(from the Wind-up Records release "Fantastic 4: The Album") Performed by Anastac...(+)
(from the Wind-up Records
release "Fantastic 4: The
Album") Performed by
Anastacia, Ben Moody,
composed by Ben Moody.
For voice, piano and
guitar (chords only).
Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Rock and
Movies. B Minor. 9 pages.
9x12 inches. Published by
Alfred Publishing.
Flea, The Voix haute, Piano [Conducteur] Edward B. Marks Music Company
High Voice, Piano SKU: SU.80600350 For High Voice, Piano. Composed...(+)
High Voice, Piano
SKU:
SU.80600350
For
High Voice, Piano.
Composed by Ernst Krenek.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Score. Edward B. Marks
Music #80600350.
Published by Edward B.
Marks Music
(SU.80600350).
Text by John
DonneHigh voice, Piano
Composed: 1964 Published
by: E.B. Marks.
Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (itali...(+)
Dramma per musica.
Klavierauszug nach dem
Urtext der Haydn-
Gesamtausgabe
(italienisch/deutsch). By
Franz Joseph Haydn.
Arranged by Barthel,
Ernst R. For 3 Soprano
solo, Tenor solo, 2 Bass
solo, Mixed Choir-SATB, 2
Flute, 2 Oboe, 2 Eh, 2
Clarinet (b flat), 2
Bassoon, 2 Horn, 2
Trumpet, Kettledrum,
Harp, Strings, Basso
continuo. Piano
Reduction/Vocal Score
(paperbound). Hob.
XXVIII:13. Published by
Baerenreiter-Ausgaben
(German import).
Syncopated Sam 2 Pianos, 4 mains [Feuillet] - Intermédiaire Alfred Publishing
By Martha Mier. For Piano. This edition: 2 copies included. Piano Duo (2 Pianos,...(+)
By Martha Mier. For
Piano. This edition: 2
copies included. Piano
Duo (2 Pianos, 4 Hands).
Piece for the Piano Duo
event with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Level:
Intermediate (grade 4/5).
4 pages. Published by
Alfred Publishing.
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601598
Alto
Saxophone and Piano
Reduction Exempla Nova
680. Composed by
Edison Denisov. Woodwind
Solo. Classical.
Softcover. 121 pages.
Sikorski #SIK8880.
Published by Sikorski
(HL.50601598).
8.0x11.75
inches.
The
catalogue of Edison
Denisov's works includes
16 concertos. It was a
genre to which he
returned time and again
throughout his life, from
the Concerto for Cello
and Orchestra of 1972 to
the Double Concerto for
Flute, Clarinet and
Orchestra of 1996.In
Denisov's music the role
of the soloist, or rather
the protagonist, is
extraordinarily
important, not so much
for its virtuosity as for
its confessional
character. The solo part
is a monologue
distinguished by poetic
diction and a very
personal message from
thecomposer. The
dramaturgical conception
of the Concerto for
Saxophone and Orchestra,
a reworking of the Viola
Concerto of 1986, draws
on traditional sonata
form, thereby reaffirming
the ubiquitous classicism
in Denisov's thought. In
this late work, we find
all the typical features
of his style: sinuous
melodic lines layered
into dense contrapuntal
textures, and an
interplay of orchestral
colours, with pure
sonorities contrasting
with complex mixtures of
sounds. It is a perfect
dramaturgy that governs
the evolution of the
music to the very end.
The first movement
assumes the role of a
sonata-allegro, with the
standard formal sections
of exposition,
development,recapitulatio
n and coda. The second
movement is an Adagio for
strings. The third takes
the form of a little
contrasting intermezzo
that introduces both new
thematic material and a
new range of colours.
Here tunefulness gives
way to pointillism
enriched with
soniceffects. The only
movement with a virtuosic
solo part, its
nervousness and inner
tension set it worlds
apart from the second and
fourth movements that
surround it. The fourth
movement assumes the
traditional form of a
final set of variations.
It is the dramaturgical
and semantic heart of the
concerto. The theme of
the variations is Franz
Schubert's Impromptu in
B-flat major, op. 142,
which in this case is
'born' from the celesta
as the product of a
dodecaphonic string
cluster. This finale
represents Denisov's
homage to his great
mentor, Schubert's music
being for him a symbol of
eternal and universal
beauty. 'The attentive
listener', Denisov
stressed, 'will recognise
that the Impromptu theme
is already suggested very
slowly in the course of
the three preceding
movements, not only
thematically, but also
psychologically. That's
what makes the appearance
of the Schubert theme
sound so natural.' The
variations relate to the
variation genre less in
their form than in their
spiritual and conceptual
metamorphoses. It is, one
might say, 'music round
about Schubert'.
(Ekaterina
Kouprovskaia-Denisova).
p>
SATB choir, piano accompaniment, C instrument - Early intermediate SKU: GI.G-...(+)
SATB choir, piano
accompaniment, C
instrument - Early
intermediate
SKU:
GI.G-7429
Edited by
Pearl Shangkuan. Arranged
by Valerie Shields.
Advent 2 B, Advent 2 C,
Advent 3 B, Ordinary Time
14 A. Calvin Institute.
Tune Name: Geneva 42.
Sacred. Octavo. 12 pages.
GIA Publications #7429.
Published by GIA
Publications (GI.G-7429).
UPC: 785147742906.
English. Text Source:
Isaiah 40:1-8, Johannes
G. Olearius, 1611-1684,
tr. Catherine Winkworth,
1827-1878, alt.;
Translation: Catherine
Winkworth. Text by
Johannes Gottfried
Olearius. Scripture:
Isaiah
40:1–8.
The
Genevan Psalter tune,
geneva 42, is given a new
treatment with a few
extra measures of
accompaniment material
interrupting the tune in
two places. The middle
stanza is given entirely
new musical treatment,
presumably composed by
the arranger, and the
final stanza returns to
the Psalter tune.
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and
Piano, S. 49.
Composed by Johann
Nepomuk Hummel
(1778-1837). Edited by
Elisa Koehler. Arranged
by Elisa Koehler.
Romantic. Score and
part(s). With Standard
notation. 36 8 pages.
Carl Fischer #W002681.
Published by Carl Fischer
(CF.W2681).
Faithfulness Chorale 3 parties SAB, Piano Hope Publishing Company
Choral SAB chorus and piano SKU: HP.C6289 Composed by Joel Raney. Piano A...(+)
Choral SAB chorus and
piano
SKU:
HP.C6289
Composed by
Joel Raney. Piano
Accompaniment with
Optional Orchestra.
Thanksgiving, General
Worship, God -
Faithfulness, Praise of
God. Octavo. 12 pages.
Hope Publishing Company
#C6289. Published by Hope
Publishing Company
(HP.C6289).
UPC:
763628162894.
Origi
nal hymn tune Thomas
Chisholm's beloved hymn
text is given a new
melody and dynamic choral
treatment by Joel Raney,
complete with a powerful
orchestral accompaniment,
now also available for
medium-high voice vocal
soloists. . The familiar
words of this classic
hymn come to life afresh
in this compelling new
treatment. The
orchestration by Brant
Adams includes parts for
conductor's score, 2
flutes, oboe, 2 clarinets
in B-flat, bassoon, 2
horns in F, 3 trumpets in
B-flat, 2 trombones, bass
trombone or tuba,
timpani, percussion 1 and
2, harp, 2 violins,
viola, cello, and double
bass.
Plus Ultra Violoncelle, Piano Editorial de Musica Boileau
Cello and piano SKU: BO.B.3724 Composed by J. Cassado/M. Mestre. Publishe...(+)
Cello and piano
SKU:
BO.B.3724
Composed by
J. Cassado/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3724).
Cassado could
be considered are the
first great Catalan
symphonist of the 19th
Century and one of the
first pre-coursers of
Nationalism in our
country. His is a
Nationalism that is
solidly based on central
European traditions,
mainly Germanic in
its.
Plus Ultra
is a special case in
which the desire to
exhibit his deepest
Nationalist sentiments
took a second place to a
more global style into
which he incorporated
harmonies and melodic
turns that recall
Rachmaninoff more than
Albeniz. Plus Ultra can
be considered as a
musical thought which, in
spite of references or
paraphrases of some
typical aspects of
Spanish music of the era,
is an authentic lied in
which the cello sings
out, using maximum of its
expressive possibilities,
with a piano
accompaniment of the
first order.
In
this work Cassado makes
more extensive use of
pianissimo, which is more
typical of the French
school, than in any other
of his works. Through the
use of gestures which are
almost Impressionist, as
well as refined and
tasteful harmonies, the
composer divides the
musical discourse between
the two instruments
creating a fantastic work
which his son Gaspar
performed in
concerts.
By Franz Schubert (1797-1828). Edited by Manuela Jahrmarker. For Soli SATB, SATB...(+)
By Franz Schubert
(1797-1828). Edited by
Manuela Jahrmarker. For
Soli SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ,
[2 Horns, 3 Trombones].
This edition: paperbound.
D 324. Full score
available separately -
see item CA.4065700.
Latin Masses; Stuttgart
Urtext editions.
Piano/Vocal score.
Language: Latin. Composed
1815. 60 pages. Duration
30 min. Published by
Carus Verlag
Clarinet; Piano Accompaniment (Clarinet/Piano) SKU: HL.48025033 In Mem...(+)
Clarinet; Piano
Accompaniment
(Clarinet/Piano)
SKU:
HL.48025033
In
Memory of the
Reichspogromnacht
November 9,1938 Clarinet
in B-. Composed by
Ursula Mamlok.
Windependence Chamber
Ensemble. Classical.
Softcover. 12 pages. Bote
& Bock #M202536056.
Published by Bote & Bock
(HL.48025033).
ISBN
9783793143024. UPC:
196288019978.
The
Shoa never was a theme in
the works of Ursula
Mamlok - with the
exception of Ruckblick
for saxophone and piano
which she wrote in 2002
on commission of the
Temple University in
memory of Kristallnacht.
The contrast between slow
and fast movements is
much moreelaborate than
in her other works from
that period, with the
fast movements appearing
somewhat driven while the
piano part for a
fewmoments adopts an
otherwise unknown
severity. Near the end of
the third movement,
cantabile and fleeting
gestures are suddenly
pushed toward each other.
The first fast movement
arises from the
destruction of attempted
cantability. The Elegy
(2nd movement) dies away
with a four-fold reminder
of its initial motif, the
last attempt remaining
fragmentary. The fourth
movement Lament concludes
with a figure that
returns to its beginning.
In addition to the
original version with
alto saxophone, versions
with bass clarinet or for
clarinet in Bb are
available.
Piano - early intermediate SKU: BT.EMBZ14968 Essential Sonatinas for M...(+)
Piano - early
intermediate
SKU:
BT.EMBZ14968
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 56
pages. Editio Musica
Budapest #EMBZ14968.
Published by Editio
Musica Budapest
(BT.EMBZ14968).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classic
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnen gut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit Hilfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
Piano - easy SKU: BT.EMBZ14967 Essential Sonatinas for Music Education...(+)
Piano - easy
SKU:
BT.EMBZ14967
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 44
pages. Editio Musica
Budapest #EMBZ14967.
Published by Editio
Musica Budapest
(BT.EMBZ14967).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classical
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnengut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit HIlfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
SATB choir, piano accompaniment SKU: GI.G-6272 Composed by Isaac B. Woodb...(+)
SATB choir, piano
accompaniment
SKU:
GI.G-6272
Composed by
Isaac B. Woodbury.
Arranged by Alice Parker.
Choral. Choral. Tune
name: Lake Enon. Sacred.
Octavo. 12 pages. GIA
Publications #6272.
Published by GIA
Publications (GI.G-6272).
UPC: 785147627203.
English. Text Source:
Anonymous, The
Brethren's Tune and Hymn
Book,
1879.
This edition
may be performed as a
suite of five pieces: In
All My Vast Concerns with
Thee, Ye Followers of the
Prince of Peace, Bright
Morning Stars, The
Promised Land, and Now
Brethren, though We
Part. .
Chinese Folk Dance Suite Saxophone Soprano et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.114419290
Composed
by Chen Yi. Edited by
Chen Yi. Arranged by Wong
Tak Chiu. Sws. Score and
parts. 44 pages. Duration
20 minutes. Theodore
Presser Company
#114-41929. Published by
Theodore Presser Company
(PR.114419290).
ISBN
9781491135235. UPC:
680160676118. 9 x 12
inches.
Supported
by a major commissioning
award from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, my Chinese
Folk Dance Suite is
written for violin solo
and orchestra, and
premiered by The Women's
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San Francisco.
Inspired by various
Chinese traditional folk
dances, I've composed
three movements in the
suite: 1) Lion Dance.
Traditionally, people
dance with richly
decorated hand made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In the composition, I use
Chinese drum and other
percussion instruments in
the background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
traditional Guangdong
Music tune and Chaozhou
Music tune ; 2) YangKo.
Originated in northern
China, it's a major folk
dance form in mass
performance popularized
in the country. In YangKo
performance, people
always play rhythmic
patterns on the drums
hung around their waists
while singing and
dancing. In my second
movement, I have imagined
a warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members in the
orchestra sing the
non-pitch syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever going pulse. 3)
Muqam. It is a large
scale traditional music
and dance form from Uygur
nationality in Xinjiang
province, originated in
the 15th century. In my
third movement, I keep
the meter of seven eight
and the melodic style of
Muqam music. The fiery
dancing gesture cumulates
the sustained climax
section at the end of the
work, after a colorful
violin cadenza in both
improvisational singing
style and polyphonic
writing with woven lines.
Scored for 2 flutes (2nd
doubling piccolo), 2
oboes, 2 clarinets in Bb,
2 bassoons, 4 French
horns in F, 2 trumpets in
Bb, 3 trombones,
percussion 1 (3 congas,
low tom-tom, temple
block, paddle castanets),
percussion 2 (snare drum,
6 small Beijing opera
gong, 12 big Beijing
opera gong, crotales,
tambourine), percussion 3
(suspended cymbal, a pair
of 6 Chinese cymbals,
bass drum), solo violin,
violins I, violins II,
violas, cellos and double
basses. Duration is about
16 minutes. The work is
recorded on Bis [CD-1352]
and released in 2003,
performed by Cho-Liang
Lin and the Singapore
Symphony Orchestra, cond.
by Lan Shui. Reduction
for B-flat soprano
saxophone and piano by
Wong Tak Chiu (2017) and
edited by Chen Yi (2018)
The second movement
YangKo is premiered by
Dr. Wong and Korak
Lerpibulchai at the
Singapore Saxophone
Symposium on 8/13/2017.
The American premiere of
the saxophone and piano
reduction version of
Chinese Folk Dance Suite
is given by Chi Him Chik
and Hao Yin at the
Society for American
Music National Conference
in Kansas City, MO on
3/2/2018.