Par SCHUBERT FRANZ. Contents: Angel of Beauty • Ave Maria • Death and the Maiden • The Erlking • Faith in Spring • Farewell, Our Love to Sever • Hark! Hark! the Lark • Hedge Rose • Huntsman's Even Song • The Maiden's Lament • Margaret at the Spinning-Wheel • Mignon's Song • My Sweet Repose (Du Bist Die Ruh) • Praise of Tears • Restless Love • Romance (Rosamund) • The Secret • The Shepherd'sLament • To Be Sung on the Waters • The Trout • The Wanderer • Wanderer's Night-Song • Who is Sylvia • The Young Nun. / Rép Classique / Répertoire / Chant et Piano

24 Etudes-Caprices Op. 41 by Delphin Alard (1815-1888) are excellent study material. Alard, the violin teacher of Sasasate, composed these studies in the 24 keys. Due to their musical variety, melodic beauty and cantabile voice leading, they are much more than technical studies; they might be described as character pieces in the best sense. The studies meet the two demands principally made on this genre: to both cover specifically certain technical tasks and be appealing as a music piece so that the musician likes to play them.Contenu - C major: playing three and four-part chords - playing in high positions on the G string - A minor: string-crossing - shifting with the left arm - spiccato bowing - G major: alternating double-stopping (melodic line)-solo line - E minor: cantabile melodic line - ornamentation - D major: double-stopping - harmonics - ricochet bowing - B minor: consistent legato bowing - expressive melodic line alternating with accompanying figures-A major: double-stopping (mainly in sixths) - three-part chords - ricochet bowing - F minor: legato study - E major: double-stopping (mainly in thirds) - C minor: playing a melody on one string - tremolo - B major: waltzes- lively dance-like patterns - G minor: ornamenting notes - long legato bowing - Gb major: legato string-crossing - Eb minor: lightness and elegance of tone - staccato - Db major: dotted rhythms - Bb minor: alternating solo melodic line- double-stopping - Ab major: Caprice for bringing out tone quality when playing legato - F minor: restless tied notes - lyrical lines in the middle section - Eb major: continuous tremolo accompanying figures - C minor: ricochet bowing - legato string-crossing - Bb major: alternating solo line- double-stopping - G minor: double-stopping with syncopations - F major: double-stopping dotted notes in horn-fifths - D minor: Bolero in virtuoso style - double-stopping - staccato bowing - lyrical middle section

Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it. There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town. This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band

Par SPARKE PHILIP. Flying the Breeze opens with three repeated B's (representing the initials of the Breeze Brass Band from Japan who commissioned this work). A short introduction leads to a robust theme from the baritones and euphoniums which is taken up by cornets and trombones. A restless bridge passage leads to a syncopated tune from the solo cornet and then to a third theme from a solo trombone. A graceful second subject leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running cornet passage, which leads to a short coda. / Niveau : 5 / Pièce de concert / Répertoire / Brass Band

1. On Broadway [George Benson]2. Good 4 U [Olivia Rodrigo]3. Is This Love [Bob Marley And The Wailers]4. Best of You [Foo Fighters]5. Bluish [Arlo Parks]6. Heads Will Roll [Yeah Yeah Yeahs]7. Camden Square [Rockschool Original]8. Restless [Rockschool Original]9. Longbeach Skyline [Rockschool Original] / Batterie / Rock School Limited

Par BOULANGER NADIA. Nadia Boulanger's Three Pieces for Viola and Piano Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ, her skill as a conductor (of vocal ensemble and orchestra) and most of all, her incredible charisma as a teacher. For nearly sixty years, 'Mademoiselle' made the most of her famous Wednesdays, bringing rigour and passion to the training of several generations of musicians: among so many others, Aaron Copland, Leonard Bernstein, Igor Markevitch, Michel Legrand, Witold Lutoslawski, Astor Piazzolla, Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of these times. Was Nadia Boulanger wrong to let teaching music take precedence over her composing, as Gabriel Fauré, the great master she venerated, believed? The publication of Three Pieces for Viola and Piano, raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first, in E flat minor, brings a moderate tempo to a melancholy cantilena with Romantic accents, while the second, in A minor, exudes warmth and tenderness. The third piece (C sharp minor), most likely originally titled Danse espagnole, heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist./ Répertoire / Alto et Piano

24 Etudes-Caprices op. 41 par Delphin Alard (1815-1888) sont des matériaux excellente étude. Alard, le professeur de violon de Sasasate, composé de ces études dans les 24 touches. En raison de leur diversité musicale, beauté mélodique et la voix cantabile conduisant, ils sont beaucoup plus que des études techniques '- ils pourraient être décrits comme' pièces de caractère 'dans le meilleur sens du terme. Les études de répondre aux deux exigences essentiellement faites sur ce genre: à la fois la couverture spécifiquement certaines tâches techniques et être attrayant comme un morceau de musique de telle sorte que le musicien se plaît à les jouer. / Violon / 72 pages / niveau : Intermédiaire / Avancé / Partition

Les partitions pour chant, basse (symboles d'accords et tablatures) du dernier album de Green Day '21st Century Breakdown'. Cet album est actuellement 1er des ventes dans beaucoup de pays dont notamment en France. / Guitare Basse

The album-matching songbook to Green Day 's much-anticipated eighth studio album, 21st Century Breakdown . A truly brilliant concept album, in the style of a punk rock opera, the album runs through the narrative of Christian and Gloria, a young couple working through the shattered promises of this century. The album is divided into three acts: Heroes and Cons, Charlatans and Saints, Horseshoes and Handgrenades. All the songs are arranged for Guitar TAB with vocal line and standard notation. This songbook also includes eight pages of colour photographs and is a hefty 144 pages in length. / Guitare Tablatures