| Prayer of Being CD Chorale [Conducteur et Parties séparées] Brookfield Press
Choral (ChoirTrax CD) SKU: HL.283911 Composed by John Leavitt. Brookfield...(+)
Choral (ChoirTrax CD)
SKU: HL.283911
Composed by John Leavitt.
Brookfield Choral Series.
General Worship, Sacred.
CD. Duration 145 seconds.
Published by Brookfield
Press (HL.283911).
UPC: 888680795603.
5.0x5.0x0.189 inches. Old
English Prayer/John
Leavitt. I Corinthians
11:3, I Thessalonians
5:23, James 3:1-5,
Jeremiah 1:9. A
classic prayer is
caressed with winsome
music in this brief and
beautiful offering.
Meeting the constant need
for effective worship
responses, this piece
rises above utility and
achieves the rare goals
of artistry and ministry.
Chorally satisfying, the
harmonies are pleasantly
contemporary and the
melody organic to the
ancient text. Your choir
will sound its best when
singing this refreshing,
worshipful setting. Score
and Parts (fl 1-2, ob, cl
1-2, bn, perc 1-2, hp, vn
1-2, va, vc, db)
available as a digital
download. $29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prayer of Being Chorale 3 parties SSA Brookfield Press
Composed by John Leavitt. Brookfield Choral Series. Sacred. Octavo. 8 pages. ...(+)
Composed by John Leavitt.
Brookfield Choral Series.
Sacred. Octavo. 8 pages.
Published by Brookfield
Press
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prayer of Being Chorale SATB [Conducteur et Parties séparées] Brookfield Press
Choral (SATB Choir) SKU: HL.283909 Composed by John Leavitt. Brookfield C...(+)
Choral (SATB Choir)
SKU: HL.283909
Composed by John Leavitt.
Brookfield Choral Series.
Sacred. Octavo. 8 pages.
Published by Brookfield
Press (HL.283909).
UPC: 888680795580.
6.75x10.5 inches. A
classic prayer is
caressed with winsome
music in this brief and
beautiful offering.
Meeting the constant need
for effective worship
responses, this piece
rises above utility and
achieves the rare goals
of artistry and ministry.
Chorally satisfying, the
harmonies are pleasantly
contemporary and the
melody organic to the
ancient text. Your choir
will sound its best when
singing this refreshing,
worshipful setting. Score
and Parts (fl 1-2, ob, cl
1-2, bn, perc 1-2, hp, vn
1-2, va, vc, db)
available as a digital
download. $2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| VH1 100 Greatest Artists of All Time Piano, Voix et Guitare [Partition] Hal Leonard
By Various. Piano/Vocal/Guitar Songbook. Softcover. 480 pages. Published by Hal ...(+)
By Various.
Piano/Vocal/Guitar
Songbook. Softcover. 480
pages. Published by Hal
Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eucharistic Prayer for Masses with Children II for "Mass of Creation" GIA Publications
Priest, assembly, keyboard accompaniment, 2 C instruments, guitar, 3 octaves han...(+)
Priest, assembly,
keyboard accompaniment, 2
C instruments, guitar, 3
octaves handbells SKU:
GI.G-9252 Revised
Order of Mass 2010.
Composed by Marty Haugen.
Mass. Mass. Sacred.
Handbell score. With
guitar chord names. 24
pages. GIA Publications
#9252. Published by GIA
Publications (GI.G-9252).
UPC: 785147925293.
English. Text Source:
Eucharistic Prayer for
Masses with Children
II, Revised Order of
Mass 2010. In 1984,
Marty Haugen released his
Mass of Creation. For the
next thirty years it
enjoyed the distinction
of being perhaps the most
performed mass setting in
Roman Catholic worship.
Now, more than five years
after the release of the
revised Order of Mass
2010, the revised edition
of Mass of Creation has
once again surfaced as
the most popular setting
in the GIA catalog. In
response to its
popularity, Marty has
crafted two eucharistic
prayer settings:
Eucharistic Prayer III
(with five varied
prefaces) and Eucharistic
Prayer II for Children,
complete with all the
additional
acclamations. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Advent Trilogy (Three Men of Christmas) Voix Mezzo-Soprano, Piano Subito Music
Mezzo-Soprano & Piano SKU: SU.32040040 For Mezzo-Soprano & Piano. ...(+)
Mezzo-Soprano & Piano
SKU: SU.32040040
For Mezzo-Soprano &
Piano. Composed by
Amy Riebs Mills.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Piano Vocal Score. Subito
Music Corporation
#32040040. Published by
Subito Music Corporation
(SU.32040040).
Mezzo-Soprano &
Piano Duration: 17'
Composed: 2014 Published
by: Amy Mills Music, LLC
These three art songs can
be performed
independently or in
sequence, at any time of
the year. Stuart
McAlpine’s
profound text explores
three men from the
Christmas story, Joseph,
the Inn-keeper, and
Simeon. The creative and
beautiful musical
settings allow for
powerfully dramatic
interpretation and
performance. To Joseph
(who taught me how to
look at art) The singer
sings to Joseph,
…you beheld a work
of art, the making of a
holy heart… and
watching through
Joseph’s eyes,
when hung at last, its
meaning was decreed.
(4:40) The
Inn-keeper’s
Lament McAlpine
brilliantly explores the
possibility…what if
the inn-keeper who turned
away Mary & Joseph later
became the inn-keeper who
accepted the injured man
brought in by the Good
Samaritan? This
powerfully dramatic piece
depicts the Bethlehem
inn-keeper’s
bravado, Caeser’s
decree was heaven sent,
as guests raised glasses,
I raised rent! But as the
enormity of his mistake
became apparent, in later
years he bemoans,
…if I’d
known then what I know
now… and finally
declares at the end, I
know now! (7:50)
Simeon’s Last
Prayer Simeon sings of
being summoned to the
temple where he holds his
infant Savior.
…then as
grandfathers do, rejoiced
as if he were my
one-and-only too. As he
leaves he whispers his
final prayer,
…dismiss your
servant, to find You
face-to-face. (4:30)
Difficulty Level:
Baritone/Mezzo-Soprano 6
(Professional) (Baritone
Range: low A (optional
low G) to high F#
(optional high G,A)
(Mezzo Range: low A
(optional low G) to high
G (optional high A) Piano
6 (Professional)(Same
level as Debussy or
Ravel) See also the
version for Baritone
Voice and Piano See
composer website for
audio sample. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Advent Trilogy (Three Men of Christmas) Voix Baryton, Piano Subito Music
Baritone voice & Piano SKU: SU.32040041 For Baritone & Piano. Comp...(+)
Baritone voice & Piano
SKU: SU.32040041
For Baritone &
Piano. Composed by
Amy Riebs Mills.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Piano Vocal Score. Subito
Music Corporation
#32040041. Published by
Subito Music Corporation
(SU.32040041).
Baritone Voice
& Piano Duration: 17'
Composed: 2014 Published
by: Amy Mills Music, LLC
These three art songs can
be performed
independently or in
sequence, at any time of
the year. Stuart
McAlpine’s
profound text explores
three men from the
Christmas story, Joseph,
the Inn-keeper, and
Simeon. The creative and
beautiful musical
settings allow for
powerfully dramatic
interpretation and
performance. To Joseph
(who taught me how to
look at art) The singer
sings to Joseph,
…you beheld a work
of art, the making of a
holy heart… and
watching through
Joseph’s eyes,
when hung at last, its
meaning was decreed.
(4:40) The
Inn-keeper’s
Lament McAlpine
brilliantly explores the
possibility…what if
the inn-keeper who turned
away Mary & Joseph later
became the inn-keeper who
accepted the injured man
brought in by the Good
Samaritan? This
powerfully dramatic piece
depicts the Bethlehem
inn-keeper’s
bravado, Caeser’s
decree was heaven sent,
as guests raised glasses,
I raised rent! But as the
enormity of his mistake
became apparent, in later
years he bemoans,
…if I’d
known then what I know
now… and finally
declares at the end, I
know now! (7:50)
Simeon’s Last
Prayer Simeon sings of
being summoned to the
temple where he holds his
infant Savior.
…then as
grandfathers do, rejoiced
as if he were my
one-and-only too. As he
leaves he whispers his
final prayer,
…dismiss your
servant, to find You
face-to-face. (4:30)
Difficulty Level:
Baritone/Mezzo-Soprano 6
(Professional) (Baritone
Range: low A (optional
low G) to high F#
(optional high G,A)
(Mezzo Range: low A
(optional low G) to high
G (optional high A) Piano
6 (Professional)(Same
level as Debussy or
Ravel) See also the
version for Mezzo-Soprano
and Piano See composer
website for audio
sample. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Voyager Prayer Chorale SATB SATB divisi, A Cappella Gentry Publications
SATB (divisi) a cappella Choral (SATB divisi a cappella) SKU: HL.338925 C...(+)
SATB (divisi) a cappella
Choral (SATB divisi a
cappella) SKU:
HL.338925 Composed by
Kira Rugen. Gentry
Publications. General
Worship, Sacred. Octavo.
12 pages. Duration 960
seconds. Gentry
Publications #JG2555.
Published by Gentry
Publications (HL.338925).
UPC: 840126914443.
6.75x10.5x0.029
inches. Using the
“Ave Mariaâ€
text as a prayer for all
humans in our life's
voyage, the tune Ms.
Rugen creates sounds
reminiscent of an Irish
folk song. Her harmonies
are 21st century and ever
so sensitively displayed.
A sense of being on a
17th century vessel that
is crossing the ocean to
new lands permeates
through the music. It is
transporting. This is a
lovely concert selection
for advanced high school,
college and community
choirs. Medium in
difficulty. $3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book Instruments en Do [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway.
Softcover.
696 pages. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The New Broadway Fake Book Instruments en Do Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway, Musicals.
Softcover. 696 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prayer of Being Chorale SATB SATB A Cappella Fred Bock Music Company
By Mark Hayes. (SATB a cappella). Fred Bock Publications. Sacred. Size 7x10.5 i...(+)
By Mark Hayes. (SATB a
cappella). Fred Bock
Publications. Sacred.
Size 7x10.5 inches. 8
pages. Published by Fred
Bock Music Company.
(1)$2.15 $2.0425 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Prayer of Blessing Chorale SATB SATB, Piano Lorenz Publishing Company
Composed by Marty Parks. For SATB choir, piano. Sacred Anthem. Octavo. Publi...(+)
Composed by Marty Parks.
For
SATB choir, piano. Sacred
Anthem. Octavo. Published
by
Lorenz Publishing Company
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prayer of Being Chorale 3 parties SAB Fred Bock Music Company
By Mark Hayes. (SAB). This edition: BG2503. Fred Bock Publications. Sacred. 8 p...(+)
By Mark Hayes. (SAB).
This edition: BG2503.
Fred Bock Publications.
Sacred. 8 pages.
Published by Fred Bock
Music Company.
(1)$1.95 $1.8525 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prophesies [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication. (See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| RandB Fake Book - C Instruments - 2nd Edition
Fake Book [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
(9)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Great Keyboard Chord Songbook 1 Piano seul Music Sales
| | |
| Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir) SKU:
HL.277282 SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282). UPC:
840126915006. 6.75x10.5
inches. Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo. $7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sing-Along Songs – Strum Together Ukulele Hal Leonard
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.1091718 For...(+)
Banjo; Baritone Ukulele;
Guitar; Mandolin; Ukulele
SKU: HL.1091718
For Ukulele, Baritone
Ukulele, Guitar, Banjo &
Mandolin. Composed by
Various. Arranged by Mark
Phillips. Strum Together.
Classic Rock, Folk, Pop.
Softcover. 144 pages.
Published by Hal Leonard
(HL.1091718). ISBN
9781705176030. UPC:
196288099345.
9.0x12.0x0.361
inches. Learning to
play a musical instrument
is one of the most
satisfying experiences a
person can have. Being
able to play along with
other musicians makes
that even more rewarding!
The Strum Together series
enables players of five
different instruments
– or any
combination of them
– to “strum
together†on 70
fabulous songs. The music
for each song displays
the chord diagrams for
five instruments:
ukulele, baritone
ukulele, guitar, mandolin
and banjo. The chord
diagrams indicate basic,
commonly used finger
positions. More advanced
players can substitute
alternate chord
formations. This new
collection includes 70
sing-along classics: ABC
• All of Me •
Bad Moon Rising •
Bennie and the Jets
• Cat's in the
Cradle • Cecilia
• Dancing Queen
• Don't Stop
• Don't Stop
Believin' • From Me
to You • Hey, Soul
Sister • Hooked on
a Feeling • I Will
Wait • Iko Iko
• Learning to Fly
• Listen to the
Music • Lollipop
• Me and Bobby
McGee • One Love
• Shake It Off
• Stayin' Alive
• Sugar, Sugar
• Summer of '69
• Teenage Dream
• Thank God I'm a
Country Boy •
Waiting on the World to
Change • Yellow
Submarine • and
more. $19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices a cappella SKU: BT.EMBZ6725 Extended and revised paperbac...(+)
Mixed Voices a cappella
SKU: BT.EMBZ6725
Extended and revised
paperback edition.
Composed by Zoltan
Kodaly. Hymns & Chorals.
Book Only. Composed 1972.
404 pages. Editio Musica
Budapest #EMBZ6725.
Published by Editio
Musica Budapest
(BT.EMBZ6725).
Hungarian. Zolt
¡n Kodály s
unaccompanied mixed
choruses first appeared
in print in 1943 as a
collected volume
published by the
association Magyar
Kórus. This collection
contained twenty-five
works. In 1951, the
volume was released again
in the author s edition,
being expanded with eight
new compositions, but
without Els áldozás
(First Communion).
Reprint editions of this
collection had been
distributed by Editio
Musica Budapest until
1972, when a
commemorative extended
edition of the mixed
choruses was issued,
edited by Lajos
Bárdos. Until now,
reprints of this
collection with
forty-five compositions
have been circulated.
Péter Erdei carefully
compared the printed
edition with
themanuscripts of the
works preserved at the
Kodály Archives. As a
result of his work, in
2011 we emended a number
of misprints, including
those that had been
inherited since the
earliest print.
Seventy-five years after
the first release, the
time has come for
Kodály s collected
choral works for mixed
voices to appear in a
completely new, expanded
edition. Our collection
contains six compositions
that were not included in
earlier editions:
Jövel, Szentlélek
eristen (Come, Holy
Spirit), Miatyánk (The
Lord s Prayer), Miserere,
Salló Pista, Semmit ne
bánkódjál (Do
Not Grieve), ejesztend t
köszönt (A
Christmas Carol). In
addition, two versions -
both equally authentic -
are published of the work
known under the title of
Naphimnusz (Canticle of
the Sun), due to earlier
editions the new release
comes with lyrics in
Hebrew and English
(Adoration), as well as
Dénes Szed s Hungarian
translation (Napének
[Hymn of the Sun]). This
is the most complete and
most authentic edition of
Kodály s mixed
choruses to date it is
printed in a slightly
larger format than
previous editions, and it
contains new
easily-legible music
scores and an informative
epilogue.
Diese
Ausgabe entstand unter
der Mitwirkung von Lajos
Bárdos. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices SKU: BT.EMBZ6725A Extended and Revised Cloth Bound Editio...(+)
Mixed Voices SKU:
BT.EMBZ6725A
Extended and Revised
Cloth Bound Edition.
By Péter Erdei. By
Zoltan Kodaly. Hymns &
Chorals. Book Hardcover.
Composed 2018. 404 pages.
Editio Musica Budapest
#EMBZ6725A. Published by
Editio Musica Budapest
(BT.EMBZ6725A).
Hungarian. Zolt
¡n Kodály s
unaccompanied mixed
choruses first appeared
in print in 1943 as a
collected volume
published by the
association Magyar
Kórus. This collection
contained twenty-five
works. In 1951, the
volume was released again
in the author s edition,
being expanded with eight
new compositions, but
without Els áldozás
(First Communion).
Reprint editions of this
collection had been
distributed by Editio
Musica Budapest until
1972, when a
commemorative extended
edition of the mixed
choruses was issued,
edited by Lajos
Bárdos. Until now,
reprints of this
collection with
forty-five compositions
have been circulated.
Péter Erdei carefully
compared the printed
edition with
themanuscripts of the
works preserved at the
Kodály Archives. As a
result of his work, in
2011 we emended a number
of misprints, including
those that had been
inherited since the
earliest print.
Seventy-five years after
the first release, the
time has come for
Kodály s collected
choral works for mixed
voices to appear in a
completely new, expanded
edition. Our collection
contains six compositions
that were not included in
earlier editions:
Jövel, Szentlélek
eristen (Come, Holy
Spirit), Miatyánk (The
Lord s Prayer), Miserere,
Salló Pista, Semmit ne
bánkódjál (Do
Not Grieve), ejesztend t
köszönt (A
Christmas Carol). In
addition, two versions -
both equally authentic -
are published of the work
known under the title of
Naphimnusz (Canticle of
the Sun), due to earlier
editions the new release
comes with lyrics in
Hebrew and English
(Adoration), as well as
Dénes Szed s Hungarian
translation (Napének
[Hymn of the Sun]). This
is the most complete and
most authentic edition of
Kodály s mixed
choruses to date it is
printed in a slightly
larger format than
previous editions, and it
contains new
easily-legible music
scores and an informative
epilogue. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Lord, thou hast searched me, and known me Chorale SATB SATB, Orgue Oxford University Press
Composed by Bob Chilcott. Vocal score. 12 pages. Duration 5'. Oxford Universi...(+)
Composed by Bob Chilcott.
Vocal score. 12 pages.
Duration 5'. Oxford
University Press
#9780193531918. Published
by
Oxford University Press
$3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cherubic Hymn Chorale SATB SATB, Orgue Laurendale Associates
SATB choir, organ - Beginning SKU: MN.CH-1340 Composed by Dale Jergenson....(+)
SATB choir, organ -
Beginning SKU:
MN.CH-1340 Composed
by Dale Jergenson. 21st
Century. Octavo.
Laurendale Associates
#CH-1340. Published by
Laurendale Associates
(MN.CH-1340).
The Cherubic
Hymn is the primary
cherubikon, or song of
the angels, sung during
every Divine Liturgy of
the year except those of
Holy Thursday and Holy
Saturday. It occurs after
the Gospel reading and is
interrupted by the Great
Entrance. During the
period of the fourth to
sixth centuries, the
shape of the Eastern
Divine Liturgy reached
its fi nal form under the
gidance of liturgists
such as St. John
Chrysostom. In this same
period the major
formative changes
occurred, most of which
resulted in liturgical
components that
corresponded to the
Church's developing
theological
understanding. Among them
were the hymn
Only-Begotten Son and the
addition of the
Nicean-Constantinopolitan
Creed (countering
heresies), and The
Trisagion Hymn refl
ecting the Trinitarian
theology being currently
defi ned. In this period
and on through the ninth
century, hymns were
composed and added to the
Divine Liturgy, such as
the Cherubic Hymn, sung
while the priest recited
the prayer that is now
called The Prayer of the
Cherubic Hymn. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Psalm 23 (Dominus Regit Me) Chorale SATB SATB divisi PWM (Polskie Wydawnictwo Muzyczne)
Choral (SATB divisi) SKU: HL.215263 For SATB Acappella Divisi. Com...(+)
Choral (SATB divisi)
SKU: HL.215263
For SATB Acappella
Divisi. Composed by
Marcel Chyrzynski. PWM.
Classical, General
Worship, Sacred. Octavo.
20 pages. Duration 360
seconds. Polskie
Wydawnictwo Muzyczne
#11687010. Published by
Polskie Wydawnictwo
Muzyczne (HL.215263).
8.25x11.5
inches. I finished
Psalm 23 Dominus regit me
(The Lord Is My
Shepherd), which inspired
me musically, in 2013.
This prayer of praise,
being a radical act of
trust in God, as Pope
Benedict XVI once said,
complements Credo in unum
Deum. I was particularly
moved by the personal
tone of the Psalm author
and by the landscape of
life symbols that he
painted. The psalmist,
describing ancient
nomads, compares God to a
shepherd taking care of
his flock. It is a
hopeful metaphor of a
journey in the future
with kind and loving God
as a guide - 'Even though
I walk through the valley
of the shadow of death, I
fear no evil, for You are
with me.' By interpreting
the text with music, I
wanted to avoid emotional
directness, and to
present the 'trust' in a
contemplative way, as if
it were a kind of a
prayer - meditation.
-Marcel Chyrzynski,
translated by Monika
Rokicka. $5.95 - Voir plus => Acheter | | |
| Prime Ordinals Percussion [CD-ROM] Tapspace Publications
(solo for djembe (with digital delay), prayer bowl, and audio soundscape). By Ji...(+)
(solo for djembe (with
digital delay), prayer
bowl, and audio
soundscape). By Jim
Casella. For Djembe,
large tibetan bowl,
personal computer (Mac or
PC) with a 4x4 audio
interface. (1 players).
This edition:
Multiple-percussion solo
with audio. Concert
Percussion Solos.
Medium-Advanced. Folio
CD-Rom. 12 pages.
Duration 6:00
$30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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