Chamber Music Piano

SKU: PR.140401260

Composed by Samuel Zyman. Sws. Performance Score. 16 pages. Duration 10 minutes. Theodore Presser Company #140-40126. Published by Theodore Presser Company (PR.140401260).

ISBN 9781491131565. UPC: 680160677870. 9 x 12 inches. English.

The appropriately-titled RESTLESS begins with a recitative-like Misterioso, building tension as if slowly pulling back a spring until it snaps. This recoil is supercharged, cycling through a series of dance rhythms inspired by the music of Samuel Zyman’s native Mexico. Successive episodes bring the tempo gradually faster, with restless tension between folkloric harmonies and chromatically dramatic harmony. Equally dramatic is a surprise return to the broadly declamatory music of the opening, and the gradual second series of restless song and dance. The 10-minute work was commissioned by Astral Artists’ Micro-Commissioning Program, for pianist Zhenni Li.

Keyboard

SKU: GI.G-9590

Composed by Ephrem Feeley. Sacred. Collection. GIA Publications #9590. Published by GIA Publications (GI.G-9590).

UPC: 785147959038. English.

Ephrem Feeley’s second published collection Our Hearts Are Restless mirrors the flexibility and variety of his first, Here in Christ We Gather. The music is flexible to accompany the ritual action it accompanies, and the scoring allows for performance by cantor or choir. Above all, this is elegant liturgical music at the service of the liturgy. Ephrem’s musical style sits comfortably between classical and contemporary, allowing for immediate engagement by all.   CONTENTS: I Will Go Up to the Altar of God • A Blessing on the Young • Christ Has No Body Now but Yours • Be Near at Either Hand • God’s Love for Us • Our Hearts Are Restless, O God • Song of Farewell • Sing a New Song to the Lord • Call to Your Table • Our Eyes Are Fixed on the Lord •For You, My Soul Is Thirsting • When in Our Music God Is Glorified.

SKU: GI.G-1045

Composed by Ephrem Feeley. Sacred. GIA Publications #1045. Published by GIA Publications (GI.G-1045).

UPC: 785147004523.

Ephre m Feeley’s second published collection, Our Hearts Are Restless, mirrors the flexibility and variety of his first, Here in Christ We Gather The music is flexible to accompany the ritual action it accompanies, and the scoring allows for performance by cantor or choir Above all, this is elegant liturgical music at the service of the liturgy Ephrem’s musical style sits comfortably between classical and contemporary, allowing for immediate engagement by all CONTENTS: I Will Go Up to the Altar of God • A Blessing on the Young • Christ Has No Body Now but Yours • Be Near at Either Hand • God’s Love for Us • Our Hearts Are Restless, O God • Song of Farewell • Sing a New Song to the Lord • Call to Your Table • Our Eyes Are Fixed on the Lord • For You, My Soul Is Thirsting • When in Our Music God Is Glori ed.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, flute, horn in f, violin 1, violin 2, viola, cello, guitar - Beginning

SKU: GI.G-8206

Composed by Tony Alonso S.J. Arranged by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #8206. Published by GIA Publications (GI.G-8206).

UPC: 785147820604. English. Text Source: Based on Confessions of St. Augustine. Text by Tony Alonso.

With a text based on Confessions of St. Augustine, this song of comfort extols the surety of God’s love for us. Appropriate for times of reflection or meditation, this moving work sings of the peace found when we allow our restless hearts to find a home in God. While effective with piano and choir alone, the addition of string quartet, flute, and horn in F adds depth and enhances the legato line of the melody. For cantor or soloist. Instrument parts are optional.

Serie IX (Schriften) Vol. 4.3: Briefe 1952-1956. Composed by Hanns Eisler (1898-1962). Edited by Maren Koster. Restless Times. Breitkopf and Haertel #BV 350. Published by Breitkopf and Haertel

String Quartet

SKU: IG.CMF191

Composed by Daniel Burwasser. Score and Parts. Imagine Music Publishing #CMF191. Published by Imagine Music Publishing (IG.CMF191).

9 x 12 inches.

Puck's Game is inspired by the actions of Shakespeare's mischievous sprite, Puck, the fairly-like jester from A Midsummer Night's Dream. The music reflects Puck's playful and restless nature through leaping gestures, frolicking motives and restless rhythmical figures. While there is a moment in the work when Puck exudes a more tender side, his truly impish nature quickly returns at the conclusion of the piece.

Composed by Kevin Siegfried. Choral score. E.C. Schirmer Publishing #8854. Published by E.C. Schirmer Publishing

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, 1st Bassoon, 2nd Bassoon, Solo Bb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Bb Contra Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barito) - grade 5

SKU: CN.R10011

Composed by John Ireland. Band Music. Score and parts. Duration 10:00. Published by G & M Brand Music Publishers (CN.R10011).

Cast your self into a storm at sea with this fantastic piece from John Ireland. Turbulent rhythmic motives launch the work to blend into a more lyrical melody contrasting the opening. Don't be fooled though; the first rhythmic motive provides the underlay, a reminder that the calm surface of the sea is only masking the swirling water underneath!

A Maritime Overture was written in 1944 and published in 1946. This edition was published in 1988. The score was prepared from the composer's full draft by Norman Richardson, and uses the same material as Tritons - a Symphonic Prelude for orchestra dating from the early 1900s. The development of the material however is different in each piece. The work is conceived in F major - but it is 24 bars before Ireland establishes this tonality. Fortissimo chords of B-flat major open the work, and the Overture hovers between G minor and B-flat as a restless rhythmic motif is introduced. As soon as F major is finally established it is contradicted as the music fragments, but the key is allowed a further 4 bars to consolidate before more lyrical interplay leads to a second idea, introduced by flutes and oboes in C major. Marked 'espressivo e ben cantando' this is a complete contrast to the opening, although the first rhythmic motif provides the underlay - a reminder after the opening storms that the calm surface of the sea is only masking the swirling water underneath. A Maritime Overture has a freer approach to form than say the first movement of a symphony might allow, enabling Ireland to introduce a totally new central section marked 'poco meno mosso' in F minor. A bold cornet (not trumpet) heralds this new idea, in a passage marked 'with freedom' and perhaps for the only time there is a true tranquility in the sextuplet accompaniment. Thus the restlessness is suspended, but not for long, as the opening storm returns and a recapitulation allows the F major theme and the second theme - this time in the sub-dominant (B-flat) - to reassert themselves.

(Trumpet/Horn Eb/Baritone/Trombone Bb Or C). By W. Rimmer. For Brass Quartet. Solo Pieces. Grade 3. Published by Molenaar Edition

For Trombone. Includes newly engraved solo charts printed on acid-free, ivory paper; and two compact discs featuring complete versions of each tune, plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes. Published by Music Minus One.

Concert Band - Grade 4

SKU: ML.013771070

Composed by Lionel Beltrán-Cecilia. Full set. Molenaar Edition #013771070. Published by Molenaar Edition (ML.013771070).

BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[…In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site…]

BAIA is een symfonische episode geïnspireerd door de ondergedompelde Italiaanse stad. Door middel van melodieën en geluidseffecten wil de auteurhet publiek mee te nemen naar verschillende momenten en biedt een aquatisch perspectief vanuit de ogen van een rusteloze enavontuurlijke vis. Deze muzikale reis leidt naar de verkenning van de stad Baia en haar archeologische rijkdom die bewaard is geblevenonder de zeebodem, zelfs door de tijd heen.[In zijn tijd was Baia een oude Romeinse stad die floreerde in de 1e en 2e eeuw na Christus. Het was een luxueuzebestemming en een belangrijk politiek en sociaal centrum in het Romeinse Rijk. Bekend om zijn thermale baden, indrukwekkendearchitectuu r en de prachtige natuurlijke omgeving, werd de stad een populair toevluchtsoord voor de Romeinse society, waaronder keizers,edelen en kunstenaars. In de loop der eeuwen werd Baia echter beïnvloed door vulkanische activiteit en veranderingen in de kustlijn, wat resulteerde ineen groot deel van de stad onder water kwam te staan. Vandaag de dag liggen de overblijfselen van Baia onder het water van de Golf,waardoor het een fascinerende onderwater archeologische vindplaats is geworden...]…

BA IA est un épisode symphonique inspiré par la ville italienne submergée. À travers ses mélodies et ses effets sonores, l'auteur cherche à transporter le public à différents moments.l'auteur vise à transporter le public dans différents moments, offrant une perspective aquatique à travers les yeux d'un poisson agité et aventureux.d'un poisson agité et aventureux. Ce voyage musical conduit à l'exploration de la ville de Baia et de sa richesse archéologique préservée sous les profondeurs marines.sous les profondeurs marines, même à travers le temps.[...En son temps, Baia était une ancienne ville romaine qui a prospéré au cours des 1er et 2e siècles de notre ère. C'était une destination luxueusedestination luxueuse et un centre politique et social important dans l'Empire romain. Réputée pour ses thermes, son architecturearchitecture impressionnante et son magnifique environnement naturel, la ville devint un lieu de retraite populaire pour la haute société romaine, y compris les empereurs, les nobles et les artistes,empereurs, nobles et artistes. Cependant, au fil des siècles, Baia a été affectée par l'activité volcanique et les modifications du littoral.une grande partie de la ville a été submergée sous l'eau. Aujourd'hui, les vestiges de Baia reposent sous les eaux du golfe,ce qui en fait un site archéologique sous-marin fascinant...]

BAIA ist eine symphonische Episode, die von der versunkenen italienischen Stadt inspiriert ist. Mit seinen Melodien und Klangeffekten will der Autorder Autor das Publikum in verschiedene Momente versetzen, indem er eine aquatische Perspektive aus den Augen eines rastlosen undabenteuerlichen Fisches. Diese musikalische Reise führt zur Erkundung der Stadt Baia und ihres archäologischen Reichtums, derunter den Meerestiefen bewahrt hat, sogar über die Zeit hinweg.[...Baia war eine antike römische Stadt, die im 1. und 2. Jahrhundert n. Chr. florierte. Sie war ein luxuriösesund ein bedeutendes politisches und soziales Zentrum im Römischen Reich. Berühmt für seine Thermalbäder, seine beeindruckendeArchitektur und die schöne natürliche Umgebung bekannt, wurde die Stadt zu einem beliebten Rückzugsort für die römische High Society, darunter Kaiser, Adlige und Künstler,Adlige und Künstler. Im Laufe der Jahrhunderte wurde Baia jedoch durch vulkanische Aktivitäten und Veränderungen der Küstenlinie beeinträchtigt, was dazu führte, dassein großer Teil der Stadt unter Wasser gesetzt wurde. Heute liegen die Überreste von Baia unter dem Wasser des Golfs,und machen sie zu einer faszinierenden archäologischen Unterwasserstätte...].

Concert Band - Grade 5

SKU: HL.44004965

Grade 5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2002. 32 pages. Anglo Music Press #AMP013. Published by Anglo Music Press (HL.44004965).

UPC: 073999543179. 9x12 inches. English-German-French-Dut ch.

This piece opens with three repeated notes, then a short introduction leads to a robust theme from clarinets, horns and trombones. A restless bridge passage leads to a syncopated tune from the alto saxophone and then to a third theme from a solo euphonium. A graceful second subject, initially on a solo clarinet, leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running woodwind passage, which leads to a short coda.

(100 Songs Excerpted for Successful Auditions). Edited by Michale Dansicker. For tenor voice solo and piano accompaniment. Vocal Collection. Broadway, Movies and Pop. Difficulty: medium. Songbook. Vocal melody, lyrics, piano accompaniment, chord names and introductory text. 174 pages. Published by Hal Leonard

(Piano/Vocal/Guitar). By Green Day. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; Personality Book; Piano/Vocal/Chords. Rock. 152 pages. Published by Alfred Music Publishing

Viola and 1 other inst.

SKU: BR.EB-9205

Composed by Nicolaus A. Huber. Solo instruments; Folder. Edition Breitkopf.

World premiere: Donaueschingen, April 25, 2010

Music post-1945; New music (post-2000). Performance score. Composed 2009. 30 pages. Duration 14'. Breitkopf and Haertel #EB 9205. Published by Breitkopf and Haertel (BR.EB-9205).

ISBN 9790004183632. 11 x 14 inches.

On the broadcast of the film From Dusk Till Dawn, the following note could be read in Gong (German radio and television programme guide) on 21 May: The gangsters Seth (George Clooney) and Richard Gecko (Quentin Tarantino) are on the run. On their way to Mexico, they take the apostate preacher Fuller and his children hostage. On their journey, they end up in Titty Twister Bar, not suspecting that it is peopled by vampires. Well, after deducting some film junk, some typical elements remain: what is past and over, constant new dramatic pair constellations, what is dead and constantly reawakening, the transformations, the troubles and destructions, the final annihilation teeming with destruction etc. Basically, it is a myth of ruin, in whose structure the elements are interchangeable. It could also be told with a coherent material concept, in a historically obsolete manner, in an old-fashioned way, with non-compensation, with flaring abolition yes, does everything always work??? It is good that it only takes place in a bar and that the bar invites us into Titty Twister in attractive neon writing. Restless nature and beauty are at home in the bar today. That facilitates for us the effortlessness of having fun in life. And today there is a special programme my piece Titty Twister for Accordion, Viola, Nepalese Singing Bowl, Pinballs and Mini Dramolettes. Its all expression, isnt it??? Nicolaus A. Huber (2009) CD: Anton Hubert (viola), Wolfgang Dimetrik (accordeon) CD Gramola 98922 Bibliography : Kampe , Gordon: Erinnern und Vergessen. Wechselwirkungen in der Kammermusik Nicolaus A. Hubers, in: Programmbuch ,,Wittener Tage fur neue Kammermusik 2017, S. 42-47, auch abgedruckt in: MusikTexte, Heft 154 (August 2017), pp. 37-39.

World premiere: Donaueschingen, April 25, 2010.

American Popular Piano - Repertoire. (Repertoire Level 8). For Piano. NOVUS VIA MUSIC GROUP. Softcover with CD. 88 pages. Novus Via Music Group #APPR-08. Published by Novus Via Music Group

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barito) - grade 5

SKU: CN.S11175

Composed by Philip Sparke. Arranged by Geoffrey Brand. Band Music. Score only. Duration 14:00. Published by G & M Brand Music Publishers (CN.S11175).

From majestic to pastoral to dance-like, Land of the Long White Cloud is Philip Sparke's representation of New Zealand. This piece is a wonderful addition to the concert band repetoire.

Long before Europeans ventured out of sight of land, the bold and restless ancestors of the Maori people were making voyages of thousands of miles across the world's greatest oceans. It was around 1000 AD that they landed in New Zealand. The discovery of New Zealand is attributed in Maori tradition to Kupe and the circumstances of the landfall gave the country its Maori name. As land was approached, a long, flat volcanic cloud could be seen. Kupe's wife Hine-te-aparangi, looked to the horizon and cried out, He ao! He ao! A cloud! A cloud! The name of Aotearoa was given to the islands - The Land of the Long White Cloud. Land of the Long White Cloud was originally conceived as a brass band work as a result of a commission by the New Zealand Brass Band Association for their National Championships held in 1980 in Christchurch. This transcription by the composer was commissioned by Keith Allen and Birmingham Schools' Wind Orchestra who gave the first performance in the Adrian Boult Hall, Birmingham, England on Sunday 15 May 1988.

Choral (Choral Score)

SKU: HL.48025077

Vocal Sextet Choral Score. Composed by Elena Kats-Chernin. BH Secular Choral. Classical. Octavo. 24 pages. Duration 300 seconds. Bote & Bock #M202536247. Published by Bote & Bock (HL.48025077).

ISBN 9783793143215. UPC: 196288059752. 9.0x12.0x0.129 inches.

Gothic horror in music: This chamber choir miniature in 3/4 time, as entertaining as it is creepy, pays homage to Alban Berg's Wozzeck, which is directly quoted with the line 'Ein schoner Mord, ein guter Mord' [A beautiful murder, a good murder]. The composeradds a myriad of imaginative English text snippets on the theme of 'head off, knife out, heart beats, lights out' etc. There is vocal trembling, firing, stammering, always restless and on a knife edge - even the scratching sound of real blades is used. A virtuoso treat with which vocal ensembles in the proper mood can bring any after-programme to a crowning finale!

By John Bell. For Voices: Unison and SATB. Keyboard accompaniment. Coll; Iona Sacred. 49 pages. Published by GIA Publications.
Level: easy.

By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales America. Folk, Pop, Rock. Softcover. Composed 2016. 788 pages. Music Sales #AM978923. Published by Music Sale

Guitar

SKU: GI.G-8206G

Composed by Tony Alonso S.J. Arranged by Chris De Silva. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #8206G. Published by GIA Publications (GI.G-8206G).

English. Text Source: Based on Confessions of St. Augustine. Text by Tony Alonso.

SATB choir, a cappella

SKU: OU.9780193866638

Composed by Rebecca Clarke. Vocal score. 16 pages. Duration 5.3'. Oxford University Press #9780193866638. Published by Oxford University Press (OU.9780193866638).

ISBN 9780193866638. 10 x 7 inches.

For unaccompanied SATB This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes the restless hunger driving the poem. This is a beautiful piece, and very gratifying to sing.

100% Accurate - All the Best Twangy Tunes. By Various. Guitar Recorded Version. Softcover. With guitar tablature. 160 pages. Published by Hal Leonard

Chamber Music Bass Clarinet, Bass Flute, Clarinet, Flute, Piano, Violin, Violoncello

SKU: CF.MXE24F

For Chamber Ensemble. Composed by Jason Eckardt. Spiral. Contemporary. Full score. With Standard notation. 84 pages. Duration 14 minutes, 30 seconds. Carl Fischer Music #MXE24F. Published by Carl Fischer Music (CF.MXE24F).

ISBN 9780825882951. UPC: 798408082956. 17 x 11 inches.

Serra's sculptures overwhelm the observer with their massive dimensions and sharply defined form. At the same time, they appear as if they might, with the slightest disturbance, collapse. As Serra's work disrupts the observer's sense of physical balance, After Serra similarly intends to undermine the listener's sense of temporal stability. My composition attempts to thwart expectations of formal and gestural continuity, juxtaposing a volatile and restless surface with steadily unfolding underlying processes. (Jason Eckardt).

Clarinet, Double Bass, Flute, Guitar, Percussion, Viola, Celeste

SKU: HL.14015022

Composed by Peter Bruun. Music Sales America. Book Only. Edition Wilhelm Hansen #KP00936. Published by Edition Wilhelm Hansen (HL.14015022).

Danish.

Writing a piece of music for Christmas . . . It's difficult. We all know Christmas carols and hymns, which in words and music express joy, expectation and light. Christmas and Christmas carols are the greatest joy of childhood - for me (for many others probably also) one of the strongest experiences of fulfilment, peace and happiness. Were I not able to write a piece for Christmas, then the thought of Christmas would even so create inspiration. The angels' song, the heavenly light, which is spread over the world - the world which is not evil, or false and hollow, but which is subjected to mankind's eternal, restless endeavour.The work is dedicated to Ensemble 2000.Peter Bruun.