SATB choir, piano

SKU: LO.10-5550L

Composed by Tracey Craig McKibben. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5550L. Published by Lorenz Publishing Company (LO.10-5550L).

ISBN 9780787773724.

Orig inally a piano piece by Tracey McKibben, Psalm of Stillness seemed to call out for just the right lyric, and Gwyn Williams filled that need with great sensitivity. Ideal as a response to the events of this past year, or anytime your congregation needs assurance, this anthem brings the reminder that You promise peace in tomorrow's sunrise..

Composed by Chris De Silva. Christmastide, Christmas Day, Easter 6 B, OT 28 C. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9527. Published by GIA Publications (GI.G-9527).

SKU: HP.8287

Composed by Carl Daw, Jr. This edition: Complete. Author Collections. Carl Daw Hymn Collection. General Worship, Sacred. Book. 86 pages. Hope Publishing Company #8287. Published by Hope Publishing Company (HP.8287).

UPC: 763628182878. Carl P. Daw, Jr.

Fifty new psalms & hymns written by the past-Executive Director of The Hymn Society in the United States and Canada, Carl P. Daw, Jr. The book contains texts only and can be viewed on our website under Online Hymnody. Suggested tunes will be posted soon as well.

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

The Oxford Book of Flexible Anthems composed by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Spiral-bound paperback. 296 pages. Published by Oxford University Press

This giant book contains the best of the music of the Dameans, 59 titles newly arranged and edited for inclusive language. The perfect opportuni- ty to discover what has made this music so popular, or to reacquaint yourself with the sheer power of The Dameans’ music. 

By Robert Hebble, Fred Swann. Edited by Glew. Classical and sacred organ. Level: intermediate. 80 pages. Published by Belwin.

2-part voices and piano - Beginning

SKU: MN.50-6176

Composed by Karen Marrolli. MorningStar Music Publishers #50-6176. Published by MorningStar Music Publishers (MN.50-6176).

UPC: 688670561764. English. Psalm 46:10.

A piece based on the calming text found in Psalm 46:10. The stillness of the text is matched with a lovely original melody.

SAB choir and piano - Beginning

SKU: MN.50-6175

Composed by Karen Marrolli. MorningStar Music Publishers #50-6175. Published by MorningStar Music Publishers (MN.50-6175).

UPC: 688670561757. English. Psalm 46:10.

A piece based on the calming text found in Psalm 46:10. The stillness of the text is matched with a lovely original melody.

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

Choral SSAA choir

SKU: CF.CM9717

Composed by Mark Burrows. 8 pages. Duration 3 minutes, 7 seconds. Carl Fischer Music #CM9717. Published by Carl Fischer Music (CF.CM9717).

ISBN 9781491160961. UPC: 680160919567. Psalm 91:4-5.

The Lord will overshadow you with his pinions, and you will find refuge under his wings. His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart. What a blessing it is, especially during times of distress or uncertainty, to know that we aren't alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, It's okay. I've got you. It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong. The first word - scapulis - is translated as pinions. On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section - mm. 1-20 - encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort. In mm. 21-30 we have a new section where uncertainty grows. At this point the text - and you will find refuge under his wings - is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs: Alto I - Measure 22 the Ab in pennis, m. 26 the Bb in sperabis Soprano II - Measure 23 the A natural in pennis, m. 29 the C in sperabis Soprano I - Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress. The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase. The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance - Felix Mendelssohn's Lift Thine Eyes.
The Lord will overshadow you with his pinions,and you will find refuge under his wings.His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart.What a blessing it is, especially during times of distress or uncertainty, to know that we aren’t alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, “It’s okay. I’ve got you.” It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong.The first word – scapulis – is translated as “pinions.” On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section – mm. 1-20 – encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort.In mm. 21-30 we have a new section where uncertainty grows. At this point the text – and you will find refuge under his wings – is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs:Alto I – Measure 22 the Ab in pennis, m. 26 the Bb in sperabisSoprano II – Measure 23 the A natural in pennis, m. 29 the C in sperabisSoprano I – Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress.The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase.The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance – Felix Mendelssohn’s Lift Thine Eyes.

Composed by Mary McDonald. Octavo. Beckenhorst Press #BP1902. Published by Beckenhorst Press

By Mary Mcdonald. For SATB choir. Sacred. Choral octavo. Published by Beckenhorst Press

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-238-140

Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Score Only. Composed 2007. 16 pages. Anglo Music Press #AMP 238-140. Published by Anglo Music Press (BT.AMP-238-140).

9x12 inches. English-German-French-Dut ch.

The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.

De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.
Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferunge n. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.

L’h ymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ».Cet arrangement présente trois strophes contrastantes. Il peut être interprété comme une œuvre de concert ou comme un interlude dans le cadre d’un office religieux ou d’une cérémonie de mariage.

Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 583 pages. Published by Hal Leonard.

Top 101 Worship Songs of The Vineyard. Performed by Various Artists. Songbook. Softcover with CD. Size 7x10.25 inches. 424 pages. Published by Word Music.

Composed by C.J. Adams. For SAB choir. Quick Study Chorals. Call To Worship, Communion, Hymntune. Octavo. 8 pages. Published by Hope Publishing Company

Composed by Arvo Part (1935-). Bible, Psalm 95. With Standard notation. Composed 1977 / rev. 1996. Duration 3 minutes. Universal Edition #UE31059. Published by Universal Edition

SATB Choir, Piano

SKU: CA.338850

Der Herr regieret mich. Composed by Anton Bruckner. Carus digital: Extra digital products. Full Score. Composed ca. 1852. WAB 34. Carus Verlag #338850. Published by Carus Verlag (CA.338850).

ISBN 9790007303709. Key: E flat major. German.

Bruckner's setting of the 23rd Psalm (22 in the Vulgate count) is still quite unknown. Bruckner uses the German text version by Joseph Franz Allioli instead of the well-known Luther version. Accompanied by the piano, the piece for choir and solo (choir solos possible) begins with a pastoral section in 12/8, changes into a fugue, and ends with an a cappella chorale.

SATB choir, [basso continuo]

SKU: CA.3410100

Composed by Johann Christoph Friedrich Bach. Edited by Klaus Hofmann. Arranged by Johann Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich lieg und schlafe. Sacred, Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Morning, Midday, Evening, Mourning, Death; Use during church year: Holy Week. Full score. BR JCFB H 100. 40 pages. Duration 15 minutes. Carus Verlag #CV 34.101/00. Published by Carus Verlag (CA.3410100).

ISBN 9790007051860. Language: German/English.

The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.

(10 Carols in the Settings of Classical Pieces). Arranged by Cindy Berry. For Piano/Keyboard. Shawnee Press. Softcover. 32 pages. Published by Shawnee Press

Composed by Gwyneth W. Walker (1947-). 21st Century, Justice/Peace/Social Concerns, Prayer. Octavo. Duration 1 minute, 45 seconds. E.C. Schirmer Publishing #8730. Published by E.C. Schirmer Publishing

By Victor C. Johnson. For SATB choir (divisi) and piano. Sacred Anthem: All Saints Day, General, Lent. Octavo. Published by Lorenz Publishing Company

High Voice. Edited by Lloyd Alvin Pfautsch. Series; Vocal; Vocal Collection; Worship Resources. Lawson-Gould. Sacred. Collection. 54 pages. Alfred Music #00-LG00921. Published by Alfred Music

High Voice. By Various. Vocal Collection. Size 9x12 inches. 112 pages. Published by G. Schirmer, Inc.

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 5'. Oxford University Press #9780193531918. Published by Oxford University Press