| Ballet from Orphée et Eurydice 1 Piano, 4 mains - Avancé Alfred Publishing
By Christoph Willibald von Gluck (1714-1787). Arranged by Greg Anderson. For Pia...(+)
By Christoph Willibald
von Gluck (1714-1787).
Arranged by Greg
Anderson. For Piano. This
edition: Piano Duets (1
Piano, 4 Hands). Book;
Duet or Duo; Masterworks;
Piano Duet (1 Piano, 4
Hands). Anderson and Roe
Duos and Duets.
Classical; Masterwork
Arrangement; Recital.
Advanced. 8 pages.
Published by Alfred Music
Publishing
$4.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Orpheus in the Underworld Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-010 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053830-010
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053830-010. Published by
De Haske Publications
(BT.DHP-1053830-010).
English-German-French-
Dutch. Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
In de
operette Orphée aux
Enfers (Orpheus in
de onderwereld)
parodieert Offenbach het
beroemde verhaal van
Orpheus en Euridice uit
de oude Griekse
sagenwereld - indirect
stelt hij echter de
zelfgenoegzaamheid van
veelvan zijn tijdgenoten
aan de kaak. De ouverture
is niet geheel van
Offenbachs hand. Carl
Binder heeft er diverse
stukken aan toegevoegd
voor een Weense productie
in 1860, en die zijn er
sindsdien in gebleven.
Wil van der Beek
maakteeen transcriptie
voor harmonieorkest van
de aanstekelijke
ouverture - waarin
natuurlijk de beroemde
cancan is
verwerkt.
In
seiner Operette
Orpheus in der
Unterwelt (Orphée aux
Enfers) parodiert
Offenbach die berühmte
Erzählung von Orpheus
und Eurydike aus der
klassischen griechischen
Sagenwelt. Indirekt
kritisiert er darin
jedoch die
Selbstgefälligkeit
vieler seiner
Zeitgenossen. Die
Ouvertüre schrieb
Offenbach nicht ganz
alleine; Carl Binder
fügte einige Stücke
für eine Wiener
Produktion dieser
Operette im Jahr 1860
hinzu. Diese Stücke
blieben seither Teil der
Ouvertüre. Wil van der
Beek schuf eine
Transkription für
Blasorchester dieser
reizvollen Ouvertüre,
die auch den berühmten
Cancan
enthält.
Jacque
s Offenbach (1819-1880)
cultivait l’art
d’ironiser sur la
frivolité des moeurs
parisiennes, sur
l’amour, la vie
politique et la vie
militaire. Son
opérette Orphée aux
Enfers (1858) est une
parodie du mythe grec
d’Orphée et
Eurydice, mais sous le
masque de
l’antiquité, il
se livre une critique
sévère de
l’attitude
suffisante de nombreux de
ses contemporains.
L’Ouverture telle
que nous la connaissons
aujourd’hui
n’est pas la
version originale
d’Offenbach, mais
une version
complétée par Carl
Binder pour une
production Vienne en
1860. Wil van der Beek en
a réalisé une
transcription
irrésistible qui
contient le pétillant
Cancan, l’une des
pages les plus
célèbres de
lapartition.
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Orpheus in the Underworld Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-140 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053830-140
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Score Only. Composed
2005. 44 pages. De Haske
Publications #DHP
1053830-140. Published by
De Haske Publications
(BT.DHP-1053830-140).
English-German-French-
Dutch. Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
In de
operette Orphée aux
Enfers (Orpheus in
de onderwereld)
parodieert Offenbach het
beroemde verhaal van
Orpheus en Euridice uit
de oude Griekse
sagenwereld - indirect
stelt hij echter de
zelfgenoegzaamheid van
veelvan zijn tijdgenoten
aan de kaak. De ouverture
is niet geheel van
Offenbachs hand. Carl
Binder heeft er diverse
stukken aan toegevoegd
voor een Weense productie
in 1860, en die zijn er
sindsdien in gebleven.
Wil van der Beek
maakteeen transcriptie
voor harmonieorkest van
de aanstekelijke
ouverture - waarin
natuurlijk de beroemde
cancan is
verwerkt.
In
seiner Operette
Orpheus in der
Unterwelt (Orphée aux
Enfers) parodiert
Offenbach die berühmte
Erzählung von Orpheus
und Eurydike aus der
klassischen griechischen
Sagenwelt. Indirekt
kritisiert er darin
jedoch die
Selbstgefälligkeit
vieler seiner
Zeitgenossen. Die
Ouvertüre schrieb
Offenbach nicht ganz
alleine; Carl Binder
fügte einige Stücke
für eine Wiener
Produktion dieser
Operette im Jahr 1860
hinzu. Diese Stücke
blieben seither Teil der
Ouvertüre. Wil van der
Beek schuf eine
Transkription für
Blasorchester dieser
reizvollen Ouvertüre,
die auch den berühmten
Cancan
enthält.
Jacque
s Offenbach (1819-1880)
cultivait l’art
d’ironiser sur la
frivolité des moeurs
parisiennes, sur
l’amour, la vie
politique et la vie
militaire. Son
opérette Orphée aux
Enfers (1858) est une
parodie du mythe grec
d’Orphée et
Eurydice, mais sous le
masque de
l’antiquité, il
se livre une critique
sévère de
l’attitude
suffisante de nombreux de
ses contemporains.
L’Ouverture telle
que nous la connaissons
aujourd’hui
n’est pas la
version originale
d’Offenbach, mais
une version
complétée par Carl
Binder pour une
production Vienne en
1860. Wil van der Beek en
a réalisé une
transcription
irrésistible qui
contient le pétillant
Cancan, l’une des
pages les plus
célèbres de
lapartition.
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito. $31.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Orpheus Et Eurydice Libreria Musicale Italiana
SKU: HL.50497125 Composed by Aurelio Bonelli. MGB. Libreria Musicale G. Z...(+)
SKU: HL.50497125
Composed by Aurelio
Bonelli. MGB. Libreria
Musicale G. Zanibon
#ZAN5187. Published by
Libreria Musicale G.
Zanibon (HL.50497125).
PER SOPRANO,
VIOLA D'AMORE E
PIANOFORTE. $18.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| ORFEO ED EURIDICE (ORPHEUS): Che faro senza mi Eurydice (Contralto) Lucks Music Library
(str,Contralto solo) SKU: TM.02266SET Composed by Christoph W. von Gluck....(+)
(str,Contralto solo)
SKU: TM.02266SET
Composed by Christoph W.
von Gluck. Set Type: D.
Set of parts. Lucks Music
Library #A2806. Published
by Lucks Music Library
(TM.02266SET).
Key of E.
Contains just Musetta's
Waltz. Begins 6 measures
before rehearsal #21 and
ends 19 bars after
rehearsal #23. See #14163
for entire Finale to Act
II, which begins from
Quando me'n vo soletta
(rehearsal #21) through
end of Act (including
Intermezzo and exit from
Cafe). Sung by Musette,
Mimi, Alcindoro, Rodolfo,
and Marcello. $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| ORFEO ED EURIDICE (ORPHEUS): Che faro senza mi Eurydice (Contralto) [Conducteur] Lucks Music Library
(str,Contralto solo) SKU: TM.02266SC Composed by Christoph W. von Gluck. ...(+)
(str,Contralto solo)
SKU: TM.02266SC
Composed by Christoph W.
von Gluck. Score. Lucks
Music Library #A2806.
Published by Lucks Music
Library (TM.02266SC).
Key of E.
Contains just Musetta's
Waltz. Begins 6 measures
before rehearsal #21 and
ends 19 bars after
rehearsal #23. See #14163
for entire Finale to Act
II, which begins from
Quando me'n vo soletta
(rehearsal #21) through
end of Act (including
Intermezzo and exit from
Cafe). Sung by Musette,
Mimi, Alcindoro, Rodolfo,
and Marcello. $10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| LOrfeo [Conducteur] Barenreiter
(Favola in musica in un prologo e cinque atti). Composed by Claudio Monteverdi (...(+)
(Favola in musica in un
prologo e cinque atti).
Composed by Claudio
Monteverdi (1567-1643).
Edited by Rinaldo
Alessandrini. For soprano
voice solo (7), tenor
voice solo (4), bass
voice solo (3), SSATTB
choir, TTBBB choir,
orchestra. This edition:
Urtext edition.
Paperback. Score.
Language: Italian, Text
Language:
Italian/English/German.
141 pages. Published by
Baerenreiter Verlag
$192.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Standard Vocal Literature - An Introduction to Repertoire (Mezzo-Soprano)
Voix Mezzo-Soprano [Partition + Accès audio] Hal Leonard
Mezzo-Soprano. Arranged by Richard Walters. Vocal Collection. Beginning/Intermed...(+)
Mezzo-Soprano. Arranged
by Richard Walters. Vocal
Collection.
Beginning/Intermediate
Classical, Classical.
Softcover Audio Online.
144 pages. Published by
Hal Leonard
(5)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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