| Wee Sing Silly Songs Voix d'Enfants [Partition + CD] Alfred Publishing
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. Gener...(+)
Arranged by Pamela Conn
Beall And Susan Hagen
Nipp. For Children's
Voices. General Music and
Classroom Publications.
Wee Sing. 45 silly songs
and fingerplays.
Children's. Book and CD.
64 pages. Duration Over
one hour. Published by
Alfred Publishing.
$10.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Come and See Chorale 2 parties Shawnee Press
By Michael Barrett and Pamela Martin. For SA(T)B Choir (SA(T)B). Shawnee Press. ...(+)
By Michael Barrett and
Pamela Martin. For SA(T)B
Choir (SA(T)B). Shawnee
Press. 12 pages. Shawnee
Press #D5540. Published
by Shawnee Press
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl-Maria Von Weber : Concertino Op. 26 (Clarinet) Clarinette et Piano Fentone Music
Clarinet and Piano. By Carl-Maria Von Weber. Arranged by Pamela Weston. Fentone ...(+)
Clarinet and Piano. By
Carl-Maria Von Weber.
Arranged by Pamela
Weston. Fentone Play
Along Books. Play Along.
Size 8.25x11.75 inches.
Published by Fentone
Music.
$20.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Progressive Repertoire-Book 2 Piano seul - Facile Carl Fischer
Select Piano Solos for Study, Festival and Performance with Performance CD. By C...(+)
Select Piano Solos for
Study, Festival and
Performance with
Performance CD. By Carl
Czerny; Cornelius
Gurlitt; Dmitri
Kabalevsky; Dmitri
Shostakovich; Franz
Joseph Haydn; George
Frideric Handel; Heinz
Walter; Jean Philippe
Rameau; Johann Kuhnau;
Miriam Hyde; Pamela
Wedgwood; Robert
Schumann; Theodore
Kullak; Wolfgang Amadeus
Mozart. Edited by Marvin
Blickenstaff. Arranged by
Marvin Blickenstaff. Solo
piano. For Piano Solo.
This edition: Late
Elementary 2. Classical.
Level: Late Elementary.
Score and Audio CD. 16
pages. Published by Carl
Fischer.
(1)$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I'm So Glad (Trouble Don't Last Always) - Facile GIA Publications
By Traditional. Arranged by Pamela; Piano Arr.: Farrell Warrick-Smith. For Voice...(+)
By Traditional. Arranged
by Pamela; Piano Arr.:
Farrell Warrick-Smith.
For Voices: SA (SSAA),
solo. Piano. Celebration
Series Sacred. Level:
easy. Published by GIA
Publications.
$2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| His Love Never Fails Chorale 2 parties [Octavo] Beckenhorst Press
| | |
| Wee Sing in the Car Voix d'Enfants [Partition + CD] Alfred Publishing
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This ...(+)
Arranged by Pamela Conn
Beall And Susan Hagen
Nipp. For Children's
Voices. This edition:
Paperback. General Music
and Classroom
Publications. Wee Sing.
42 sing-along songs, 27
backseat games, 18 silly
tongue twisters.
Children's. Book and CD.
64 pages. Duration Over
one hour. Published by
Alfred Publishing.
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ain't You Got a Right Chorale SATB SATB - Facile GIA Publications
Arranged by Pamela Warrick-Smith. Text: Traditional Spiritual. For SATB Chorus, ...(+)
Arranged by Pamela
Warrick-Smith. Text:
Traditional Spiritual.
For SATB Chorus, Solo and
Piano accompaniment.
Celebration Series.
Includes guitar chord
names. Sacred. Level:
easy. 16 pages. Published
by GIA Publications.
$1.30 $1.235 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 250 Rock'n'roll All Hits Music Sales
| | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra
SKU: PR.11641373S
Composed by Peter
Schickele. Full score.
Duration 24 minutes.
Theodore Presser Company
#116-41373S. Published by
Theodore Presser Company
(PR.11641373S). UPC:
680160680344. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra
SKU: PR.11641373L
Composed by Peter
Schickele. Large Score.
Duration 24 minutes.
Theodore Presser Company
#116-41373L. Published by
Theodore Presser Company
(PR.11641373L). UPC:
680160680337. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| King David & the National Treasure (Split-Channel & Stereo Accompaniment CD) - Facile Lillenas Publishing Co.
Unison/2-part children's choir - Easy SKU: LP.765762129726 An Easy Kid...(+)
Unison/2-part children's
choir - Easy SKU:
LP.765762129726 An
Easy Kids Musical about
Worshiping God.
Composed by Pamela
Vandewalker & Cherry
Garasi. Musical.
Multicultural and Sacred.
Split-Channel & Stereo
Accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762129726).
UPC:
765762129726. Pamel
a Vandewalker and Cherry
Garasi invite you to join
the Praise Parade in King
David & the National
Treasure their newest
release in our
Easy-to-sing
Easy-to-stage series.
King David is bringing
the Ark of the Covenant
to Jerusalem and
excitement is in the air!
Don't miss the live
coverage along the parade
route by our team of
anchors including special
interest stories by our
on-the-spot reporters and
exclusive coverage of
important meetings
between King David and
Nathan the prophet. $59.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| King David & the National Treasure (Kid's Practice Cds) - Facile Lillenas Publishing Co.
Unison/2-part children's choir - Easy SKU: LP.765762129825 An Easy Kid...(+)
Unison/2-part children's
choir - Easy SKU:
LP.765762129825 An
Easy Kids Musical about
Worshiping God.
Composed by Pamela
Vandewalker & Cherry
Garasi. This edition:
Paperback. Musical.
Multicultural and Sacred.
Kids practice CDs (10
pack). Published by
Lillenas Publishing
Company
(LP.765762129825).
UPC:
765762129825. Pamel
a Vandewalker and Cherry
Garasi invite you to join
the Praise Parade in King
David & the National
Treasure their newest
release in our
Easy-to-sing
Easy-to-stage series.
King David is bringing
the Ark of the Covenant
to Jerusalem and
excitement is in the air!
Don't miss the live
coverage along the parade
route by our team of
anchors including special
interest stories by our
on-the-spot reporters and
exclusive coverage of
important meetings
between King David and
Nathan the prophet. $49.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing for the Cure Shawnee Press
Choral (Listening CD) SKU: HL.35020195 A Proclamation of Hope. Com...(+)
Choral (Listening CD)
SKU: HL.35020195
A Proclamation of
Hope. Composed by
Pamela Martin. Arranged
by Brant Adams. Shawnee
Press. Collection. CD.
Shawnee Press #PD0055.
Published by Shawnee
Press (HL.35020195).
UPC: 752478118021.
5.5x5.0x0.397
inches. Featuring
music from an all-star
cast of composers:
Michael Cox, Patti
Drennan, David Friedman,
Jill Gallina, Alice
Gomez, W.T. Greer,
Stefania de Kenessey,
Rosephanye Powell, Joseph
M. Martin, Robert Seeley
Sing for the Cure is a
60-minute, 11-song,
choral collection with
full orchestration or
piano accompaniment.
Based on true stories of
breast cancer survivors,
the individual pieces are
powerful enough to be
used alone or grouped for
a mini-program. October
is Breast Cancer
Awareness Month; plan now
to honor the members of
your community whose
lives have been touched
by this struggle. The
work includes promotional
ideas to support this
life-changing work. Don't
miss the opportunity to
Sing for the Cure, and
celebrate the lives of
courageous women in your
community! Benefitting
Komen for the Cure. $19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Readings in African American Church Music and Worship - Volume 2 GIA Publications
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. Af...(+)
SKU: GI.G-8462
Composed by James
Abbington. Edited by
James Abbington. African
American Church Music
Series. Sacred. Book. 824
pages. GIA Publications
#8462. Published by GIA
Publications (GI.G-8462).
ISBN 9781622771004.
English. The volume
you are holding is a
vivid testimony …to
the value of examining
this variety and dynamism
from multiple,
overlapping points of
view …to the value
of both realist and
idealist voices …to
the value of articulating
wisdom. From the foreword
by John D. Witvliet,
Calvin Institute of
Christian Worship Since
the publication of the
first volume of Readings
in African American
Church Music and Worship,
public and academic
interest in the music and
worship in black churches
has significantly
increased. This second
volume makes available
the most recent
scholarship on
twenty-first-century
developments and trends,
through a representative
number of articles,
essays, and chapters
written by brilliant
musicians, authors, and
theologians of our time.
The list of contributors
includes some of the
finest emerging scholars,
whose voices we will be
hearing for years to
come, as well as
offerings from seasoned
authors, whose research
and writings are well
regarded by peers and the
worshiping community at
large. The significant
contributions—from
names new and
familiar—greatly
broaden the field of
study. The 43 chapters of
this volume are divided
into 7 categories:
Worship and Liturgical
Practices Perspectives on
Praise and Worship
Liturgical Theologies Hip
Hop and/in the Church
Proclamation of the Word
Perspectives on Women and
Gender Hymnody: Sound and
Sense Insightful,
thought-provoking,
challenging,
hopeful—this
volume will be a source
of knowledge, a stimulus
for discussion, and a
call to (re)consider the
many and varied
viewpoints of the African
American church.
Featuring the writings
of: James Abbington,
LaTrese Adkins, Sandra L.
Barnes, Tuere A. Bowles,
Ruthlyn Bradshaw, Michael
Joseph Brown, Melvin L.
Butler, James H. Cone,
David Douglas Daniels
III, Robert Darden, Leo
H. Davis Jr., Valerie
Bridgeman Davis, Michael
Fox, Kenyatta R. Gilbert,
Daniel White Hodge,
Birgitta J. Johnson,
Alisha Jones, Tammy L.
Kernodle, S T Kimbrough,
Jr., Cheryl A.
Kirk-Duggan, Cleophus J.
LaRue, Monica T. Leach,
Tamura Lomax, Pamela P.
Martin, Marvin A.
McMickle, Monica R.
Miller, Stephanie Y.
Mitchem, Thomasina
Neely-Chandler, Deborah
S. Pollard, Luke A.
Powery, Samuel D.
Proctor, Teresa L. Reed,
Braxton D. Shelley,
Martha Simmons, Josef
Sorett, Rodney A. Teal,
Frank Thomas, Kathleen S.
Turner, Kenneth C. Ulmer,
Gayle Wald, James Melvin
Washington, Ralph C.
Watkins, Lisa M. Weaver,
Melinda E. Weekes,
Christina Zanfagna James
Abbington is Associate
Professor of Church Music
and Worship, Candler
School of Theology, Emory
University, Atlanta,
Georgia. He also serves
as Executive Editor of
the African American
Church Music Series,
published by GIA
Publications, Inc. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spirituals & Gospels Advance Music
Choir Sacred SKU: AP.1-ADV4001 Arranged by Pamela Baskin-Watson. Choral W...(+)
Choir Sacred SKU:
AP.1-ADV4001 Arranged
by Pamela Baskin-Watson.
Choral Worship
Collection; Collections;
Performance Music
Ensemble. Advance Music.
Gospel; Jazz; Sacred;
Spiritual; Traditional.
Score. Advance Music
#01-ADV4001. Published by
Advance Music
(AP.1-ADV4001). UPC:
805095040012. English.
Traditional. The
arrangements of these
pieces use more
jazz-based harmonies,
rather than traditional.
The effect is fresh and
beautiful.
Titles
include: This Little
Light of Mine (SATB) *
Sometimes I Feel Like a
Motherless Child (SATB) *
Didn't My Lord Deliver
Daniel (SATB) * I'm
Seeking For a City (SATB)
* Mah God Is so High
(SSAA) * My Soul Has Been
Redeemed (SAT). $18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Best of Toto Piano, Voix et Guitare [Partition] Cherry Lane
By Toto. Piano/Vocal/Guitar Artist Songbook. Softcover. 68 pages. Published by C...(+)
By Toto.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 68
pages. Published by
Cherry Lane Music
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| To Create GIA Publications
SKU: GI.G-10054 Imagining the Good Life through Music. Composed by...(+)
SKU: GI.G-10054
Imagining the Good
Life through Music.
Composed by Clint
Randles. Music Education.
328 pages. GIA
Publications #10054.
Published by GIA
Publications
(GI.G-10054). ISBN
9781622774548. We
all need creativity in
our lives. It is key to
our happiness. Music,
according to author Clint
Randles, is one of the
best ways to feed our
longing for self-growth
through engagement in
creative processes. And
music brings us together
for the purpose of making
beauty with sound. It
provides us with a
pathway to the good life.
In To Create, Randles
answers the critical
question: What can I do
with my time that will
give me the best chance
at achieving daily
happiness? This amazing
book unpacks what it
means to engage in
creative processes. Since
story is the best way of
feeding our imagination,
the book unfolds by way
of life stories that
express the
author’s unique
perspective of the
hero’s journey.
Along the way, Randles
inspires us to think
about creativity and
music as a pursuit that
is not only truly worthy,
but accessible. He
addresses rules for
creative performance,
what we can learn from
exceptional musicians and
teachers, the link
between spirituality and
creativity, understanding
our own stories in light
of the meta-story, and
the art of trust and
starting small. To Create
is a book that is unlike
anything written on the
topic—entertaining
, wise, inspiring, and
layered. It is for anyone
who is interested in
pursuing creativity
through music but
can’t quite figure
out how or where to
start. States Randles:
“It is my hope that
you will be able to
imagine the good life
through music, that you
will be inspired To
Create!†Clint
Randles, PhD, is
Associate Professor of
Music Education at the
University of South
Florida, husband, father,
multi-instrumentalist,
and passionate lover of
music. Â Full of
resonating stories, To
Create is a profoundly
pedagogical book about
potential pathways into
life’s learnings
through and in music. To
Create seeks and embraces
the value embodied in the
multiple, individual, and
sociocultural authoring
of diverse creativities.
By analogising the good
life
(‘eidaimoniaâ€
), with lived-through
experiences by which our
desire (and drive) to
create, to grow, to
navigate, and to achieve
extraordinary things in
life is inextricably
linked, Clint Randles
stories his own journey
of being awakened
‘To Create,’
by creating and living
‘the good
life’ in and
through the symbiotic
domains of music and
music education.
—Pamela Burnard,
Professor of Arts,
Creativities and
Educations  Â
University of Cambridge,
UK To Create is the rare
achievement that
seamlessly blends how-to
curriculum with why-so
philosophy, making the
case that creative
activity is an essential
right that all children
deserve from an education
in music. Randles’
vivid illustrations prod
us to think differently
about teaching when
well-being—when
the good life—is
both destination and
design. —Randall
Everett Allsup, Professor
of Music Education Â
 Teachers College
Columbia University
Randles takes readers on
a real and figurative
road trip during which he
demonstrates how to live
life to its fullest by
embracing creativity and
repeating a mantra of
possibility. He shows us
how the good life is
achievable, walking
readers through deeply
personal accounts of
creativity in everyday
situations over a
lifetime. This book binds
the individual and
cultural, imaginative and
practical, tangible and
intangible, light and
dark, yin and yang.
It’s all about the
power of three, weaving
through everything the
vital, intangible element
of spirituality, energy,
chi to achieve
eudaimonia. Through the
lens of his experiences
as a musician and
teacher, the author
celebrates relentlessness
and hard work, providing
a window into what it
means to engage in the
good life. Open that
window to hear
life’s call to
adventure! —Gareth
Dylan Smith, Assistant
Professor of Music
Education  Â
Boston University
Professor Randles’
stimulating book prompts
memory of the seminal
work of Joseph Schumpeter
who suggested the
importance of creative
deconstruction in a
democracy. Both authors
focus on attaining the
good life through a
fuller understanding of
the logic of the process
of change—change
that is driven by
knowledgeable and
innovative entrepreneurs.
The immediate application
of Randles’
suggested dynamic
creativity processes
applies to both teacher
education and
professional development,
although both he and
Schumpeter advance
general ideas in
creativity designed to
achieve the highest level
of human growth.
—Richard Colwell,
Professor Emeritus of
Music Education  Â
University of Illinois at
Urbana-Champaign In
recent years,
Aristotle’s
concept of
‘Eudaimonia’
—meaning Happiness
in the robust sense of
full human flourishing (a
life of joy, fellowship,
self-growth,
meaningfulness, ethical
‘good work,’
and more)—has
entered and transformed
the philosophy and
practice of music
education. To Create:
Imagining the Good Life
through Music is a highly
original, emotional,
practical, and exciting
journey through the
natures and values of
creativity in/for music
education and life
itself. —David J.
Elliott, Professor of
Music and Music Education
  New York
University. $22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tone Poems for Guitar Guitare - Intermédiaire Mel Bay
Guitar (flatpick/plectrum) - Intermediate SKU: MB.95696 Composed by David...(+)
Guitar
(flatpick/plectrum) -
Intermediate SKU:
MB.95696 Composed by
David Grisman. Squareback
saddle stitch. Acoustic
Disc Records. Bluegrass
and Country. Book. 88
pages. Mel Bay
Publications, Inc #95696.
Published by Mel Bay
Publications, Inc
(MB.95696). ISBN
9780786616572. UPC:
796279028691. 8.75 x
11.75 inches. By David
Grisman and Tony Rice,
transcribed by John
Carlini. In 1994,
Acoustic Disc issued a
landmark CD by David
Grisman and Tony Rice.
The central idea behind
the album called for the
artists to play a
different vintage
mandolin or guitar on
each cut. On this
remarkable recording,
David and Tony perform 17
original compositions on
a wide range of vintage
instruments. Mel Bay
Publications, Inc., is
proud to present this
guitar edition and a
separate mandolin edition
of Tone Poems, both
transcribed by noted
guitarist/arranger John
Carlini. All 17 solos in
each book are written in
notation and
tablature. $22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tone Poems for Mandolin Mandoline [Partition] - Intermédiaire/avancé Mel Bay
by David Grisman and Tony Rice. For mandolin. transcribed solos. Acoustic Disc R...(+)
by David Grisman and Tony
Rice. For mandolin.
transcribed solos.
Acoustic Disc Records.
Acoustic Music. Level:
Intermediate-Advanced.
Book. Size 8.75x11.75. 64
pages. Published by Mel
Bay Publications, Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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