Guitar, keyboard

SKU: GI.G-7400

This edition: Pew edition. Hymnal. Oramos cantando series. Sacred. Book. GIA Publications #7400. Published by GIA Publications (GI.G-7400).

ISBN 9781579999698.

Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style� �€ repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebrac ión” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

By John O'reilly. Music by John O'Reilly. For Concert Band. Concert Band. Growing Band Series. Multicultural. Level: 3 (Medium) (grade 3). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.16500092L

For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L).

UPC: 680160039531. 11 x 17 inches.

Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland.

SKU: ST.MB81

Composed by Alfonso Ferrabosco the Younger. Edited by Christopher Field and David Pinto. Library Volumes. Edited by Christopher Field and David Pinto. First published in 2004. Pages: 312. Format: Hardback. Dimensions (mm): 330 x 254 x 35. Score. Stainer & Bell Ltd. #MB81. Published by Stainer & Bell Ltd. (ST.MB81).

ISBN 9790220220883.

The rich store of music in this volume includes the In Nomine 'Through All Parts', the 'Dovehouse Pavan', the four- and five-part hexachord compositions with their radical and exploratory modulations, Ben Jonson's A Hymn to God the Father in a four-note ostinato setting, tuneful almains, and the four-part version of 'On the Hexachord'.

SKU: HP.2939

Arranged by Joel Raney and Lloyd Larson. Reproducible. Handbell score. 96 pages. Hope Publishing Company #2939. Published by Hope Publishing Company (HP.2939).

UPC: 763628129392.

Repro ducible hymn collection for handbells These 40 easy hymn accompaniments are designed to enhance and heighten the power of hymn singing in worship by adding the brilliance of handbells. Each of the hymns are arranged in two settings to be played with the organist or pianist, and are compatible with most hymnals. Setting one encompasses the full 3-5 octaves with chordal accompaniment, while the second version is for treble clef only in a descant/ostinato style, played in octaves. With easy-to-learn as their top priority, these are all Level 2, and many of them can be played without a bell table. The tunes pair with popular seasonal titles and general hymns that you will be sure to sing throughout the church year.

Handbells 2-3 octave handbells reproducible - Level 2

SKU: HP.2847

Arranged by Joel Raney and Lloyd Larson. Reproducible. General Worship, Sacred. Handbell score. Hope Publishing Company #2847. Published by Hope Publishing Company (HP.2847).

UPC: 763628128470.

Forty hymns by Various Writers These 40 easy hymn accompaniments are designed to enhance and heighten the power of hymn singing in worship by adding the brilliance of handbells. Each of the hymns are arranged in two settings to be played with the organist or pianist, and are compatible with most hymnals. Setting one encompasses the full 3-5 octaves with chordal accompaniment, while the second version is for treble clef only in a descant/ostinato style. These are all Level 2, and many of them can be played without a bell table. The tunes pair with popular seasonal titles and general hymns that you will be sure to sing throughout the church year.

Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piano, Timpani, Trombone 1 and more.

SKU: PR.466000470

Composed by Dan Welcher. Spiral. Large Score. With Standard notation. Duration 10 minutes. Theodore Presser Company #466-00047. Published by Theodore Presser Company (PR.466000470).

UPC: 680160099405. 11 x 17 inches.

This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph.

SATB choir, organ, handbells, recorder - Intermediate

SKU: MN.50-7052

Composed by Michael Burkhardt. 21st Century, Gathering/Processional. Octavo. MorningStar Music Publishers #50-7052. Published by MorningStar Music Publishers (MN.50-7052).

UPC: 688670570520.

A grand processional and chorale that works well as an introduction to the hymn Praise to the Lord the Almighty. Three groups of equal voices begin the piece and are then joined by four vocal ostinatos to create a double choir effect. The piece can be quickly learned as each of the parts is repetitive, producing a canonic effect. A wonderful beginning for a hymn festival or program. Reproducible instrumental parts are included. Handbells: 3 octaves.

Concert Band - Grade 2

SKU: HL.44007427

Grade 2 - Score Only. Composed by James Hosay. Curnow Music Concert Band. Tone Poem. 20 pages. Published by Curnow Music (HL.44007427).

UPC: 884088251956. 9x12 inches.

An uplifting tone poem for band, this one is a truly beautiful expression built upon rich texture and artfully-phrased melody. From a simple hymn-like opening, the piece builds relentlessly to an intense and inspiring finale. James L. Hosay is one of the modern concert band's literature's great composers of melody. So often modern band pieces are built upon a couple of simple ostinato figures at the expense of any real extended thematic material. It is indeed refreshing and rewarding to have a beautiful melody to play. Play it!

By Bob Chilcott. For SSAA choir and piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

Composed by David Sims. Augsburg Choral Hymn Series. Christian, Sacred, All Saints, Funeral. Octavo. Augsburg Fortress #9781506479804. Published by Augsburg Fortress

Composed by Paul J. Sifler. Fredonia Press #FRD102. Published by Fredonia Press

Violin, bassoon and organ

SKU: M7.DOHR-16339

Chorale Suite. Composed by Lothar Graap. Sheet music. Score and parts. 20 pages. MDS (Music Distribution Services) #DOHR 16339. Published by MDS (Music Distribution Services) (M7.DOHR-16339).

ISBN 9790202033395.

Der Text dieses Liedes basiert auf dem Hymnus Christe, qui lux es et dies aus dem 6. Jahrhundert, deutsch von Erasmus Alkberg um 1556. Die Melodie stammt aus Frankfurt am Main 1557, bei Cyriakus Spangenberg 1568 / Seth Calvisius 1597 (GL 90 / EG 469). Bei geistlichen Musiken ist das Stück am besten als Abschluss zu spielen. Das Lied eignet sich besonders als gesamte Choralsuite bei einer Abendandacht mit Textauslegung. (Lothar Graap).

Composed by English Ballad. Arranged by Russell L. Robinson. Fold. Octavo. 8 pages. Duration 2 minutes, 47 seconds. Carl Fischer Music #CM9657. Published by Carl Fischer Music

Composed by Mary Beth Bennett; Ludwig Diehn. Non Hymn-Based, Organ Recital Music, Preludes, Partita/Variations, Postludes. Secular, 21st century. Published by E.C. Schirmer Publishing

By Vicki Hancock Wright. Unison. Rote to Note. Sacred. Octavo. Published by Chorister's Guild.

Organ

SKU: SU.80101421

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101421. Published by Zimbel Press (SU.80101421).

Sonatina No. 2 (2013) is dedicated to Robert Behrman. The opening toccata consists of bouncy and vibrant music surrounding a lyric chorale. The title of the second movement, Sharagan, refers to a style of monodic hymn in the Armenian Orthodox Church. The third movement is a gigue indebted to Buxtehude, though with a contemporary harmonic flavor. Sonatina No. 3 (2014) is dedicated to Johan-Magnus Sjoberg. The opening movement is an ostinato (quasi-passacaglia) with a heavily syncopated theme. The second movement, Dirge, is quiet and expressive, with a rising scalar figure in the bass that increases in speed. The final movement is a dancing toccatina with a bit of a scherzando character. (Both of these sonatinas can be played with manuals only. Optional pedal suggestions are provided in a few places.) Instrumentation: Organ Duration: 14'30 Composed: 2013-14 Published by: Zimbel Press.

Organ

SKU: SU.80101401

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101401. Published by Zimbel Press (SU.80101401).

Hamburg Organbook (2017) is a collection of individual organ pieces suitable for recital or service that are all based on motives and themes by the German composer Andreas Willscher (a native of Hamburg). Contained within are: Cortege, Intermezzo, and Litany on the Joseph-Hymnus; Ostinato Postlude on a Motive of Andreas Willscher; Variations on a Theme of Andreas Willscher; Pastorale on a Hymn by Andreas Willscher; Voluntary on a Motet by Andreas Willscher; Paraphrase on a Motive of Andreas Willscher. Instrumentation: Organ Duration: 30' Composed: 2017 Published by: Zimbel Press.

Handbells C Instrument, Violin - Level 2

SKU: HP.2917

Composed by Cleansing Fountain. Arranged by Lloyd Larson. Hymntune, Hymn Arrangements, Lent, General Worship, Communion, Blood, Jesus Christ - Passion, Lord's Supper, Passion & Death. Handbell score. 12 pages. Hope Publishing Company #2917. Published by Hope Publishing Company (HP.2917).

UPC: 763628129170.

In this setting of an old favorite hymn, the treble bells set the stage with their gentle ostinato. Soon, the melody enters in the tenor line and is joined by the basses to give a rich sound. God's glory shines through the brilliant 'all in' section, and then the song peacefully ends, much as it began.

Piano (SAB) - early intermediate

SKU: CR.984199

Composed by Jonathan Campbell. Choral. Octavo. With music. Concordia Publishing House #984199. Published by Concordia Publishing House (CR.984199).

UPC: 078777089627. 7 x 10.25 inches.

A setting by Jonathan Campbell of the hope and comfort hymn with tune RESTORATION for SAB choir and piano using a Chinese text in English translation by Stephen P. Starke. The piece builds tension through a relentless ostinato pattern that finally bursts into a florid piano part and wordless chorus, expressing a posture beyond words. The tension of major and minor at the end mirrors the idea that we are fallen and redeemed people simultaneously.

Organ - advanced

SKU: HL.49018423

Composed by Harald Feller. This edition: Saddle stitching. Sheet music. Edition Schott. Composed 1987/2010. 24 pages. Duration 10'. Schott Music #ED20837. Published by Schott Music (HL.49018423).

ISBN 9790001171632. UPC: 884088615178. 9.0x12.0x0.079 inches.

As professor at the Munich Academy of Music, the German organist and composer Harald Feller (*1951) not only takes care of the young generation of musicians and is in the limelight as a soloist, but also adds to the organ repertoire by writing major new works. 'Te Deum' is based on the beginning of the Gregorian melody of the Ambrosian hymn. Using polyrhythmic structures, canonic elements and ostinato rhythms, Feller turns a small cell into ecstatic music in the praise of God - 'Te Deum': a powerful symphonic organ work!

By Hal H. Hopson. For organ (SATB choir, divisi). Choral. Organ Dedication, Music, Praise/Thanksgiving, General, Advent. Medium. Octavo. 15 pages. Published by MorningStar Music Publishers

3-5 octave handbells

SKU: BP.HB623

Composed by Lloyd Larson. Arranged by Lloyd Larson. Handbell choir music. Handbell score. Beckenhorst Press #HB623. Published by Beckenhorst Press (BP.HB623).

Arranged for 3 to 5 octave handbell choir with optional 3 octaves of handchimes. Hymn-tune HUMILITY. A gentle and delicate ostinato figure opens Lloyd Larson's lovely arrangement of this Christmas tune. A solo melody line on handchimes gives way to both a key change and a full, chordal verse of the tune. The piece returns to the opening key for one final triumphant verse before returning to the opening material to close out the piece.

(SATB a cappella)

SKU: HL.1436096

Arranged by Roy Hopp. Hinshaw Music. Octavo. Hinshaw Music #HMC2717. Published by Hinshaw Music (HL.1436096).

UPC: 196288203940.

Three phrases - â??come, thou fount!â?, â??tune my heart!â? and â??sing Thy praise!â? - form the ostinato which undergirds the familiar hymn tune starting off this rhythmic, energetic arrangement for SATB choir, with some divisi. This joyful setting makes for an upbeat start to a concert or a worship setting.