| Planet X Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
((The Legend of Nibiru)). Composed by Ralph Ford. Concert Band. Concert Band; Pa...(+)
((The Legend of Nibiru)).
Composed by Ralph Ford.
Concert Band. Concert
Band; Part(s); Score.
Belwin Beginning Band.
Form: Overture. Grade 1.
256 pages. Published by
Belwin Music
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 3 Planet Earth Orchestre d'harmonie [Conducteur d'étude / Miniature] Amstel Music
Study Score. By Johan De Meij. (Study Score). Amstel Concert Bands. 136 pages. ...(+)
Study Score. By Johan De
Meij. (Study Score).
Amstel Concert Bands. 136
pages. Published by
Amstel Music.
$33.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Planet X Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.43062S (The Legend of Nibiru). Comp...(+)
Concert Band - Grade 1
SKU: AP.43062S
(The Legend of
Nibiru). Composed by
Ralph Ford. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Form: Overture. Score. 20
pages. Duration 2:30.
Belwin Music #00-43062S.
Published by Belwin Music
(AP.43062S). UPC:
038081504223.
English. Planet X,
Nemesis, or Nibiru---this
planet has generated
multiple scientific
theories and been the
subject of hypothetical
speculation since the
discovery of Neptune. The
compelling basic
chromatic themes have
been intergalactically
scored with delicious
sci-fi flavor especially
for your beginners, and
is charged with energy
and intrigue. The
existence of Planet X was
rebuked by NASA as early
as 1993. Or was it?
(2:30). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Angry Planet Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Oxford University Press
(An environmental cantata). Composed by Bob Chilcott. For Children's choir, SATB...(+)
(An environmental
cantata). Composed by Bob
Chilcott. For Children's
choir, SATB chamber choir
and SATB double choir.
Vocal score. 128 pages.
Duration 45'. Published
by Oxford University
Press
$19.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Riddles - Facile Oxford University Press
Children's choir (SS) & piano (Upper Voices - 2-part) - easy SKU: OU.97801935...(+)
Children's choir (SS) &
piano (Upper Voices -
2-part) - easy SKU:
OU.9780193519824
From The Angry
Planet. Composed by
Bob Chilcott. Vocal
score. 20 pages. Duration
7'. Oxford University
Press #9780193519824.
Published by Oxford
University Press
(OU.9780193519824).
ISBN 9780193519824. 10
x 7 inches. For
children's choir (SS) &
piano These charming
settings of riddles by
Bob Chilcott's long-term
collaborator Charles
Bennett were originally
published as part of the
environmental cantata The
Angry Planet. Here
rescored for two-part
children's choir (SS) and
piano, they may be
performed individually or
as a set. $4.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Red Planet - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS103
Composed by Joseph
Compello. SWS FS. Young
String Orchestra. Set of
Score and Parts. With
Standard notation.
16+16+4+10+10+10+4+8
pages. Carl Fischer Music
#YAS103. Published by
Carl Fischer Music
(CF.YAS103). ISBN
9780825889080. UPC:
798408089085. 8.5 x 11
inches. Key: B
minor. Joseph
Compello depicts the
planet Mars with The Red
Planet, a heavy, brooding
piece in 5/4. This piece
provides cross-curricular
opportunities to work
with the school’s
science department. Best
of all, it will allow
your group to show off
the maturity of their
playing. The Red
Planet is an original
concert piece in time for
a string ensemble with at
least one year’s
training. The opening
section should be played
in a boldly aggressive
style. To give the parts
a less complex
appearance, staccato
quarter-notes are used in
lieu of eighth-notes
followed by eight-rests.
This notation will enable
young players to count
with greater ease.Notes
on the
performance:Measure 7
introduces the main theme
in the first
violins.Measure 15
introduces a secondary
theme which becomes
increasingly important as
thepiece
progresses.Measure 24
introduces a third theme
and its counter-melody.
This section should be
played in a lyrically
flowing style, in
contrast to the main
theme from m. 9.Measure
35, marked fugato, will
require particular
attention to entrances.
The playing style reverts
to the boldness of the
opening mood.Measure 55
is the recapitulation
with an addition of a new
chromatic line. This
line, given to first
violins, should be
soaring and equal in
volume to the main theme.
Note that the secondary
theme (originally played
in m. 15) is played only
after the repeat.Measure
66 should be played much
more slowly and in a
grandiose manner. Here,
the main theme should be
given much more weight
than it received in the
opening statement.Note
that at m. 68 the
secondary theme concludes
the piece ponderously in
thelow strings. The
conductor may dictate
each note at this point
and disregard the
meter.This arrangement
has been recorded by Carl
Fischer. The performance
is available on line free
of charge.Thank you for
choosing this
composition. I hope your
students and audience
will find it
instructiveand
enjoyable.Joseph
CompelloGlen Arm,
Maryland.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Red Planet Orchestre d'harmonie - Débutant Carl Fischer
Band Concert band - Grade 1.5 SKU: CF.FPS89 Composed by Joseph Compello. ...(+)
Band Concert band - Grade
1.5 SKU: CF.FPS89
Composed by Joseph
Compello. Collate - FS
SWS - spine: 3/8 or .375.
First Plus Performance
Series. Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+2
+3+1+1+2+3+16 pages.
Duration 3 minutes, 1
seconds. Carl Fischer
Music #FPS89. Published
by Carl Fischer Music
(CF.FPS89). ISBN
9780825884535. UPC:
798408084530. 9 x 12
inches. Key: C
minor. The Red
Planet is an original
concert piece in 5/4 time
for a band with at least
one year’s
training. Joseph
Compello's intriguing new
work depicts the planet
Mars in 5/4 time, giving
the work an uneven,
exciting feel. The
opening section is bold
and aggressive, and this
piece explores a variety
of moods throughout its
duration. This, along
with the lyrical pseudo
sci-fi sound, will make
The Red Planet a big hit
with students. As a
bonus, Compello included
a fugato section to help
introduce students to
contrapuntal music. $58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Red Planet - Facile Carl Fischer
Orchestra String Sextet, Piano - Grade 2 SKU: CF.YAS103F Composed by Jose...(+)
Orchestra String Sextet,
Piano - Grade 2 SKU:
CF.YAS103F Composed
by Joseph Compello. SWS.
Carl Fischer Young String
Orchestra Series. Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #YAS103F.
Published by Carl Fischer
Music (CF.YAS103F).
ISBN 9780825889097.
UPC: 798408089092. 8.5 x
11 inches. Joseph
Compello depicts the
planet Mars with The Red
Planet, a heavy, brooding
piece in 5/4. This piece
provides cross-curricular
opportunities to work
with the school’s
science department. Best
of all, it will allow
your group to show off
the maturity of their
playing.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| X'Three for violoncello Fennica Gehrman
Violoncello SKU: FG.55011-821-8 Composed by Olli Koskelin. Classical, con...(+)
Violoncello SKU:
FG.55011-821-8
Composed by Olli
Koskelin. Classical,
contemporary. Score.
Fennica Gehrman
#55011-821-8. Published
by Fennica Gehrman
(FG.55011-821-8). ISBN
9790550118218. X'Th
ree (2003/2021) by Olli
Koskelin is the third
piece of a solo cello
suite consisting of seven
compositions. Each of the
seven pieces can be
performed individually or
detached with other
X'-compositions.
Different works are yet
to be performed
chronologically. The
X'-works are composed by
using the same material
viewed from many
different angles. Their
structure can be seen as
a film starting several
times from the beginning
and from the same
settings always looked
from a new perspective.
In some compositions of
the X'-suite seemingly
random fragments are
joined together
organically in other
works of the suite. The
story, tale, or plot of
the music and the
gestures and figures of
it trans-form in a new
context but remain
identifiable.
Olli
Koskelin's (born 16 April
1955) compositional
output reflects a wide
range of interests. The
vast area covered by his
style encompasses the
neo-impressionism of the
piano work Courbures
(1989) to the
post-expressionist echoes
of his Music for String
Quartet (1981) as well as
the breakneck virtuosity
of his clarinet piece
Exalte (1985/1991) and
the rich romantic
textures of his
orchestral piece ... like
a planet silently
breathing... (1993). He
often uses the overtone
series like the French
spectral composers and
avoids dramatic
culmination. Soft
harmonics, tranquil
arching melodies, a
leisurely rhythmical
pulse and a coherence of
mood are in evidence in
his later works as in
Uurre (1997) for chamber
ensemble, Miniatures
(1997) for string quartet
and Circles within for 19
solo strings. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Red Planet Orchestre d'harmonie - Débutant Carl Fischer
Band Full Score - Grade 1.5 SKU: CF.FPS89F Composed by Joseph Compello. S...(+)
Band Full Score - Grade
1.5 SKU: CF.FPS89F
Composed by Joseph
Compello. SWS. First Plus
Performance Series. Full
score. With Standard
notation. 16 pages.
Duration 3 minutes, 1
seconds. Carl Fischer
Music #FPS89F. Published
by Carl Fischer Music
(CF.FPS89F). ISBN
9780825884542. UPC:
798408084547. 9 x 12
inches. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lost Planet Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1 SKU: XC.DCB2203FS Composed by Sean O'...(+)
Concert Band Concert Band
- Grade 1 SKU:
XC.DCB2203FS Composed
by Sean O'Loughlin.
Concert Concert Band. Da
Capo Grade 1.0. Festival.
Score. Excelcia Music
Publishing #DCB2203FS.
Published by Excelcia
Music Publishing
(XC.DCB2203FS). 12 x 9
inches. Take your
students on a galactic
musical journey with this
bold and aggressive piece
for young students. They
will ask to play this
piece over and over
again, and it will make
them sound amazing! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| "Jupiter", Themes from Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
By Gustav Holst. Arranged by Andrew Balent. Concert Band. Size 9 X 12. Published...(+)
By Gustav Holst. Arranged
by Andrew Balent. Concert
Band. Size 9 X 12.
Published by Carl
Fischer.
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Uranus from the Planets for 8-part Trombone Ensemble Ensemble de Trombones - Avancé Cherry Classics
8-part Trombone Ensemble - Advanced SKU: CY.CC3165 Composed by Gustav Hol...(+)
8-part Trombone Ensemble
- Advanced SKU:
CY.CC3165 Composed by
Gustav Holst. Arranged by
Randall Malmstrom.
Classical. Score and
Parts. Cherry Classics
#CC3165. Published by
Cherry Classics
(CY.CC3165). ISBN
9790530111352. 8.5 x 11
in inches. Randy
Malmstrom continues with
another great arrangement
from Holst's Planets
Suite with the movement
of Uranus The Magician
for 8-part Trombone
Ensemble. This music is
appropriate for advanced
performers and is about 4
minutes in length. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Chamber Music String Quartet SKU: CF.BE24 The Planet on the Table....(+)
Chamber Music String
Quartet SKU:
CF.BE24 The Planet
on the Table.
Composed by Martin
Bresnick. Folio. Set of
Score and Parts.
48+20+16+16+16 pages.
Duration 32 minutes. Carl
Fischer Music #BE24.
Published by Carl Fischer
Music (CF.BE24). ISBN
9781491156780. UPC:
680160915323. 9 x 12
inches. La. Based
on Wallace Stevens' poem
The Planet on the Table
this string quartet's
world is made of the
music and sounds of
remembered times or of
something heard that the
composer, Martin
Bresnick, liked. The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems as a point
of departure or pathway
into those remembered
sounds and music. What
matters is that my music,
like his (Stevens')
poetry, should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part.. Wallace
Stevens' poem The Planet
on the Table begins -
Ariel was glad he had
written his poems, They
were of a remembered time
Or of something seen that
he liked. In this string
quartet, also entitled
The Planet on the Table,
my planet is made of the
music and sounds of a
remembered time or of
something heard that I
liked. The quartet has
five movements, each
headed by a quotation
from one of Stevens'
poems* as a point of
departure or pathway into
those remembered sounds
and music: I. Mrs.
Anderson's Swedish Baby
II. She Measured the Hour
III. Scene 10 Becomes 11
IV. Someone Has Walked
Across the Snow V. His
Self and the Sun Like
Stevens, my self and the
sun are one, and my
music, like his poetry,
although makings of my
self, is also makings of
the sun. Stevens wrote it
was not important that
his poetry survive, which
is also true of my work.
What matters is that my
music, like his poetry,
should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part. *Sources for
the titles: I. The
Pleasures of Merely
Circulating II. The Idea
of Order at Key West III.
Chaos in Motion and Not
in Motion IV. Vacancy in
the Park V. The Planet on
the Table. Wallace
Stevens' poem The Planet
on the Table begins
-Ariel was glad he had
written his poems,They
were of a remembered
timeOr of something seen
that he liked.In this
string quartet, also
entitled The Planet on
the Table, my planet is
made of the music and
sounds of a remembered
time or of something
heard that I liked.The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems* as a
point of departure or
pathway into those
remembered sounds and
music:I. Mrs. Anderson's
Swedish BabyII. She
Measured the HourIII.
Scene 10 Becomes 11IV.
Someone Has Walked Across
the SnowV. His Self and
the SunLike Stevens, my
self and the sun are one,
and my music, like his
poetry, although makings
of my self, is also
makings of the sun.
Stevens wrote it was not
important that his poetry
survive, which is also
true of my work.What
matters is that my music,
like his poetry, should
bear some lineament or
character, some
affluence, if only half
perceived in the poverty
of its sounds, of the
planet of which it was
part.*Sources for the
titles:I. The Pleasures
of Merely CirculatingII.
The Idea of Order at Key
WestIII. Chaos in Motion
and Not in MotionIV.
Vacancy in the ParkV. The
Planet on the Table. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classic: Easy and Intermediate Piano Duets (Equivalent to Burkmuller Level) Yamaha
1 Piano 4 Hands SKU: YM.GTP01100590 Composed by Various. Piano Duet Reper...(+)
1 Piano 4 Hands SKU:
YM.GTP01100590
Composed by Various.
Piano Duet Repertoire.
Arranged Classical Music.
Score. Yamaha Music Media
#GTP01100590. Published
by Yamaha Music Media
(YM.GTP01100590). ISBN
9784636104059. 8.5 x 12
inches. Both parts
1 and 2 can be enjoyed at
a beginner to
intermediate level, about
the level of Burgmuller.
The book contains
carefully selected pieces
from the famous Classical
pieces that are
especially popular among
children. Recommended for
students using score
notation for the first
time, as it is easy to
read. The arrangements
are designed to be easy
to play even for small
hands, while respecting
the image of the
original. It is also
useful for teaching
students to listen to the
overall balance of the
piece. In addition, in
songs where the melody
appears in both parts 1
and 2, you can enjoy the
creative ways of aligning
the playing style and
playing over each other.
The book is not too long,
yet it is arranged in a
satisfying size, making
it a useful book for
review sessions and
recitals. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| OTONA PIANO Piano seul Yamaha
Piano Solo SKU: YM.GTP01100090 Very Easy Classics arranged for Adults<...(+)
Piano Solo SKU:
YM.GTP01100090
Very Easy Classics
arranged for Adults.
Composed by Various.
Otona Piano Series.
Arranged Classical Music,
Educational, Exercise,
Lesson. Score. Yamaha
Music Media #GTP01100090.
Published by Yamaha Music
Media (YM.GTP01100090).
ISBN 9784636100655.
8.5 x 12
inches. Easy
arrangements for adults
to start playing the
piano for the first time.
Features large,
easy-to-read music
sheets. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lo Yisa Goy Theodore Presser Co.
Chamber Music large ensemble SKU: PR.114422170 For SSAATTBB Saxophone ...(+)
Chamber Music large
ensemble SKU:
PR.114422170 For
SSAATTBB Saxophone
Quartet. Composed by
Stacy Garrop. Sws. Set of
Score and Parts.
8+2+2+2+2+2+2+2+2 pages.
Duration 5 minutes.
Theodore Presser Company
#114-42217. Published by
Theodore Presser Company
(PR.114422170). UPC:
680160683567. 9 x 12
inches. During the
2020 Coronavirus
pandemic, saxophonist
Paul Nolen asked if I
might have a choir piece
that I could transcribe
for saxophone choir which
his Illinois State
University students could
learn and record their
parts in their homes; he
would then mix together
and share online. I
immediately thought of
the text of Lo Yisa Goy:
And they shall beat their
swords into plowshares,
and their spears into
pruning hooks: nation
shall not lift up a sword
against nation, neither
shall they learn war
anymore. But they shall
sit every man under his
vine and under his fig
tree; and none shall make
them afraid: for the
mouth of the Lord of
hosts hath spoken it. May
all nations learn once
again to listen to each
other, and may we find a
global peace to preserve
both mankind and our
planet. During the
2020 Coronavirus
pandemic, saxophonist
Paul Nolen asked if I
might have a choir piece
that I could transcribe
for saxophone choir which
his Illinois State
University students could
learn and record their
parts in their homes; he
would then mix together
and share online. I
immediately thought of
the text of Lo Yisa
Goy:And they shall beat
their swords into
plowshares,and their
spears into pruning
hooks:nation shall not
lift up a sword against
nation,neither shall they
learn war anymore.But
they shall sit every man
under his vineand under
his fig tree;and none
shall make them
afraid:for the mouth of
the Lord of hosts hath
spoken it.May all nations
learn once again to
listen to each other, and
may we find a global
peace to preserve both
mankind and our
planet. $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Epicentre Percussion Breitkopf & Härtel
Percussion solo SKU: BR.EB-9380 Seismic Construction in 3 Parts. C...(+)
Percussion solo SKU:
BR.EB-9380 Seismic
Construction in 3
Parts. Composed by
Johannes Maria Staud.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere: Vienna, October
17, 2020 Commissioned by
KolnMusik GmbH as a part
of the Non Beethoven
project of the Kolner
Philharmonie for 2020,
Wiener Konzerthaus and
Martin Grubinger /
Percussive Planet. New
music (post-2000); Music
post-1945. Score.
Composed 2019/20. 52
pages. Duration 16'.
Breitkopf and Haertel #EB
9380. Published by
Breitkopf and Haertel
(BR.EB-9380). ISBN
9790004188507. 10.5 x 14
inches. ,,Trau er
nur dem holzernen Freund
nicht. Er ist manchmal
ein lederner (aus den
Beethoven-Konversationshe
ften) Dieses
Schlagzeugtrio, das in
enger Zusammenarbeit mit
den Widmungstragern
entstanden ist, besteht
aus drei Teilen. Es wird
durch die schiere Freude
am dramaturgisch
gebundelten Konstruieren
entlang seismischer
Bruchlinien gepragt. Die
drei Percussion-Spieler
wechseln wahrend des
Werkes zwischen drei
Setups an verschiedenen
Spielpositionen - vom
Buhnenhintergrund, uber
die Mitte der Buhne bis
vorne an der Buhnenrampe.
Dabei wird jeweils ein
anderes Klangmaterial, im
ersten Teil (Part I) das
Fell, im zweiten Teil
(Part II) das Metall und
im dritten Teil (Part
III) das Holz in den
Mittelpunkt gestellt.
Part I (5'30'') ist mit
drei O-Daikos besetzt,
die mit Fingern, Handen,
Fausten, Superballs und
Holzstaben gespielt
werden. Part II (6'00'')
ist um drei
Glockenspiele, drei
Vibraphone und drei
Sixxen gruppiert und
integriert auch
Metallinstrumente wie
Chinese Opera Gongs,
Mini-Tam-Tams und
Metalltonnen, die mit
Fussmaschine gespielt
werden. In Part III
(4'00'') spielen alle
drei Musiker mit
Rundstaben, Handen und
Rohrenglockenhammern das
mit sieben massiven
Balken aus Eschenholz
besetzte baskische
Nationalinstrument
Txalaparta, das auch
seine ganz eigene
Geschichte im Widerstand
gegen die Franco-Diktatur
hat. Reizvoll war fur
mich sowohl, dass man zu
dritt auf diesem
archaischen Instrument
wirklich aberwitzig
schnelle Rhythmen spielen
kann, als auch, dass
dieses Instrument auf
Konzertpodien klanglich
wie optisch noch vollig
neu ist - und dies, trotz
aller Schlichtheit, bei
einem unglaublichen
Reichtum an
Klangmoglichkeiten.
Kleine rhythmische
Zellen, die sich immer
wieder zu vielfaltigen
neuen Texturen - bis zur
klanglichen Entfesselung
- zusammenballen und eine
feine Differenzierung und
Dynamisierung der
Anschlagsmoglichkeiten
bestimmen dieses Werk.
Auch, wenn nur Part II
durch den Einsatz
bestimmter Tonhohen
gepragt ist (durch die
Verwendung der von Yannis
Xenakis erfundenen Sixxen
durchaus mikrotonal), so
gibt es doch unuberhorbar
abschnittsubergreifende
Kontinuitaten in Rhythmik
und Motivik, die das
ganze Werk bestimmen und
es dabei wie feine
seismische Adern
durchziehen. (Johannes
Maria Staud,
2020)
World
premiere: Vienna, October
17, 2020 Commissioned by
KolnMusik GmbH as a part
of the Non Beethoven
project of the Kolner
Philharmonie for 2020,
Wiener Konzerthaus and
Martin Grubinger /
Percussive Planet. $78.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Luminary Piano seul Theodore Presser Co.
Scores SKU: PR.41641609L Concerto for Piano and Orchestra. Compose...(+)
Scores SKU:
PR.41641609L
Concerto for Piano and
Orchestra. Composed
by Narong Prangcharoen.
First performed by the
Thailand Philharmonic
Orchestra, Dariusz
Mikulksi, conductor, with
Christopher Janwong
McKiggan as piano
soloist. Contemporary.
Large Score. With
Standard notation.
Composed 2016. 80 pages.
Duration 24 minutes.
Theodore Presser Company
#416-41609L. Published by
Theodore Presser Company
(PR.41641609L). UPC:
680160641260. 11 x 17
inches. Luminary
was composed to honor the
72nd birthday of pianist
and teacher Bennett
Lerner. The word luminary
has two meanings: 1
(archaic), a natural
light-giving object or
source of light,
especially the sun or the
moon, the most important
natural sources of light
for the planet Earth; and
2, a person who inspires
or influences others.
Bennett Lerner is one of
the latter and has
inspired and influenced a
myriad of musicians,
especially pianists and
composers. He is also a
great advocate of new
music. Luminary has three
main sections, recalling
a traditional concerto.
It begins with fast
repeated notes, which
portray rays of light
penetrating the
atmosphere of the earth.
The second section is
peacheful and slow and
the third section returns
to the opening high
energy. The piece
contains a small hint of
Southeast Asian music,
but of unclear
geographical origin.
Luminary was commissioned
by the Ansin Foundation,
with the gracious support
of the South Dakota
Symphony and the Thailand
Philharmonic Orchestra.
It was first performed by
the Thailand Philharmonic
Orchestra, Dariusz
Mikulski, conductor, with
Christopher Janwong
McKiggan as piano
soloist, on June 17,
2016. Both the composer
and the pianist were
students of Bennett
Lerner. $115.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Rolling Earth Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-053-X Composed by Robert Starer. S...(+)
Concert band - Grade 3
SKU:
MH.1-59913-053-X
Composed by Robert
Starer. Suitable for
advanced middle school,
high school, community
and college bands.
Conductor Full Score.
Duration 3:15. Published
by Manhattan Beach Music
(MH.1-59913-053-X).
ISBN
9781599130538. The
term Rolling Earth comes
from a poem by Walt
Whitman and the music is
a celebration of the
planet we live on. It has
three thematic elements:
the sequence of chords of
the opening, a brief
staccato passage passed
around different
instruments in the
fashion of a canon, and
an expressive melody
first played by the
woodwinds and later
repeated by the trumpet,
saxophone and euphonium.
A gentler section comes
to a point of
contemplation, when a
strong rhythmic motive
brings it back to the
celebratory mood of the
opening. Ensemble
instrumentation: 2
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe 1-2, 2 Eb
Clarinet, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 2 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 3 Bassoon 1-2,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 3 Horn
in F 1-2, 3 Horn in F
3-4, 3 Trombone 1, 3
Trombone 2, 3 Trombone 3,
3 Euphonium B.C., 2
Euphonium T.C., 6 Tuba, 2
Timpani, 2 Mallet
Percussion: Xylophone.
Glockenspiel, 6
Percussion Score: Snare
Drum. Tenor Drum, Bass
Drum, Gong. Suspended
Cymbals, Bongo Drum. $15.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Grove of Titans Orchestre d'harmonie Carl Fischer
Band concert band - Grade 0.5 SKU: CF.PPS22F Composed by Peter Terry. Pri...(+)
Band concert band - Grade
0.5 SKU: CF.PPS22F
Composed by Peter Terry.
Primer Band. Full score.
With Standard notation.
12 pages. Duration 1
minute, 31 seconds. Carl
Fischer Music #PPS22F.
Published by Carl Fischer
Music (CF.PPS22F).
ISBN 9780825896033.
UPC: 798408096038. 9 x 12
inches. The Grove
of Titans is a grove in
Northern California that
includes a group of giant
Coast Redwood, among the
oldest and most massive
trees on the planet.
Grove of Titans follows a
group of explorers as
they travel into the
heart of the forest and
emerge into the presence
of the oldest and most
impressive living wonders
found anywhere on Earth.
This bold music is for
the youngest of players.
Composed by Peter Terry
this festival piece shows
the strength of your very
beginning band. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Smile O voluptuous cool-breathed earth Theodore Presser Co.
Chamber Music Piano, baritone voice SKU: PR.111402840 From Terra Nostr...(+)
Chamber Music Piano,
baritone voice SKU:
PR.111402840 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score. 4
pages. Duration 4:30.
Theodore Presser Company
#111-40284. Published by
Theodore Presser Company
(PR.111402840). UPC:
680160677900. 9 x 12
inches. English. A
beautiful extract from
Garrop's major oratorio
Terra Nostra, set to the
poem by Walt Whitman.
Terra Nostra considers,
through texts and poems,
the world as it was,
humanity's rise and
impact on the Earth, and
a cautious hope for a
reawakening of our bond
with this planet. The
Whitman poem celebrates
our love for an earlier,
more natural Earth - the
Earth as it should
be. $13.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In the Final Analysis - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS73
Composed by George Sweet.
SWS FS. First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+2+5+5+8 pages.
Carl Fischer Music
#FAS73. Published by Carl
Fischer Music (CF.FAS73).
ISBN 9780825888960.
UPC: 798408088965. 8.5 x
11 inches. Key: G
major. Up-and-comin
g composer George Sweet
is a string educator with
years of experience
working with developing
students. He presents us
with a lush and lyrical
composition that
seemingly flows off the
page and into the hearts
of students and audiences
alike. Sweet's
understanding of young
students' technical
limitations, along with
his fresh compositional
perspective, make him a
unique new voice in the
field. We know you are
going to love this
one!. In the Final
Analysis takes its
inspiration from various
speeches given by both
John and Robert Kennedy.
The composer was moved by
the Kennedys’ idea
of a strong, diverse, and
cooperative society. John
Kennedy’s
commencement speech at
the American University
in 1963 was especially
inspirational and the
piece takes its title
from the following
passage:For in the final
analysis, our most basic
common link is that we
all inhabit this
small planet. We all
breathe the same air. We
all cherish our
children’s
futures. And we are all
mortal.The introduction
sets the tone of the
piece and is reminiscent
of the
“Americanaâ€
feel of composers like
Aaron Copland. The main
theme enters in Violin 1
at m. 7.Throughout the
piece, this material is
presented in different
situations and moods,
reflective of the diverse
society spoken of by the
Kennedys. A lyrical
“B†section
appears at m. 23 and
later at m. 48 in a
slightly different
orchestration. The
introductory material
returns at m. 63 and
leads to a vibrant coda
which brings the piece to
a close.In the Final
Analysis was commissioned
by Victor Fernandez and
the Booker Middle School
Orchestra. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Smile O voluptuous cool-breathed earth! Theodore Presser Co.
Chamber Music Piano, Mezzo-soprano voice SKU: PR.111402830 From Terra ...(+)
Chamber Music Piano,
Mezzo-soprano voice
SKU: PR.111402830
From Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score. 4
pages. Duration 4:30.
Theodore Presser Company
#111-40283. Published by
Theodore Presser Company
(PR.111402830). UPC:
680160677894. 9 x 12
inches. English. A
beautiful extract from
Garrop's major oratorio
Terra Nostra, set to the
poem by Walt Whitman.
Terra Nostra considers,
through texts and poems,
the world as it was,
humanity's rise and
impact on the Earth, and
a cautious hope for a
reawakening of our bond
with this planet. The
Whitman poem celebrates
our love for an earlier,
more natural Earth - the
Earth as it should
be. $13.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| One Small Step... Orchestre à Cordes Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS29 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium SKU:
CF.CAS29 Composed by
Doris Gazda. This
edition: Medium
Easy/Medium. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS29.
Published by Carl Fischer
Music (CF.CAS29). ISBN
9780825860959. UPC:
798408060954. 8.5 X 11
inches. Key: C
major. A
programatic work by
composer Doris Gazda that
sets out to depict the
historic moon landing by
the Apollo 11 astronauts
and the famous first step
by Neil Armstrong. A
sound portrait of this
remarkable event in
America history. In
July, 1959 the world
watched and listened as
the astronauts of Apollo
11 traveled from the
Earth to the moon. The
mission, launched by
NASA, successfully
carried men to the
surface of the moon and
returned them safely to
earth. The spaceship was
made up of a command
module, Columbia, and a
lunar module, Eagle.
Astronauts Neil
Armstrong, flight
commander, and Buzz
Aldrin, pilot of the
lunar module, actually
walked on the moon. The
third astronaut, Michael
Collins, piloted
Columbia, the command
module that orbited the
moon while Armstrong and
Aldrin were on the lunar
surface.The 238,000-mile
trip to the moon took
four days. Apollo 11 fell
into orbit 60 miles above
the moon's surface. The
Eagle separated from
Columbia, orbited the
moon nine miles above the
surface and then made a
powered descent, touching
down on the moon in the
Seat of Tranquility. Six
hours after landing,
Armstrong stepped onto
the moon's surface
uttering these memorable
words that brought to
reality the possibilities
of space travel and
exploration, That's one
small step for man, one
giant leap for
mankind.Armstrong and
Aldrin spent two hours
walking on the lunar
surface. They set up some
scientific equipment,
raised an American flag
and left a plaque signed
by the Apollo 11 crew and
President Richard Nixon,
reading:Here men from
planet earth first set
foot upon the moon. July
1969 A.D. We came in
peace for all
mankind.Twenty-one hours
after landing, the Eagle
with Armstrong and Aldrin
onboard, left the moon to
reunite with Columbia.
After docking
successfully, all three
men got into Columbia.
They jettisoned the Eagle
and Columbia left lunar
orbit to make the return
trip. Two days later
Columbia re-entered the
Earth's atmosphere and
splashed down in the
Pacific Ocean. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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