| Remembering Pearl Harbor - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 4 SKU:
CF.SPS95 December
7, 1941. Composed by
Christina Huss R. Alan
Carter. Sps. Set of Score
and Parts.
2+16+4+8+8+8+4+4+4+4+4+4+
6+6+6+4+4+4+4+6+6+6+6+4+6
+6+2+4+8+2+28 pages.
Duration 6 minutes, 45
seconds. Carl Fischer
Music #SPS95. Published
by Carl Fischer Music
(CF.SPS95). ISBN
9781491161302. UPC:
680160919895. Writt
en to commemorate the
80th Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the date which will live
in infamy- December 7,
1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting aftermath.
The musical voyage begins
with chimes, signifying
the hour of the attack
that Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors Aweigh
takes us to the naval
base at Pearl Harbor and
the activities of the
day. By the end of
Anchors Aweigh, the mood
seems to change,
foreshadowing the fate of
the U.S. fleet. Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who perished.
Following this solemn
moment, the American
spirit begins to rise as
they come together to
defeat the enemy. As the
U.S. triumphs in the end,
we hear fragments of many
American tunes depicting
the strength and
resilience of the
American People. You may
want to consider using
portions of Franklin
Delano Roosevelt's famous
speech to enhance your
performance. The
following sections are
suggested: Measure 46:
Yesterday, December 7th,
1941 - a date which will
live in infamy - the
United States of America
was suddenly and
deliberately attacked by
the naval and air forces
of the Empire of Japan.
Measure 83: The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been lost. Measure
105: No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.. Written to
commemorate the 80th
Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the “date which
will live in
infamyâ€- December
7, 1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting
aftermath.The musical
voyage begins with
chimes, signifying the
hour of the attack that
Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors
Aweigh takes us to the
naval base at Pearl
Harbor and the activities
of the day. By the end of
Anchors Aweigh, the mood
seems to change,
foreshadowing the fate of
the U.S.
fleet.  Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who
perished.Following this
solemn moment, the
American spirit begins to
rise as they come
together to defeat the
enemy. As the U.S.
triumphs in the end, we
hear fragments of many
American tunes depicting
the strength and
resilience of the
American People.You may
want to consider using
portions of Franklin
Delano Roosevelt’s
famous speech to enhance
your performance. The
following sections are
suggested:Measure 46:
“Yesterday,
December 7th, 1941
– a date which
will live in infamy
– the United
States of America was
suddenly and deliberately
attacked by the naval and
air forces of the Empire
of Japan.â€Measure
83: “The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been
lost.â€Measure 105:
“No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.â€. $90.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Remembering Pearl Harbor [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 4 SKU:
CF.SPS95F December
7, 1941. Composed by
Christina Huss R. Alan
Carter. Sps. Full score.
28 pages. Duration 6
minutes, 45 seconds. Carl
Fischer Music #SPS95F.
Published by Carl Fischer
Music (CF.SPS95F).
ISBN 9781491161845.
UPC:
680160920525. Writt
en to commemorate the
80th Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the date which will live
in infamy- December 7,
1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting aftermath.
The musical voyage begins
with chimes, signifying
the hour of the attack
that Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors Aweigh
takes us to the naval
base at Pearl Harbor and
the activities of the
day. By the end of
Anchors Away, the mood
seems to change,
foreshadowing the fate of
the U.S. fleet. Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who perished.
Following this solemn
moment, the American
spirit begins to rise as
they come together to
defeat the enemy. As the
U.S. triumphs in the end,
we hear fragments of many
American tunes depicting
the strength and
resilience of the
American People. You may
want to consider using
portions of Franklin
Delano Roosevelt's famous
speech to enhance your
performance. The
following sections are
suggested: Measure 46:
Yesterday, December 7th,
1941 - a date which will
live in infamy - the
United States of America
was suddenly and
deliberately attacked by
the naval and air forces
of the Empire of Japan.
Measure 83: The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been lost. Measure
105: No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.. Written to
commemorate the 80th
Anniversary of the
surprise attack on the
American Pacific Fleet,
Remembering Pearl Harbor
is a stirring tribute
honoring the heroes of
the “date which
will live in
infamyâ€- December
7, 1941. Like flying over
the Pacific, the opening
bars seemingly soar back
in time. The composition
takes the listener on a
moving journey from the
precarious moments before
the fateful attack,
through the air strike
and resulting
aftermath.The musical
voyage begins with
chimes, signifying the
hour of the attack that
Sunday morning,
developing into the
heroic main theme
representing the Spirit
of America. A rousing
version of Anchors
Aweigh takes us to the
naval base at Pearl
Harbor and the activities
of the day. By the end of
Anchors Away, the mood
seems to change,
foreshadowing the fate of
the U.S.
fleet.  Next, the
haunting theme of the
Japanese National Anthem
is heard and the distant
sound of propellers as
they approach. When the
planes arrive, the battle
rages until there is
total destruction.
Countless people lost
their lives on this
tragic day. The playing
of Taps and the Navy
Hymn, Eternal Father,
Strong to Save is
presented as an homage to
those who
perished.Following this
solemn moment, the
American spirit begins to
rise as they come
together to defeat the
enemy. As the U.S.
triumphs in the end, we
hear fragments of many
American tunes depicting
the strength and
resilience of the
American People.You may
want to consider using
portions of Franklin
Delano Roosevelt’s
famous speech to enhance
your performance. The
following sections are
suggested:Measure 46:
“Yesterday,
December 7th, 1941
– a date which
will live in infamy
– the United
States of America was
suddenly and deliberately
attacked by the naval and
air forces of the Empire
of Japan.â€Measure
83: “The attack
yesterday on the Hawaiian
Islands has caused severe
damage to American naval
and military forces. I
regret to tell you that
very many American lives
have been
lost.â€Measure 105:
“No matter how long
it may take us to
overcome this
premeditated invasion,
the American people in
their righteous might
will win through to
absolute
victory.â€. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Time for Singing [Conducteur et Parties séparées] University Of York Music Press
Cello; Clarinet; Piano (Score & Parts) SKU: HL.14043372 For Clarinet, ...(+)
Cello; Clarinet; Piano
(Score & Parts) SKU:
HL.14043372 For
Clarinet, Cello and Piano
– Score and Parts.
Composed by Ed Hughes.
Music Sales America.
Classical, Contemporary.
Softcover. 72 pages.
University of York Music
Press #M570365517.
Published by University
of York Music Press
(HL.14043372).
8.0x11.75
inches. Ed Hughes '
A Time For Singing for
Clarinet, Cello and
Piano. Score and parts. '
My sister, the
clarinettist Alison
Hughes, is a member of
the Camilleri Trio who
gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls. The four
movements are: 1. Walk
with rainstorm 2. Song 3.
Scherzo 4. Until the day
break It is a kind of
narrative - in one sense
an imagined walk through
a changing landscape. A
very English one, in
other words one in which
it rains! But sometimes
lit up by sunshine. It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer in
2010. I wanted to write a
piece that would remember
her and her
wonderfulenthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this piece.
Gillie was also a
profoundly spiritual
person. When she and John
Muddiman married in 2010
they asked me to write a
short song for the
wedding, 'Rise Up, My
Love', using words from
'Song of Solomon'. The
new work for the
Camilleri Trio,
commissioned by Jennifer
Hughes in memory of her
sister Gillian Nicholls,
also refers in the main
title, and in the last
movement title, to lines
from 'Song of Solomon':
the time of the singing
of birds is come - Song
of Solomon 2:12 Until the
day break, and the
shadows flee away - Song
of Solomon 2:17 A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011. ' - Ed Hughes
Ed Hughes'
A Time For
Singing for
Clarinet, Cello and
Piano. Score and
parts. 'My
sister, the clarinettist
Alison Hughes, is a
member of the Camilleri
Trio who gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls. The four
movements are: 1.
Walk with rainstorm 2.
Song 3. Scherzo 4.
Until the day
break
It is a
kind of narrative - in
one sense an imagined
walk through a changing
landscape. A very English
one, in other words one
in which it rains! But
sometimes lit up by
sunshine. It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer
in2010. I wanted to write
a piece that would
remember her and her
wonderful enthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this
piece. Gillie was
also a profoundly
spiritual person. When
she and John Muddiman
married in 2010 they
asked me to write a short
song for the wedding,
'Rise Up, My Love', using
words from 'Song of
Solomon'. The new
work for the Camilleri
Trio, commissioned by
Jennifer Hughes in memory
of her sister Gillian
Nicholls, also refers in
the main title, and in
the last movement title,
to lines from 'Song of
Solomon': the time of
the singing of birds is
come - Song of Solomon
2:12 Until the day
break, and the shadows
flee away - Song of
Solomon 2:17 A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011.' - Ed
Hughes $39.00 - Voir plus => Acheter | | |
| 24 Varied Scales And Exercises For Clarinet
Clarinette Carl Fischer
In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche...(+)
In All Major and Minor
Keys.
Composed by J. B. Albert.
Edited by Julie DeRoche.
Book.
With Standard notation.
32
pages. Carl Fischer Music
#O99X. Published by Carl
Fischer Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.446413400 High
Wire Act for
Orchestra. Composed
by Michael Boyman. Study
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340. Published by
Merion Music
(PR.446413400). UPC:
680160667406. 9 x 12
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.44641340L High
Wire Act for
Orchestra. Composed
by Michael Boyman. Large
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340L. Published by
Merion Music
(PR.44641340L). UPC:
680160667413. 11 x 17
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ensemble de Ghibli: Ghibli Songs for Clarinet Ensemble
2 Clarinettes (duo) - Facile Yamaha
Clarinet Duet, Trio, Quartet - Easy-Intermediate Woodwinds. Studio Ghibli. Sco...(+)
Clarinet Duet, Trio,
Quartet -
Easy-Intermediate
Woodwinds. Studio Ghibli.
Score and parts. Yamaha
Music
Media #GTW01098115.
Published
by Yamaha Music Media
$14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Essential Elements Disney Favorites Hal Leonard
Clarinet; Concert Band (Clarinet) SKU: HL.870264 Clarinet. Arrange...(+)
Clarinet; Concert Band
(Clarinet) SKU:
HL.870264
Clarinet. Arranged
by Johnnie Vinson and
Robert Longfield.
Essential Elements Band
Folios. Disney, Movies,
Pop. Softcover. 32 pages.
Published by Hal Leonard
(HL.870264). ISBN
9798350121735. UPC:
196288200871.
9.0x12.0x0.09
inches. There's no
better way to motivate
your band than with some
popular Disney music!
This new collection from
Essential Elements works
with all ensembles,
regardless of what method
you're using, and
features great songs your
band members are sure to
know. The arrangements
work for the whole
ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Elements Disney Favorites Hal Leonard
Bass Clarinet; Concert Band (Bass Clarinet) SKU: HL.870266 Bass Clarin...(+)
Bass Clarinet; Concert
Band (Bass Clarinet)
SKU: HL.870266
Bass Clarinet.
Arranged by Johnnie
Vinson and Robert
Longfield. Essential
Elements Band Folios.
Disney, Movies, Pop.
Softcover. 32 pages.
Published by Hal Leonard
(HL.870266). ISBN
9798350121759. UPC:
196288200895.
9.0x12.0x0.09
inches. There's no
better way to motivate
your band than with some
popular Disney music!
This new collection from
Essential Elements works
with all ensembles,
regardless of what method
you're using, and
features great songs your
band members are sure to
know. The arrangements
work for the whole
ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Elements Disney Favorites Hal Leonard
Alto Clarinet; Concert Band (E-flat Alto Clarinet) SKU: HL.870265 Alto...(+)
Alto Clarinet; Concert
Band (E-flat Alto
Clarinet) SKU:
HL.870265 Alto
Clarinet. Arranged by
Johnnie Vinson and Robert
Longfield. Essential
Elements Band Folios.
Disney, Movies, Pop.
Softcover. 32 pages.
Published by Hal Leonard
(HL.870265). ISBN
9798350121742. UPC:
196288200888.
9.0x12.0x0.09
inches. There's no
better way to motivate
your band than with some
popular Disney music!
This new collection from
Essential Elements works
with all ensembles,
regardless of what method
you're using, and
features great songs your
band members are sure to
know. The arrangements
work for the whole
ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Essential Elements Disney Favorites Orchestre d'harmonie Hal Leonard
Concert Band SKU: HL.870279 Value Pack (37 Books + Conductor Edition)<...(+)
Concert Band SKU:
HL.870279 Value
Pack (37 Books +
Conductor Edition).
Arranged by Johnnie
Vinson and Robert
Longfield. Essential
Elements Band Folios.
Disney, Movies, Pop.
Softcover Audio Online.
Published by Hal Leonard
(HL.870279). ISBN
9798350121889. UPC:
196288201021.
9.0x12.0x5.016
inches. Value Pack
includes one conductor's
edition with full band
recordings and the
following student
editions: 6 flute, 1
oboe, 1 bassoon, 6
clarinet, 1 bass clar., 4
alto sax, 1 tenor sax, 1
bari sax, 6 trumpet, 2 F
horn, 2 trombone, 1 bari
BC, a bari TC, 1 tuba, 2
perc, 1 keybd perc.
There's no better way to
motivate your band than
with some popular Disney
music! This new
collection from Essential
Elements works with all
ensembles, regardless of
what method you're using,
and features great songs
your band members are
sure to know. The
arrangements work for the
whole ensemble to play
together, but also as
solo works for each
instrumentalist! The
songs are carefully
correlated to correspond
with instruction in the
Essential Elements method
books 1 and 2 so you'll
know exactly when your
group is ready to take on
another song. A handy
chart is provided in the
table of contents so you
can see the progress
requirements. Songs
include: Beauty and the
Beast • Colors of the
Wind • He's a Pirate
• Let It Go •
Remember Me (Ernesto de
la Cruz) • Under the
Sea • We Don't Talk
About Bruno • We're All
in This Together • and
more! Each student book
includes parts for the
full band arrangement as
well as separate pages
for solo use. $315.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spielbuch 1 Clarinet/piano Clarinette et Piano - Facile Schott
2-3 clarinets / clarinet and piano (CL/PF) - easy SKU: HL.49015419 Compos...(+)
2-3 clarinets / clarinet
and piano (CL/PF) - easy
SKU: HL.49015419
Composed by Rudolf Mauz.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Performance
Book. 60 pages. Schott
Music #ED 8083. Published
by Schott Music
(HL.49015419). ISBN
9783795751555.
9.0x12.0x0.172 inches.
German. The tune
books of Mauz' clarinet
method are adjusted to
the respective methods
with regard to the tonal
range, dynamics and
articulation. They
provide additional
performance material for
clarinet and piano as
well as for 2 or 3
clarinets. $16.99 - Voir plus => Acheter | | |
| Edgemont Festival Overture - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Trombone 1 and
more. - Grade 3 SKU:
CF.CPS249 Composed by
Carl Strommen. Set of
Score and Parts.
22+2+8+8+4+8+8+8+4+4+4+4+
4+4+8+8+8+4+4+4+4+6+6+6+6
+4+8+2+1+4+3 pages.
Duration 4:43. Carl
Fischer Music #CPS249.
Published by Carl Fischer
Music (CF.CPS249).
ISBN 9781491159477.
UPC:
680160918065. The
following notes were
prepared by Alan
Hollander, former
Edgemont High School Band
Director: The opening
fanfare leads to a lively
English Country melody
reminiscent of the
writing of the English
composer Gustav Holst.
This theme is announced
by the horns with
subsequent solos by the
oboe, trumpet and
clarinet. The mood is
light and airy; I
remember my students
humming and whistling the
theme after our
rehearsals. The short
legato bridge leads back
to the opening fanfare
and a rousing conclusion.
Edgemont Festival
Overture was performed at
a district festival with
over 300 students, grades
5 through 12. Although
the technical
requirements were in the
wheelhouse for the
average high school band,
one of the hidden assets
is the accessibility of
the inner parts, making
it possible for the
younger players to
participate. Mr.
Hollander has been an
active oboist, conductor,
and educator for over
forty years. As a
conductor, he has
directed the American
Wind Ensemble, the
Westchester, NY Pops
Band, the Larchmont
Summer Symphony and as
music director/conductor
of the Westchester Band,
one of the longest
running community bands
in New York State. He has
taught in the public
school systems of
Hempstead and Scarsdale,
New York, and at Hofstra
University. He is
currently an associate
professor at Lehman
College-CUNY, and is
preparing a book titled
How to Build a Community
Band. The following
notes were prepared by
Alan Hollander, former
Edgemont High School Band
Director:The opening
fanfare leads to a lively
“English
Country†melody
reminiscent of the
writing of the English
composer Gustav Holst.
This theme is announced
by the horns with
subsequent solos by the
oboe, trumpet and
clarinet. The mood is
light and airy; I
remember my students
humming and whistling the
theme after our
rehearsals. The short
legato bridge leads back
to the opening fanfare
and a rousing
conclusion.Edgemont
Festival Overture was
performed at a district
festival with over 300
students, grades 5
through 12. Although the
technical requirements
were in the wheelhouse
for the average high
school band, one of the
hidden assets is the
accessibility of the
inner parts, making it
possible for the younger
players to
participate.Mr. Hollander
has been an active
oboist, conductor, and
educator for over forty
years. As a conductor, he
has directed the American
Wind Ensemble, the
Westchester, NY Pops
Band, the Larchmont
Summer Symphony and as
music director/conductor
of the Westchester Band,
one of the longest
running community bands
in New York State.He has
taught in the public
school systems of
Hempstead and Scarsdale,
New York, and at Hofstra
University. He is
currently an associate
professor at Lehman
College-CUNY, and is
preparing a book titled
How to Build a Community
Band. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Edgemont Festival Overture [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum
and more. - Grade 3
SKU: CF.CPS249F
Composed by Carl
Strommen. Full score. 22
pages. Carl Fischer Music
#CPS249F. Published by
Carl Fischer Music
(CF.CPS249F). ISBN
9781491159484. UPC:
680160918072. The
following notes were
prepared by Alan
Hollander, former
Edgemont High School Band
Director: The opening
fanfare leads to a lively
English Country melody
reminiscent of the
writing of the English
composer Gustav Holst.
This theme is announced
by the horns with
subsequent solos by the
oboe, trumpet and
clarinet. The mood is
light and airy; I
remember my students
humming and whistling the
theme after our
rehearsals. The short
legato bridge leads back
to the opening fanfare
and a rousing conclusion.
Edgemont Festival
Overture was performed at
a district festival with
over 300 students, grades
5 through 12. Although
the technical
requirements were in the
wheelhouse for the
average high school band,
one of the hidden assets
is the accessibility of
the inner parts, making
it possible for the
younger players to
participate. Mr.
Hollander has been an
active oboist, conductor,
and educator for over
forty years. As a
conductor, he has
directed the American
Wind Ensemble, the
Westchester, NY Pops
Band, the Larchmont
Summer Symphony and as
music director/conductor
of the Westchester Band,
one of the longest
running community bands
in New York State. He has
taught in the public
school systems of
Hempstead and Scarsdale,
New York, and at Hofstra
University. He is
currently an associate
professor at Lehman
College-CUNY, and is
preparing a book titled
How to Build a Community
Band. The following
notes were prepared by
Alan Hollander, former
Edgemont High School Band
Director:The opening
fanfare leads to a lively
“English
Country†melody
reminiscent of the
writing of the English
composer Gustav Holst.
This theme is announced
by the horns with
subsequent solos by the
oboe, trumpet and
clarinet. The mood is
light and airy; I
remember my students
humming and whistling the
theme after our
rehearsals. The short
legato bridge leads back
to the opening fanfare
and a rousing
conclusion.Edgemont
Festival Overture was
performed at a district
festival with over 300
students, grades 5
through 12. Although the
technical requirements
were in the wheelhouse
for the average high
school band, one of the
hidden assets is the
accessibility of the
inner parts, making it
possible for the younger
players to
participate.Mr. Hollander
has been an active
oboist, conductor, and
educator for over forty
years. As a conductor, he
has directed the American
Wind Ensemble, the
Westchester, NY Pops
Band, the Larchmont
Summer Symphony and as
music director/conductor
of the Westchester Band,
one of the longest
running community bands
in New York State.He has
taught in the public
school systems of
Hempstead and Scarsdale,
New York, and at Hofstra
University. He is
currently an associate
professor at Lehman
College-CUNY, and is
preparing a book titled
How to Build a Community
Band. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tropanka and Patsh Tantz - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet 1, Clarinet
2, Clarinet 3, Flute 1,
Flute 2, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Ride Cymbal, Tambourine,
Tom-tom, Triangle, Wood
Block, alto Saxophone 1
and more. - Grade 3
SKU: CF.CPS264
Composed by Lauren
Bernofsky. Cps. Set of
Score and Parts.
1+8+8+4+4+8+8+8+4+4+4+4+4
+4+4+4+4+4+28 pages.
Duration 3 minutes, 39
seconds. Carl Fischer
Music #CPS264. Published
by Carl Fischer Music
(CF.CPS264). ISBN
9781491161418. UPC:
680160920006. Some
of the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn't know
what each piece was, but
the melodies have stayed
with me. Tropanka is one
of those tunes. Tropanka
(pronounced tro-PAHN-kuh)
is a folk dance from
Bulgaria, and the title
means stomping dance. One
can hear two repeated
notes at the end of each
phrase - this is where
the dancers stomp. Patsh
Tantz (pronounced PAHTSH
tahnts) is a classic
example of Klezmer, which
is East European Jewish
folk music. The title is
Yiddish for clapping
dance, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end. Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the earthy character
of the music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding
anniversary. Some of
the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn’t
know what each piece was,
but the melodies have
stayed with me. Tropanka
is one of those tunes.
Tropanka (pronounced
“tro-PAHN-kuhâ€
) is a folk dance from
Bulgaria, and the title
means “stomping
danceâ€. One can
hear two repeated notes
at the end of each phrase
– this is where
the dancers
stomp. Patsh Tantz
(pronounced “PAHTSH
tahntsâ€) is a
classic example of
Klezmer, which is East
European Jewish folk
music. The title is
Yiddish for
“clapping
danceâ€, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end.Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the
“earthyâ€
character of the
music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding anniversary. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tropanka and Patsh Tantz [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet 1, Clarinet
2, Clarinet 3, Flute 1,
Flute 2, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Ride Cymbal, Tambourine,
Tom-tom, Triangle, Wood
Block, alto Saxophone 1
and more. - Grade 3
SKU: CF.CPS264F
Composed by Lauren
Bernofsky. Cps. Full
score. 28 pages. Duration
3 minutes, 39 seconds.
Carl Fischer Music
#CPS264F. Published by
Carl Fischer Music
(CF.CPS264F). ISBN
9781491161746. UPC:
680160920433. Some
of the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn't know
what each piece was, but
the melodies have stayed
with me. Tropanka is one
of those tunes. Tropanka
(pronounced tro-PAHN-kuh)
is a folk dance from
Bulgaria, and the title
means stomping dance. One
can hear two repeated
notes at the end of each
phrase - this is where
the dancers stomp. Patsh
Tantz (pronounced PAHTSH
tahnts) is a classic
example of Klezmer, which
is East European Jewish
folk music. The title is
Yiddish for clapping
dance, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end. Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the earthy character
of the music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding
anniversary. Some of
the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn’t
know what each piece was,
but the melodies have
stayed with me. Tropanka
is one of those tunes.
Tropanka (pronounced
“tro-PAHN-kuhâ€
) is a folk dance from
Bulgaria, and the title
means “stomping
danceâ€. One can
hear two repeated notes
at the end of each phrase
– this is where
the dancers
stomp. Patsh Tantz
(pronounced “PAHTSH
tahntsâ€) is a
classic example of
Klezmer, which is East
European Jewish folk
music. The title is
Yiddish for
“clapping
danceâ€, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end.Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the
“earthyâ€
character of the
music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding anniversary. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Promise on the Horizon - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2.5 SKU: CF.YPS252
Composed by Travis
Weller. Yps. Set of Score
and Parts.
16+4+8+8+4+4+6+4+4+4+8+8+
6+6+6+4+6+4+2+4+2+4+24
pages. Duration 2
minutes, 18 seconds. Carl
Fischer Music #YPS252.
Published by Carl Fischer
Music (CF.YPS252).
ISBN 9781491161357.
UPC:
680160919949. A new
day. A new event. A new
opportunity. We look
forward to these things
and the potential they
hold. We live our lives
looking forward, but we
understand them looking
backward (a thought of
Danish philosopher Soren
Kierkegaard). We do not
always know what the
future may hold, but we
must remember: first,
there are no guarantees
beyond the time and
opportunity we are given
to do good. Second,
change around us is
inevitable. Finally, and
the most important
aspect, we have choices.
This lesson is fixed to
the composer's office
door: Today is the
greatest day of your
life, if you want it to
be. Why not look forward
to the Promise on the
Horizon and the
possibilities for
greatness that lie within
it? The opening motif of
this concert fanfare is
purposely inquisitive as
the piece seeks to
establish its first
steps. The subtle shift
at measure 37 and again
at measure 69 are
reminders of the
challenges that await us
during the journey. Here
again it is a matter of
choice - do we choose to
let circumstances define
us, or do we define the
circumstances? The
section at 93 is a
resounding answer that we
will move barriers,
overcome obstacles and
keep our vision looking
forward. The piece builds
toward an exciting
conclusion from measure
127 onward. The piece
reinforces several basic
rhythmic patterns in 6/8
time. As a number of
these rhythms are
repeated, it provides an
easy opportunity for the
entire ensemble to grow
more comfortable
performing in this meter.
While it is a
fanfare-type piece,
remind young musicians to
play with lightness and
precision, rather than
intensity in volume.
Maintaining this style of
articulation and accuracy
helps the rhythms in 6/8
time maintain their
buoyancy. It is vital
that each musician
listens for the melody
and balances their part,
especially in moments
where the melody is
passed between sections.
If vibes are not
available, a second bell
set can be employed in
its place. It is hoped
that this piece is an
uplifting way to open
your next concert, and a
meaningful opportunity
for you to discuss the
power of making positive
choices with your
students in the ensemble
(as a reminder, regular
practicing of their
instrument is a positive
choice). Wishing you and
your ensemble well as you
look to the Promise on
the Horizon. A new
day. A new event. A new
opportunity. We look
forward to these things
and the potential they
hold. We live our lives
looking forward, but we
understand them looking
backward (a thought of
Danish philosopher Soren
Kierkegaard). We do not
always know what the
future may hold, but we
must remember: first,Â
there are no guarantees
beyond the time and
opportunity we are given
to do good. Second,
change around us is
inevitable. Finally, and
the most important
aspect, we have choices.
This lesson is fixed
to the composer's office
door: “Today is the
greatest day of your
life, if you want it to
be.†Why not look
forward to the Promise on
the Horizon and the
possibilities for
greatness that lie within
it?The opening motif of
this concert fanfare is
purposely inquisitive as
the piece seeks to
establish its first
steps. The subtle shift
at measure 37 and again
at measure 69 are
reminders of the
challenges that await us
during the journey. Here
again it is a matter of
choice – do we
choose to let
circumstances define us,
or do we define the
circumstances? The
section at 93 is a
resounding answer that we
will move barriers,
overcome obstacles and
keep our vision looking
forward. The piece builds
toward an exciting
conclusion from measure
127 onward. The piece
reinforces several basic
rhythmic patterns in 6/8
time. As a number of
these rhythms are
repeated, it provides an
easy opportunity for the
entire ensemble to grow
more comfortable
performing in this meter.
While it is a
fanfare-type piece,
remind young musicians to
play with lightness and
precision, rather than
intensity in volume.
Maintaining this style of
articulation and accuracy
helps the rhythms in 6/8
time maintain their
buoyancy. It is vital
that each musician
listens for the melody
and balances their part,
especially in moments
where the melody is
passed between sections.
If vibes are not
available, a second bell
set can be employed in
its place. It is hoped
that this piece is an
uplifting way to open
your next concert, and a
meaningful opportunity
for you to discuss the
power of making positive
choices with your
students in the ensemble
(as a reminder, regular
practicing of their
instrument is a positive
choice). Wishing you and
your ensemble well as you
look to the Promise on
the Horizon. . $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Promise on the Horizon [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2.5 SKU:
CF.YPS252F Composed
by Travis Weller. Yps.
Full score. 24 pages.
Duration 2 minutes, 18
seconds. Carl Fischer
Music #YPS252F. Published
by Carl Fischer Music
(CF.YPS252F). ISBN
9781491161913. UPC:
680160920594. A new
day. A new event. A new
opportunity. We look
forward to these things
and the potential they
hold. We live our lives
looking forward, but we
understand them looking
backward (a thought of
Danish philosopher Soren
Kierkegaard). We do not
always know what the
future may hold, but we
must remember: first,
there are no guarantees
beyond the time and
opportunity we are given
to do good. Second,
change around us is
inevitable. Finally, and
the most important
aspect, we have choices.
This lesson is fixed to
the composer's office
door: Today is the
greatest day of your
life, if you want it to
be. Why not look forward
to the Promise on the
Horizon and the
possibilities for
greatness that lie within
it? The opening motif of
this concert fanfare is
purposely inquisitive as
the piece seeks to
establish its first
steps. The subtle shift
at measure 37 and again
at measure 69 are
reminders of the
challenges that await us
during the journey. Here
again it is a matter of
choice - do we choose to
let circumstances define
us, or do we define the
circumstances? The
section at 93 is a
resounding answer that we
will move barriers,
overcome obstacles and
keep our vision looking
forward. The piece builds
toward an exciting
conclusion from measure
127 onward. The piece
reinforces several basic
rhythmic patterns in 6/8
time. As a number of
these rhythms are
repeated, it provides an
easy opportunity for the
entire ensemble to grow
more comfortable
performing in this meter.
While it is a
fanfare-type piece,
remind young musicians to
play with lightness and
precision, rather than
intensity in volume.
Maintaining this style of
articulation and accuracy
helps the rhythms in 6/8
time maintain their
buoyancy. It is vital
that each musician
listens for the melody
and balances their part,
especially in moments
where the melody is
passed between sections.
If vibes are not
available, a second bell
set can be employed in
its place. It is hoped
that this piece is an
uplifting way to open
your next concert, and a
meaningful opportunity
for you to discuss the
power of making positive
choices with your
students in the ensemble
(as a reminder, regular
practicing of their
instrument is a positive
choice). Wishing you and
your ensemble well as you
look to the Promise on
the Horizon. A new
day. A new event. A new
opportunity. We look
forward to these things
and the potential they
hold. We live our lives
looking forward, but we
understand them looking
backward (a thought of
Danish philosopher Soren
Kierkegaard). We do not
always know what the
future may hold, but we
must remember: first,Â
there are no guarantees
beyond the time and
opportunity we are given
to do good. Second,
change around us is
inevitable. Finally, and
the most important
aspect, we have choices.
This lesson is fixed
to the composer's office
door: “Today is the
greatest day of your
life, if you want it to
be.†Why not look
forward to the Promise on
the Horizon and the
possibilities for
greatness that lie within
it?The opening motif of
this concert fanfare is
purposely inquisitive as
the piece seeks to
establish its first
steps. The subtle shift
at measure 37 and again
at measure 69 are
reminders of the
challenges that await us
during the journey. Here
again it is a matter of
choice – do we
choose to let
circumstances define us,
or do we define the
circumstances? The
section at 93 is a
resounding answer that we
will move barriers,
overcome obstacles and
keep our vision looking
forward. The piece builds
toward an exciting
conclusion from measure
127 onward. The piece
reinforces several basic
rhythmic patterns in 6/8
time. As a number of
these rhythms are
repeated, it provides an
easy opportunity for the
entire ensemble to grow
more comfortable
performing in this meter.
While it is a
fanfare-type piece,
remind young musicians to
play with lightness and
precision, rather than
intensity in volume.
Maintaining this style of
articulation and accuracy
helps the rhythms in 6/8
time maintain their
buoyancy. It is vital
that each musician
listens for the melody
and balances their part,
especially in moments
where the melody is
passed between sections.
If vibes are not
available, a second bell
set can be employed in
its place. It is hoped
that this piece is an
uplifting way to open
your next concert, and a
meaningful opportunity
for you to discuss the
power of making positive
choices with your
students in the ensemble
(as a reminder, regular
practicing of their
instrument is a positive
choice). Wishing you and
your ensemble well as you
look to the Promise on
the Horizon. . $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Heartbreak Trail - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241 Composed by
David Bobrowitz. Set of
Score and Parts.
17+4+4+2+4+4+2+2+3+2+2+2+
4+4+4+4+3+3+3+2+3+2+1+3+3
pages. Duration 2
minutes, 53 seconds. Carl
Fischer Music #YPS241.
Published by Carl Fischer
Music (CF.YPS241).
ISBN 9781491159651.
UPC:
680160918249. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heartbreak Trail [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241F Composed
by David Bobrowitz. Full
score. 17 pages. Carl
Fischer Music #YPS241F.
Published by Carl Fischer
Music (CF.YPS241F).
ISBN 9781491159668.
UPC:
680160918256. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soliloque 1: Etoffe Clarinette Sikorski
Clarinet SKU: HL.50600566 Clarinet Solo. Composed by Osmo Tapio R...(+)
Clarinet SKU:
HL.50600566
Clarinet Solo.
Composed by Osmo Tapio
Räihälä.
Woodwind Solo. Classical.
Softcover. 10 pages.
Sikorski #SIK8811.
Published by Sikorski
(HL.50600566).
8.25x11.75x0.07
inches. The Finnish
composer Osmo Tapio
Räihälä reports
that he experienced a
phase whilst working on
his Horn Concerto in 2011
during which he had the
feeling of “having
landed in a
deadendâ€. To find a
remedy, he decided to
develop a kind of
“finger
exercise†for
composers, comparable to
the “warming-up
process of an
instrumental soloist
before performingâ€.
Räihälä
remembers furthermore:
“Instead of writing
for orchestra, I started
a short solo piece for
clarinet. Little did I
know that I had opened a
Pandora's box! I wrote
'Soliloque 1:
Étoffé' in two
days. Perhaps this frenzy
caused the music to
become restless, with
quick turns – in
short, a rather virtuosic
etude. The clarinet seeks
paths, at first without
success, but obviously
finding one in the end.
And what about the
Pandora's Box? I had
given the title the
number one, and during
the next two years I
wrote five more
Soliloques, solos of six
to seven minutes, for
various instruments, as
well as one for soprano a
cappella. The title
Étoffé means
'rich', or 'well
rounded', but also
'fabric' or even a
'patch' - and I felt that
I had patched something
in my work that was
broken; indeed, working
on the concerto now gave
me a fresh
start.â€. $14.99 - Voir plus => Acheter | | |
| Bull City Fanfare - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Congas, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Mallet Percussion 4 and
more. - Grade 4 SKU:
CF.SPS97 Composed by
Ed Kiefer. Set of Score
and Parts. Carl Fischer
Music #SPS97. Published
by Carl Fischer Music
(CF.SPS97). ISBN
9781491163788. UPC:
680160922574. Bull
City Fanfare was composed
for my friend Thomas
Shaffer and the Durham
Community Concert Band.
It is an exciting opener
(or closer) that is
easily accessible to most
young high school bands.
Bull City is the nickname
for Durham, North
Carolina as you may
remember from the
baseball movie, Bull
Durham. The city was
given that moniker in the
late 1800s when the
Blackwell Tobacco Company
named its product
“Bull†Durham
Tobacco. Tobacco was king
in Durham for quite
awhile. The Durham
Community Concert Band
has been operating for
forty years. It is a
great organization and
flourishes with well over
100 members of all
ages.This piece should be
played with a steady
tempo throughout, ideally
at the indicated
metronome marking of 144.
Any dragging of tempo
will result in the piece
losing its energy. The
tambourine part may be
played with two hands or
sticks if necessary with
the instrument on a table
or snare drum, and the
conga part should be very
prominent.Exaggerate the
dynamics: play the pianos
soft and pay attention to
marked crescendos. But
this piece is not for the
timid: play the fortes
and fortissimos with
gusto. Have fun! $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bull City Fanfare [Conducteur] Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Congas, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Mallet Percussion 4 and
more. SKU:
CF.SPS97F Composed by
Ed Kiefer. Full score. 24
pages. Carl Fischer Music
#SPS97F. Published by
Carl Fischer Music
(CF.SPS97F). ISBN
9781491164181. UPC:
680160922970. Bull
City Fanfare was composed
for my friend Thomas
Shaffer and the Durham
Community Concert Band.
It is an exciting opener
(or closer) that is
easily accessible to most
young high school bands.
Bull City is the nickname
for Durham, North
Carolina as you may
remember from the
baseball movie, Bull
Durham. The city was
given that moniker in the
late 1800s when the
Blackwell Tobacco Company
named its product
“Bull†Durham
Tobacco. Tobacco was king
in Durham for quite
awhile. The Durham
Community Concert Band
has been operating for
forty years. It is a
great organization and
flourishes with well over
100 members of all
ages.This piece should be
played with a steady
tempo throughout, ideally
at the indicated
metronome marking of 144.
Any dragging of tempo
will result in the piece
losing its energy. The
tambourine part may be
played with two hands or
sticks if necessary with
the instrument on a table
or snare drum, and the
conga part should be very
prominent.Exaggerate the
dynamics: play the pianos
soft and pay attention to
marked crescendos. But
this piece is not for the
timid: play the fortes
and fortissimos with
gusto. Have fun! $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Remembering Ruth Bader Ginsburg Merion Music
Orchestra Bass Clarinet, Bassoon, Cello, Clarinet, Contrabassoon, Double Bass, F...(+)
Orchestra Bass Clarinet,
Bassoon, Cello, Clarinet,
Contrabassoon, Double
Bass, Flugelhorn 1,
Flugelhorn 2, Flute, Horn
1, Horn 2, Mezzo-soprano
voice, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2 SKU:
PR.11642057L Composed
by Ellen Taaffe Zwilich.
Large Score. 64 pages.
Duration 16 minutes.
Merion Music #116-42057L.
Published by Merion Music
(PR.11642057L). UPC:
680160685455. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Remembering Ruth Bader Ginsburg [Conducteur] Merion Music
Orchestra Bass Clarinet, Bassoon, Cello, Clarinet, Contrabassoon, Double Bass, F...(+)
Orchestra Bass Clarinet,
Bassoon, Cello, Clarinet,
Contrabassoon, Double
Bass, Flugelhorn 1,
Flugelhorn 2, Flute, Horn
1, Horn 2, Mezzo-soprano
voice, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2 SKU:
PR.11642057S Composed
by Ellen Taaffe Zwilich.
Full score. 64 pages.
Duration 16 minutes.
Merion Music #116-42057S.
Published by Merion Music
(PR.11642057S). UPC:
680160685448. $37.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Anton Reicha : Wind Quintet, Op. 99, No. 1 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Set de Parties séparées] Rosewood Publications
By Anton Reicha (1770-1836). Winds. For flute, oboe, clarinet in C, horn in D, F...(+)
By Anton Reicha
(1770-1836). Winds. For
flute, oboe, clarinet in
C, horn in D, F and G and
bassoon (wind quintet).
This edition: Facsimile
Editions. Reicha was the
father of the woodwind
quintet.. Classical.
Parts. Published by
Rosewood Publications (RW
$11.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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