| Sunday Morning Praise Duet Companion 1 Piano, 4 mains - Intermédiaire Alfred Publishing
(16 Worship Selections for One Piano, Four Hands). Arranged by Victor Labens...(+)
(16 Worship Selections
for
One Piano, Four Hands).
Arranged by Victor
Labenske.
For Piano. Book; Duet or
Duo; Piano Duet (1 Piano,
4
Hands). Sacred Performer
Duet Collections.
Contemporary Christian;
Sacred. Intermediate;
Late
Intermediate. 124 pages.
Published by Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Away in a Manger Violoncelle, Piano Jackman Music Corporation
Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Co...(+)
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #09008.
Published
by Jackman Music
Corporation
$3.97 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Sleigh (A La Russe) Chorale 3 parties SSA Schirmer
By Ivor Tchervanow, Richard Kountz. Arranged by Wallingford Riegger. (SSA). Cho...(+)
By Ivor Tchervanow,
Richard Kountz. Arranged
by Wallingford Riegger.
(SSA). Choral. 8 pages.
Published by G. Schirmer.
$1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Sleigh (A La Russe) Chorale SATB SATB Schirmer
By Richard Kountz, Ivor Tchervanow. Arranged by W Riegger. (SATB). Choral. Size...(+)
By Richard Kountz, Ivor
Tchervanow. Arranged by W
Riegger. (SATB). Choral.
Size 6.7x10.5 inches. 8
pages. Published by G.
Schirmer, Inc.
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Sleigh (A La Russe) Chorale 3 parties SAB Schirmer
By Richard Kountz, Ivor Tchervanow. Arranged by Wallingford Riegger. (SAB). Cho...(+)
By Richard Kountz, Ivor
Tchervanow. Arranged by
Wallingford Riegger.
(SAB). Choral. Size
6.75x10.5 inches. 8
pages. Published by G.
Schirmer.
(1)$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Soul Must Render Thanks to God - Flute part Jackman Music Corporation
Flute part SKU: JK.09160 Composed by David R. Naylor. Difficulty Medium, ...(+)
Flute part SKU:
JK.09160 Composed by
David R. Naylor.
Difficulty Medium,
Instrumental Flute, God
the Father, Gratitude.
Christian, Inspirational.
Duration 3:00. Jackman
Music Corporation #09160.
Published by Jackman
Music Corporation
(JK.09160). 1
Chronicles 16:8-14, Alma
26:8. Flute part
for choral #01228.
Previously listed as
#00121. Composer:
David R.
Naylor Performance
time: approx.
3:00 Reference: 1
Chronicles 16:8-14, Alma
26:8. $1.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joy in the Morning - Orchestration Orchestre Lorenz Publishing Company
Full orchestra SKU: LO.30-1493L An Easter Cantata For Choir And Worshi...(+)
Full orchestra SKU:
LO.30-1493L An
Easter Cantata For Choir
And Worship Leader.
Composed by Gregg Sewell.
Choral, cantatas.
Eastertide, Sacred.
Orchestration. Lorenz
Publishing Company
#30/1493L. Published by
Lorenz Publishing Company
(LO.30-1493L). UPC:
000308074642. John'
s Gospel is the basis for
an innovative new musical
setting of the timeless
Easter story. The
composer weaves striking
new melodies and
traditional hymn tunes
together to produce a
vibrant, energetic work
of meditation and praise.
The congregation is
called on to sing with
the choir in a sensitive
setting of When I Survey
the Wondrous Cross and a
rousing arrangement of
Crown Him With Many
Crowns. New settings of
What Wondrous Love Is
This? and O Sacred Head,
Now Wounded are
ingeniously intertwined
with new anthems. An
inspirational and deeply
moving experience for
choir and congregation
alike. Performance time:
approx. 25 minutes. Flute
1 & 2, Violin 2, Viola,
Cello, Double Bass, Oboe
1 & 2, Horn, Trumpet 1 &
2, Trombone 1 & 2, Tuba,
Percussion (Windchimes,
Suspended Cymbal)
Glockenspiel,Triangle,Chi
mes, Snare Drum,Timpani,
Harp, Violin 1. $150.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9305 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2. $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Steps to Successful Literature - Maiden's Rescue Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO343C Composed by Jeremy Wo...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO343C
Composed by Jeremy
Woolstenhulme. Arranged
by Jeremy Woolstenhulme.
Score and parts. Neil A.
Kjos Music Company
#SO343C. Published by
Neil A. Kjos Music
Company (KJ.SO343C).
UPC:
8402704183. Maiden'
s Rescue, in D Major,
includes note and rest
values limited to quarter
notes/rests, half notes,
and whole rests. It can
be successfully performed
at a range of tempos,
depending on the
experience level of the
orchestra. Rather than
writing for 1st and 2nd
violins, this piece
features a single violin
part.
Jeremy
Woolstenhulme composed
this work for his
beginning string
orchestra. He decided
that it should be a
programmatic work
accompanied by a short
story and artwork. Once
students became
comfortable with the
music and story, Mr.
Woolstenhulme assigned an
art project to them! Some
samples of their work are
printed in this
publication. Connecting
music, creative writing,
and visual arts
strengthened the entire
experience and students
definitely enjoyed the
process. Approx. time -
2:00
Steps to
Successful Literature
presents exceptional
performance pieces -
concert and festival
works for beginning to
intermediate string
orchestras. Each piece is
correlated with a
specific location in
String BasicsTM Books 1
or 2. Literature
reinforces musical
skills, concepts, and
terms introduced in the
method. Sometimes, a few
new concepts are included
and are officially
introduced and defined in
the score and parts. Each
string orchestra work
offers extended learning
opportunities and briefly
taps into one or more
elements related to
common core state
standards. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Steps to Successful Literature - Maiden's Rescue - Score Orchestre à Cordes [Conducteur] - Débutant Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO343F Composed by Jeremy Wo...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO343F
Composed by Jeremy
Woolstenhulme. Arranged
by Jeremy Woolstenhulme.
Score. Neil A. Kjos Music
Company #SO343F.
Published by Neil A. Kjos
Music Company
(KJ.SO343F). UPC:
8402704185. Maiden'
s Rescue, in D Major,
includes note and rest
values limited to quarter
notes/rests, half notes,
and whole rests. It can
be successfully performed
at a range of tempos,
depending on the
experience level of the
orchestra. Rather than
writing for 1st and 2nd
violins, this piece
features a single violin
part.
Jeremy
Woolstenhulme composed
this work for his
beginning string
orchestra. He decided
that it should be a
programmatic work
accompanied by a short
story and artwork. Once
students became
comfortable with the
music and story, Mr.
Woolstenhulme assigned an
art project to them! Some
samples of their work are
printed in this
publication. Connecting
music, creative writing,
and visual arts
strengthened the entire
experience and students
definitely enjoyed the
process. Approx. time -
2:00
Steps to
Successful Literature
presents exceptional
performance pieces -
concert and festival
works for beginning to
intermediate string
orchestras. Each piece is
correlated with a
specific location in
String BasicsTM Books 1
or 2. Literature
reinforces musical
skills, concepts, and
terms introduced in the
method. Sometimes, a few
new concepts are included
and are officially
introduced and defined in
the score and parts. Each
string orchestra work
offers extended learning
opportunities and briefly
taps into one or more
elements related to
common core state
standards. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9306 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $45.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9415 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $90.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9304 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305). $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Violin 1 (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU...(+)
Violin 1 (solos: STB -
choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc) SKU:
BR.OB-4521-15 3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-15.
Published by Breitkopf
and Haertel
(BR.OB-4521-15). ISBN
9790004313107. 9 x 12
inches. The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Organ (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: B...(+)
Organ (solos: STB -
choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc) SKU:
BR.OB-4521-11 3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Edited by
Horst Hempel. Arranged by
Horst Hempel. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. Cantata;
Baroque. Part. 32 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-11.
Published by Breitkopf
and Haertel
(BR.OB-4521-11). ISBN
9790004313091. 12 x 9
inches. The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4...(+)
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc) SKU:
BR.PB-4521 3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. Cantata;
Baroque. Full score.
Duration 45'. Breitkopf
and Haertel #PB 4521.
Published by Breitkopf
and Haertel (BR.PB-4521).
ISBN 9790004204191. 9
x 12 inches. The
cantata I had great
heaviness of heart BWV 21
is one of the most
popular and beloved vocal
works of Johann Sebastian
Bach. Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. $42.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Violin 2 (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU...(+)
Violin 2 (solos: STB -
choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc) SKU:
BR.OB-4521-16 3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-16.
Published by Breitkopf
and Haertel
(BR.OB-4521-16). ISBN
9790004313114. 9 x 12
inches. The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Woodwinds (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SK...(+)
Woodwinds (solos: STB -
choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc) SKU:
BR.OB-4521-30 3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. Cantata;
Baroque. Set of parts. 32
pages. Duration 45'.
Breitkopf and Haertel #OB
4521-30. Published by
Breitkopf and Haertel
(BR.OB-4521-30). ISBN
9790004313145. 9 x 12
inches. The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. $35.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Chorus a cappella (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - b...(+)
Chorus a cappella (solos:
STB - choir: SATB -
0.1.0.1 - 0.3.4.0 - timp
- str - bc) SKU:
BR.CHB-4521-02 3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. Cantata;
Baroque. Choral score. 36
pages. Duration 45'.
Breitkopf and Haertel
#ChB 4521-02. Published
by Breitkopf and Haertel
(BR.CHB-4521-02). ISBN
9790004406151. 7.5 x 10.5
inches. German /
English. The
cantata I had great
heaviness of heart BWV 21
is one of the most
popular and beloved vocal
works of Johann Sebastian
Bach. Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Viola (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: B...(+)
Viola (solos: STB -
choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc) SKU:
BR.OB-4521-19 3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-19.
Published by Breitkopf
and Haertel
(BR.OB-4521-19). ISBN
9790004313121. 9 x 12
inches. The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
1 |