SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104209

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. 1x 31.042/21 oboe 1, 1x 31.042/22 oboe 2, 1x 31.042/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 42. 20 pages. Duration 28 minutes. Carus Verlag #CV 31.042/09. Published by Carus Verlag (CA.3104209).

ISBN 9790007205836. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104219

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 42. Duration 28 minutes. Carus Verlag #CV 31.042/19. Published by Carus Verlag (CA.3104219).

ISBN 9790007140175. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104214

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Cello/Double Bass. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/14. Published by Carus Verlag (CA.3104214).

ISBN 9790007205874. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104213

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Viola. Composed 1725. BWV 42. 4 pages. Duration 28 minutes. Carus Verlag #CV 31.042/13. Published by Carus Verlag (CA.3104213).

ISBN 9790007205867. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

Choir

SKU: CA.3104205

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Easter and Eastertide. Choral Score. Composed 1725. BWV 42. 2 pages. Duration 28 minutes. Carus Verlag #CV 31.042/05. Published by Carus Verlag (CA.3104205).

ISBN 9790007161873. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score available separately - see item CA.3104200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104207

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed 1725. BWV 42. 48 pages. Duration 28 minutes. Carus Verlag #CV 31.042/07. Published by Carus Verlag (CA.3104207).

ISBN 9790007142711. Text language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104211

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 1. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/11. Published by Carus Verlag (CA.3104211).

ISBN 9790007205843. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104200

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1725. BWV 42. 48 pages. Duration 28 minutes. Carus Verlag #CV 31.042/00. Published by Carus Verlag (CA.3104200).

ISBN 9790007134617. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104212

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 2. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/12. Published by Carus Verlag (CA.3104212).

ISBN 9790007205850. Language: German/English.

Ins tead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Floor Tom, Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS136

Composed by Sean O'Loughlin. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 12+12+6+12+12+12+6+6+6+6+ 4+6+8+8+8+4+4+6+6+4+6+8+4 +2+4+12+32 pages. Duration 5 minutes, 27 seconds. Carl Fischer Music #CPS136. Published by Carl Fischer Music (CF.CPS136).

ISBN 9780825889813. UPC: 798408089818. 9x12 inches.

Venture is an exciting overture-style composition for concert band. A venture is an undertaking involving uncertainty and the possibility of risk or danger. The music reflects this definition and has many of the qualities of great film music. Powerful when needed and sensitive at times to provide contrast, the cumulative result is a dramatic addition to concert band literature. One of Sean O'Loughlin's best to date!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Floor Tom, Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS136F

Composed by Sean O'Loughlin. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 32 pages. Duration 5 minutes, 27 seconds. Carl Fischer Music #CPS136F. Published by Carl Fischer Music (CF.CPS136F).

ISBN 9780825889820. UPC: 798408089825. 9x12 inches.

Venture is an exciting overture-style composition for concert band. A venture is an undertaking involving uncertainty and the possibility of risk or danger. The music reflects this definition and has many of the qualities of great film music. Powerful when needed and sensitive at times to provide contrast, the cumulative result is a dramatic addition to concert band literature. One of Sean O'Loughlin's best to date!

Chamber Music Marimba, alto Saxophone

SKU: PR.114423770

Composed by Stacy Garrop. Set of Score and Parts. 16+12+16 pages. Duration 11 minutes. Theodore Presser Company #114-42377. Published by Theodore Presser Company (PR.114423770).

UPC: 680160688579.

When RoseWind Duo’s Clifford Leaman and Scott Herring commissioned me for Silver Linings, we could not have anticipated that we would be in the middle of the COVID-19 pandemic when I composed the piece. In the early summer of 2020, when the three of us met virtually to discuss possible topics, we had all been in lockdown for several months; the causes and effects of the lockdown were at the forefront of our discussion. In themidst of daily tragedies, I had been seeing news stories using the words “silver lining” to describe unexpectedly positive situations arising from our global situation, ranging from small effects (i.e. people having time to work on projects they never could get around to doing) to global ramifications (resurging animal populations in areas where they’re no longer challenged for space with humanity).Silver Linings consists of two movements. Groundhog Day, the first movement, is slow and brooding. It embodies the strong feeling of déjà vu that so many of us experienced early on into lockdown, as we seemed to live the same day repeatedly with minor variances to our schedules. There are two main musical gestures: the first opens the piece as a slow, ascending minor chord which is a representation of uncertainty, and the secondis a falling minor scale. These gestures depict how our lives were reduced to the basic building blocks of life – wake up, eat, work, eat, sleep – as our daily activities and livelihoods were suddenly knocked down. These same two gestures are utilized in the energetic second movement, Making Lemonade, except that they are spun around to reveal their silver linings: the minor chord falls to sound centered and decisive, and the minor scale rises as it bubbles with activity. Among the seeds of despair are also foundseeds of hope, and the saxophone and marimba explore this hopefulness with great vigor and excitement.

Piano

SKU: BR.EB-8831

Urtext. Composed by Samuel Scheidt. Edited by Pieter Dirksen. Solo instruments; Softbound. Edition Breitkopf.

Whoever thinks that Scheidt did not produce any keyboard works worth mentioning besides the Tabulatura nova must revise his judgment. Pieter Dirksen presents 25 pieces here.

Renaissance/early Baroque. Score. 120 pages. Breitkopf and Haertel #EB 8831. Published by Breitkopf and Haertel (BR.EB-8831).

ISBN 9790004183953. 9 x 12 inches.

Twelve pieces are ascertainably by Scheidt, three are early versions of pieces from the Tabulatura nova, and ten can be assigned to Scheidt with absolute certainty on the basis of stylistic criteria. It was long believed that some of these works had been written by Sweelinck. But Dirksen, as co-editor of the Sweelinck Works for Keyboard Instruments (EB 8741-44), applies his vast stylistic knowledge to this matter and, after a detailed study of the sources, separates the pupil Scheidt from his teacher Sweelinck. The Urtext edition presents the musical text in the form of a practical source edition. It guarantees authenticity, since it follows the notation in the sources as closely as possible and reproduces several characteristics of the notational practice of the time.

Whoever thinks that Scheidt did not produce any keyboard works worth mentioning besides the Tabulatura nova must revise his judgment. Pieter Dirksen presents 25 pieces here.

(Soprano, Alto, Tenor, Bass)

SKU: BA.BA05576-91

Composed by Franz Schubert. Edited by Rudolf Faber. This edition: urtext edition. Stapled. Choral score. Baerenreiter Verlag #BA05576-91. Published by Baerenreiter Verlag (BA.BA05576-91).

ISBN 9790006575978. 27 x 19 cm inches. Key: E-flat major. Text Language: Latin.

During the last summer of his life, Franz Schubert completed the Mass in E-flat D 950. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live to see the premiere of his sixth mass, which was first performed posthumously in 1829 under the baton of his brother Ferdinand.

Among other things, the editor has paid particular attention to the articulation. In order to be able to present Schubertâ??s differentiated use of accents in the edition, a new symbol has been introduced: an accent which is flexible with regard to its length, thus making it possible to precisely visualize its compositionally intended duration.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding