| Polish Favorites for Easy Piano Piano seul - Facile Santorella Publications
Polish Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jon...(+)
Polish Favorites for Easy
Piano with Lyrics
composed by Various.
Arranged by Jonathon
Robbins. For easy piano.
This edition: Paperback.
Collection. Ethnic. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Latin Favorites for Easy Piano Piano seul - Facile Santorella Publications
Latin Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jona...(+)
Latin Favorites for Easy
Piano with Lyrics
composed by Various.
Arranged by Jonathon
Robbins. For easy piano.
This edition: Paperback.
Collection. Ethnic. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| German Favorites for Easy Piano Piano seul - Facile Santorella Publications
German Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jon...(+)
German Favorites for Easy
Piano with Lyrics
composed by Various.
Arranged by Jonathon
Robbins. For easy piano.
This edition: Paperback.
Collection. Ethnic. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| German Favorites for Accordion Accordéon - Facile Santorella Publications
German Favorites for Accordion composed by Various. Arranged by Gary Dahl. For a...(+)
German Favorites for
Accordion composed by
Various. Arranged by Gary
Dahl. For accordion. This
edition: Paperback.
Collection. Ethnic. Book.
Text Language: English.
48 pages. Published by
Santorella Publications
(2)$18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Italian Favorites for Easy Piano Piano seul - Facile Santorella Publications
Italian Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jo...(+)
Italian Favorites for
Easy Piano with Lyrics
composed by Various.
Arranged by Jonathon
Robbins. For easy piano.
This edition: Paperback.
Collection. Ethnic. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
(1)$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jewish Favorites for Easy Piano Piano seul Santorella Publications
Jewish Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jon...(+)
Jewish Favorites for Easy
Piano with Lyrics
composed by Various.
Arranged by Jonathon
Robbins. For easy piano.
This edition: Paperback.
Collection. Ethnic. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trio Lauren Keiser Music Publishing
Full Score SKU: HL.356798 For Violin, Cello, and Piano Full Score....(+)
Full Score SKU:
HL.356798 For
Violin, Cello, and Piano
Full Score. Composed
by Adolphus Hailstork.
LKM Music. Softcover. 40
pages. Lauren Keiser
Music Publishing
#X053025. Published by
Lauren Keiser Music
Publishing (HL.356798).
ISBN 9781705113219.
UPC: 840126942040.
9.0x12.0x0.154
inches. Trio was
commissioned by the Nova
Trio of Norfolk,
Virginia. The ethnic
diversity of the group
influenced the writing of
the composition. The
first movement is a
lament commemorating the
Jewish holocaust. The
theme presented in the
violin occurs in every
movement. The second
movement scherzo leads
directly into the finale,
a lively dance in an
irregular (11/8)
meter. $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Russian Favorites for Easy Piano Piano seul - Facile Santorella Publications
| | |
| Latin Favorites Piano Accompaniment for all Piano seul Santorella Publications
By Various. Arranged by Jonathon Robbins. For Piano Accomp. Published by Santore...(+)
By Various. Arranged by
Jonathon Robbins. For
Piano Accomp. Published
by Santorella
Publications.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zephyrus Theodore Presser Co.
Chamber Music SKU: PR.164002120 Composed by Dan Welcher. Set of Score and...(+)
Chamber Music SKU:
PR.164002120 Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
32+16+12+12+12 pages.
Duration 16 minutes.
Theodore Presser Company
#164-00212. Published by
Theodore Presser Company
(PR.164002120). UPC:
680160037582. Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zephyrus Theodore Presser Co.
SKU: PR.16400212S Composed by Dan Welcher. With Standard notation. Durati...(+)
SKU: PR.16400212S
Composed by Dan Welcher.
With Standard notation.
Duration 16 minutes.
Theodore Presser Company
#164-00212S. Published by
Theodore Presser Company
(PR.16400212S). UPC:
680160037605. Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Set of Chinese Folk Songs Chorale TTBB Theodore Presser Co.
Choral TTBB choir SKU: PR.312416820 Men's Chorus (10 Copies). Comp...(+)
Choral TTBB choir SKU:
PR.312416820 Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820). UPC:
680160050376. 8.5 x 11
inches. Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi. $195.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tu Danses ? [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music, Sextuor 1 Soprano Saxophone 2 Alto Saxophones 2 Tenor Saxophones ...(+)
Chamber Music, Sextuor 1
Soprano Saxophone 2 Alto
Saxophones 2 Tenor
Saxophones 1 Baritone
Saxophone 1 Ethnic
Percussion (optional) -
Grade 5 SKU:
FL.FX073381 Composed
by Jean-Michel Maury.
Original Composition.
Classical. Score and Set
of Parts. Duration 4
minutes, 5 seconds. FLEX
Editions #FX073381.
Published by FLEX
Editions (FL.FX073381).
A piece
furiously funky. You'll
dance playing
it!
This piece can
be played by 4
saxophonists: SATB ;
Instruments: 1 Soprano
Saxophone 2 Alto
Saxophones 2 Tenor
Saxophones 1 Baritone
Saxophone 1 Ethnic
Percussion (optional);
Difficuly Level: Grade
5. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Oboemotions Hautbois GIA Publications
(What every oboe player needs to know about the body). By Stephen Caplan. For ob...(+)
(What every oboe player
needs to know about the
body). By Stephen Caplan.
For oboe. Method
book/text book
$33.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rockschool Classical Piano Debut (2021+) Piano seul [Partition + Accès audio] Rock School Limited (RSL)
Piano SKU: HL.360541 Book and Audio Online. Piano Solo Songbook. C...(+)
Piano SKU:
HL.360541 Book and
Audio Online. Piano
Solo Songbook. Classical.
Softcover Audio Online.
Rockschool #RSK200138.
Published by Rockschool
(HL.360541). 9.0x12.0
inches. The new RSL
Classical Piano syllabus
aims to reflect the
widening tastes of young
people, positioning
itself at the forefront
of thevast array of music
available to pianists,
encompassing the rich
heritage of music from
theBaroque right through
to the modern day and
emerging composers. The
repertoire strikes a
balance between a radical
redesign and maintaining
a recognisable structure,
and sticks to four key
principles: championing
ethnicallydiverse
composers, representing
genders, acknowledging
the history and tradition
of piano learning, and
enabling students to feel
comfortable studying
music in a popular and
classical environment.
The syllabus books are
allbeautifully presented,
and to the high standard
for which RSL books have
become renowned from
their market-leading
Rockschool examinations
for contemporary music.
Each contains 10 pieces
from a diverse range of
composers andinclude
everything students need
to take their exams,
including technical
exercises and supporting
texts for sight-reading,
ear tests and general
musicianship
questions. $16.99 - Voir plus => Acheter | | |
| Concerto For Violin And Orchestra Carl Fischer
Orchestra violin, piano SKU: CF.B3470 Composed by Julia Perry. Set of Sco...(+)
Orchestra violin, piano
SKU: CF.B3470
Composed by Julia Perry.
Set of Score and Parts.
26+13 pages. Duration 17
minutes. Carl Fischer
Music #B3470. Published
by Carl Fischer Music
(CF.B3470). ISBN
9781491159460. UPC:
680160918058. The
awardee of two Guggenheim
fellowships, Julia Perry
studied composition with
Luigi Dallapiccola and
Nadia Boulanger, and
conducted her works on a
tour throughout Europe
with the Vienna
Philharmonic and the BBC
Orchestra. She would
become one of the first
African-American female
composers to have an
orchestral work performed
by the New York
Philharmonic. Although
she had an auspicious and
promising career in her
early life, it was
tragically cut short by a
series of strokes leading
to partial paralysis and
eventually, her death, at
age 55 in
1979.Perry’s
catalog is widely varied,
featuring thirteen
symphonies, numerous
chamber and solo works,
pieces for band, choral
and vocal music, and four
operas. Her Violin
Concerto, completed in
1968, shows the influence
of Dallapiccola’s
teachings: sharp harmonic
dissonances organized
around specific pitch
centers, short repetitive
patterns that establish
significant musical
materials, and
contrapuntal textures.
Her fastidious
performance markings in
the solo violin part
indicate her profound
understanding of the
instrument. Angular,
muscled, and sparkling by
turns, this piece is a
sophisticated entry to
the serious violinist's
concert repertoire.There
is no evidence or
documentation that the
Violin Concerto was ever
premiered or performed
during her lifetime,
despite the fact that the
composer prepared a full
score, piano reduction
and orchestral parts.
Regrettably, this is the
case with the majority of
her works composed in the
final decade of her
life. What is
extraordinary about Julia
Perry’s musical
career was the
astonishing success she
attained in her early
years. In her youth she
studied piano, voice,
violin and cello. She
began to compose in her
teenage years, her first
publication being a
choral work in 1947 by
Carl Fischer. Her Stabat
Mater was published in
1951 and would become one
of her most often
performed pieces, with
performances in Europe
and the United States. In
1953 she was awarded a
Guggenheim fellowship to
study with the Italian
composer Luigi
Dallapiccola, first at
the Berkshire Music
Center in Tanglewood,
later in Florence, Italy.
During this time, she
also pursued studies with
Nadia Boulanger in Paris
and was awarded a second
Guggenheim fellowship.
She studied conducting at
this time, touring Europe
in 1957 to conduct her
own works with the Vienna
Philharmonic and the BBC
Orchestra. During her
European sojourns, she
learned and mastered
French, German and
Italian. She would become
one of the first
African-American female
composers to have an
orchestral work performed
by the New York
Philharmonic.Perryâ€
s circumstances would
change dramatically once
she reached forty years
of age, having returned
permanently to the United
States. At some point in
the spring of 1970, she
suffered the first of two
strokes that would
paralyze her right side
and confine her to a
wheelchair for the rest
of her life. Nonetheless,
she continued to compose
and to promote her works
with publishers and
conductors. A second
stroke contributed to her
death in 1979 at age 55.
She likely endured harsh
ethnic and gender
discrimination in the
course of her career, and
her later years would
witness a period of
extreme civil unrest.
These matters and the
significance of music in
her life are undoubtedly
what led her to say,
“Music has a great
role to play in
establishing the
brotherhood of
man.â€Perry’s
catalog is widely varied,
featuring thirteen
symphonies, numerous
chamber and solo works,
pieces for band, choral
and vocal music, and four
operas. Her Violin
Concerto, completed in
1968, is indicative of
the influence of
Dallapiccola’s
teachings: sharp harmonic
dissonances organized
around specific pitch
centers, short repetitive
patterns that establish
significant musical
materials, and
contrapuntal textures.
The work is a single
movement of 392 measures
organized around three
alternating tempos: Slow
(Å’ = 60), Moderate
(Å’ = 84) and Fast
(Å’ = 120). The
opening thirty-measure
cadenza for the solo
violin introduces most of
the thematic material for
the piece. The
orchestration commonly
features antiphonal
writing between
orchestral groups, for
example, strings
alternating with brass,
or strings alternating
with winds. The harp and
piano generally appear as
solo instruments, rather
than as members of the
orchestra. Her fastidious
performance markings in
the solo violin part
indicate her profound
understanding of the
instrument.There is no
evidence or documentation
that the Violin Concerto
was ever premiered or
performed during her
lifetime, despite the
fact that the composer
prepared a full score,
piano reduction and
orchestral parts.
Regrettably, this is the
case with the majority of
her works composed in the
final decade of her
life. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Passages Orchestre d'harmonie - Intermédiaire Hal Leonard
Score Only Concert Band (Score) - Grade 4 SKU: HL.4002872 Composed by Mic...(+)
Score Only Concert Band
(Score) - Grade 4 SKU:
HL.4002872 Composed
by Michael Sweeney.
MusicWorks Grade 4.
Concert. Score
(softcover). 28 pages.
Duration 420 seconds.
Published by Hal Leonard
(HL.4002872). UPC:
884088353056.
9.0x12.0x0.092
inches. The term
passage can variously
describe a passageway of
travel, a musical phrase,
or perhaps the soul's
moving on from this world
to the next. In this work
for band, dark and rich
sonorities are contrasted
with a lilting,
Celtic-flavored melody as
it alternates with
striking passages from
the brass. Later, an alto
sax soloist adds a
haunting quality to the
mood followed by a return
of the ethnic drumming
heard earlier. This
unique and rewarding
composition is
beautifully paced and
skillfully orchestrated
using every section of
the band. Dur: 7:00
(Grade 4) The audio is
accessed online using the
unique code inside each
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right. $10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Klezmer Clarinet: Traditional Clarinet Music from Around the World Boosey and Hawkes
Complete Edition with Book/Audio Online Clarinet; Piano Accompaniment (Clarinet/...(+)
Complete Edition with
Book/Audio Online
Clarinet; Piano
Accompaniment
(Clarinet/Piano) SKU:
HL.48025477
Complete Edition for
Clairnet and Piano, opt.
Guiar Book/Audio On.
Edited by Edward Huws
Jones. Boosey & Hawkes
Chamber Music. Klezmer.
Softcover Audio Online.
84 pages. Boosey & Hawkes
#M060142079. Published by
Boosey & Hawkes
(HL.48025477). ISBN
9781784549107. UPC:
196288278160.
9.0x12.0x0.22
inches. A superb
collection of Edward Huws
Jones' wonderful
arrangements of
traditional Jewish music
of celebration for
clarinet. Klezmer
Clarinet, Edward Huws
Jones' faithful
arrangements of
traditional klezmer
music, contains sixteen
pieces full of energetic
Jewish music of
celebration. It is
available in two formats:
the Complete Edition and
the Clarinet Edition.
Both formats are highly
flexible, which means
this exciting music can
be played as solos, duets
or trios as well as with
larger ensembles. Six
pieces in Klezmer
Clarinet are compatible
with the versions for
violin in Klezmer
Fiddler. Edward Huws
Jones is the author of
many highly successful
collections of ethnic
music. He has travelled
extensively, researching
andtranscribing the
traditional music of
other cultures. $33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Holiday Strings - opt. Viola T.C. - Débutant Kendor Music Inc.
Viola T.C. - 1-2 SKU: KN.7964 Composed by Various. Arranged by Robert S. ...(+)
Viola T.C. - 1-2 SKU:
KN.7964 Composed by
Various. Arranged by
Robert S. Frost. String
Collection. Christmas.
Individual part. Kendor
Music Inc #7964.
Published by Kendor Music
Inc (KN.7964). UPC:
822795079647. This
grade 1-2 collection
contains eleven familiar
holiday songs from
divergent ethnic groups,
each arranged in two
performance formats: duet
and string orchestra.
These formats provide
directors with
versatility and variety
in meeting the
performance needs of
beginning level string
orchestras. In the duet
arrangements each
instrument has the melody
line and a harmony (duet)
line. In the string
orchestra arrangements
each instrument has two
parts that follow
standard instrumentation,
allowing for various
instrument combinations
between upper and lower
strings. The optional
piano book includes both
duet and string orchestra
accompaniments that will
strengthen the confidence
and sound of ensembles of
any size. $6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classic of Mountains and Seas Theodore Presser Co.
Orchestra Concert Band SKU: PR.11642169L Concerto for Orchestra. C...(+)
Orchestra Concert Band
SKU: PR.11642169L
Concerto for
Orchestra. Composed
by Zhou Long. Large
Score. Duration 36
minutes. Theodore Presser
Company #116-42169L.
Published by Theodore
Presser Company
(PR.11642169L). UPC:
680160692118. Chine
se mythology is a
cultural heritage that
has been passed down
through the ages. It is
full of bizarre
andsupernatural artistic
charm. Shan Hai Jing is
like a history book,
which contains many
mythological stories
depictingthousands of
mountains and waters,
geography and humanities,
The Concerto for
Orchestra Shan Hai Jing
is using alarge scyle
orchestra in
multi-movements, inspired
by the anceint
supernatural aesthetics,
and creates an
imaginaryuniverse and
human illusion with an
abstract sound world.
This work is not based on
the story of the ancient
gods, butbased on the
geographical distribution
of the Fivering
Mountains, metaphorical
waters, mountains range,
folkcustoms, and rituals
of the gods, depicting
the north, west, east,
south, and middle
respectively in five
movements.
Thecharacteristics of the
mountain system and the
regional customs.The
first movement, Beishan
Jing (Largo) (page 1-30).
In this movement, folk
music elements such as
the traditionalMongolian
“Humai” and the
traditional Tibetan
“Bon’e’ri” are
used to Ode the folk
customs and heroism of
the vastmountains and
plains and different
ethnic groups.The second
movement, Xishan Jing
(Allegro and Adagio)
(page 31-52). The music
of this movement has the
westernstyle of Gansu and
Qinghai Plateau.The third
movement, Dongshan Jing
(Adagio and Allegro)
(page 53-86). The legend
of great bells that
ringspontaneously without
being struck has origins
in the ancient Classic of
Mountains and Seas, in
which we read:“Upon the
Mountains of Plenty, Nine
Bells ring with Knowledge
of the Frost.”Tales of
those blasts of wind that
pulse like a heartbeat
through caverns in the
limestone cliffs, setting
off a
mysterioussympathetic
ringing from bells
encrusted in frost, led
to “Frost-Bell”
becoming a word during
the Tang dynasty, almosta
millennium after the
Mountains and Seas
classic first
appeared.The fourth
movement, Nanshan Jing
(Adagio and Andante)
(page 87-100) . The music
is characterized by
thewoodwinds and string
harmonics texture
depicting of the cloud
mountain in the south of
the Yangtze River,
Fujian,Guangdong and
Hunan.The fifth movement,
Zhongshan Jing
(Allegretto) (page
101-118) symbolizes the
end of the ritual
ceremony, which isroughly
centered on the sacred
place of Chu. The people
danced together, waving
flowers and hitting the
bronze drums,just like
sending the Divine
Comedy, the scene is
lively, the atmosphere is
Solemn and lively. $92.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Classic of Mountains and Seas Theodore Presser Co.
Orchestra Concert Band SKU: PR.11642169S Concerto for Orchestra. C...(+)
Orchestra Concert Band
SKU: PR.11642169S
Concerto for
Orchestra. Composed
by Zhou Long. Study
Score. Duration 36
minutes. Theodore Presser
Company #116-42169S.
Published by Theodore
Presser Company
(PR.11642169S). UPC:
680160692101. Chine
se mythology is a
cultural heritage that
has been passed down
through the ages. It is
full of bizarre
andsupernatural artistic
charm. Shan Hai Jing is
like a history book,
which contains many
mythological stories
depictingthousands of
mountains and waters,
geography and humanities,
The Concerto for
Orchestra Shan Hai Jing
is using alarge scyle
orchestra in
multi-movements, inspired
by the anceint
supernatural aesthetics,
and creates an
imaginaryuniverse and
human illusion with an
abstract sound world.
This work is not based on
the story of the ancient
gods, butbased on the
geographical distribution
of the Fivering
Mountains, metaphorical
waters, mountains range,
folkcustoms, and rituals
of the gods, depicting
the north, west, east,
south, and middle
respectively in five
movements.
Thecharacteristics of the
mountain system and the
regional customs.The
first movement, Beishan
Jing (Largo) (page 1-30).
In this movement, folk
music elements such as
the traditionalMongolian
“Humai” and the
traditional Tibetan
“Bon’e’ri” are
used to Ode the folk
customs and heroism of
the vastmountains and
plains and different
ethnic groups.The second
movement, Xishan Jing
(Allegro and Adagio)
(page 31-52). The music
of this movement has the
westernstyle of Gansu and
Qinghai Plateau.The third
movement, Dongshan Jing
(Adagio and Allegro)
(page 53-86). The legend
of great bells that
ringspontaneously without
being struck has origins
in the ancient Classic of
Mountains and Seas, in
which we read:“Upon the
Mountains of Plenty, Nine
Bells ring with Knowledge
of the Frost.”Tales of
those blasts of wind that
pulse like a heartbeat
through caverns in the
limestone cliffs, setting
off a
mysterioussympathetic
ringing from bells
encrusted in frost, led
to “Frost-Bell”
becoming a word during
the Tang dynasty, almosta
millennium after the
Mountains and Seas
classic first
appeared.The fourth
movement, Nanshan Jing
(Adagio and Andante)
(page 87-100) . The music
is characterized by
thewoodwinds and string
harmonics texture
depicting of the cloud
mountain in the south of
the Yangtze River,
Fujian,Guangdong and
Hunan.The fifth movement,
Zhongshan Jing
(Allegretto) (page
101-118) symbolizes the
end of the ritual
ceremony, which isroughly
centered on the sacred
place of Chu. The people
danced together, waving
flowers and hitting the
bronze drums,just like
sending the Divine
Comedy, the scene is
lively, the atmosphere is
Solemn and lively. $52.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| International Accordion Favorites Accordéon [Partition + Accès audio] Mel Bay
(Waltzes, Polkas, Tangos, Hornpipes, Two-Steps and More!). Composed by Bruce Bol...(+)
(Waltzes, Polkas, Tangos,
Hornpipes, Two-Steps and
More!). Composed by Bruce
Bollerud. For
International Accordion
Favorites.
Saddle-stitched.
Intermediate. Book and
online audio. Published
by Mel Bay Publications,
Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flamenco Improvisation: Volume 3 Guitare notes et tablatures Sher Music Company
Modal Improvisation and Melodic Construction in the Flamenco Environment. Com...(+)
Modal Improvisation and
Melodic Construction in
the
Flamenco Environment.
Composed by Enrique
Vargas.
513 pages. Published by
Sher
Music Company
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1001 Drum Grooves (Drum) Batterie Cherry Lane
1001 Drum Grooves. (The Complete Resource For Every Drummer). For drum set. Perc...(+)
1001 Drum Grooves. (The
Complete Resource For
Every Drummer). For drum
set. Percussion.
Instructional.
Instructional book. Drum
notation. 112 pages.
Published by Cherry Lane
Music
(2)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heritage Orchestre d'harmonie [Conducteur] Peters
Concert Band SKU: PE.EP68748 Score. Composed by Shawn E. Okpebholo...(+)
Concert Band SKU:
PE.EP68748
Score. Composed by
Shawn E. Okpebholo.
Edition Peters.
Contemporary. Score. 36
pages. Edition Peters
#98-EP68748. Published by
Edition Peters
(PE.EP68748). ISBN
9790300762289. S
hawn Okpebholo's
Heritage, in the
Edition Peters Concert
Band Series, evokes
moods, events and sounds
(including West African
drumming and indigenous
melodies) from an
ethnomusicological
research visit the
composer undertook to
Nigeria. One of the
primary musical themes of
the work is an adaptation
of a song that comes from
the Esan people, a small
ethnic group in the
southern part of Nigeria
and the tribe to which
the composer has deep
historical and family
ties. The Esan
language is poetic in
nature and, at various
moments in the work, the
musicians chant the text
from an Esan
song: Ekine leleyea
do obhimen la doeki
nalo.
(My
investment in you is paid
off. Because of your hard
work, your future is
bright)
Heritage<
/em> is a revised version
of a work previously
entitled This is
Africa, which was
commissioned by Professor
Marcellus Brown and the
Boise State University
Symphonic Winds for the
2011 National CBDNA
Convention and is
dedicated to the memory
of Dr Harry
Begian. Orchestrati
on: 1 Piccolo, 2
Flute 1, 2 Flute 2, 1
Oboe 1, 1 Oboe 2, 1
Clarinet in E-flat, 3
Clarinet 1 in B-flat, 3
Clarinet 2 in B-flat, 3
Clarinet 3 in B-flat, 2
Bass Clarinet 1 and 2, 1
Bassoon 1, 1 Bassoon 2, 1
Alto Saxophone 1, 1 Alto
Saxophone 2, 1 Tenor
Saxophone, 1 Baritone
Saxophone, 1 Trumpet 1 in
B-flat, 1 Trumpet 2 in
B-flat, 1 Trumpet 3 in
B-flat, 1 Trumpet 4 in
B-flat, 1 Horn 1 in F, 1
Horn 2 in F, 1 Horn 3 in
F, 1 Horn 4 in F, 1
Trombone 1, 1 Trombone 2,
1 Bass Trombone, 1
Euphonium 1, 1 Euphonium
2, 2 Tuba 1 and 2, 1
String Bass, 1 Percussion
1, 1 Percussion 2, 1 Drum
Kit, 1 Bongos, 1 Congas,
1 Horn 1 in E-flat, 1
Horn 2 in E-flat, 1 Horn
3 in E-flat, 1 Horn 4 in
E-flat, 1 Trombone 1
(B-flat treble clef), 1
Trombone 2 (B-flat treble
clef), 1 Bass Trombone
(B-flat treble clef), 1
Euphonium 1 (B-flat
treble clef), 1 Euphonium
2 (B-flat treble clef), 2
Tuba 1 and 2 (B-flat
treble clef), 2 Tuba 1
and 2 (E-flat treb. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Oramos Cantando / We Pray in Song - Pew edition GIA Publications
Guitar, keyboard SKU: GI.G-7400 This edition: Pew edition. Hymnal. Oramos...(+)
Guitar, keyboard SKU:
GI.G-7400 This
edition: Pew edition.
Hymnal. Oramos cantando
series. Sacred. Book. GIA
Publications #7400.
Published by GIA
Publications (GI.G-7400).
ISBN
9781579999698. Inte
nded especially for the
growing number of
multicultural, bilingual
(Latino/Anglo) parishes
and communities in the
United States, Oramos
Cantando / We Pray in
Song is a hymnal and
service book that is
comprehensive enough to
satisfy the liturgical
needs of such
communities, when they
are worshipping in
Spanish, in English, or
bilingually. Bilingual
from the first page to
the last. Organized to
reflect the liturgical
life of the Church:
morning, evening and
night prayer from the
Liturgy of the Hours, the
sacramental rites of
Christian initiation of
adults, baptism of
children, holy communion
outside Mass, eucharistic
exposition and
benediction,
reconciliation of
penitents, anointing of
the sick, marriage, and
funerals, the Order of
Mass, service music,
hymns and songs,
lectionary responsorial
psalms. All ritual texts
are from the English- and
Spanish-language
liturgical books approved
for use in the dioceses
of the United States of
America Seventy settings
of psalms and biblical
canticles in a variety of
styles, for use in the
Liturgy of the Hours, at
Mass, and in other
liturgical rites. Many
employ Gelineau, Guimont,
or Conception Abbey
tones. Standards from the
“Celebration-style
€ repertoire by
Haugen, Joncas, Haas, and
others. All with Spanish
and English texts ICEL
chants for the Order of
Mass, accompanied by the
complementary plainsong
chants in Spanish. Five
bilingual settings of the
ordinary of the Mass,
along with one Latin and
two English-only Mass
settings, plus a number
of additional service
music items to serve the
liturgical needs of
Anglo/Latino parishes for
many years to come A
broad and stylistically
diverse collection of
nearly 550 hymns, psalms,
and inspired songs,
containing the best and
most beloved traditional
and contemporary music of
Latino and Anglo
communities, with more
than 300 items newly
translated according to
guidelines for preserving
meaning, rhyme, and meter
Music from around the
world, encompassing
plainsong chants,
classical hymnody,
contemporary
scripture-based songs,
Taizé chants, and
world music from Asia and
Africa. Settings
originally with Spanish
texts are from the United
States, Spain, Mexico,
Central and South
America, and the
Caribbean Lectionary
psalms with
USCCB-approved refrains
in both English and
Spanish and verses from
The Revised Grail Psalms
and the salterio of
Spain’s
Conferencia Episcopal
Española (CEE). These
bilingual lectionary
psalms have been included
in the Sacred Song
missalette program of The
Liturgical Press since
2005 Eleven indexes:
liturgical, topical,
psalms and canticles,
service music, scripture
references in hymns, hymn
tunes, tune meters,
musical settings using
languages other than
Spanish and English,
psalm refrains set to
music, common titles and
first lines, and hymnal
contributors (composers,
authors, translators,
sources) A hymnal which
not only addresses the
liturgical experience of
today, but also opens the
door to new possibilities
in the future. Fulfilling
the statement of the
American bishops:
Liturgical music today
must reflect the
multicultural diversity
and intercultural
relationships of the
members of the gathered
liturgical assembly. The
varied use of musical
forms such as ostinato
refrains, call and
response, song
translations, and
bilingual or multilingual
repertoire can assist in
weaving the diverse
languages and ethnicities
of the liturgical
assembly into a tapestry
of sung praise. Sing to
the Lord, 60 Destinado
especialmente para el
creciente número de
parroquias y comunidades
multiculturales,
bilingües
(Latinas/Anglas) en los
Estados Unidos, Oramos
Cantando / We Pray in
Song es un himnario y
ceremonial lo
suficientemente completo
para satisfacer las
necesidades litúrgicas
de tales comunidades,
cuando oran en
español, en inglés,
o de una manera
bilingüe. Bilingüe
desde la primera
página hasta la
última. Organizado
para reflejar la vida
litúrgica de la
Iglesia: oración
matutina, vespertina y
nocturna tomada de la
Liturgia de las Horas,
los ritos sacramentales
de la iniciación
cristiana de adultos, del
bautismo de niños,
para la sagrada
comunión fuera de la
Misa, para la
exposición y
bendición
eucarÃstica, para la
reconciliación de
varios penitentes, para
la unción de los
enfermos, el matrimonio,
y las exequias, el
Ordinario de la Misa,
música para las
ceremonias, himnos y
cantos, salmos
responsoriales del
leccionario. Todos los
textos de los ritos
están tomados de los
libros litúrgicos en
inglés y en español
aprobados para su uso en
las diócesis de los
Estados Unidos de
América. Setenta
arreglos de salmos y
cánticos en una
variedad de estilos, para
usarlos en la Liturgia de
las Horas, en la Misa, y
en otros ritos
litúrgicos. Muchos
emplean los tonos de
Gelineau, Guimont, o
Conception Abbey. Normas
del repertorio del
“estilo-de-celebrac
ión†por Haugen,
Joncas, Haas, y otros.
Todos con el texto en
español y en
inglés. Cantos de ICEL
para el Ordinario de la
Misa, acompañados por
los cantos llanos
complementarios en
español. Cinco
arreglos bilingües
para el ordinario de la
Misa, junto con uno en
latÃn y dos arreglos
para la Misa sólo en
inglés, además de
un número de cantos
adicionales para
responder a las
necesidades litúrgicas
de las parroquias
anglas/latinas por muchos
años en el futuro Una
colección amplia y de
diversos estilos de casi
550 himnos, salmos y
cantos inspirados, que
contienen lo mejor y lo
más apreciado de la
música tradicional y
contemporánea de las
comunidades latinas y
anglas, con más de 300
composiciones
recientemente traducidas
según las normas para
la preservación del
significado, del ritmo, y
del metro Música de
todo el mundo, incluyendo
cantos llanos, himnos
clásicos, cantos
contemporáneos basados
en la biblia, cantos de
Taizé, y música
mundial de Asia y
Ãfrica. Arreglos
originales con textos en
español que vienen de
los Estados Unidos, de
España, de México,
de Centro y Sud
América, y del Caribe.
Salmos del Leccionario
con estribillos aprobados
por la Conferencia
Episcopal de Estados
Unidos (USCCB) tanto en
inglés como en
español y versos del
salterio: The Revised
Grail Psalms y del
salterio de la
Conferencia Episcopal
Española (CEE) de
España. Estos salmos
bilingües del
leccionario se han
incluido en el programa
del misalito Sacred Song
de la editorial: The
Liturgical Press desde
2005 Once Ãndices:
litúrgico,
temático, salmos y
cánticos, música
para celebraciones,
referencias bÃblicas
en himnos, tonadas de
himnos, metros de himnos,
arreglos con idiomas
además de español e
inglés, antÃfonas
musicalizadas para los
salmos, tÃtulos
comunes y primeras
frases, y contribuyentes
al himnario
(compositores, autores,
traductores, fuentes) Un
himnario que no sólo
responde a la experiencia
litúrgica de hoy, sino
también abre la puerta
a nuevas posibilidades en
el futuro. Cumple la
declaración de los
obispos americanos:
“La música
litúrgica de hoy debe
reflejar la diversidad
multicultural y las
relaciones
interculturales de los
miembros de la asamblea
litúrgica reunida. El
uso variado de formas
musicales como
estribillos en ostinato,
llamado y respuesta,
traducción de cantos,
y el repertorio
bilingüe o
multilingüe puede
ayudar a entretejer los
diferentes idiomas y
etnias de la asamblea
litúrgica en un tapiz
de alabanza
cantada.†Cantemos
al Señor, 60 There is
no doubt that the goal of
singing each other's
liturgical music as an
expression of the
catholicity of our faith
embodied in this volume,
does in fact allow
bilingual and
multicultural parishes
through the United
States—and
beyond—to respond
to the liturgical needs
of today while opening
the door to new
possibilities. —
Becca Whitla The Hymn
Society Journal. Volume
66, No. 4. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |