Band jazz ensemble - Grade 1 SKU: KJ.JZB405 Composed by Fred Sturm. Stand...(+)
Band jazz ensemble -
Grade 1
SKU:
KJ.JZB405
Composed by
Fred Sturm. Standard of
Excellence Jazz Ensemble
Method. Jazz. Score and
parts. Neil A. Kjos Music
Company #JZB405.
Published by Neil A. Kjos
Music Company
(KJ.JZB405).
UPC:
8402702581.
Funky
rhythms and a great
melody make this chart a
student and audience
favorite! Unison rhythms
and moderate ranges
ensure it's accessible to
every beginning jazz
ensemble. A part of the
Jazz in Concert Series,
Que Pasa Kielbasa is
flexibly orchestrated so
that it can be played
with as few as 9 players.
Additionally, everyone in
the ensemble has an
opportunity to improvise
in the open solo section,
and the set includes two
suggested solos and a CD
with a solo practice
track, to facilitate
successful
improvisation.
About Standard
of Excellence Jazz
Ensemble
Method
The
Standard of Excellence
Jazz Ensemble Method is
designed to help both you
and your jazz ensemble
students explore the
world of jazz through
easy-to-use Rhythm
Studies, Improvisation
Studies, Instrument
Specific Exercises, and
full ensemble jazz
charts. The approach is
non-theoretical and
aurally based. Each part
book comes with an
accompaniment CD, so like
every great jazz player
throughout history,
students learn to play
jazz by listening!
Flute Duo SKU: BT.SY-2674 19 Lieder und Tänze aus Lateinamerika fÃ...(+)
Flute Duo
SKU:
BT.SY-2674
19
Lieder und Tänze aus
Lateinamerika für 2
Flöten oder andere
Melodie-Instrumente
(20). Composed by
Elisabeth Weinzierl.
Arranged by Elisabeth
Weinzierl-Wächter_Edmu
nd Wächter. Latin.
Book Only. Composed 2008.
20 pages. Ricordi #SY
2674. Published by
Ricordi (BT.SY-2674).
ISBN
9783938809334.
Aus
einer Fülle
lateinamerikanischer
Musik wurden einige
überlieferte Lieder
und Tänze sowie
Kompositionen jüngeren
Datums zusammengestellt.
Flöteninstrumente
aller Art (Längs-,
Kerb-, Schnabel-, Pan-,
Gefäß- und
Querflöten) gehören
dem
tradtionellenInstrumentar
ium Lateinamerikas und
legen eine Bearbeitung
dieser Musik für
Flöte nahe. Die
Besetzung kann mit
Akkordinstrumenten
(Gitarre, Klavier,
Akkordeon...) erweitert
werden. Auch eine
Begleitung durch
charakteristisch
lateinamerikanischenPerku
ssionsinstrumente
(Bongos, Congas, Claves,
Maracas...) bietet sich
an.
Composed by Horace Silver. For voice and piano. Format: piano/vocal/chords songb...(+)
Composed by Horace
Silver. For voice and
piano. Format:
piano/vocal/chords
songbook. With
piano/vocal melody, piano
accompaniment, lyrics,
chord names, introductory
text and black & white
photos. Jazz and latin
jazz. Series: Hal Leonard
Artist Transcriptions.
104 pages. 9x12 inches.
Published by Hal Leonard.
Piano SKU: BT.MS0429 Composed by Pedro Miguel. Studies & Exercises. Book ...(+)
Piano
SKU:
BT.MS0429
Composed by
Pedro Miguel. Studies &
Exercises. Book with
Online Audio. Composed
2021. Play Music Spain
#MS0429. Published by
Play Music Spain
(BT.MS0429).
Orequesta sinfonica,
Orquesta camara, voces y
coro (Symphony Orchestra,
Chamber Orchestra, Solo
Voices and Choir)
SKU:
BO.B.3472
A la
memoria de Salvador
Espriu. Composed by
Xavier Benguerel. Vocal
Music. Choir. Duration
85:00. Published by
Editorial de Musica
Boileau (BO.B.3472).
ISBN
9788480208130.
Engl
ish comments: The Requiem
in memory of Salvador
Espriu by Xavier
Benguerel was
commissioned by the
Torroella de Montgri
International Music
Festival for a double
commemoration: on the one
hand, to celebrate the
tenth anniversary of the
Festival, and on the
other, in remembrance of
Catalan poet Salvador
Espriu in the fifth year
after his death. This
concert, which was held
on 5 October, was a
brilliant closing gala
performance and it was
repeated twice on 6 and 7
October at the Palau de
la Musica Catalana in
Barcelona. It was
performed by the
Orchestra and Choir of
the Gran Teatro del
Liceo, with soloists
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo soprano;
Eduard Gimenez, tenor;
and Carlos Chausson,
baritone, with the
additional collaboration
of baritone Lluis Llach,
conducted by Romano
Gandolfi.
In my
opinion, this work by
Benguerel is a piece that
was written with passion
and sincerity, with great
strength and depth, and
it contains some very
beautiful passages. It is
written in a language
through which, without
abandoning his current
musical thoughts,
Benguerel manages to
communicate with the
audience in a dense work
that lasts for an hour
and a half. It is
interspersed with seven
poems by Espriu on the
subject of death, some
sung and others recited,
which gives the Requiem
great contrasts from a
musical and linguistic
point of view -in
comparison with the Latin
texts normally used in a
requiem mass-, but within
a successful and coherent
unity. The performers
certainly proved their
worth, but much of the
hard work that went into
preparing the piece can
be attributed not only to
the performers, the
composer and the poet in
tribute to whom the work
was written, but also to
the conductor Romano
Gandolfi, who is largely
responsible for the
success of the three
performances of this
Requiem. Benguerel
himself says of the work:
This Requiem is linked to
my previous work, the
Llibre Vermell, and it
has been written without
making any concessions,
but with a true wish to
communicate with the
audience. I've got past
the stage of musical
experiments and I'm now
working on bridging the
gap between composer and
audience, which I'm sure
will be good for
both. --Comments
written by Jordi Codina
in the December 1990
issue of Nexus
magazine
Comentario
s del Espanol: El Requiem
a la memoria de Salvador
Espriu de Xavier
Benguerel ha sido
compuesto por encargo del
Festival Internacional de
Musica de Torroella de
Montgri para una doble
conmemoracion: por una
parte, el decimo
aniversario del Festival;
por otra, el recuerdo de
la figura del poeta
catalan Salvador Espriu
en el quinto ano de su
fallecimiento. Este
concierto, celebrado el
dia 5 de octubre,
constituyo una sesion de
gala y de clausura
brillante y tuvo una
doble repeticion los dias
6 y 7en el Palau de la
Musica Catalana de
Barcelona. Fueron sus
interpretes la Orquesta y
el Coro del Gran Teatro
del Liceo, con los
solistas vocales
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo; Eduard
Gimenez, tenor; y Carlos
Chausson, baritono, con
la colaboracion del
tambien baritono Lluis
Llach. Todos bajo la
direccion de Romano
Gandolfi.
A mi
entender, la obra de
Benguerel es una
partitura escrita con
pasion y sinceridad,
posee una gran solidez,
es profunda y contiene
pasajes de una gran
belleza. Esta escrita en
un lenguaje con el que
Benguerel, sin renunciar
a su actual pensamiento
musical, alcanza la
comunicacion con el
publico en una obra densa
que dura una hora y
media. La intercalacion
de siete poemas de Espriu
relacionados con el tema
de la muerte, en una
interpretacion cantada o
recitada, segun los
casos, otorga al Requiem
grandes contrastes desde
un punto de vista musical
y lingŸistico à en
contraposicion con los
textos latinos propios de
una misa de requiem Ã,
pero dentro de una unidad
conseguida y coherente.
La labor de los
interpretes demostro su
categoria y el trabajo
exhaustivo en la
preparacion de la obra,
que, ademas de los
interpretes, el
compositor y el poeta
homenajeado, tuvo otro
gran protagonista en la
persona del director
Romano Gandolfi, a quien
se debe una gran parte
del exito obtenido en las
tres audiciones de este
Requiem. El propio
Benguerel ha dicho de la
obra: Este Requiem
entronca con mi obra
anterior, el Llibre
Vermell, y ha sido
escrito sin concesiones,
pero con una voluntad
real de comunicacion con
el publico. La epoca de
los experimentos
musicales ya se me paso y
he entrado en una nueva
etapa de acercamiento
entre el compositor y el
publico que, estoy
convencido, beneficiara a
ambos. --Comentario
escrito por Jordi Codina
en la revista Nexus en
diciembre de 1990
(You Can Play the Accordion Now Vol. 2). Taught by Cuco Mendoza and Enrique Mart...(+)
(You Can Play the
Accordion Now Vol. 2).
Taught by Cuco Mendoza
and Enrique Martinez. For
Accordion (Button).
method. Mexican. Level:
Beginning. DVD. Size
5.38x7.50. 60 pages.
Published by Mayas Music.
Pasadena Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1012551-030 Composed by Jacob De Haan. A...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1012551-030
Composed by Jacob De
Haan. Applause Series.
Original Light Music. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012551-030. Published by
De Haske Publications
(BT.DHP-1012551-030).
This piece
takes you on a journey to
the sunny Californian
city of Pasadena. The
piece reflects two
contrasting aspects of
the city,. Firstly the
serene expressive side
with exquisite statues,
works of art and sun
drenched villas and
secondly the hot Latin
side with the street
parade which leads up to
the famous American
Football final in the
Rose Bowl stadium.
Pasadena
ist nach der
gleichnamigen
kalifornischen Stadt
benannt. Das Werk
beschreibt diese auf zwei
unterschiedliche Weisen.
Im ersten Teil der
Komposition kommt ein
expressives Element zum
Ausdruck; hier finden mit
Statuen geschmückte,
imposante Villen ihren
musikalischen
Niederschlag. Ganz anders
ist der zweite Teil im
Swing-Rhythmus und
Latin-Rock-Stil. Er
beschreibt das
traditionelle
Footballspiel um den
'Rose Bowl' am
Neujahrstag, dem die
Parade 'Tournament of
Roses' vorangeht.
Kontrastiv und
überzeugend!
Pasadena Ensemble d'Accordéons - Intermédiaire/avancé De Haske Publications
Accordion Orchestra - Grade 4 SKU: BT.DHP-1043571-060 Composed by Jacob D...(+)
Accordion Orchestra -
Grade 4
SKU:
BT.DHP-1043571-060
Composed by Jacob De
Haan. Arranged by Gerd
Huber. Accordion. Set
(Score and Parts).
Composed 2004. 20 pages.
De Haske Publications
#DHP 1043571-060.
Published by De Haske
Publications
(BT.DHP-1043571-060).
International.
D
e Californische stad
Pasadena wordt in dit
werk van twee
contrasterende kanten
benaderd. Het expressieve
element komt naar voren
in het eerste gedeelte.
Hierin worden de
schitterende
beeldentuinen en
villaâ??s uitgedrukt.
Dan volgteen swingend
gedeelte waarvan de stijl
is te omschrijven als
latin-rock. De basis
hiervoor is de Rose Bowl
op nieuwjaarsdag, de
beroemde
footballwedstrijd
voorafgegaan door de
optocht van de Tournament
of Roses. Vervolgens
komenwe terug in het
begintempo, met een
extravertere versie van
het expressieve thema. De
indrukwekkende slotmaten
completeren het
werk.
Pasadena<
/I> ist nach der
gleichnamigen
kalifornischen Stadt
benannt. Das Werk
beschreibt diese auf zwei
unterschiedliche Weisen.
Im ersten Teil der
Komposition kommt ein
expressives Element zum
Ausdruck; hier finden mit
Statuen geschmückte,
imposante Villen ihren
musikalischen
Niederschlag. Ganz anders
ist der zweite Teil im
Swing-Rhythmus und
Latin-Rock-Stil. Er
beschreibt das
traditionelle
Footballspiel um den
'Rose Bowl' am
Neujahrstag, dem die
Parade 'Tournament of
Roses' vorangeht.
Kontrastiv und
überzeugend!
Pasadena Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1012551-130 Composed by Jacob De Haan. A...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1012551-130
Composed by Jacob De
Haan. Applause Series.
Original Light Music.
Score Only. Composed
2001. De Haske
Publications #DHP
1012551-130. Published by
De Haske Publications
(BT.DHP-1012551-130).
Pasadena
ist nach der
gleichnamigen
kalifornischen Stadt
benannt. Das Werk
beschreibt diese auf zwei
unterschiedliche Weisen.
Im ersten Teil der
Komposition kommt ein
expressives Element zum
Ausdruck; hier finden mit
Statuen geschmückte,
imposante Villen ihren
musikalischen
Niederschlag. Ganz anders
ist der zweite Teil im
Swing-Rhythmus und
Latin-Rock-Stil. Er
beschreibt das
traditionelle
Footballspiel um den
'Rose Bowl' am
Neujahrstag, dem die
Parade 'Tournament of
Roses' vorangeht.
Kontrastiv und
überzeugend!
Pasadena Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1012551-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1012551-120
Composed by Jacob De
Haan. Applause Series.
Original Light Music.
Score Only. Composed
2001. De Haske
Publications #DHP
1012551-120. Published by
De Haske Publications
(BT.DHP-1012551-120).
Pasadena
ist nach der
gleichnamigen
kalifornischen Stadt
benannt. Das Werk
beschreibt diese auf zwei
unterschiedliche Weisen.
Im ersten Teil der
Komposition kommt ein
expressives Element zum
Ausdruck; hier finden mit
Statuen geschmückte,
imposante Villen ihren
musikalischen
Niederschlag. Ganz anders
ist der zweite Teil im
Swing-Rhythmus und
Latin-Rock-Stil. Er
beschreibt das
traditionelle
Footballspiel um den
'Rose Bowl' am
Neujahrstag, dem die
Parade 'Tournament of
Roses' vorangeht.
Kontrastiv und
überzeugend!
Pasadena Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1012551-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1012551-140
Composed by Jacob De
Haan. Applause Series.
Original Light Music.
Score Only. Composed
2001. 36 pages. De Haske
Publications #DHP
1012551-140. Published by
De Haske Publications
(BT.DHP-1012551-140).
Pasadena
ist nach der
gleichnamigen
kalifornischen Stadt
benannt. Das Werk
beschreibt diese auf zwei
unterschiedliche Weisen.
Im ersten Teil der
Komposition kommt ein
expressives Element zum
Ausdruck; hier finden mit
Statuen geschmückte,
imposante Villen ihren
musikalischen
Niederschlag. Ganz anders
ist der zweite Teil im
Swing-Rhythmus und
Latin-Rock-Stil. Er
beschreibt das
traditionelle
Footballspiel um den
'Rose Bowl' am
Neujahrstag, dem die
Parade 'Tournament of
Roses' vorangeht.
Kontrastiv und
überzeugend!
Pasadena Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1012551-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1012551-020
Composed by Jacob De
Haan. Applause Series.
Original Light Music. Set
(Score & Parts). Composed
2001. De Haske
Publications #DHP
1012551-020. Published by
De Haske Publications
(BT.DHP-1012551-020).
Pasadena
ist nach der
gleichnamigen
kalifornischen Stadt
benannt. Das Werk
beschreibt diese auf zwei
unterschiedliche Weisen.
Im ersten Teil der
Komposition kommt ein
expressives Element zum
Ausdruck; hier finden mit
Statuen geschmückte,
imposante Villen ihren
musikalischen
Niederschlag. Ganz anders
ist der zweite Teil im
Swing-Rhythmus und
Latin-Rock-Stil. Er
beschreibt das
traditionelle
Footballspiel um den
'Rose Bowl' am
Neujahrstag, dem die
Parade 'Tournament of
Roses' vorangeht.
Kontrastiv und
überzeugend!
String orchestra SKU: BO.B.3292 Composed by Jordi Cervello. Instrumental ...(+)
String orchestra
SKU:
BO.B.3292
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 17:35. Published
by Editorial de Musica
Boileau (BO.B.3292).
English
comments: This is
the definitive version of
Biogenesis, a piece that
Cervello had written in
1976, together with his
friend Jorge Wagensberg,
and which was awarded the
First Prize at the
Spanish Ministry for
Education and Science's
Permanent Composition and
Musical Research
Competition. The new
version was made at
1984-85 Lux et umbra is
written for a string
group consisting of four
first and four second
violins, three violas,
three cellos and a double
bass. The conceptual
battle between darkness
and light is represented
by the instability
between the notes B and
C, and by the
compartmentation of the
group of fifteen strings
into divisi that provide
an independent
arrangement for each
instrument, thus
bestowing great substance
upon the texture of the
music. A cello cadence
emerges from a slow and
straightforward
beginning. A process of
contrasts then begins,
culminating in a molto
vivace passage of a
scherzando nature, which
alludes to the Baroque
concerti grossi. The
music once again plays
with chiaroscuro until
reaching its climax, from
which point the
conclusion slowly begins,
establishing itself in
the high register until
fading away. The work was
first performed at
Barcelona's Palau de la
Musica by the English
Chamber Orchestra,
directed by Enrique
Garcia Asensio, in 1987.
That same year, in the
newspaper El Pais, the
observations of the
composer and critic
Francesc Taverna-Bech
paid tribute to the
work's intelligence as
regards the use of and
search for instrumental
resources (in this case,
string instruments, about
which Cervello knows a
great deal), the skill
involved in endowing the
lyrical line with
tension, and a singular
touch that confers formal
essence upon the musical
discourse. In La
Vanguardia, Jordi Llovet
wrote that this is a work
in which, as is the case
with most of Cervello's
compositions, the
listener finds something
covertly religious, a
mysterious secret, a
transcendence linked to
the origins of
communication requiring
more than a single being,
which provides
excitement. In 1990, when
the Orquesta de Granada
(Orchestra of Granada)
performed the work at
Barcelona's Grec
festival, the critic
Cesar Calmell opined, in
the same newspaper, that
inch by inch, surely and
imperturbably, Cervello
built up a perfect world
that reflects the image
of the craftsman who, so
astonished at the
delights of his trade, is
unable to do anything but
turn the very backdrop of
tragedy into something
pleasant. Lux et umbra
was recorded by the
Orchestra Estatal of the
Hermitage, conducted by
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Music
critic
Comentari
os del Espanol: Se
trata de la version
definitiva de Biogenesis,
obra que habia escrito en
1976 en colaboracion con
su amigo Jorge Wagensberg
y que obtuvo el Primer
Premio, en el ano de su
creacion, en el Concurso
Permanente de Composicion
e Investigacion Musical
del Ministerio de
Educacion y Ciencia. La
nueva version fue
realizada en 1984-85. Lux
et umbra esta escrita
para un grupo de cuerda
integrado por cuatro
primeros violines, cuatro
segundos, tres violas,
tres violoncelos y un
contrabajo. El combate
filosofico entre la
oscuridad y la luz lo
lleva a cabo la
inestabilidad entre las
notas si y do y la
compartimentacion del
grupo de quince cuerdas
en unos divisi que llegan
a una escritura
independiente para cada
instrumento, otorgando
una gran importancia a la
textura sonora. De un
principio lento y
descarnado emerge una
cadencia del violonchelo.
A continuacion da
comienzo un proceso de
contrastes que culmina en
un pasaje molto vivace de
caracter scherzando que
alude a los concerti
grossi del barroco. La
musica juega de nuevo con
el claroscuro hasta
llegar a la cumbre sonora
iniciando el final
lentamente que se instala
en el registro agudo
hasta desvanecerse. La
estreno en el Palau de la
Musica de Barcelona la
English Chamber Orchestra
en el ano 1987 bajo la
direccion de Enrique
Garcia Asensio. Ese mismo
ano, en el periodico El
Pais, el compositor y
critico Francesc
Taverna-Bech reconocia en
sus comentarios la
inteligencia en el uso y
la busqueda de los
recursos instrumentales
-en este caso la cuerda,
de la que Cervello es
profundo conocedor-, la
destreza para revestir de
tension la linea lirica y
un tacto particular para
conferir entidad formal
al discurso sonoro. Jordi
Llovet, en La Vanguardia,
escribia que en esta
obra, se encuentra, como
en la mayor parte de la
produccion de Cervello,
algo secretamente
religioso, un arcano
misterioso, una
trascendencia vinculada a
los origenes de la
comunicacion
impracticable con el ser
unico que resulta
apasionante. En el ano
1990, cuando la Orquesta
de Granada la toco en el
Grec de Barcelona, era el
critico Cesar Calmell
quien, en el mismo
periodico consideraba que
Cervello construyo palmo
a palmo, segura e
imperturbablemente, un
mundo perfecto que
refleja la imagen del
artesano que, de tan
admirado con las delicias
de su oficio, no puede
hacer otra cosa que
convertir en agradable el
fondo mismo de la
tragedia. Lux et umbra
esta grabada por la
Orquesta Estatal del
Hermitage, dirigida por
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Critico musical.
(Low Voice Edition With 2 CDs of Piano Accompaniments). Composed by Various. Edi...(+)
(Low Voice Edition With 2
CDs of Piano
Accompaniments). Composed
by Various. Edited by
Maria DiPalma and Richard
Walters. For Low Voice,
Piano Accompaniment.
Vocal Collection.
Softcover with CD. 216
pages. Published by Hal
Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard