| June C. Montgomery : Whimsical Wizard Piano seul - Facile Alfred Publishing
By June C. Montgomery. For Piano. Piano Solo. Early Intermediate level piece for...(+)
By June C. Montgomery.
For Piano. Piano Solo.
Early Intermediate level
piece for the Piano Solo
event with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Sheet. 4
pages. Published by
Alfred Publishing.
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...(+)
(For C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 576 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Street Jam Trompette [Conducteur et Parties séparées] Edward B. Marks Music Company
(Trumpet in C and Bongos Score and Parts). By Evan Hause. Score and Parts. E.B. ...(+)
(Trumpet in C and Bongos
Score and Parts). By Evan
Hause. Score and Parts.
E.B. Marks. Published by
Edward B. Marks Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag
$104.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vidi aquam Chorale SSATB SSATB, Orgue [Vocal Score] - Facile Oxford University Press
Composed by Gabriel Jackson (1962-). For SSATB choir and organ. Mixed Voices. Ne...(+)
Composed by Gabriel
Jackson (1962-). For
SSATB choir and organ.
Mixed Voices. New
Horizons. Sacred, Choral
Leaflet. Level B-C (easy
- moderately difficult).
Vocal score. 12 pages.
Duration 4'. Published by
Oxford University Press
$3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Northwestern Skies [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS184F
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #YAS184F.
Published by Carl Fischer
Music (CF.YAS184F).
ISBN 9781491151860.
UPC: 680160909360. 9 x 12
inches. Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition. From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Northwestern Skies - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS184
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+5+3+8 pages.
Carl Fischer Music
#YAS184. Published by
Carl Fischer Music
(CF.YAS184). ISBN
9781491151495. UPC:
680160908998. 9 x 12
inches. Key: G
major. Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition. From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. .  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lobgesang / Hymn of Praise, op. 52 MWV A 18 Barenreiter
First flute,second flute,first oboe,second oboe,Clar 1 (in B,C,A),Clar 2 (in B,C...(+)
First flute,second
flute,first oboe,second
oboe,Clar 1 (in
B,C,A),Clar 2 (in
B,C,A),Bas.1,Bas.2,first
horn,second horn,third
horn (in B,C,D),horn 4
(in B,C,D),first trumpet
(in B,D,Es),second
trumpet (in
B,D,Es),tromb.-A,tromb.-T
,tromb.-B,Pk (1. Flute,
2. Flute, 1. Oboe, 2.
Oboe, 1. Clarinet (in B,
C, A), 2. Clarinet (in B,
C, A), 1. Bassoon, 2.
Bassoon, 1. Horn, 2.
Horn, 3. Horn (in B, C,
D), 4. Horn (in B, C, D),
1. Trumpet (in B, D, Es),
2. Trumpet (in B, D, Es),
Alto trombone, Tenor
trombo) SKU:
BA.BA09092-65 A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. Opus 52, MWV A 18.
19/18/16/16/18/17/19/18/1
5/15/12/12/7/7/9/9/8/8
pages. Baerenreiter
Verlag #BA09092_65.
Published by Baerenreiter
Verlag (BA.BA09092-65).
ISBN 9790006565863.
32.5 x 25.5 cm inches.
Text: Mendelssohn
Bartholdy, Felix (nach
der Luther-Bibel und
Martin Rinckart) /
Monicke, Charles
Henry.
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Barenreiter Urtext
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and page turns where
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| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
Flute-solo,first oboe,second oboe,Bfirst assoon,Bsecond assoon,first horn (in C)...(+)
Flute-solo,first
oboe,second oboe,Bfirst
assoon,Bsecond
assoon,first horn (in
C),second horn (in
C),first horn (in
F),second horn (in
F),Clno 1,Clno
2,tromb.-A,tromb.-T,tromb
.-B,Timp. (Flute solo, 1.
Oboe, 2. Oboe, 1.
Bassoon, 2. Bassoon, 1.
Horn (in C), 2. Horn (in
C), 1. Horn (in F), 2.
Horn (in F), 1. Clarino,
2. Clarino, Alto
trombone, Tenor trombone,
Bass trombone, Timpani)
SKU: BA.BA09188-65
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Set of wind
parts. KV 427.
3/12/12/16/14/7/7/7/7/4/4
/8/8/7/5 pages.
Baerenreiter Verlag
#BA09188_65. Published by
Baerenreiter Verlag
(BA.BA09188-65). ISBN
9790006565115. 32.5 x
25.5 cm inches. Key: C
minor. Reconstructe
d and completed by Ulrich
Leisinger.
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enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
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slight yellow tinge which
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| Symphony No. 3 C minor op. 78 Barenreiter
3 flute (1 flute-picc), 2 oboes, English horn, 2 clarinets, clarinet-B, 2 bassoo...(+)
3 flute (1 flute-picc), 2
oboes, English horn, 2
clarinets, clarinet-B, 2
bassoons, bassoon-Co, 4
horn, 3 trumpets, 3
trombones, trombone,
percussion, piano (Flutes
(3) (Piccolo flute (1)),
Oboes (2), Cor anglais,
Clarinets (2), Bass
clarinet, Bassoons (2),
Contrabassoon, Horns (4),
Trumpets (3), Trombones
(3), Tuba, Drums, Piano)
SKU: BA.BA07896-65
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. Opus 78.
14/12/10/12/12/10/12/11/7
/12/10/4/7/8/8/8/8/8/7
pages. Baerenreiter
Verlag #BA07896_65.
Published by Baerenreiter
Verlag (BA.BA07896-65).
ISBN 9790006563418.
32.5 x 25.5 cm inches.
Key: C minor. In
this work I gave
everything I had to give.
[...] What I did here I
will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
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enough that reverse pages
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| Symphony in C minor Hob I:78 Orchestre [Conducteur] Barenreiter
Orchestra SKU: BA.BA10985 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra SKU:
BA.BA10985 Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:78. Baerenreiter
Verlag #BA10985_00.
Published by Baerenreiter
Verlag (BA.BA10985).
ISBN 9790006568123. 31
x 24.3 cm inches. Key: C
minor. Preface: Andreas
Friesenhagen. Along
with Symphonies Nos. 76
and 77 Haydn composed
Symphony No. 78 for a
journey to England that
never took place.
Nonetheless, H. C.
Robbins Landon referred
to these works as the
“English
Symphonies†as they
are stylistically closely
linked to “the
London Bachâ€,
Johann Christian Bach. In
a letter Haydn wrote to
his Paris publisher
Charles-Georges Boyer in
1783, he described the
works as “Leicht
und nicht vil
Concertirendâ€,
meaning they were light
in spirit and did not
contain extensive solo
passages but rather a
clear sense of classical
form.
Continuing
the cooperation between
Bärenreiter and the G.
Henle publishing company
regarding Haydn’s
large-scale choral works,
operas, and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€. To date,
Bärenreiter has
published the complete
performance material for
several of Haydn’s
“Sturm und
Drang†symphonies
as well as the complete
London and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$63.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony in B-flat major Hob. I:77 Orchestre [Conducteur] Barenreiter
Orchestra SKU: BA.BA10986 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra SKU:
BA.BA10986 Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:77. Baerenreiter
Verlag #BA10986_00.
Published by Baerenreiter
Verlag (BA.BA10986).
ISBN 9790006569106. 31
x 24.3 cm inches. Key:
B-flat major. Preface:
Andreas
Friesenhagen. Haydn
composed his Symphony No.
77 along with his
Symphonies Nos. 76 and 78
for a planned journey to
England that never took
place. Nonetheless, H.C.
Robbins Landon calls
these works the
“English
symphonies†as they
are stylistically closely
linked to the
“London
Bachâ€, Johann
Christian Bach. Haydn
himself, in a letter of
1783 to his Parisian
publisher Charles-Georges
Boyer, described the
symphonies as
‘Leicht und nicht
vil Concertirendâ€,
meaning that they were
light in spirit and did
not contain extensive
solo passages but rather
a clear sense of
classical
form.
Continuing
the cooperation between
Bärenreiter and the G.
Henle publisher regarding
Haydn’s
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€. The
Bärenreiter catalogue
now includes the complete
performance material for
several “Sturm und
Drang†symphonies
as well as all the London
and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$63.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleepytime Serenade Piano seul - Débutant Willis Music
Mid-Elementary Level. By Carolyn C. Setliff. Willis. 4 pages. Published by Willi...(+)
Mid-Elementary Level. By
Carolyn C. Setliff.
Willis. 4 pages.
Published by Willis
Music.
$1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem c-Moll -Missa pro defunctis- Barenreiter
2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone-A, tenor trombon...(+)
2 oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, trombone-A,
tenor trombone,
trombone-B, timpani, Tam
(Oboes (2), Clarinets
(2), Bassoons (2), Horns
(2), Trumpets (2), Alto
trombone, Tenor trombone,
Bass trombone, Timpani,
Tam-Tam (gong)) SKU:
BA.BA08961-65
Missa pro
defunctis. Composed
by Luigi Cherubini.
Edited by Hans
Schellevis. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts.
11/8/12/12/12/12/12/12/7/
7/8/8/8/8 pages.
Baerenreiter Verlag
#BA08961_65. Published by
Baerenreiter Verlag
(BA.BA08961-65). ISBN
9790006559251. 32.5 x
25.5 cm inches. Key: C
minor.
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x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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$59.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ouverture C major, Op. 101 'Trompeten-Ouverture' Barenreiter
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone-A, ten...(+)
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
trombone-A, tenor
trombone, trombone-B,
timpani (Flutes (2),
Oboes (2), Clarinets (2),
Bassoons (2), Horns (2),
Trumpets (2), Alto
trombone, Tenor trombone,
Bass trombone, Timpani)
SKU: BA.BA09052-65
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts. Opus 101.
Duration 8 minutes.
Baerenreiter Verlag
#BA09052_65. Published by
Baerenreiter Verlag
(BA.BA09052-65). ISBN
9790006522705. 32.5 x
25.5 cm inches. Key: C
major.
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enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
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enough that reverse pages
do not shine
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| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wo...(+)
2MixedCh-SATB (Mixed
choirs (SATB) (2))
SKU: BA.BA09188-91
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Choral score.
KV 427. 44 pages.
Baerenreiter Verlag
#BA09188_91. Published by
Baerenreiter Verlag
(BA.BA09188-91). ISBN
9790006565139. 27 x 19 cm
inches. Key: C minor.
Text Language:
Latin. Mozart's
magnificent
unfinishedGreat Mass in C
minor K. 427is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: -
TheKyrieandGloria, both
of which survive complete
in Mozart's hand, are
edited in accordance with
scholarly standards. -
The first two sections of
theCredohave been
meticulously completed by
the editor Ulrich
Leisinger, drawing on
original Mozart
compositions e.g. the
ariaDeh vieni non
tardarfromThe Marriage of
Figaroand paying
attention to a
stylistically appropriate
and transparent
sound. -
TheSanctusandBenedictus(w
ith theHosanna), which
are either incomplete or
survive only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger's new
edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
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x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
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enough that reverse pages
do not shine
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| Samtliche Kirchensonaten, Heft 5 C major, KV 263 Barenreiter
Cello, double bass (Violoncello, Double bass) SKU: BA.BA04735-82 Sonat...(+)
Cello, double bass
(Violoncello, Double
bass) SKU:
BA.BA04735-82
Sonata in C major for
two Violins, two
Trumpets, Organ,
Violoncello and Bass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Minos E. Dounias. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Part, anthology.
K. 263. 1 pages. Duration
17 minutes. Baerenreiter
Verlag #BA04735_82.
Published by Baerenreiter
Verlag (BA.BA04735-82).
ISBN 9790006454662.
32.5 x 25.5 cm inches.
Key: C major.
About
Barenreiter Urtext
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- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Samtliche Kirchensonaten, Heft 5 C major, KV 263 Orgue Barenreiter
Organ SKU: BA.BA04735-67 Sonata in C major for two Violins, two Trumpe...(+)
Organ SKU:
BA.BA04735-67
Sonata in C major for
two Violins, two
Trumpets, Organ,
Violoncello and Bass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Minos E. Dounias. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Part, anthology.
K. 263. Baerenreiter
Verlag #BA04735_67.
Published by Baerenreiter
Verlag (BA.BA04735-67).
ISBN 9790006530496.
32.5 x 25.5 cm inches.
Key: C major.
About
Barenreiter Urtext
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Bärenreiter Urtext
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enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
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$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Contre Basse Barenreiter
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by...(+)
Double bass SKU:
BA.BA07896-85
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 15 pages.
Baerenreiter Verlag
#BA07896_85. Published by
Baerenreiter Verlag
(BA.BA07896-85). ISBN
9790006563395. 32.5 x
25.5 cm inches. Key: C
minor. In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Violon (partie séparée) Barenreiter
First violin (1. Violin) SKU: BA.BA07896-74 Composed by Camille Saint-Sae...(+)
First violin (1. Violin)
SKU: BA.BA07896-74
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 23 pages.
Baerenreiter Verlag
#BA07896_74. Published by
Baerenreiter Verlag
(BA.BA07896-74). ISBN
9790006563357. 32.5 x
25.5 cm inches. Key: C
minor. In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Samtliche Kirchensonaten, Heft 5 C major, KV 263 Violon (partie séparée) Barenreiter
Second violin (2. Violin) SKU: BA.BA04735-75 Sonata in C major for two...(+)
Second violin (2. Violin)
SKU: BA.BA04735-75
Sonata in C major for
two Violins, two
Trumpets, Organ,
Violoncello and Bass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Minos E. Dounias. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Part, anthology.
K. 263. 3 pages.
Baerenreiter Verlag
#BA04735_75. Published by
Baerenreiter Verlag
(BA.BA04735-75). ISBN
9790006454655. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Samtliche Kirchensonaten, Heft 5 C major, KV 263 Barenreiter
Second trumpet (2. Trumpet) SKU: BA.BA04735-53 Sonata in C major for t...(+)
Second trumpet (2.
Trumpet) SKU:
BA.BA04735-53
Sonata in C major for
two Violins, two
Trumpets, Organ,
Violoncello and Bass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Minos E. Dounias. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Part, anthology.
K. 263. Baerenreiter
Verlag #BA04735_53.
Published by Baerenreiter
Verlag (BA.BA04735-53).
ISBN 9790006454631.
32.5 x 25.5 cm inches.
Key: C major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| French Horn Passages, Volume I Cor [Partition] Alfred Publishing
Edited by Max P. Pottag. For French Horn. Brass - French Horn Method or Collecti...(+)
Edited by Max P. Pottag.
For French Horn. Brass -
French Horn Method or
Collection. Book. 52
pages. Published by
Alfred Publishing.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Alto seul Barenreiter
Viola SKU: BA.BA09188-79 Composed by Wolfgang Amadeus Mozart. Edited by U...(+)
Viola SKU:
BA.BA09188-79
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Single part.
KV 427. 19 pages.
Baerenreiter Verlag
#BA09188_79. Published by
Baerenreiter Verlag
(BA.BA09188-79). ISBN
9790006565160. 32.5 x
25.5 cm inches. Key: C
minor. Reconstructe
d and completed by Ulrich
Leisinger.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Samtliche Kirchensonaten, Heft 5 C major, KV 263 Barenreiter
First trumpet (1. Trumpet) SKU: BA.BA04735-52 Sonata in C major for tw...(+)
First trumpet (1.
Trumpet) SKU:
BA.BA04735-52
Sonata in C major for
two Violins, two
Trumpets, Organ,
Violoncello and Bass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Minos E. Dounias. This
edition: urtext edition.
Single sheet. Barenreiter
Urtext. Part, anthology.
K. 263. 1 pages.
Baerenreiter Verlag
#BA04735_52. Published by
Baerenreiter Verlag
(BA.BA04735-52). ISBN
9790006454624. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Alto seul Barenreiter
Viola SKU: BA.BA07896-79 Composed by Camille Saint-Saens. Edited by Micha...(+)
Viola SKU:
BA.BA07896-79
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 25 pages.
Baerenreiter Verlag
#BA07896_79. Published by
Baerenreiter Verlag
(BA.BA07896-79). ISBN
9790006563371. 32.5 x
25.5 cm inches. Key: C
minor. In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
Bassi (Basses) SKU: BA.BA09188-82 Composed by Wolfgang Amadeus Mozart. Ed...(+)
Bassi (Basses) SKU:
BA.BA09188-82
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Single part.
KV 427. 25 pages.
Baerenreiter Verlag
#BA09188_82. Published by
Baerenreiter Verlag
(BA.BA09188-82). ISBN
9790006565177. 32.5 x
25.5 cm inches. Key: C
minor. Reconstructe
d and completed by Ulrich
Leisinger.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Violon (partie séparée) Barenreiter
Second violin (2. Violin) SKU: BA.BA09188-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA09188-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Single part.
KV 427. 25 pages.
Baerenreiter Verlag
#BA09188_75. Published by
Baerenreiter Verlag
(BA.BA09188-75). ISBN
9790006565153. 32.5 x
25.5 cm inches. Key: C
minor. Reconstructe
d and completed by Ulrich
Leisinger.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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