String Quartet

SKU: SU.50028810

For String Quartet. Composed by Faye-Ellen Silverman. Chamber Music, String Trio/Quartet/Quintet. Score & Parts. Seesaw Music Corp #50028810. Published by Seesaw Music Corp (SU.50028810).

2 Violins, Viola, Cello Duration: c. 9' Composed: 1996 Published by: Seesaw Music.

String Quartet 2 Violins, Viola & Cello

SKU: SS.50028810

Composed by Faye-Ellen Silverman. Chamber Music. Score & Parts. Composed 1996. Duration c 9'. Published by Seesaw Music Corp (SS.50028810).

Musical Theater work

SKU: SU.47000351

Musical Theater work. Composed by Stanley Silverman. Vocal/Choral, Opera. Piano Vocal Score. Subito Music Corporation #47000351. Published by Subito Music Corporation (SU.47000351).

Paul and Elizabeth inhabit a magic house, visited by dancing bears and prophetic strangers. But Elizabeth complains that her husband spends all his time at work on a magic radio. So, to be closer to his wife, Paul moves his laboratory into their home. Visiting scientists judge his radio worthless, and only their beautiful female assistant encourages Paul. But when he discovers she only hopes to seduce him, he angrily smashes his radio. To his surprise, its music continues, and he realizes it has been the music of his wife's love all along. With this understanding, his pure child self appears before his eyes and blesses the reconciliation of Paul and Elizabeth. —Richard Foreman CAST Paul, a scientist (Baritone) Dr. Alfred, a scientist (Tenor) Dr. Fred, a scientist (Baritone) Young Paul, Paul as a young boy (Boy Soprano) Elizabeth, Paul's wife (Soprano) Anna, a strange visitor (Mezzo-Soprano) Marie, an assistant to the scientists (Soprano) Two Bears, dancers (non-singing) Piano, Celeste/Organ, Percussion & String Quartet Composed: 1991 Published by: Ben Rena Music Performance materials available on rental only:.

Musical Theater work

SKU: SU.47000355

Musical Theater work. Composed by Stanley Silverman. Vocal/Choral, Opera, Libretto. Libretto. Subito Music Corporation #47000355. Published by Subito Music Corporation (SU.47000355).

Paul and Elizabeth inhabit a magic house, visited by dancing bears and prophetic strangers. But Elizabeth complains that her husband spends all his time at work on a magic radio. So, to be closer to his wife, Paul moves his laboratory into their home. Visiting scientists judge his radio worthless, and only their beautiful female assistant encourages Paul. But when he discovers she only hopes to seduce him, he angrily smashes his radio. To his surprise, its music continues, and he realizes it has been the music of his wife's love all along. With this understanding, his pure child self appears before his eyes and blesses the reconciliation of Paul and Elizabeth. —Richard Foreman CAST Paul, a scientist (Baritone) Dr. Alfred, a scientist (Tenor) Dr. Fred, a scientist (Baritone) Young Paul, Paul as a young boy (Boy Soprano) Elizabeth, Paul's wife (Soprano) Anna, a strange visitor (Mezzo-Soprano) Marie, an assistant to the scientists (Soprano) Two Bears, dancers (non-singing)Piano, Celeste/Organ, Percussion & String Quartet Duration: ' Composed: 1991 Published by: Ben Rena Music Performance materials available on rental only:.

SKU: GI.G-10580

Philosopher and Practitioner in Dialogue. Composed by William Perrine. Music Education. 430 pages. GIA Publications #10580. Published by GIA Publications (GI.G-10580).

ISBN 9781622776375.

Cont ributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.

Piano

SKU: SU.96010590

Composed by Various. Score. Subito Music Corporation #96010590. Published by Subito Music Corporation (SU.96010590).

Instrumentation : Piano
Composed: 2020
Published by: Subito Music Publishing
TABLE OF CONTENTS
SNOW (from Album for the Young) by Roberto Sierra
SONG (from Album for the Young) by Roberto Sierra
Meditation (from Album for the Young) by Roberto Sierra
Autumn (from Album for the Young) by Roberto Sierra
Musings by Thomas Parente
A Sad Waltz (from Album for the Young at Heart) by James Lee III
Two Hands Singing by Paul Moravec
POW-WOW MEMORIES (from Album for the Young at Heart) by James Lee III
Sean's Blues by Norman Henry Mamey
SINGING MY SONG (Mvts. 1&2) by Faye-Ellen Silverman
Troparian by Carson Cooman
A Wistful AIR by Dan Locklair
MechanLista by Thomas Parente
butterfly blues by Norman Henry Mamey
HARP (from Keyboard Cousins) by Judith Lang Zaimont
Makin' the moves by Norman Henry Mamey
Warm Dreams And Visions (WDAV Audio Logo Theme) by Dan Locklair
Guitar (from Keyboard Cousins) by Judith Lang Zaimont
Touch (from The Five Senses) by Dan Locklair
Dave's Groove by Norman Henry Mamey
Harpsichord (from Keyboard Cousins) by Judith Lang Zaimont
A Something in a Summer's Day by Nancy Galbraith
three-legged race by Elinor Armer.

Oboe, Violin & Piano

SKU: SU.50028610

For Oboe, Violin & Piano. Composed by Faye-Ellen Silverman. Chamber Music, Mixed Ensemble. Score & Parts. Seesaw Music Corp #50028610. Published by Seesaw Music Corp (SU.50028610).

Oboe, Violin, Piano Duration: c. 11' Composed: 1987 Published by: Seesaw Music Composer's Note: Written in memory of Paul Fromm.

Cello - Early Intermediate

SKU: FH.VC4

Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC4. Published by The Frederick Harris Music Company (FH.VC4).

ISBN 978-1-55440-540-4.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Concertos, Sonatas, and Suites:
Sonata in D Major - Caldara, Antonio arr. Gyoergy Orban
- First Movement: Adagio
- Second Movement: Allegro
Sonatina in D Minor, WoO 43a - Beethoven, Ludwig van
Sonatina in G Minor - Matz, Rudolf
- Second Movement
Sonata in F Major, op. 1, no. 1 - Marcello, Benedetto
- Third Movement: Largo
- Fourth Movement: Allegro
Concertino No. 3 in A Major - Breval, Jean-Baptiste arr. L.-R. Feuillard
Concert Repertoire:
The Easy Winners - Joplin, Scott arr. Forrest Kinney
Orientale, op. 50, no. 9 - Cui, Cesar
Bonjour tristesse - Hart, Paul
Hip Hip Bourree - Jacobson, Julian
Elfentanz - Jenkinson, Ezra arr. Carey Cheney
Chanson de matin, op. 15, no. 2 - Elgar, Edward
Cello Sonata in G Minor, op. 65 - Chopin, Frederic
- Third Movement: Largo
The Swan Sees his Reflection - Forsyth, Malcolm
Spanish Dance - Adorian, Andrew
Baby Blackbird, Fly Now - Silverman, Adam B.
Unaccompanied Repertoire:
Suite for Violoncello (Lights and Shadows) - Matz, Rudolf
- Second Movement: Cantabile
- Eighth Movement: Finale giocoso
Ricercar No. 1 - Gabrielli, Domenico
Suite NO. 1 in G Major, BWV 1007 - Bach, Johann Sebastian
- Seventh Movement: Gigue.