| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 151 of the Most Beautiful Songs Ever Piano, Voix et Guitare Hal Leonard
Composed by Various. Piano/Vocal/Guitar Songbook. Pop, Standards. Softcover....(+)
Composed by Various.
Piano/Vocal/Guitar
Songbook.
Pop, Standards.
Softcover.
672 pages. Published by
Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Easy Jazz Standards Fake Book Instruments en Do [Fake Book] - Facile Hal Leonard
(100 Songs in the Key of C). By Various. For Melody/Lyrics/Chords. Easy Fake Boo...(+)
(100 Songs in the Key of
C). By Various. For
Melody/Lyrics/Chords.
Easy Fake Book.
Softcover. 160 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Just Standards Real Book (E-flat Edition) Fake Book [Fake Book] Alfred Publishing
Fakebook for Eb instruments. Series: Just Real Books Series, Fake Book. 408 page...(+)
Fakebook for Eb
instruments. Series: Just
Real Books Series, Fake
Book. 408 pages.
Published by Alfred
Publishing.
(1)$39.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Real Book - Volume VI Instruments en Do [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed
by
Various. Fake Book.
Softcover. Published by
Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume VI Instruments en Sib Hal Leonard
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 page...(+)
Bb Instruments.
Composed by Various. Fake
Book. Jazz. Softcover.
488 pages. Published by
Hal Leonard (HL.223637).
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 of the Most Beautiful Piano Solos Ever Piano seul Hal Leonard
By Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 464 pages. Publi...(+)
By Various. For
Piano/Keyboard. Piano
Solo Songbook. Softcover.
464 pages. Published by
Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Exam Pieces Plus Exercises 2021-2023: Grade 6 - Extended Edition Piano seul Trinity College London
21 pieces plus exercises for Trinity College London exams 2021-2023. Composed ...(+)
21 pieces plus exercises
for
Trinity College London
exams
2021-2023. Composed by
Various. Classical.
Textbook.
Trinity College London
#TCL020574. Published by
Trinity College London
$32.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 100 Light Classics for Piano Solo Piano seul Hal Leonard
Composed by Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 456...(+)
Composed by Various. For
Piano/Keyboard. Piano
Solo
Songbook. Softcover. 456
pages. Published by Hal
Leonard
$34.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| 75 Light Classical Songs (E-Z Play Today #11) Clavier - Facile Hal Leonard
(E-Z Play Today #11). Composed by Various. For Organ, Piano/Keyboard, Elec...(+)
(E-Z Play Today #11).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
224
pages. Published by Hal
Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Movie Songs for Piano Solo
Piano seul Hal Leonard
By Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 400 pages. Publi...(+)
By Various. For
Piano/Keyboard. Piano
Solo Songbook. Softcover.
400 pages. Published by
Hal Leonard
$36.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Michel Legrand: The Michel Legrand Songbook
Piano, Voix [Partition] - Intermédiaire Alfred Publishing
Composed by Michel Legrand (1932-). Songbook for voice and piano. 184 pages. Pub...(+)
Composed by Michel
Legrand (1932-). Songbook
for voice and piano. 184
pages. Published by
Alfred Publishing.
(4)$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Simple Movie Songs Piano Facile - Facile Hal Leonard
The Easiest Easy Piano Songs. Composed by Various. Easy Piano Songbook. Movies...(+)
The Easiest Easy Piano
Songs. Composed by
Various.
Easy Piano Songbook.
Movies.
Softcover. 208 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| One of a Kind Solos, Book 1 Piano seul - Débutant Alfred Publishing
(10 Unique Piano Pieces). Composed by Wynn-Anne Rossi. For Piano. Book; Piano Co...(+)
(10 Unique Piano Pieces).
Composed by Wynn-Anne
Rossi. For Piano. Book;
Piano Collection; Piano
Supplemental. One of a
Kind Solos. Recital.
Elementary. 24 pages.
Published by Alfred Music
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Night and Dreams Piano seul [Partition] Schott
(36 Original Pieces Schott Piano Classics). By Various. Edited by Monika Twelsie...(+)
(36 Original Pieces
Schott Piano Classics).
By Various. Edited by
Monika Twelsiek. Piano.
Softcover. 70 pages.
Schott Music #ED9048.
Published by Schott Music
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Piano Pieces Piano seul Music Distribution Services
Piano SKU: M7.ART-42182 30 melodische Spiel- und Übungsstücke f...(+)
Piano SKU:
M7.ART-42182 30
melodische Spiel- und
Übungsstücke für
Klavier, mittelleicht bis
mittelschwer
arrangiert. Composed
by Nataliya Frenzel.
Score with online audio
files. Performance book.
56 pages. MDS (Music
Distribution Services)
#ART 42182. Published by
MDS (Music Distribution
Services) (M7.ART-42182).
ISBN
9783866421820. 'My
Piano Pieces' enthält
30 moderne
Klavierstücke im
romantischen Stil, die
jede Menge Spielfreude
bereiten und gleichzeitig
die technischen
Fähigkeiten
verbessern. Klassische
Spieltechniken wie
Tonleiter-, Akkord- und
Arpeggiospiel,
Anschlagsarten wie
Staccato und Legato,
Unter- und
Ãœbersetzungen sowie
verschiedene
Begleitmuster werden
gezielt geschult. Auch
Kraft, Ausdauer und die
Unabhängigkeit der
Finger sowie die
Beweglichkeit des
Handgelenks werden
gefördert. Die
mittelleicht bis
mittelschwer arrangierten
Klavierkompositionen sind
dabei keineswegs nur
'trockene' Etüden,
sondern ausgesprochen
wohlklingend und gehen
durch ihre melodische
Struktur leicht 'ins
Ohr'. Die Motivation, die
Klavierstücke gerne zu
üben und zu spielen,
wird dadurch enorm
gesteigert. Abgesehen von
den rein technischen
Aspekten, geht es vor
allem auch darum, die
musikalische
Ausdrucksfähigkeit wie
Phrasierung und Dynamik
zu optimieren und somit
zu einem schöneren
Klangergebnis zu
gelangen. Die Stücke
sind mit ausführlichen
Fingersätzen und
Pedalbezeichnungen
versehen und für den
Klavierunterricht, zum
Selbststudium aber auch
für das häusliche
Musizieren bestens
geeignet. 'My Piano
Pieces' - Freude am
Ãœben & Spielen! $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Music Medals Platinum - Clarinet (Ensemble Pieces) Ensemble de Clarinettes ABRSM Publishing
By Various. For 2-4 Clarinets. Music Medals Platinum Clarinet Ensemble Pieces. P...(+)
By Various. For 2-4
Clarinets. Music Medals
Platinum Clarinet
Ensemble Pieces. Platinum
$16.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dark Dreams - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS190
Composed by Sean
O'Loughlin. Young String
Orchestra. Set of Score
and Parts. With Standard
notation.
16+16+4+10+10+10+3+12
pages. Duration 3
minutes, 38 seconds. Carl
Fischer Music #YAS190.
Published by Carl Fischer
Music (CF.YAS190).
ISBN 9781491151556.
UPC: 680160909056. 9 x 12
inches. Key: E
minor. As part of a
collaboration between
students and composer,
Sean O'Loughlin, Dark
Dreams is a dark and
mysterious piece that
utilizes techniques such
as tremolo and pizzicato.
Following a slow and
mysterious opening which
illustrates the tapestry
of sound for the
composition, the work
develops the musical
material into various
vivid, intense, and
gripping musical
moments.
Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . <
p class=s4> Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, A
vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
aplaya the silence at m.
88 for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . <
p class=s4> Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, A
vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
aplaya the silence at m.
88 for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . <
p class=s4> Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . D
ark Dreams was
commissioned by the
Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. Dark Dreams
was commissioned by the
Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious,
 vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
“play†the
silence at m. 88 for
maximum effect and really
lean into the final note
even though it is on beat
3 of the measure.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dark Dreams [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS190F
Composed by Sean
O'Loughlin. Young String
Orchestra (YAS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YAS190F.
Published by Carl Fischer
Music (CF.YAS190F).
ISBN 9781491151921.
UPC: 680160909421. 9 x 12
inches. As part of
a collaboration between
students and composer,
Sean O'Loughlin, Dark
Dreams is a dark and
mysterious piece that
utilizes techniques such
as tremolo and pizzicato.
Following a slow and
mysterious opening which
illustrates the tapestry
of sound for the
composition, the work
develops the musical
material into various
vivid, intense, and
gripping musical
moments.
Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . <
p class=s4> Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, A
vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
aplaya the silence at m.
88 for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . <
p class=s4> Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, A
vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
aplaya the silence at m.
88 for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . <
p class=s4> Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. . D
ark Dreams was
commissioned by the
Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. Dark Dreams
was commissioned by the
Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious,
 vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
“play†the
silence at m. 88 for
maximum effect and really
lean into the final note
even though it is on beat
3 of the measure.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Style Chameleon: 18 Easy Pieces For One Or Two Accordions Bk/cd Accordéon [Partition + CD] De Haske Publications
18 easy pieces for one or two accordions. Composed by Iwan Michailov. De Haske P...(+)
18 easy pieces for one or
two accordions. Composed
by Iwan Michailov. De
Haske Play-Along Book.
Book with CD. Composed
2008. 44 pages. De Haske
Publications #1074410.
Published by De Haske
Publications
$22.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Great American Songbook - Movie Songs Piano, Voix et Guitare Hal Leonard
Music and Lyrics for 100 Classic Songs. Composed by Various. Piano/Vocal/Guita...(+)
Music and Lyrics for 100
Classic Songs. Composed
by
Various.
Piano/Vocal/Guitar
Songbook. Movies.
Softcover.
464 pages. Published by
Hal
Leonard
$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Page suivante 1 31 61 ... 151 |