| Images for Trumpet and Wind Ensemble Trompette, Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé C. Alan Publications
(Trumpet Feature). Composed by Gary Ziek. For Soloist(s) with Concert Band (Solo...(+)
(Trumpet Feature).
Composed by Gary Ziek.
For Soloist(s) with
Concert Band (Solo
Trumpet, Piccolo, Flute
1-2, Oboe 1-2, Clarinet
in Bb 1-3, Bass Clarinet,
Bassoon 1-2, Alto
Saxophone 1-2, Tenor
Saxophone, Baritone
Saxophone, Trumpet in Bb
1-3, Horn in F 1-4,
Trombone 1-3, Euphonium,
Tuba, Timpani (brake
drum, cabasa, wind
chimes)). Grade 5. Score
and parts. Duration
15:00. Published by C.
Alan Publications
$140.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Go Tell It Hope Publishing Company
SKU: HP.8384 Arranged by Jack Schrader. This edition: Complete. Christmas...(+)
SKU: HP.8384
Arranged by Jack
Schrader. This edition:
Complete. Christmas,
Cantata. Musicals &
Cantatas, Orchestra.
Christmas, Sacred. Set of
Instrumental Parts. Hope
Publishing Company #8384.
Published by Hope
Publishing Company
(HP.8384). UPC:
763628183844. Chris
tmas Musical This
Christmas cantata is a
faithful retelling of the
Christmas story, the
gospel, in song and
narration, and a
wonderful mixture of the
new and the old, the
traditional and the
freshness of the
contemporary. The
narrations are deep and
insightful, demanding
much passion and
heartfelt emotion. The
choir will enjoy these
choral arrangements,
including one of Jack
Schrader's top-selling
pieces, Mary, Did You
Know? The work makes a
strong impact when done
with simply choir, piano,
and narration; however,
full orchestrations are
available. Also, the
narrations are perfect to
suggest the inclusion of
costumed actors creating
tableaux of the various
scenes, so, the work may
be fully staged or as
simply presented as
necessary. Go Tell It!
has moments of quiet
worship and reflection,
as well as the exuberant
times of joy and
celebration. The
congregation is
frequently involved,
being asked to sing on
four occasions, which
leads to a satisfying
experience for all who
participate. Performance
time is approximately 39
minutes.
The
Orchestration contains a
full Conductor's Score
and parts for:
Piano/Rhythm, Bass,
Flute, Oboe, Clarinet,
Trumpet I, II & III,
Horns I & II, E-Flat Alto
Sax, Trombones I, II
(III), Tuba, Percussion,
Timpani, Harp, Violins,
Violas, Cellos,
Basses. $325.00 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| ARKA - 3 Rituale (Full Score) Voix basse, Piano Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Joy Dance Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 3 SKU: AP.50876 Composed by Scott Watson. Concert Ba...(+)
Concert Band - Grade 3
SKU: AP.50876
Composed by Scott Watson.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Gospel; Meters; Sacred.
Score and Part(s).
Duration 4:10. Alfred
Music #00-50876.
Published by Alfred Music
(AP.50876). ISBN
9781470668358. UPC:
038081587226.
English. Joy Dance,
by Scott Watson,
musically conveys an
unrestrained expression
of happiness and
exhilaration. Inspired by
David's ecstatic dance of
praise in 2 Samuel 6:14
(And David danced before
the Lord with all his
might...), the piece
combines artifacts of
popular and contemporary
music, including bold
syncopations, a driving
5/4 meter groove, and use
of contemporary and
gospel harmonies. A large
percussion section (7
players, including two
mallet parts and timpani)
adds essential color and
energy. Whether it's
worship, thankfulness,
celebration, or blissful
abandon, this composition
reflects the radiant
rejoicing of those who
revel in all life's
goodness! (4:10). $80.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Joy Dance Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 3 SKU: AP.50876S Composed by Scott Watson. Concert B...(+)
Concert Band - Grade 3
SKU: AP.50876S
Composed by Scott Watson.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Gospel; Meters; Sacred.
Score. Duration 4:10.
Alfred Music #00-50876S.
Published by Alfred Music
(AP.50876S). ISBN
9781470668365. UPC:
038081587233.
English. Joy Dance,
by Scott Watson,
musically conveys an
unrestrained expression
of happiness and
exhilaration. Inspired by
David's ecstatic dance of
praise in 2 Samuel 6:14
(And David danced before
the Lord with all his
might...), the piece
combines artifacts of
popular and contemporary
music, including bold
syncopations, a driving
5/4 meter groove, and use
of contemporary and
gospel harmonies. A large
percussion section (7
players, including two
mallet parts and timpani)
adds essential color and
energy. Whether it's
worship, thankfulness,
celebration, or blissful
abandon, this composition
reflects the radiant
rejoicing of those who
revel in all life's
goodness! (4:10). $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A View from the Rear GIA Publications
SKU: GI.G-10597 Memoirs of a Virtuoso Timpanist in the Orchestra's Gol...(+)
SKU: GI.G-10597
Memoirs of a Virtuoso
Timpanist in the
Orchestra's Golden
Age. Composed by Saul
Goodman. Music Education.
134 pages. GIA
Publications #10597.
Published by GIA
Publications
(GI.G-10597). ISBN
9781574635409. At
19 years old, Saul
Goodman became timpanist
with the New York
Philharmonic Orchestra
under renowned conductor
Arturo Toscanini.
Forty-six years later, he
retired as one of the
most celebrated
orchestral musicians of
all time. During his
illustrious career as
composer, inventor, and
timpanist, he performed
on over 1,000 recordings,
placed his students in
the world’s major
symphony orchestras, and
set standards in
percussion performance
and pedagogy that remain
in place to this day. His
memoirs, and those of his
students, trace his
musical development and
take the reader on a
voyage of his unique
experiences during the
greatest era of the
American symphony
orchestras. His
incredible legacy as a
performer and a teacher
is unrivaled in the
history of percussion,
and perhaps any other
instrument as well. The
list of his students
reads like a
‘who’s
who’ of our world.
—Daniel Druckman,
New York Philharmonic He
was one of the greatest
artists of all times. He
was an inspiration to me,
not only as a student,
but throughout my
professional career.
—Vic Firth, Boston
Symphony Orchestra Saul
often said that his
teachers were Toscanini,
Monteux, Reiner,
Stokowski, and Bruno
Walter. He was the
greatest player in the
era of stars throughout
the symphonic world. The
sheer numbers of
concerts, recordings, and
TV that he played is
staggering.
—Morris Lang, New
York Philharmonic Saul
Goodman was a brilliant
orchestral musician who
just happened to play the
timpani. His style,
musicianship and strong
personality were a
tremendous influence on
those with whom he
worked. —James
Rago, Louisville
Orchestra Review from
Percussive Notes Magazine
This treasure of a book
tells the story from the
man himself: Saul
Goodman, one of the most
celebrated orchestral
musicians, timpanists,
and percussion teachers
to ever live. Through a
combination of
Goodman’s own
writing, as well as
contributions from a
variety of others who
knew, studied, and worked
with him, this 106-page
book is informative for
students and enjoyable
for general music
enthusiasts. The book is
constructed in two parts
— the first being
a previously unpublished
memoir written by Goodman
during his lifetime (he
died in 1996) and edited
by Anthony Cirone, and
the second consisting of
reflections from students
and colleagues, an
interview with Goodman
conducted by Rick
Mattingly in 1981, a
Percussive Notes article
published shortly after
this death, and an
overview of his recording
history. The book also
contains several pages of
pictures from throughout
his career. The first
part, written by Goodman,
contains five chapters:
Beginnings, Carnegie
Hall, The Business of
Modern Orchestra,
Toscanini, and On
Recording. While he
discusses many
percussion-specific
things, such as lessons
with Alfred Friese,
Goodman spends just as
much, if not more, time
talking about the general
orchestral culture of the
time and how it evolved
during his 46 years in
the New York
Philharmonic. This
includes reflections on
conductors, management,
recording, and the
audition process. The
second part proves just
as valuable, with
first-hand stories from
those who knew him. These
range from
acknowledgments of
Goodman’s
excellence in performing
and instruments making to
heartfelt and sometimes
humorous anecdotes
relating to his teaching.
This book will
undoubtedly be
appreciated by all
orchestral percussion and
classical music
performers, students,
conductors, and teachers,
as well as the general
concert-going public. It
is a rare first-hand look
into the life and career
of a world-class artist
and teacher. —
Jason Baker Percussive
Notes, February 2022. $19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Most glorious Lord of life Chorale SATB SATB, Orgue Oxford University Press
By Bob Chilcott. For SATB choir and organ/brass ensemble (4 trumpets, 2 horns, 2...(+)
By Bob Chilcott. For SATB
choir and organ/brass
ensemble (4 trumpets, 2
horns, 2 tuba, tuba,
timpani, organ). Mixed
Voices. Sacred, Choral
Leaflet. Vocal score. 12
pages. Duration 5'.
Published by Oxford
University Press
$3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Remembrance - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, String Bass, Suspended
Cymbal, Timpani and more.
- Grade 3 SKU:
CF.CPS265 Composed by
Dong-In Choi. Set of
Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+4+4+4+6+6+4+6+4+8+2+4+1+
2+1+20 pages. Duration 5
minutes. Carl Fischer
Music #CPS265. Published
by Carl Fischer Music
(CF.CPS265). ISBN
9781491161289. UPC:
680160919871. Remem
brance was written in
November 2018. In
remembrance of what it
took for us to be here...
was the only original
program note. The piece
can mean different things
to different people;
however, it brings unity
to all under the theme of
remembrance. We fight for
many things: love,
patriotism, freedom,
ideology,
possession...all of which
have cost tremendous
sacrifice. It was the
battles, the blood and
sweat, and the sacrifice
of those that came before
us that created the world
as we know it.
Remembrance is a tender,
melancholic reflection
that silently gives
thanks to every step and
every sacrifice that was
made to bring us what we
have today. Yes, what we
have may not be
perfect--nor is it
anywhere near
complete--but with each
generation's
responsibility to carry
the torch and never
forget, hopefully we can
make everything worth it.
Performance Notes This
tender piece is an
excellent opportunity to
explore nuanced phrasing.
While many sections may
play similar parts, often
the phrasing and dynamics
are marked differently
across the band. Each of
these discrepancies
should be brought out and
add to the perpetual
motion of the piece.
Encourage confident, yet
subtle entrances and
furthermore, think about
the ends of notes as
important as the
beginning. Really bring
out the hairpins in
sections such as m. 29,
m. 67, and m. 81 as
expressive devices.
Despite the piece's major
key, through the various
levels of dissonance and
tension, both the
ensemble and the audience
should feel the
sacrifices and tragedy
that this piece
celebrates. The tempo
should not be much slower
than the marked tempos
and with the careful
observation of the
various tempo changes,
there should be a
constant momentum pushing
throughout the piece, all
the way past the end that
leaves the audience in
thought with an
uplifting, pensive, and
gentle clarinet
chord. Remembrance was
written in November 2018.
“In remembrance of
what it took for us to be
here...†was the
only original program
note. The piece can mean
different things to
different people;
however, it brings unity
to all under the theme of
remembrance.We fight for
many things: love,
patriotism, freedom,
ideology,
possession...all of which
have cost tremendous
sacrifice. It was the
battles, the blood and
sweat, and the sacrifice
of those that came before
us that created the world
as we know it.
Remembrance is a tender,
melancholic reflection
that silently gives
thanks to every step and
every sacrifice that was
made to bring us what we
have today. Yes, what we
have may not be
perfect—nor is it
anywhere near
complete—but with
each generation’s
responsibility to carry
the torch and never
forget, hopefully we can
make everything worth
it.Performance NotesThis
tender piece is an
excellent opportunity to
explore nuanced phrasing.
While many sections may
play similar parts, often
the phrasing and dynamics
are marked differently
across the band. Each of
these discrepancies
should be brought out and
add to the perpetual
motion of the piece.
Encourage confident, yet
subtle entrances and
furthermore, think about
the ends of notes as
important as the
beginning. Really bring
out the hairpins in
sections such as m. 29,
m. 67, and m. 81 as
expressive devices.
Despite the
piece’s major key,
through the various
levels of dissonance and
tension, both the
ensemble and the audience
should feel the
sacrifices and tragedy
that this piece
celebrates.The tempo
should not be much slower
than the marked tempos
and with the careful
observation of the
various tempo changes,
there should be a
constant momentum pushing
throughout the piece, all
the way past the end that
leaves the audience in
thought with an
uplifting, pensive, and
gentle clarinet
chord. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Remembrance - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, String Bass, Suspended
Cymbal, Timpani and more.
- Grade 3 SKU:
CF.CPS265F Composed
by Dong-In Choi. Full
score. 20 pages. Duration
5 minutes. Carl Fischer
Music #CPS265F. Published
by Carl Fischer Music
(CF.CPS265F). ISBN
9781491161753. UPC:
680160920440. Remem
brance was written in
November 2018. In
remembrance of what it
took for us to be here...
was the only original
program note. The piece
can mean different things
to different people;
however, it brings unity
to all under the theme of
remembrance. We fight for
many things: love,
patriotism, freedom,
ideology,
possession...all of which
have cost tremendous
sacrifice. It was the
battles, the blood and
sweat, and the sacrifice
of those that came before
us that created the world
as we know it.
Remembrance is a tender,
melancholic reflection
that silently gives
thanks to every step and
every sacrifice that was
made to bring us what we
have today. Yes, what we
have may not be
perfect--nor is it
anywhere near
complete--but with each
generation's
responsibility to carry
the torch and never
forget, hopefully we can
make everything worth it.
Performance Notes This
tender piece is an
excellent opportunity to
explore nuanced phrasing.
While many sections may
play similar parts, often
the phrasing and dynamics
are marked differently
across the band. Each of
these discrepancies
should be brought out and
add to the perpetual
motion of the piece.
Encourage confident, yet
subtle entrances and
furthermore, think about
the ends of notes as
important as the
beginning. Really bring
out the hairpins in
sections such as m. 29,
m. 67, and m. 81 as
expressive devices.
Despite the piece's major
key, through the various
levels of dissonance and
tension, both the
ensemble and the audience
should feel the
sacrifices and tragedy
that this piece
celebrates. The tempo
should not be much slower
than the marked tempos
and with the careful
observation of the
various tempo changes,
there should be a
constant momentum pushing
throughout the piece, all
the way past the end that
leaves the audience in
thought with an
uplifting, pensive, and
gentle clarinet
chord. Remembrance was
written in November 2018.
“In remembrance of
what it took for us to be
here...†was the
only original program
note. The piece can mean
different things to
different people;
however, it brings unity
to all under the theme of
remembrance.We fight for
many things: love,
patriotism, freedom,
ideology,
possession...all of which
have cost tremendous
sacrifice. It was the
battles, the blood and
sweat, and the sacrifice
of those that came before
us that created the world
as we know it.
Remembrance is a tender,
melancholic reflection
that silently gives
thanks to every step and
every sacrifice that was
made to bring us what we
have today. Yes, what we
have may not be
perfect—nor is it
anywhere near
complete—but with
each generation’s
responsibility to carry
the torch and never
forget, hopefully we can
make everything worth
it.Performance NotesThis
tender piece is an
excellent opportunity to
explore nuanced phrasing.
While many sections may
play similar parts, often
the phrasing and dynamics
are marked differently
across the band. Each of
these discrepancies
should be brought out and
add to the perpetual
motion of the piece.
Encourage confident, yet
subtle entrances and
furthermore, think about
the ends of notes as
important as the
beginning. Really bring
out the hairpins in
sections such as m. 29,
m. 67, and m. 81 as
expressive devices.
Despite the
piece’s major key,
through the various
levels of dissonance and
tension, both the
ensemble and the audience
should feel the
sacrifices and tragedy
that this piece
celebrates.The tempo
should not be much slower
than the marked tempos
and with the careful
observation of the
various tempo changes,
there should be a
constant momentum pushing
throughout the piece, all
the way past the end that
leaves the audience in
thought with an
uplifting, pensive, and
gentle clarinet
chord. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Psalm 150 Chorale SATB [Vocal Score] Oxford University Press
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Sacred. ...(+)
Composed by John Rutter
(1945-). This edition:
paperback. Mixed Voices.
Sacred. Vocal score. 16
pages. Duration 6'.
Published by Oxford
University Press
(OU.9780193505131).
$4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |