Psalms 118:27, Psalms 3:3, Psalms 37:24, Psalms 4:6, Psalms 63:8, Psalms 67:1, Psalms 7:10, Psalms 84:11, Psalms 91:1-16, Psalms 17:1-7,15,.

Medley of On Eagle's Wigns by Michael Joncas and It Is Well with My Soul
Two major favorites blended together by John Wilson into a compelling statement of encouragement and assurance. Two major favorites - one hymn, It Is Well with My Soul, one contemporary song, On Eagle's Wings - blended together by John Wilson into a compelling statement of encouragement and assurance.

Bass (Basso)

SKU: HL.51480736

Bass. Composed by Franz Joseph Haydn. Edited by Horst Walter. Sheet Music. Paperbound. Henle Music Folios. Pages: Basso Part = 7. Classical. Individual instrument part. 8 pages. G. Henle #HN736. Published by G. Henle (HL.51480736).

ISBN 9790201807362. UPC: 884088178505. 9.25x12.25x0.027 inches.

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (or harpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)