In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue

For Concert Band, Mixed Choir And Organ (Optional). Par DE HAAN JACOB. English-German-French-Dutch / Niveau : 3 / Répertoire / Concert Band ou Harmonie et Choeur en option

Par ELGAR EDWARD. Unavailable in its complete form since Elgar's death, this delightful sequence of pieces will provide an invaluable source of performing material for organists of all abilities. The Voluntaries can be played on either manuals alone, as originally conceived, or with the optional pedal part. They are equally suitable for performance as a complete cycle or individually. The text of this edition takes account of Elgar's own proof corrections and compositional sketches, and presents the most authoritative record of the composer's intentions. This edition has been edited by Peter Horton and forwarded by Simon Preston. / Niveau : Assez Facile / Répertoire / Orgue

Par OGDEN NIGEL. Easy liturgical organ music in an accessible modern style is always welcome, and Nigel Ogden, well-known contributor to Stainer & Bell’s ‘Light Organ’ series and host of ‘the Organist Entertains’ on BBC Radio 2, has composed fifteen new pieces for use within the communion service or other acts of worship. They are suitable both for traditional and electronic keyboard instruments, and may be performed on single or multi-manuals, with the bass played optionally on pedals as desired. There are fanfares and festal voluntaries to accompany the dramatic high-points of the liturgy, as well as tranquil melodies for reposeful moments of meditation and private devotion, pluspreludes on familiar hymns to collect the thoughts of the whole congregation. Flexibility is the watchword of At Your Service, which offers a really practical contribution to the repertoire of useful music for church organists./ Recueil / Orgue

The 'organ plus brass? series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble.Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ.- Repertoire for brass ensemble and organ- Suitable for amateur ensembles and non-professional church musicians- A variety of instrumental parts allow many performance options / Ensemble A Vent

The 'organ plus brass? series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble.Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ.- Repertoire for brass ensemble and organ- Suitable for amateur ensembles and non-professional church musicians- A variety of instrumental parts allow many performance options / Trompette II

The 'organ plus brass? series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble.Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ.- Repertoire for brass ensemble and organ- Suitable for amateur ensembles and non-professional church musicians- A variety of instrumental parts allow many performance options / Trompette I

Ecrit en 01/01/14 et 01/01/15, Praxipode est constitué d'un ensemble de vingt pièces regroupées en trois suites distinctes, Elles ont été écrites dans le but d'aider les organistes à user du pédalier de manière progressive, Le recueil fait suite à Dactylopraxie, destiné au manuel seul, et en adopte exactement la même structure, Si les différentes pièces qui composent chaque suite peuvent être isolées ou regroupées selon les envies des interprètes, elles sont néanmoins reliées entre elles par un propos identique qui en assure la cohérence et apparente les trois ensembles au genre des Partitas, This collection of concise works by Christophe Marchand is an excellent introduction for beginning organ students to develop a good, solid pedal technique and independence for the performance of 21st century music, I highly recommend this superb collection without any reservations,James David Christie Ce nouveau recueil de Christophe Marchand est une musique charmante et inspirante qui prépare à l'écoute de la musique d'aujourd'hui,Bernhard Haas Praxipode est à la fois original, bien construit, et surtout très adapté à l'évolution des jeunes organistes grâce à l'acquisition de réflexes bien ciblés, le tout sous un aspect ludique qui, j'imagine, doit facilement séduire les plus jeunes, Bref, une réussite !Olivier Latry Christophe Marchand réconcilie travail et jeu, ce qui n'est pas un mince défi ! Une oeuvre à mettre entre toutes les mains, et tous les pieds oserait-on dire,Aude Heurtematte et Christophe Mantoux / Orgue

A treasure house with organ pieces by female composers – new edition in the series 'Frauen komponieren'. Content: Elisabeth Stirling (1819-95), Movement - Elfrida Andrée (1841-1929), Andante and Larghetto - Cécile Chaminade (1857-1944), Marche funèbre - Ethel Smith (1858-1944), Prelude and Fugue on 'O Traurigkeit, o Herzeleid' - Nadia Boulanger (1887-1979), Prélude, Petit Canon and Improvisation - Elsa Barraine (1910-1999), Prélude et Fugue - Ruth Zechlin (geb. 1926), Laudate - Emma Lou Diemer (geb. 1927), Fiesta - Sieglinde Ahrens (geb. 1936), Invocation and many more. / Répertoire d'Examen / Recueil / Orgue

'Worship Hymns for Organ and Brass? is a new series with remarkable versatility. The arrangements are for Organ with Solo Trumpet or Brass Ensemble and Percussion. All parts are upper intermediate level with optional high notes for Trumpets and Horn. While the parts are not demanding, they have a level of artistry that is compelling to all of the performers involved. Instrumental options with Organ include: Solo Trumpet - Brass Trio (2 Trumpets and 1st Trombone) - Brass Quartet (2 Trumpets and 2 Trombones OR 1st Trombone and Tuba) - Brass Quintet (All but Horn, 2nd Trombone or Tuba) - and Brass Sextet. Versatile and regal, perfect for the most triumphant season of the year. / Ensemble De Cuivres Et Orgue

BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue