Concert Band Concert Band - Grade 3

SKU: FL.FX070907

Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions #FX070907. Published by FLEX Editions (FL.FX070907).

Suite Pastiche, built of ten movements is a travel through time, since Antiquity. It redraws brass instruments history and evolution. This music was played by ensemble orchestra from Limoux music school, i.e. by young musiciens, and does not embed major technical difficulties. Everything was treated with humor, sometimes with caricature, thus the title. This movement is the introduction jingle.

Composed by Keith Christopher. For String Orchestra (Score and Parts). Easy Music For Strings. Grade 2. Published by Hal Leonard

Violin - Grade 2.5

SKU: HL.4002853

Grade 2.5 Violin Solo. Composed by John Cacavas. Hal Leonard Solo & Ensemble. Contemporary, Solos. 8 pages. Published by Hal Leonard (HL.4002853).

UPC: 884088285562. 9x12 inches.

Hal Leonard Solo and Ensemble Series – Grade 2.5.

Concert Band Concert Band - Grade 3

SKU: FL.FX070916

Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions #FX070916. Published by FLEX Editions (FL.FX070916).

The style of this last opus of the Suite Pastiche resembles to a film music.

In the Style of Darius Milhaud from "Pastiches"6 Musical Parodies. By Carey Blyton. For 3 Guitars. Set of parts. Opus 4. Published by Berben.

2 recorders (SA) and piano (SA)

SKU: HL.49002479

Waltz. Composed by Brian Bonsor. This edition: Saddle stitching. Sheet music. Edition Schott. A pastiche of a Viennese waltz with all the charm and flavour of an original. Classical. Score and Parts. 16 pages. Duration 2'. Schott Music #ED10699. Published by Schott Music (HL.49002479).

ISBN 9790220104282. 9.0x12.0x0.062 inches.

A pastiche of a Viennese waltz with all the charm and flavour of an original.

E-Flat Horn and Brass Band Brass Band; Eb Horn (Score)

SKU: HL.44013333

E-Flat Horn and Brass Band Score. Composed by Philip Sparke. Anglo Music Concert Band. Classical. Softcover. Duration 427 seconds. Anglo Music Press #AMP420130. Published by Anglo Music Press (HL.44013333).

UPC: 888680922931.

Sunda y in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and writtenpieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her soundon the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a changeof mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.

Piano (Piano)

SKU: HL.49045220

Solo Piano. Composed by Alexander Goehr. This edition: Saddle stitching. Sheet music. Piano. Softcover. Composed 2012. Op. 93. 18 pages. Duration 10'. Schott Music #ED13558. Published by Schott Music (HL.49045220).

ISBN 9790220134173. 9.0x12.0x0.093 inches.

My piece is subtitled Homage to Haydn. Why? Because it is modelled on Haydns Variations in F minor/major. But modelled does not imply pastiche or imitation. From Brahms onwards (if not before) there are countless examples of pieces modelled on others in a variety of ways. To do this does not imply a closeness to the original, rather inevitably a distance from it. I dont know whether alistener would be the wiser for knowing the original. In any case a composition must stand on its own feet. Alexander Goehr.

Flute and Piano

SKU: BT.STACLI128

Composed by Mark Tanner. Book Only. Clifton Edition #STACLI128. Published by Clifton Edition (BT.STACLI128).

Trumpet & Piano

SKU: ST.C133

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C133. Published by Clifton Edition (ST.C133).

ISBN 9790570811335.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry brass players
Grades 1–4 (ABRSM Grades 1, 2 & 4 syllabuses)
Former Spartan Press Cat. No.: SP1213.

Percussion (Percussion Parts)

SKU: HL.48183684

Composed by Francois Dupin. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL25889. Published by Alphonse Leduc (HL.48183684).

UPC: 888680857387. 9x12 inches.

For xylophone and piano.

Score and Parts Brass Band; Eb Horn (Score & Parts) - Grade 4

SKU: HL.44013332

E-Flat Horn and Brass Band Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Classical. Softcover. Duration 427 seconds. Anglo Music Press #AMP420030. Published by Anglo Music Press (HL.44013332).

Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and writtenpieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her soundon the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a changeof mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.

Concert band - Grade 3

SKU: RM.DEVO02616-CO

Composed by Jacques Devogel. Concert band. Orchestra. Conductor's score. Editions Robert Martin #DEVO02616-CO. Published by Editions Robert Martin (RM.DEVO02616-CO).

Pastiche en hommage ; Olivier Messiaen. By Manfred Trojahn. For Violin, Piano. Score; Single Part. Published by Baerenreiter-Ausgaben (German import).

Concert Band Concert Band - Grade 3

SKU: FL.FX070910

Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions #FX070910. Published by FLEX Editions (FL.FX070910).

Still in the Middle-Age, but the scene is different. Troubadours are here.

By Joel Raney. For C Instrument. (2-part). Hope, Hymntune, Joy, Love, Peace, Hymntune and Sacred. Print Music Single (SAB). 16 pages. Published by Hope Publishing Company.

By David Mallamud. Edited by Frank Koonce. For guitar solo. Level 4. 16 pages. Published by Les Productions d'OZ

Clarinet and Piano

SKU: ST.C129

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C129. Published by Clifton Edition (ST.C129).

ISBN 9790570811298.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1218.

By John Biggs (1932-). For full orchestra (2.2.2.2-4.3.3.1, timpani, 2 percussion, strings). A humorous montage of 27 quotes from 19 composers. Eclectic. Intermediate. Score and parts. Duration 6 minutes. Published by Consort Press

Clarinet and Piano

SKU: BT.STACLI129

Composed by Mark Tanner. Book Only. Clifton Edition #STACLI129. Published by Clifton Edition (BT.STACLI129).

Trombone and Piano

SKU: BT.STACLI134

Composed by Mark Tanner. Book Only. Clifton Edition #STACLI134. Published by Clifton Edition (BT.STACLI134).

Trumpet and Piano

SKU: BT.STACLI133

Composed by Mark Tanner. Book Only. Clifton Edition #STACLI133. Published by Clifton Edition (BT.STACLI133).

E flat Treble Clef Brass & Piano

SKU: ST.C132

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C132. Published by Clifton Edition (ST.C132).

ISBN 9790570811328.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry brass players
Grades 1–4 (ABRSM Grade 4 syllabus)
Former Spartan Press Cat. No.: SP1214.

E Flat Treble Clef Brass and Piano

SKU: BT.STACLI132

Composed by Mark Tanner. Book Only. Clifton Edition #STACLI132. Published by Clifton Edition (BT.STACLI132).

Concert Band Concert Band - Grade 3

SKU: FL.FX070914

Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions #FX070914. Published by FLEX Editions (FL.FX070914).

The Classical epoch: the invention of a system with pistons by the great Stolzel enhances instruments abilities. This Piece reminds the Viennese fanfares from Mozart period.