Guitar SKU: GI.G-9538G Traditional Hymns for Contemporary Ensembles(+)
Guitar
SKU:
GI.G-9538G
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#9538G. Published by GIA
Publications
(GI.G-9538G).
UPC:
785147953876.
Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago.
Guitar, C instrument 1, C instrument 2, flute, violin, cello, trumpet in C, trum...(+)
Guitar, C instrument 1, C
instrument 2, flute,
violin, cello, trumpet in
C, trumpet in B-flat
SKU: GI.G-9538INST
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Chris De Silva. This
edition: Instrument
edition. Sacred.
Instrumental part(s). 76
pages. GIA Publications
#9538INST. Published by
GIA Publications
(GI.G-9538INST).
UPC:
785147953890.
Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Â
Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago.
Composed by Carson Cooman (1982-). Sacred, Advent, All Saints' Day, Ascension...(+)
Composed by Carson Cooman
(1982-). Sacred, Advent,
All Saints' Day,
Ascension, Christmas,
Eastertide, Epiphany,
General, Holy Communion,
Holy Week, Lent,
Missions, New Year,
Pentecost, Patriotic,
Reformation,
Thanksgiving. Lorenz
Publishing Company
#70/2013L. Published by
Lorenz Publishing Company
(LO.70-2013L).
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Composed by Jason D. Payne. For organ: 3-staff. Sacred. Moderately advanced. Lor...(+)
Composed by Jason D.
Payne. For organ:
3-staff. Sacred.
Moderately advanced.
Lorenz Publishing Company
#70/1928L. Published by
Lorenz Publishing Company
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham.
Percussion Ensemble. For
Marimba (4-mallet)
(marimba (5-octave)).
Medium to difficult.
Duration 20:00. Published
by C. Alan Publications
Unison (High Voice & Divisi) and Organ in Latin. Composed by James Macmi...(+)
Unison (High Voice &
Divisi)
and Organ in Latin.
Composed
by James Macmillan.
Boosey &
Hawkes Sacred Choral.
Octavo.
Boosey & Hawkes
#M060133886.
Published by Boosey &
Hawkes
Organ SKU: HL.14032432 Composed by Eric H. Thiman. Music Sales America. P...(+)
Organ
SKU:
HL.14032432
Composed
by Eric H. Thiman. Music
Sales America. Post-1900.
Book [Softcover]. 8
pages. Music Sales
#NOV590269. Published by
Music Sales
(HL.14032432).
8.25x11.75x0.06
inches.
Eric Thiman
was a 20th century
composer, teacher and
Organist who was also an
advocate of amateur
music-making. He was a
prolific composer of
church music and Piano
and Organ works, and his
craftsmanship and gift
for melody were much
admired. He was director
of music at the City
Temple in London. As an
educator, he was a
professor at the Royal
Academy of Music, and he
wrote many books on
harmony, counterpoint and
musical form.
SKU: GI.G-9405 Traditional Hymns for Contemporary Ensembles. Compo...(+)
SKU: GI.G-9405
Traditional Hymns for
Contemporary
Ensembles. Composed
by Tony Alonso S.J.
Sacred. Collection. GIA
Publications #9405.
Published by GIA
Publications (GI.G-9405).
UPC: 785147940531.
English.
Our
best-selling resource at
NPM 2017! Revival is a
long overdue resource
that provides fresh
accessible arrangements
of classic hymns for
contemporary ensembles.
Each arrangement is
scored for SAB choir,
piano, guitar, and
optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago.
By Arturo Sandoval. Artist Books. Technique, Latin Jazz and Play Along. Instruct...(+)
By Arturo Sandoval.
Artist Books. Technique,
Latin Jazz and Play
Along. Instructional book
(softcover) and examples
CD. With standard
notation and
instructional text. 64
pages. Published by Hal
Leonard
Creatively arranged by renowned pianist-arranger Jan Sanborn, A Month of Sundays...(+)
Creatively arranged by
renowned pianist-arranger
Jan Sanborn, A Month of
Sundays-Easter and Lent
offers church pianists 12
beloved hymns grouped
into four
prelude-offertory-postlud
e combinations (one for
each Sunday of the Easter
and Lent season).
Chamber Music Bassoon, Clarinet, Flute, Horn, Oboe SKU: CF.WE22 For Wi...(+)
Chamber Music Bassoon,
Clarinet, Flute, Horn,
Oboe
SKU: CF.WE22
For Wind Quintet.
Composed by Paul Lansky.
Set of Score and Parts.
With Standard notation.
48+16+16+16+12+12 pages.
Duration 25 minutes. Carl
Fischer Music #WE22.
Published by Carl Fischer
Music (CF.WE22).
ISBN
9781491153352. UPC:
680160910854. Key: F
dorian.
Composed by
Paul Lanksy, The Long and
Short of It for Wind
Quintet was inspired by
the third movement of
Mozart's Serenade for
Winds, K. 361. Lanksy was
particularly drawn to
Mozart's accompaniment,
which he refers to as the
ultimate expression of
breath in music. Nothing
else quite captures the
same sense of wind
instruments inhaling and
exhaling as only winds
can. Five of the
movements in Lansky's
composition use Mozart's
rhythm accompanying a
solo, and the remaining
four movements focus on
musical concepts such as
rhythm, harmony, and
counterpoint. This piece
was commissioned by The
Library of Congress'
Carolyn Royall Just Fund
and The Chamber Music
Society of Lincoln
Center.
Performance
Notes
The Long and
Short of
It was inspired by
the third movement Adagio
of Mozarts
Serenade for
Winds K. 361. Ive long
felt that the throbbing
accompaniment was the
ultimate expression of
breath in music. Nothing
else quite captures the
same sense of wind
instruments inhaling and
exhaling as only winds
can. The work consists of
nine movements, a
Prelude, a Postlude and
three short Interludes,
each consisting of
Mozarts rhythm
accompanying a solo for a
different instrument in
the quintet. There are
four short main
movements, each of which
is more abstractly about
a musical concept:
rhythm, harmony,
counterpoint.
The Long and
Short of
It was commissioned
by The Library of
Congress Carolyn Royall
Just Fund and The Chamber
Music Society of Lincoln
Center.
Paul Lansky
(2015)
.
Performance
Notes
The Long and
Short of
It was inspired by
the third movement Adagio
of Mozartas
Serenade for
Winds K. 361. Iave long
felt that the throbbing
accompaniment was the
ultimate expression of
breath in music. Nothing
else quite captures the
same sense of wind
instruments inhaling and
exhaling as only winds
can. The work consists of
nine movements, a
Prelude, a Postlude and
three short Interludes,
each consisting of
Mozartas rhythm
accompanying a solo for a
different instrument in
the quintet. There are
four short main
movements, each of which
is more abstractly
aabouta a musical
concept: rhythm, harmony,
counterpoint.
The Long and
Short of
It was commissioned
by The Library of
Congressa Carolyn Royall
Just Fund and The Chamber
Music Society of Lincoln
Center.
aPaul Lansky
(2015)
.
Performance
Notes
The Long and
Short of
It was inspired by
the third movement Adagio
of Mozartas
Serenade for
Winds K. 361. Iave long
felt that the throbbing
accompaniment was the
ultimate expression of
breath in music. Nothing
else quite captures the
same sense of wind
instruments inhaling and
exhaling as only winds
can. The work consists of
nine movements, a
Prelude, a Postlude and
three short Interludes,
each consisting of
Mozartas rhythm
accompanying a solo for a
different instrument in
the quintet. There are
four short main
movements, each of which
is more abstractly
aabouta a musical
concept: rhythm, harmony,
counterpoint.
The Long and
Short of
It was commissioned
by The Library of
Congressa Carolyn Royall
Just Fund and The Chamber
Music Society of Lincoln
Center.
aPaul Lansky
(2015)
.
Performance
Notes
The Long and
Short of
It was inspired by
the third movement Adagio
of Mozart's
Serenade for
Winds K. 361. I've long
felt that the throbbing
accompaniment was the
ultimate expression of
breath in music. Nothing
else quite captures the
same sense of wind
instruments inhaling and
exhaling as only winds
can. The work consists of
nine movements, a
Prelude, a Postlude and
three short Interludes,
each consisting of
Mozart's rhythm
accompanying a solo for a
different instrument in
the quintet. There are
four short main
movements, each of which
is more abstractly
'about' a musical
concept: rhythm, harmony,
counterpoint.
The Long and
Short of
It was commissioned
by The Library of
Congress' Carolyn Royall
Just Fund and The Chamber
Music Society of Lincoln
Center.
--Paul Lansky
(2015)
.
Performance Notes The
Long and Short of It was
inspired by the third
movement Adagio of
Mozart's Serenade for
Winds K. 361. I've long
felt that the throbbing
accompaniment was the
ultimate expression of
breath in music. Nothing
else quite captures the
same sense of wind
instruments inhaling and
exhaling as only winds
can. The work consists of
nine movements, a
Prelude, a Postlude and
three short Interludes,
each consisting of
Mozart's rhythm
accompanying a solo for a
different instrument in
the quintet. There are
four short main
movements, each of which
is more abstractly
'about' a musical
concept: rhythm, harmony,
counterpoint. The Long
and Short of It was
commissioned by The
Library of Congress'
Carolyn Royall Just Fund
and The Chamber Music
Society of Lincoln
Center. --Paul Lansky
(2015). Performance
NotesThe Long and Short
of It was inspired by the
third movement Adagio of
Mozart’s Serenade
for Winds K. 361.
I’ve long felt
that the throbbing
accompaniment was the
ultimate expression of
breath in music. Nothing
else quite captures the
same sense of wind
instruments inhaling and
exhaling as only winds
can. The work consists of
nine movements, a
Prelude, a Postlude and
three short Interludes,
each consisting of
Mozart’s rhythm
accompanying a solo for a
different instrument in
the quintet. There are
four short main
movements, each of which
is more abstractly
‘about’ a
musical concept: rhythm,
harmony, counterpoint.
The Long and Short of It
was commissioned by The
Library of
Congress’ Carolyn
Royall Just Fund and The
Chamber Music Society of
Lincoln Center.
—Paul Lansky
(2015).
Organ; Piano (Piano) SKU: HL.48016563 For Organ or Piano. Composed...(+)
Organ; Piano (Piano)
SKU: HL.48016563
For Organ or
Piano. Composed by
Various. Edited by Oliver
Janes. This edition:
M570051434. BH Piano.
Classical, Contemporary.
16 pages. Josef
Weinberger #M570051434.
Published by Josef
Weinberger (HL.48016563).
UPC: 073999165630.
8.5x11.0x0.035
inches.
Contents:
Pastoral on The Voice
that breathed o'er Eden *
Prelude on Lead us,
Heavenly Father * Bridal
March (Wagner) * Wedding
March (Mendelssohn) * O
Rest in the Lord
(Mendelssohn) * Dead
March from Saul (Handel)
* Postlude on Jesus,
blessed Saviour * I know
that my Redeemer liveth
(Handel) * With verdure
clad the fields appear
(Haydn) * Improvisation
on Away in a manger *
Trumpet Voluntary
(Clarke) * Festal March
on Onward, Christian
Soldiers.
