|
| Rise Again Songbook
Paroles et Accords
Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Rise Again Songbook
Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book]
Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
(14)$59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book]
Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
instrument. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 864
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile
Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Rise Up Singing
Paroles et Accords [Partition]
Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Reflections
Piano seul
Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Prophesies [Conducteur et Parties séparées]
Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication.
(See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Rise Up Singing
Paroles et Accords [Partition]
Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| My Dearest Ruth
Voix Mezzo-Soprano, Piano
Theodore Presser Co.
For Mezzo-soprano and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes...(+)
For Mezzo-soprano and
Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40297.
Published
by Theodore Presser
Company
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| My Dearest Ruth
Voix Baryton, Piano
Theodore Presser Co.
For Baritone and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 ...(+)
For Baritone and Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40298.
Published
by Theodore Presser
Company
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Ultimate Pop/Rock Fake Book - In C
Instruments en Do [Fake Book]
Hal Leonard
(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, ...(+)
(4th Edition ) For voice
and C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Pop rock, rock and
pop. Series: Hal Leonard
Fake Books. 584 pages.
9x12 inches. Published by
Hal Leonard.
(26)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Piano Treasury of Hymns
Piano seul [Partition + CD] - Facile
Music Sales
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 best-loved
Christian hymns that have
inspired praise and
worship for over four
centuries. Series: Piano
Treasury Series. 392
pages. Published by Music
Sales.
(1)$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Family Hymn Book [Partition] - Intermédiaire
Mel Bay
By Pamela Cooper Bye. For piano/vocal. SongBook. Sacred. Book. 148 pages. Publis...(+)
By Pamela Cooper Bye. For
piano/vocal. SongBook.
Sacred. Book. 148 pages.
Published by Mel Bay
Publications, Inc.
Level: Intermediate.
(2)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Concerto Da Camera II
Theodore Presser Co.
Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello SKU: PR...(+)
Chamber Music Clarinet,
Piano, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.114405580
Composed by Shulamit Ran.
Set of Score and Parts.
With Standard notation.
45+12+10+11+10+10 pages.
Duration 17 minutes.
Theodore Presser Company
#114-40558. Published by
Theodore Presser Company
(PR.114405580). UPC:
680160008964. Conce
rto da Camera II is a
work for six instruments
which may be further
grouped into three
separate entities -
clarinet, string quartet,
piano. In this
combination, chosen by
the work's commissioning
organizations (the
Chamber Music Society of
Lincoln Center in
conjunction with Mount
Holyoke College), lies
the work's first
challenge. While pairings
of any two of these three
sound types abound in the
concert literature, the
three together form a far
less common soundscape.
The main difficulty
appears in the necessity
to reconcile the
potential of both the
clarinet and the piano of
acting in a soloistic
capacity when pitted
against the string
quartet. Indeed, the
three movements of the
Concerto deal with this
problem in various ways,
with the balance of power
between the six
instruments' potential
for unity and contrast,
solo and ensemble
playing, continually
shifting and changing.
Yet another, more
delicate, balance of
power is at play here,
namely, the relationship
between the external,
foreground level of the
piece and a subtler
background level. What,
at first, appear like
small, gentle melodic
strands, mere echoes or
residues of the main
events, gradually assume
an inner life of their
own. Never actually
taking over yet always
there, a salient, if
quiet, factor within the
work's compositional
fabric and evolving
organism. Though
each movement includes
numerous tempo
fluctuations, the overall
thrust of the work
clearly suggests a
fast-slow-fast framework,
with the last movement
being a loosely
structured, occasionally
tempestuous Rondo. $145.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Concerto Da Camera II [Conducteur]
Theodore Presser Co.
Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello SKU: PR...(+)
Chamber Music Clarinet,
Piano, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.11440558S
Composed by Shulamit Ran.
Score. With Standard
notation. 45 pages.
Duration 17 minutes.
Theodore Presser Company
#114-40558S. Published by
Theodore Presser Company
(PR.11440558S). UPC:
680160008971. Conce
rto da Camera II is a
work for six instruments
which may be further
grouped into three
separate entities -
clarinet, string quartet,
piano. In this
combination, chosen by
the work's commissioning
organizations (the
Chamber Music Society of
Lincoln Center in
conjunction with Mount
Holyoke College), lies
the work's first
challenge. While pairings
of any two of these three
sound types abound in the
concert literature, the
three together form a far
less common soundscape.
The main difficulty
appears in the necessity
to reconcile the
potential of both the
clarinet and the piano of
acting in a soloistic
capacity when pitted
against the string
quartet. Indeed, the
three movements of the
Concerto deal with this
problem in various ways,
with the balance of power
between the six
instruments' potential
for unity and contrast,
solo and ensemble
playing, continually
shifting and changing.
Yet another, more
delicate, balance of
power is at play here,
namely, the relationship
between the external,
foreground level of the
piece and a subtler
background level. What,
at first, appear like
small, gentle melodic
strands, mere echoes or
residues of the main
events, gradually assume
an inner life of their
own. Never actually
taking over yet always
there, a salient, if
quiet, factor within the
work's compositional
fabric and evolving
organism. Though
each movement includes
numerous tempo
fluctuations, the overall
thrust of the work
clearly suggests a
fast-slow-fast framework,
with the last movement
being a loosely
structured, occasionally
tempestuous Rondo. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| ARKA - 3 Rituale (Full Score)
Voix basse, Piano [Conducteur]
Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Love and Longing
Theodore Presser Co.
Chamber Music Mezzo-soprano, Piano, baritone voice soprano voice, tenor voice (+)
Chamber Music
Mezzo-soprano, Piano,
baritone voice soprano
voice, tenor voice
SKU: PR.411411980
Sung Monologues for
Solo Voices and Piano
Inspired by Classic
Literature. Composed
by Nkeiru Okoye. Theodore
Presser Company
#411-41198. Published by
Theodore Presser Company
(PR.411411980). UPC:
680160690671. I
love classic literature
and movies based on the
classics. Great plot
lines, complex
characters, and the power
of love across social and
economic boundaries
displayed in multilayered
stories. (And, of course,
the corsets and
crinoline.) Recent TV
series like
Netflix’s
Bridgerton have succeeded
in bringing these kinds
of stories back to
mainstream audiences,
illustrating that their
universal themes endure
even today.Each sung
monologue in LOVE AND
LONGING is drawn from a
climactic moment in a
work of classic
literature.
“Whatever our souls
are made ofâ€
contrasts Cathy’s
frozen commitments to
social expectation and
detached feelings toward
her fiancé Edgar
Linton with her
overwhelming love for
Heathcliff in Wuthering
Heights. In “Mr.
Rochester,†Jane
Eyre declares her
feelings for her employer
with uncommon familiarity
and boldness. Finally,
Mr. Darcy’s
proposal to Elizabeth in
Pride and Prejudice is
reimagined with a Gilbert
and Sullivan-like rhyme
scheme, as Darcy
humorously enumerates the
reasons it would be
foolish and improper for
him to marryElizabeth,
while asking for her
hand. The first two texts
are taken almost verbatim
from passages in the
novels, while the lyrics
for “Darcy
Proposes†are
original, freely adapted
from several
passages.LOVE AND LONGING
was conceived as a single
work in three parts, to
be performed in
succession by three
different singers.
However, performances of
the set by two singers
instead of three, or of
monologues as standalone
pieces, are also
permissible. The parts
were originally written
for soprano,
mezzo-soprano, and
baritone respectively,
with alternate versions
for mezzo-soprano,
soprano, and tenor added
later.These arias are
well within reach for
college students and
young professionals, and
draw on multiple musical
traditions.
Performer’s
interpretations of the
monologues will of course
be enriched by reading
the novels, and by
watching the movies they
inspired. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| On the Beaten Path
Batterie [Partition + CD]
Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
(1)$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Flatpickin' the Gospels (For Guitar)
Guitare notes et tablatures
Mel Bay
Guitar (flatpicking) - Beginning; Intermediate; Advanced SKU: MB.95077M <...(+)
Guitar (flatpicking) -
Beginning; Intermediate;
Advanced SKU:
MB.95077M With
online audio and
video. Composed by
Steve Kaufman. Solos,
Style, Tunebook,
Gospel/Sacred, Perfect
binding. Sacred, Gospel,
and Contemporary
Christian Music. Book and
online audio/video. 144
pages. Mel Bay
Publications, Inc
#95077M. Published by Mel
Bay Publications, Inc
(MB.95077M). ISBN
9780786686773. 8.75 x
11.75 inches. In
this book three time
National Flatpicking
Guitar Champion Steve
Kaufman presents rousing
guitar solos on 24 gospel
favorites. Each song is
shown with a melody part
in notation and
tablature, lyrics, an
accompaniment part in
tablature and a stirring
flatpicking solo in
notation and tablature.
The audio recording is
designed for listening
first and second as an
instructional tool. All
24 songs are played
through three times at
least. The first time is
as it appears in the book
and the two versions that
follow are improvised
versions. Making this a
listening tool and an ear
training tool. Recorded
Digital to Analog in true
stereo sound. This
recording can be used
with either
Flatpickin' the
Gospels or
Autoharping the
Gospels. Includes
access to online audio
and video. Â Â Â
 . $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| We Are Stars
Chorale SATB
SATB, Piano
Cypress Choral Music
Composed by Kenley Kristofferson. Octavo. Published by Cypress Choral Music (C3....(+)
Composed by Kenley
Kristofferson. Octavo.
Published by Cypress
Choral Music (C3.CP1208).
$3.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| The Real R&B Book
Instruments en Do [Fake Book]
Hal Leonard
C Instruments). Composed by Various. For C Instruments. Fake Book. Softcover...(+)
C Instruments). Composed
by
Various. For C
Instruments.
Fake Book. Softcover. 536
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| The Real RandB Book [Fake Book]
Hal Leonard
B-Flat Instruments. Composed by Various. Fake Book. RandB, Jazz. Softcover. 53...(+)
B-Flat Instruments.
Composed
by Various. Fake Book.
RandB,
Jazz. Softcover. 536
pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Hey Brother - Intermédiaire
Barenreiter
Mixed Choir (SMezATBarB) - Level 3 SKU: BA.BA11395 Composed by Ash Pourno...(+)
Mixed Choir (SMezATBarB)
- Level 3 SKU:
BA.BA11395 Composed
by Ash Pournouri, Avicii,
Salem Al Fakir, Veronica
Maggio, and Vincent
Pontare. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 11
pages. Baerenreiter
Verlag #BA11395_00.
Published by Baerenreiter
Verlag (BA.BA11395).
ISBN 9790006568574.
29.7 x 21 cm inches. Text
Language: English. Text:
Al Fakir, Salem / Maggio,
Veronica / Pontare,
Vincent / Bergling, Tim /
Pournouri,
Ash. “Hey
brother! There's an
endless road to
rediscover
Hey sister!
Know the water's sweet
but blood is thicker
…â€
â
œIf the sky comes
falling down, for you /
There’s nothing in
this world I
wouldn’t
doâ€. The subject of
this energetic,
life-affirming hit is
being there for one
another. Whether sung by
female or mixed choirs,
the fanfare-like theme is
equally powerful and will
keep the audience tapping
their
feet.
The
editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Hey Brother - Intermédiaire
Barenreiter
Female Choir (SSSAAA) - Level 3 SKU: BA.BA11394 Composed by Ash Pournouri...(+)
Female Choir (SSSAAA) -
Level 3 SKU:
BA.BA11394 Composed
by Ash Pournouri, Avicii,
Salem Al Fakir, Veronica
Maggio, and Vincent
Pontare. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 10
pages. Baerenreiter
Verlag #BA11394_00.
Published by Baerenreiter
Verlag (BA.BA11394).
ISBN 9790006568567. 30
x 21.5 cm inches. Text
Language: English. Text:
Al Fakir, Salem / Maggio,
Veronica / Pontare,
Vincent / Bergling, Tim /
Pournouri,
Ash. “Hey
brother! There's an
endless road to
rediscover
Hey sister!
Know the water's sweet
but blood is thicker
…â€
â
œIf the sky comes
falling down, for you /
There’s nothing in
this world I
wouldn’t
doâ€. The subject of
this energetic,
life-affirming hit is
being there for one
another. Whether sung by
female or mixed choirs,
the fanfare-like theme is
equally powerful and will
keep the audience tapping
their
feet.
The
editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Wedding and Love Fake Book - 6th Edition
Instruments en Do
Hal Leonard
Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. S...(+)
Over 500 Songs For All C
Instruments. By Various.
Fake Book. Love, Wedding.
Softcover. 456 pages.
Published by Hal Leonard
$35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Three Drum Quartets from Earth and the Great Weather
Chester
Percussion Quartet (Score & Parts) SKU: HL.233293 Score and Parts....(+)
Percussion Quartet (Score
& Parts) SKU:
HL.233293 Score
and Parts. Composed
by John Luther Adams.
Music Sales America.
Classical. Set. Composed
2017. 59 pages. Chester
Music #CH85943. Published
by Chester Music
(HL.233293).
9.25x12.0x0.39 inches.
English. These
three pieces are drawn
from Earth and the Great
Weather, an
evening-length 'sonic
geography' of the Arctic.
Although purely
'abstract' in form, it is
my hope that they are in
some small measure
informed by the elemental
power of natural forces
in the Arctic, and by the
Inupiat Eskimo drumming
and dancing. - John
Luther Adams Plastic
spiral bound score. $38.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|
