Organ solo

SKU: CA.2440900

Composed by Anonymous. Edited by Michael Gerhard Kaufmann, Klaus Konrad Weigele. Free organ music. Ochsenhauser Orgelbuch Faksimile. Free organ music. Facsimile. 88 pages. Carus Verlag #CV 24.409/00. Published by Carus Verlag (CA.2440900).

ISBN 9790007068967.

Facs imile edition of the Ochsenhauser Orgelbuch, with critical first edition. Almost 270 years following its completion, for the first time the Ochsenhauser Orgelbuch, a unique collection of organ music from southern Germany, will be published and thus made accessible to the music world. In honor of the completion of the restoration of the Gabler organ in Ochsenhausen this important, with its wonderful color illustrations, has been published in a high-quality limited two-volume edition.

Composed by Matthew Locke (1622-1677). Edited by Keri Dexter. Mixed Voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 8.5'. Published by Oxford University Press (OU.9780193950245).

By Eleanor Whitsett. For Keyboard and Solo Instrument. Organ with Instruments. Sacred. Level: Moderately Easy. Published by MorningStar Music Publishers.

By William Byrd. Arranged by Fellowes and Webber. For Mixed Choir and Organ. CMSR23R. Published by Oxford University Press.

SATB choir & organ (SATB) - easy

SKU: OU.9780193950238

Composed by Michael Wise. Edited by Keri Dexter. Sacred choral - mixed voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 8'. Oxford University Press #9780193950238. Published by Oxford University Press (OU.9780193950238).

ISBN 9780193950238. 12 x 8 inches.

For SATB and organ The lion's share of this beautiful setting of words from the Lamentations of Jeremiah is given to the soprano and bass soloists, with the chorus singing the same short passage in the middle and at the end. Also in The Restoration Anthem Volume 1 (1660-1689).

By Anonymous. Arranged by Mack Wilberg. Text: William W. Phelps. For SSAATTBB Choir. Duration approx. 5:00. Published by Jackman Music Corporation.
Level: Medium Difficullt.

Organ solo

SKU: FZ.1278

Composed by Girolamo Frescobaldi. Edited by Philippe Lescat. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.1278).

ISBN 9790230612784. 24.00 x 33.00 cm inches.

This facsimile of an original by Girolamo Frescobaldi is part of our Dominantes collection. Editions : Venetia, Vicenti, 1635Presentation by Philippe Lescat : the liturgical role of the organ in seventheenth century Italy the organ of Frescobaldi - Frescobaldi's preface (Al lettore). Annexes: translation of Frescobaldi's preface - note figures used in the Fiori Musicali - interpretation of the score - restoration of the score. The preface gives the liturgical context and the alternation of organ pieces and plainchant. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Civico Museo Bibliografico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.

SATB chorus and organ - Difficult

SKU: JK.00203

Composed by Thomas Durham. Arranged by George H. Durham. Choral SATB, Difficulty Hard, Organ Choir, Book of Mormon, Gathering of Israel, Gospel, Restoration. Christian, Inspirational. Jackman Music Corporation #00203. Published by Jackman Music Corporation (JK.00203).

Joseph Smith--History 1:30-34, Doctrine and Covenants 128:20.

Powerful anthem arranged for mixed chorus (SATB) and organ accompaniment. Includes an intricate organ solo, which may be optionally hummed by unison voices.
Composer: Thomas Durham
Arranger: George H. Durham
Lyricist: Theodore E. Curtis
Difficulty: Difficult
Reference: Joseph Smith--History 1:30-34, Doctrine and Covenants 128:20.

Choir Sacred soprano voice solo, SATB chorus, violin, 3 trombones, organ

SKU: PE.EP66930

1982. Composed by Charles Wuorinen. Choral Works (inc. Oratorios). Edition Peters. 20th Century. Full Score. Composed 1982. 126 pages. Duration 00:30:00. Edition Peters #98-EP66930. Published by Edition Peters (PE.EP66930).

ISBN 9790300732053. Lat.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

SATB choir, solo voices, organ, optional string quartet or string quintet - Intermediate

SKU: MN.70-009

Composed by K. Lee Scott. Multi-Movement/Large Choral Work. Year C Good Friday. Lent, Triduum/Three Days, 21st Century. Choral score. MorningStar Music Publishers #70-009. Published by MorningStar Music Publishers (MN.70-009).

UPC: 688670700095. Scripture: Isaiah 53.

Passages from Isaiah 53 describe our Messiah's suffering as he restores the people of God through his willingness to bear their sins. This choral work incorporates these passages in four movements for choir, soloists, organ, and optional string quartet. This piece may be used in a variety of ways to add depth and meaning to Holy Week services. One may also add hymns or readings to make an entire Holy Week service. **Organist may play from either Full Score or Choral Score.

Soprano voice solo, tenor voice solo, mixed choir, organ

SKU: BR.EB-8058

Movements III and IV. Composed by Felix Bartholdy Mendelssohn. Arranged by Thorsten Sterzik. Symphony. Edition Breitkopf. With regard to the anniversary of the Reformation in 2017, this version for solos, choir and organ by Torsten Sterzik originated to pave the Reformation Symphony's way into the church as well, restoring the text to Luther's chorale in the fourth movement. Symphony; Romantic. Organ score. 36 pages. Duration 30'. Breitkopf and Haertel #EB 8058. Published by Breitkopf and Haertel (BR.EB-8058).

ISBN 9790004183700. 9 x 12 inches.

The Reformation Symphony was composed in 1830 for the 300th anniversary of the Confessio Augustana, the founding of the Lutheran confession of faith. In the fourth movement, Mendelssohn quotes, elaborates and varies artfully the Luther-chorale Ein feste Burg ist unser Gott [God is our fortress], erecting a musical monument to the reformer Martin Luther. After an initial confl icting reception, the Reformation Symphony meanwhile is established fi rmly in the concert repertoire. EB 8058 is intended for performances with organ. It can also be used for the preparation of the chorus and soloists for performances with orchestra.

With regard to the anniversary of the Reformation in 2017, this version for solos, choir and organ by Torsten Sterzik originated to pave the Reformation Symphony's way into the church as well, restoring the text to Luther's chorale in the fourth movement and additionally including the third movement, its arioso solos being sung by a soprano and a tenor solo.

Chorus (with soloists) and piano (solos: SATB (choir: SATB) - 0.2.cor ang.0.0 - 0.0.0.0 - org (solo) - str - bc)

SKU: BR.EB-7188

21st Sunday after Trinity - reconstruction. Composed by Johann Sebastian Bach. Edited by Werner Breig. This edition: piano reduction/vocal score. Choir; stapled. Edition Breitkopf.

Step by step, Breig reconstructs the entire introductory movement.

Cantata; Baroque. Piano/Vocal Score. 36 pages. Duration 20'. Breitkopf and Haertel #EB 7188. Published by Breitkopf and Haertel (BR.EB-7188).

ISBN 9790004173428. 7.5 x 10.5 inches.

BWV 188 reconstructed in its entirety for the first time The project of publishing Bach's cantatas in a material that can be purchased completely continues to grow with a new edition of a work that made particular demands on the editor. For Breitkopf, the renowned Bach scholar Werner Breig had already brought out new editions of the well-known B-minor Suite (PB/OB 5397, EB 8737) and of the A-minor Suite on which it was based, but now reconstructed for violin, strings and basso continuo (PB/OB 5398). His interest was particularly sparked by the sinfonia, which has been transmitted in an extremely rudimentary fashion. Step by step, Breig reconstructs the entire introductory movement from the final virtuoso organ passage and the da capo indication with corresponding musical incipit. His model for the reconstruction, which was carried out with enormous stylistic authenticity, is an early D-minor violin concerto which is no longer extant in this form, but which Bach later reworked into the Harpsichord Concerto BWV 1052. Performers will enjoy a Bach cantata that is now restored in its entirety for the first time.

Step by step, Breig reconstructs the entire introductory movement.