Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3 and more. - Grade 4

SKU: CF.SPS93F

For Those Who Continue to Rise. Composed by Travis Weller. Full score. 30 pages. Carl Fischer Music #SPS93F. Published by Carl Fischer Music (CF.SPS93F).

ISBN 9781491159781. UPC: 680160918379.

Adver sity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances. For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn't know, or perhaps challenged us to grow in a way we didn't think possible. Either way, it does not happen unless we possess resilience. I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.
Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances.For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn’t know, or perhaps challenged us to grow in a way we didn’t think possible. Either way, it does not happen unless we possess resilience.I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.

Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Piano, Piccolo, Timpani and more. - Grade 4

SKU: CF.SPS93

For Those Who Continue to Rise. Composed by Travis Weller. Set of Score and Parts. 30+2+12+12+4+12+12+12+4+4 +4+4+4+4+6+6+6+8+9+9+6+9+ 6+6+4+2+2+9+4+12+4 pages. Duration 6 minutes, 10 seconds. Carl Fischer Music #SPS93. Published by Carl Fischer Music (CF.SPS93).

ISBN 9781491159774. UPC: 680160918362.

Adver sity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances. For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn't know, or perhaps challenged us to grow in a way we didn't think possible. Either way, it does not happen unless we possess resilience. I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.
Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances.For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn’t know, or perhaps challenged us to grow in a way we didn’t think possible. Either way, it does not happen unless we possess resilience.I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience.

Grade 2

SKU: CL.024-3636-01

Composed by Grice. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR355). Extra full score. Composed 2007. Duration 2 minutes, 10 seconds. C.L. Barnhouse #024-3636-01. Published by C.L. Barnhouse (CL.024-3636-01).

A marvelous work from the pen of an innovative and imaginative composer! Above The World will excite and motivate your young students and provide you with excellent teaching materials. Extremely impressive for this grade level. Don’t miss this outstanding composition!

Choral (SSA Choir)

SKU: HL.286300

Creating Artistry. Arranged by Nancy Grundahl. Henry Leck Creating Artistry. Christmas, Concert. Octavo. 12 pages. Published by Hal Leonard (HL.286300).

UPC: 888680894887. 6.75x10.5 inches.

This beautiful German carol, famously harmonized by Praetorius is here arranged for women's voices. Beginning in a gentle and homophonic style, the singers begin polyphonic singing with each voice part rising above one another creating beautiful lines and vocal independence. An optional piano or harp part is offered for choirs needing the support but longing for such a beautiful and stylistic piece for their winter/Christmas concert.

By Morton Feldman (1926-1987). For Piano. World Premiere: in London / Great Britain; by Roger Woodward, piano. Play along; world music. Solo part. Composed 1981

Viola & piano (Solo) - Moderately Difficult

SKU: OU.9780193359598

Composed by Martin Butler. Viola & Piano. 12 pages. Duration 2'. Oxford University Press #9780193359598. Published by Oxford University Press (OU.9780193359598).

ISBN 9780193359598. 12 x 8 inches.

For viola & piano This tiny, delicate piece has something of the Debussyian prelude about it. It deftly deals with that familiar theme of snow, not rising above a piano dynamic throughout.

(A Triumphant Fanfare for Band). By James Swearingen. Concert band. Young Band. Rising Band Series for Developing Bands!. Audio recording available separately (item CL.WFR374). Grade 1.5. Score and set of parts. Composed 2011. Duration 2 minutes, 2 seconds. Published by C.L. Barnhouse

Lyrics and chords (ukulele)

SKU: M7.DUX-342

200 Lieder and Songs. Composed by Andreas Lutz and Bernhard Bitzel. This edition: Ring/Spiral binding. Sheet music. Songbook. Edition Dux Verlag #DUX 342. Published by Edition Dux Verlag (M7.DUX-342).

ISBN 9783868494006.

The Ukulele-Ding 2 contains 200 songs from Pop and Rock for campfires, outings and parties. In order to be able to sing the songs optimally and accompany them with the ukulele, suitable keys and chords have been chosen. The chords are given directly above the lyrics, so you can sing and play directly from the sheet. A fingering chart for all ukuleles in the tuning g - c - e - a is included. A must for every campfire ukulele player and all those who want to become one. Bound as a practical spiral book - like every edition from the cult songbook series Das Ding. With songs from ABBA - AC/DC - Aerosmith - BAP - Billy Joel - Bob Dylan - Bob Marley - Boney M. - Bruce Springsteen - Cat Stevens - Coldplay - Die Toten Hosen - Dire Straits - Elvis Presley - George Ezra - Howard Carpendale - John Denver - Kansas - Lady Gaga - Max Giesinger - Nirvana - Peter Maffay - Phil Collins - Pink Floyd - Queen - Reinhard Mey - Robbie Williams - Rod Stewart - Simon and Garfunkel - Supertramp - The Beach Boys - The Beatles - U2 und vielen weiteren.

Orchestra (Score) - advanced

SKU: HL.49001770

Full Score. Composed by Wilhelm Friedemann Bach. Edited by Walter Lebermann. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 16 pages. Duration 8'. Schott Music #CON 14. Published by Schott Music (HL.49001770).

ISBN 9790001021197. UPC: 073999293562. 9.25x12.0x0.07 inches.

Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another.In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the sentimental age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.

Guitar solo

SKU: GH.GE-11464

Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464).

ISBN 979-0-070-11464-6. A4 inches.

Work note by the composer:

When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone.
The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work.
Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line.

The work is divided in three parts.
I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other.
The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end.

II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere.

III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible!

Benjamin Staern

By Mike Tomaro. Threshold Series. Metheny Bossa. Level: Medium Easy. Published by Kendor Music Inc.

Jazz Ensemble - 3.2

SKU: KN.42815S

Composed by Mike Tomaro. Threshold Series. Kendor Music Inc #42815S. Published by Kendor Music Inc (KN.42815S).

UPC: 822795428155.

Inspi red by the music of Pat Metheny and Lyle Mays, this relaxed bossa casts piano in the primary solo role, with tenor sax taking a solo chorus midway through. Though the chart is relatively quiet, rarely rising above the mp dynamic level, a dramatic climax gives the band a chance to release its full power and energy. Originally recorded by Tomaro on Home Again (Positive Music PMD 78019-2), the scoring requirements are standard. Rhythm section parts are notated with chords cued. Duration 4:30.

SATB choir, piano reduction - Intermediate

SKU: GI.WW1942

Composed by Marten Jansson. Walton Choral. Classical. Octavo. 8 pages. Walton Music #WW1942. Published by Walton Music (GI.WW1942).

UPC: 785147041368. Latin. Text Source: Traditional Latin.

From MÃ¥rten Jansson's Requiem Novum, this work for unaccompanied SATB voices offers a moment of peace and reflection. This is a study of excellence in part-writing with its beautiful melody rising above.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS104

Composed by Bill Calhoun. FS SWS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+6+6+4+6+8+4+2+4+ 18+24 pages. Duration 3 minutes, 54 seconds. Carl Fischer Music #CPS104. Published by Carl Fischer Music (CF.CPS104).

ISBN 9780825874192. UPC: 798408074197. 9x12 inches.

Spanish-sty le rhythms, melodies and harmonies abound in this lovely new concert work from composer Bill Calhoun. From the opening “bird-like” calls from the woodwinds accompanied by the ascending chords in the clarinets and the brass, one can picture the sun rising above the horizon at the start of a Morning in Madrid. This piece will help you teach your students about lyrical expression while playing.

SSA, a cappella

SKU: SU.80300282

For SSA, a cappella. Arranged by Alice Parker. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300282. Published by Treble Clef Music Press (SU.80300282).

Beginning with a solo statement, then adding choral parts in unison and two, then three parts, the texture of this Christmas spiritual proclaims peace on earth and the Christ-child born in glory. Never rising above mezzo forte, it rocks the baby gently and proclaims his radiant promise. SSA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

Composed by Bill Calhoun. For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Full score. 24 pages. Duration 3 minutes, 54 seconds. Published by Carl Fischer

(C Instruments). By Various. Fake Book. Softcover. 368 pages. Published by Hal Leonard

For C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. Published by Hal Leonard (HL.160838).

Composed by Nick Planas. For solo bass clarinet. Classical; 21st century. Score. Composed 2009. Duration 8 minutes. Published by Alea Publishing

Composed by Various. Instrumental Folio. Christian, General Worship, Worship. Softcover. 120 pages. Published by Hal Leonard

Composed by Various. Instrumental Folio. Christian, General Worship, Worship. Softcover. 120 pages. Published by Hal Leonard

Composed by Various. Instrumental Folio. Christian, General Worship, Worship. Softcover. 120 pages. Published by Hal Leonard

Composed by Various. Instrumental Folio. Christian, General Worship, Worship. Softcover. 120 pages. Published by Hal Leonard

By Armenian Folk Song. Arranged by Paul Carey. For SA Choir. Choral. Medium. Choral octavo

The Vocal Library Tenor. Composed by Arthur Sullivan, William S. Gilbert. Arranged by Richard Walters. Vocal Collection. Play Along. Softcover Audio Online. 88 pages. Published by Hal Leonar

(33 Favorite Contemporary Worship Selections). Arranged by Victor Labenske. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Contemporary Christian; Sacred. Intermediate; Late Intermediate. 128 pages. Published by Alfred Music Publishing

Grade 2

SKU: CL.011-2428-00

Composed by Niehaus. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR321). Score and set of parts. Composed 1992. C.L. Barnhouse #011-2428-00. Published by C.L. Barnhouse (CL.011-2428-00).

A jaunty, fun-filled composition to feature your flute section. After starting out staccato and playful, the middle section is legato and contains some lovely chord changes. Skillfully scored so that the flute section can be heard above the accompaniment. This is a first rate piece designed to build skill and confidence in your young flutists. A charming concert addition!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard