48 great classical guitar solos for intermediate to advanced level players. 50 great classical guitar solos for intermediate to advanced level players. Featuring works by Albeniz, J.S. Bach, Purcell, Mozart, Grieg, Debussy and Britten. / Niveau : Intermédiaire / Recueil / Guitare

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Air (Purcell) * Capriccio (Handel) * Duet (Mozart) * Hornpipe (Purcell) * Parallels (Snell) * Rondo (Bull) * Serenade (Snell) * Three Whimsies (Snell) * Two-Part Invention No. 14 (Bach).

A huge collection of solo pieces from the 14th-21st centuries. With a wide range of styles and moods, this volume has something for everyone. The pieces are all at a moderate level of difficulty and are suitable for intermediate to advanced players. / Flûte A Bec

Plus de 60 exemples de musique couvrant un large éventail de styles et de périodes. Pour : Edexcel filiale avancé la CME dans la musique, Edexcel Advanced CME dans la musique. Le livre et le coffret de 4 CD couvrant neuf domaines d'étude : musique pour grand Ensemble - du XXe siècle Art - musique pour petit Ensemble - clavier musique - de musique vocale sacrée - la musique vocale laïque - musique pour le cinéma et la télévision - musique populaire et Jazz - World Music / Divers

Par WILLS SIMON. The majestic and expressive qualities of Baroque brass music have rarely ever been surpassed. This brilliant collection of 12 repertoire pieces, arranged for Trombone with simple Piano accompaniments, shows some of the most splendid music that has ever been written for the instrument. From pieces by Handel and Purcell, The Baroque Trombone is a new and rewarding book of concert repertoire for the intermediate to advanced trombonist. / Niveau : Elémentaire / Recueil / Trombone et Piano

The Four Hymns are in similar vein to the Five Mystical Songs (1911) although on a smaller and more intimate scale. Together with the Fantasia on a Theme of Thomas Tallis these form a succession of works displaying a strong mystical, meditative content.The first of the hymns, 'Lord! come away!', employs vigorous Purcellian recitative in a setting of a Palm Sunday text from Bishop Jeremy Taylor's Golden Grove (17th century). 'Who is this fair one?' (Isaac Watts, 1674-1748) is a dialogue for the tenor and viola about divine love. As described by Christopher Palmer, 'Come Love, come Lord' (Richard Crashaw, c1613-49) 'breathes that spirit of mystical remoteness later to inform A Pastoral Symphony?. The final 'Evening Hymn' is a radiant setting of a translation from pre-4th century Greek by Robert Bridges, notable for its contrapuntal expertise over a bell-like basso ostinato.Four Hymns is also available in the version for tenor, viola and piano (979-0-060-02852-6), and the score (978-0-85162-908-7) serves as the vocal score for use with the orchestral version. However, the solo viola part of the orchestral version is incompatible with that for the piano version.Suitable for advanced standard performers. / Partie De Violon Alto Solo