For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

Piano

SKU: AP.1-ADV9037

Volume 2. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book and CD. Advance Music #01-ADV9037. Published by Advance Music (AP.1-ADV9037).

ISBN 9783892218173. UPC: 805095090376. English.

This collection serves as an invitation to classically trained pianists who are interested in improvisation, and as a challenge to seasoned improvisers to make each performance fresh and spontaneous. The book includes helpful performance notes, and the CD recording features full-length performances of all preludes plus four great jazz standards.

Titles: Prelude VII * Prelude VIII * Prelude IX * Prelude X * Prelude XI * Prelude XII.

Piano

SKU: AP.1-ADV9027

Volume 2. Composed by Bill Dobbins. Improvisation; Piano CD; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. CD. Advance Music #01-ADV9027. Published by Advance Music (AP.1-ADV9027).

UPC: 805095090277. English.

Hear the composer perform his Preludes (Vol. 2) plus four jazz standards.

Titles: Prelude VII * Prelude VIII * Prelude IX * Prelude X * Prelude XI * Prelude XII * Moon and Sand (Wilder/Engvick) * Odds Against Tomorrow (John Lewis) * The Clothed Woman (Duke Ellington) * New World A-Comin' (Duke Ellington).

Piano

SKU: AP.1-ADV9035

Volume 4. Composed by Bill Dobbins. Improvisation; Piano CD; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. CD. Advance Music #01-ADV9035. Published by Advance Music (AP.1-ADV9035).

UPC: 805095090352. English.

Hear the composer perform his Preludes (Vol. 4) plus unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace.

Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * L.v. Beethoven: Adagio Cantabile * C. Fischer: Ornithardy * C. Fischer: Igor * B. Evans: Comrade Conrad * Amazing Grace (Traditional).

Piano

SKU: AP.1-ADV9039

Volume 4. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book and CD. Advance Music #01-ADV9039. Published by Advance Music (AP.1-ADV9039).

ISBN 9783892218197. UPC: 805095090390. English.

The final volume of this series concludes the set of 24 preludes, and further emphasizes some of the common ground between jazz, classical music, and the many fertile traditions of folk and art music. The range of influences is, perhaps, even broader than in the previous volumes. In addition to six preludes, the final volume of this series includes unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace.

Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * Adagio Cantabile * Amazing Grace.

Piano

SKU: AP.1-ADV9034

Volume 4. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book. Advance Music #01-ADV9034. Published by Advance Music (AP.1-ADV9034).

UPC: 805095090345. English.

In addition to six preludes, the final volume of this series includes unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace.

Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * Adagio Cantabile * Amazing Grace.

By Johann Sebastian Bach. For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 900 pages. Published by Subito Music.

Guitar Solo

SKU: IS.G6763EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM).

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By H. Owen Reed. By H. Owen Reed. For Concert Band. Concert Band. Belwin Classic Band. Conductor Score, Parts and CD. 520 pages. Duration 21:58. Published by Alfred Publishing.

Guitar Solo

SKU: IS.G6761EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM).

ISBN 9790365067619.

This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.

Organ (Organ)

SKU: HL.49032241

Composed by Johann Sebastian Bach. Edited by Sandor Margittay. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 88 pages. Schott Music #ED 6972. Published by Schott Music (HL.49032241).

ISBN 9790001118149. 0.287 inches.

Piano

SKU: AP.1-ADV9029

Volume 3. Composed by Bill Dobbins. Improvisation; Piano CD; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. CD. Advance Music #01-ADV9029. Published by Advance Music (AP.1-ADV9029).

UPC: 805095090291. English.

Hear the composer perform his Preludes (Vol. 3) plus four jazz standards.

Titles: Prelude XIII * Prelude XIV * Prelude XV * Prelude XVI * Prelude XVII * Prelude XVIII * Lotus Blossom (Billy Strayhorn) * Thingin' (Lee Konitz) * I Never Told You (Johnny Mandel) * Blue Rose (Duke Ellington) * The Single Pedal of a Rose (Duke Ellington).

Piano

SKU: AP.1-ADV9038

Volume 3. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book and CD. Advance Music #01-ADV9038. Published by Advance Music (AP.1-ADV9038).

ISBN 9783892218180. UPC: 805095090383. English.

This collection serves as an invitation to classically trained pianists who are interested in improvisation, and as a challenge to seasoned improvisers to make each performance fresh and spontaneous. The book includes helpful performance notes, and the CD recording features full-length performances of all preludes plus 5 great jazz standards.

Titles: Prelude XIII * Prelude XIV * Prelude XV * Prelude XVI * Prelude XVII * Prelude XVIII.

Piano

SKU: AP.1-ADV9028

Volume 3. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book. Advance Music #01-ADV9028. Published by Advance Music (AP.1-ADV9028).

English.

This collection serves as an invitation to classically trained pianists who are interested in improvisation, and as a challenge to seasoned improvisers to make each performance fresh and spontaneous. The book includes helpful performance notes. Six preludes for solo piano using vocabulary from both the classical and the jazz traditions. Titles: Prelude XIII * Prelude XIV * Prelude XV * Prelude XVI * Prelude XVII * Prelude XVIII.

Guitar Solo

SKU: IS.G6765EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM).

ISBN 9790365067657.

This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5400 pages. Published by Subito Music.

By Francois Couperin (1668-1733). For solo keyboard. Piano Collection. Dover Edition. Classical Period. SMP Level 9 (Advanced). Collection. Introductory text, performance notes and glossary of French terms (does not include words to the songs). 240 pages. Published by Dover Publications

Piano - Level 3

SKU: LM.VV039

Composed by Farid Ouali. Piano a portee de mains. Classical. Score. Editions Van de Velde #VV039. Published by Editions Van de Velde (LM.VV039).

ISBN 9790560050393.

PACH ELBEL J. : Sarabande - BACH J.S. : Petit prelude - MOZART W.A. : Contredanse - BEETHOVEN L.V. : Sonatine - SCHUBERT F. : Valses - CHOPIN F. : Valse en Ut min. - SCHUMANN R. : Premier chagrin - TCHAIKOVSKI P.I. : Douce reverie - LIADOV A. : Prelude - CHOSTAKOVITCH : La poupee mecanique - BRION D. : Teddy's saloon - DESORMIERES B. : Ballade pour Maxime - Java Jazz - GAGNEUX R. : Signal continu - LAURICELLA M. : En blanc et noir.

Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

Cello

SKU: HL.278658

Cello Solo. Composed by Anders Brodsgaard. Music Sales America. Classical. Softcover. 208 pages. Duration 1020 seconds. Edition Wilhelm Hansen #WH33093. Published by Edition Wilhelm Hansen (HL.278658).

ISBN 9788759840849. 10.5x14.5x0.445 inches.

Prelude-Lab yrinth-Exit by Anders Brodsgaard for Cello solo (1994-2002). Prelude was commissioned by Louise Lerche-Lerchenborg for Lerchenborg Musikdage 1994. Labyrinth-Exit was commissioned by Det Unge Tonekunstnerselskab in 2002. Score revised in 2018.

By Johann Sebastian Bach. For Piano. Piano Collection. Kalmus Edition. Masterwork. Book. 52 pages. Published by Alfred Publishing.

Trombone Quintet - Advanced

SKU: CY.CC5010

Composed by Johann Sebastian Bach. Arranged by Jim Tranquilla. Classical. Score and Parts. Cherry Classics #CC5010. Published by Cherry Classics (CY.CC5010).

ISBN 9790530111437. 8.5 x 11 in inches.

The mysterious Prelude and Fugue in B-flat minor BWV 867 is special in that its fugue has five voices, has a leap of a minor 9th, and concludes with a hyperstretto (remember the theory class you slept through), the overlapping of ALL five voices offset by only one note. This seven minute work of genius beautifully arranged by Jim Tranquilla of the iTromboni ensemble is appropriate for advanced performers.