réduction pour clarinette et piano. Par DEBUSSY CLAUDE. Claude Debussy's Premiere Rhapsodie for B flat Clarinet. This edition features a Piano reduction of the original orchestral material. / Rép Classique / Répertoire / Clarinette ou 2 Clarinettes et Pianoforte

Pour clarinette et piano. En février 1909, Debussy a été élu membre du Conseil supérieur du Conservatoire de Paris et, à ce titre, a été appelé à servir sur le jury au concours internes. Il fut invité à écrire un concours de deux pièces de test pour la clarinette de 1910 - un pour la classe de l'interprétation, l'autre pour le test de lecture de la vue. La Rhapsodie Premiere a été composée durant décembre 1909 et janvier 1910, concurremment avec les travaux sur le premier livre de préludes pour piano. / Clarinette

Arrangeur: Michael Drapkin. Par DEBUSSY CLAUDE. A serious clarinetist probably plays, at some point in their career, the famous Debussy Rhapsodie. More often than not, they will play with the piano accompaniment, as Debussy first wrote it. The fortunate few will perform with an orchestra. Drapkin now makes the Rhapsodie accessible for a soloist with string quartet. The solo line is faithful to the original, while the strings handle the accompaniment. A serious clarinetist probably plays, at some point in their career, the famous Debussy Rhapsodie. More often than not, they will play with the piano accompaniment, as Debussy first wrote it. The fortunate few will perform with an orchestra. Drapkin now makes the Rhapsodie accessible for a soloist with string quartet. The solo line is faithful to the original, while the strings handle the accompaniment./ Répertoire / Clarinette en Sib, 2 Violons, Alto et Violoncelle

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. ' First Urtext edition of the orchestral version ' First scholarly-critical edition of a pioneering work for clarinet ' Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. - First Urtext edition of the orchestral version - First scholarly-critical edition of a pioneering work for clarinet - Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng) / Clarinette Et Orchestre

orchestrated by Ferde Grofé edited by Ryan Raul Bañagale. Par GERSHWIN GEORGE. The names of George Gershwin (1898–1937) and Ira Gershwin (1896–1983) are synonymous across the globe with American musical creativity. The Gershwin family estates, their publishers, and the University of Michigan have joined forces to produce The George and Ira Gershwin Critical Edition—the first-ever scholarly edition of the Gershwins’ music and lyrics. This all-new practical edition facilitates both study and performance, giving a wide audience of musicians, scholars, students, and enthusiasts alike greater insight into the Gershwins’ art. The goal is to create clear and definitive publications that achieve the most accurate representations possible of the Gershwin brothers’ unique and pioneering creativity. This all-new critical edition of the original 1924 arrangement of George Gershwin’s Rhapsody in Blue presents an authoritative transcription of arranger Ferde Grofé’s handwritten holograph score preserved in the collection of the United States Library of Congress in Washington, DC. The edition represents as best as possible the piece as premiered by the Paul Whiteman Orchestra at his 'Experiment in Modern Music' concert on February 12, 1924. Grofé prepared the score for the specific talents and timbres of the Whiteman Orchestra, largely from an ink fair copy of Gershwin’s two-piano short-score manuscript. Gershwin continued to modify the piano solo portion of this short score during rehearsals and, most likely, even after the premiere of the piece. / Date parution : 2023-10-31/ Répertoire / Piano 4 Mains

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violon Et Orchestre

Par DE HAAN JACOB. Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est à l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément. / Niveau : 2.5 / Pièce de concert / Date parution : 1905-06-26/ Répertoire / Concert Band ou Harmonie

Par DE HAAN JACOB. Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est à l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément. / Niveau : 2.5 / Pièce de concert / Date parution : 1905-06-26/ Répertoire / Fanfare

Contenu : Albinoni: Adagio - Beethoven: Adagio cantabile - Boccherini: Menuet - Brahms: Valse - Chabrier: España - Liszt: Rhapsodie hongroise n°2 - Mozart: Marche turque - Rameau: Tambourin - Schubert: Sérénade - Schumann: Rêverie - Tchaïkovski: Valse des fleurs Discipline/Instrument : piano Support : Partition Style/Genre : classique Date de parution : juin-00 Nombre de pages : 24