Arranged by various, ed. Bill Galliford. Instrumental Series; Play-Along. Instrumental Solos Series. Country; Pop; Radio. Book; CD. 24 pages. Alfred Music #00-47339. Published by Alfred Music

Chamber Music Piano, Trumpet

SKU: PR.114419070

Composed by Martin Amlin. With Standard notation. 20+16 pages. Duration 9 minutes. Theodore Presser Company #114-41907. Published by Theodore Presser Company (PR.114419070).

ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.

Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .

(Trumpet). For Trumpet. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trombone 1-3, Bass Trombone 4, Piano, Guitar, Electric Bass, Drums) - difficult

SKU: M7.SMP-1102

Rock/Fusion. Composed by Radiohead. Arranged by Florian Ross. Sheet music. Score and parts. Handelsware #SMP 1102. Published by Handelsware (M7.SMP-1102).

English.

Radiohe ad released '2+2=5' on their sixth album Hail to the Thief in 2003. Florian Ross' dazzling big band arrangement will put your band's dramatic range to the test! Players must be able to whisper gently on either end of the chart and rock out madly in between. Your ensemble and your audience will thank you for programming it -- and your guitarist will LOVE you!!! 5-4-4-4.

Brass Quintet - Grade 6

SKU: BT.DHP-1043657-070

Composed by Ferrer Ferran. Symphonic Brass Ensemble Series. Educational Tool. Set (Score & Parts). Composed 2004. 24 pages. De Haske Publications #DHP 1043657-070. Published by De Haske Publications (BT.DHP-1043657-070).

International.

< I>Chernovil ist ein anspruchsvolles Stück für Blechbläserquintett in einer modernen Tonsprache, das an die Katastrophe, werlche sich 1986 im Atomkraftwerk von Tschernobyl ereignete, erinnert. Der Komponist widmet das Werk den tausenden Menschen - Kindern und Erwachsenen - die damals der radioaktiven Strahlung ausgesetzt waren, die genetische Probleme ausläste und sich negativ auf das Immunsystem auswirkte.

Chernovil est une pièce pour Quintette de Cuivres ; un défi musical aux sonorités contemporaines, en mémoire de la catastrophe nucléaire de Tchernobyl (1986). Ferrer Ferran a dédié cette œuvre aux centaines d’enfants et d’adultes qui ont été exposés un haut niveau de radiation, source de graves problèmes génétiques et d’effets dévastateurs sur le système immunitaire. Cette musique programme reflète l’ampleur de la tragédie ; du début, alors que la centrale nucléaire fonctionnait normalement l’explosion du réacteur, synonyme de chaos. Ferrer Ferran a composé cette œuvre dans l’espoir qu’un tel désastre ne se renouvellera plus.

Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Oboe, Percussion, Timpani, Trumpet 1, Trumpet 2, Trumpet 3, Viola, Violin 1, Violin 2, Violoncello

SKU: CF.SC89L

Seven Little Pieces. Composed by William Grant Still. Large Score. 36 pages. Duration 12 minutes. Carl Fischer Music #SC89L. Published by Carl Fischer Music (CF.SC89L).

William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American† by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”The “Black belt” refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American† by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”The “Black belt” refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: Li’l Scamp If one were to base his judgment on the volume of sound, he would think this little fellow, who delights in playing childish pranks, a big scamp. But the aptness of the title is determined by the brevity of the piece rather than by the volume of sound. Honeysuckle A musical suggestion of the saccharine odor of the honeysuckle. Dance This title is self-explanatory. Brown GirlA tone picture of a lovely girl. Mah Bones Is Creakin’An old man, afflicted with rheumatism, complains loudly. BlueThe lament of a weary soul. Clap Yo’ Han’sThe participants in a game for children form a circle and clap their hands at intervals.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS258

Featuring Marches by L on Jessel, Victor Herbert, Fritz Kreisler and Peter Ilyich Tchaikovsky. Arranged by Marsha Shapiro. Set of Score and Parts. 2+16+4+8+8+6+4+4+4+4+4+8+ 8+4+4+6+6+6+4+8+1+4+1+32 pages. Duration 4 minutes. Carl Fischer Music #CPS258. Published by Carl Fischer Music (CF.CPS258).

ISBN 9781491161395. UPC: 680160919987.

The winter holiday season might bring to mind the Toy Soldier Dance as performed annually by the famous Radio City Rockettes. There were in fact a number of composers who wrote march music for toy, tin or wooden soldiers. Four of those songs have been included in this medley: Parade of the Wooden (or Tin) Soldiers by Leon Jessel, March of the Toys from the operetta Babes in Toyland by Victor Herbert, Fritz Kreiser's Toy Soldier March for violin and piano, and March of the Wooden Soldiers from Peter Ilyich Tchaikovsky's Nutcracker Suite. This arrangement, Toy Soldier Marches, is designed for high school band because of the rhythmic technique required by the compositions, although the ranges remain much easier. The ambitious director might incorporate some uniformed marching band students into the performance as wooden soldiers marching down the aisles.
The winter holiday season might bring to mind the Toy Soldier Dance as performed annually by the famous Radio City Rockettes. There were in fact a number of composers who wrote march music for toy, tin or wooden soldiers. Four of those songs have been included in this medley: Parade of the Wooden (or Tin) Soldiers by Leon Jessel, March of the Toys from the operetta Babes in Toyland by Victor Herbert, Fritz Kreiser’s Toy Soldier March for violin and piano, and March of the Wooden Soldiers from Peter Ilyich Tchaikovsky’s Nutcracker Suite.This arrangement, Toy Soldier Marches, is designed for high school band because of the rhythmic technique required by the compositions, although the ranges remain much easier. The ambitious director might incorporate some uniformed marching band students into the performance as wooden soldiers marching down the aisles.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS258F

Featuring Marches by L on Jessel, Victor Herbert, Fritz Kreisler and Peter Ilyich Tchaikovsky. Arranged by Marsha Shapiro. Full score. 32 pages. Duration 4 minutes. Carl Fischer Music #CPS258F. Published by Carl Fischer Music (CF.CPS258F).

ISBN 9781491161685. UPC: 680160920365.

The winter holiday season might bring to mind the Toy Soldier Dance as performed annually by the famous Radio City Rockettes. There were in fact a number of composers who wrote march music for toy, tin or wooden soldiers. Four of those songs have been included in this medley: Parade of the Wooden (or Tin) Soldiers by Leon Jessel, March of the Toys from the operetta Babes in Toyland by Victor Herbert, Fritz Kreiser's Toy Soldier March for violin and piano, and March of the Wooden Soldiers from Peter Ilyich Tchaikovsky's Nutcracker Suite. This arrangement, Toy Soldier Marches, is designed for high school band because of the rhythmic technique required by the compositions, although the ranges remain much easier. The ambitious director might incorporate some uniformed marching band students into the performance as wooden soldiers marching down the aisles.
The winter holiday season might bring to mind the Toy Soldier Dance as performed annually by the famous Radio City Rockettes. There were in fact a number of composers who wrote march music for toy, tin or wooden soldiers. Four of those songs have been included in this medley: Parade of the Wooden (or Tin) Soldiers by Leon Jessel, March of the Toys from the operetta Babes in Toyland by Victor Herbert, Fritz Kreiser’s Toy Soldier March for violin and piano, and March of the Wooden Soldiers from Peter Ilyich Tchaikovsky’s Nutcracker Suite.This arrangement, Toy Soldier Marches, is designed for high school band because of the rhythmic technique required by the compositions, although the ranges remain much easier. The ambitious director might incorporate some uniformed marching band students into the performance as wooden soldiers marching down the aisles.

(Tenor Sax). For Tenor Sax. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Clarinet). For Clarinet. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Violin). For Violin. Book; CD; Play-Along; String Series. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Alto Sax). For Alto Sax. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Flute). For Flute. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Horn in F). For Horn in F. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Cello). For Cello. Book; CD; Play-Along; String Series. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Trombone). For Trombone. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Viola). For Viola. Book; CD; Play-Along; String Series. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music