By John Kember. For Trumpet and Piano. Book; Brass - B-Flat Cornet (Trumpet) Met...(+)
By John Kember. For
Trumpet and Piano. Book;
Brass - B-Flat Cornet
(Trumpet) Method or
Collection. Faber
Edition: Play Ballads.
Intermediate. 32 pages.
Published by Faber Music
compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-In...(+)
compiled by Dr. Ed
Whitcomb. For Fiddle.
songbook. Canadian.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
224 pages. Published by
Mel Bay Publications,
Inc.
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_28. Published by
Baerenreiter Verlag
(BA.BA08958-28).
ISBN
9790006557707. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_18. Published by
Baerenreiter Verlag
(BA.BA08958-18).
ISBN
9790006557660. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin, coro II (1. Violin (Choir II)) SKU: BA.BA08950-08 Composed ...(+)
First violin, coro II (1.
Violin (Choir II))
SKU: BA.BA08950-08
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
587. 3 pages.
Baerenreiter Verlag
#BA08950_08. Published by
Baerenreiter Verlag
(BA.BA08950-08).
ISBN
9790006541003. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin, coro II (2. Violin (Choir II)) SKU: BA.BA08950-04 Composed...(+)
Second violin, coro II
(2. Violin (Choir II))
SKU: BA.BA08950-04
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
587. 3 pages.
Baerenreiter Verlag
#BA08950_04. Published by
Baerenreiter Verlag
(BA.BA08950-04).
ISBN
9790006540976. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin, coro II (2. Violin (Choir II)) SKU: BA.BA08950-17 Composed...(+)
Second violin, coro II
(2. Violin (Choir II))
SKU: BA.BA08950-17
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
587. 3 pages.
Baerenreiter Verlag
#BA08950_17. Published by
Baerenreiter Verlag
(BA.BA08950-17).
ISBN
9790006541010. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ SKU: BA.BA07679-67 For Soprano, Alto, Strings and Basso Continuo...(+)
Organ
SKU:
BA.BA07679-67
For
Soprano, Alto, Strings
and Basso Continuo.
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Continuo realization:
Andreas Kohs. Single
part. 26 pages.
Baerenreiter Verlag
#BA07679_67. Published by
Baerenreiter Verlag
(BA.BA07679-67).
ISBN
9790006528851. 32.5 x
25.5 cm
inches.
Continuo
realization: Andreas
Kohs.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 23 pages.
Baerenreiter Verlag
#BA08958_60. Published by
Baerenreiter Verlag
(BA.BA08958-60).
ISBN
9790006557714. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 23 pages.
Baerenreiter Verlag
#BA08958_61. Published by
Baerenreiter Verlag
(BA.BA08958-61).
ISBN
9790006557721. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
By Jean Ritchie. Arranged by Pamela; Piano Arr.: Farrell Warrick-Smith. For Voic...(+)
By Jean Ritchie. Arranged
by Pamela; Piano Arr.:
Farrell Warrick-Smith.
For Voices: SATB, solo.
Instruments: B trumpet
(instruments optional).
Piano. Celebration Series
Sacred. Level: easy. 10
pages. Published by GIA
Publications.
Viola (Coro I) (Viola (Choir I)) SKU: BA.BA08950-05 Composed by Antonio V...(+)
Viola (Coro I) (Viola
(Choir I))
SKU:
BA.BA08950-05
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
587. 3 pages.
Baerenreiter Verlag
#BA08950_05. Published by
Baerenreiter Verlag
(BA.BA08950-05).
ISBN
9790006540983. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_15. Published by
Baerenreiter Verlag
(BA.BA08958-15).
ISBN
9790006557639. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
587. 3 pages.
Baerenreiter Verlag
#BA08950_03. Published by
Baerenreiter Verlag
(BA.BA08950-03).
ISBN
9790006540969. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First violin, coro II (1. Violin (Choir II)) - Level 3 SKU: BA.BA08958-25 ...(+)
First violin, coro II (1.
Violin (Choir II)) -
Level 3
SKU:
BA.BA08958-25
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_25. Published by
Baerenreiter Verlag
(BA.BA08958-25).
ISBN
9790006557677. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
SATB choir, piano reduction - Intermediate SKU: GI.G-9652 Composed by Pau...(+)
SATB choir, piano
reduction - Intermediate
SKU: GI.G-9652
Composed by Paul Ritchie.
Lent, Lent 2 B, Easter
Vigil. Choral. Sacred.
Octavo. 4 pages. GIA
Publications #9652.
Published by GIA
Publications (GI.G-9652).
UPC: 785147965206.
English. Text by Charles
Wesley. Scripture:
Genesis 22.
The
resoluteness of this
original tune is a
perfect fit for a Charles
Wesley hymn recounting
the story of Isaac and
Abraham, evoking
unswerving faith amid the
test of sacrifice. The
varied a cappella choral
textures in each stanza
produce an engaging
reflection for
congregations
encountering this reading
from the book of Genesis,
particularly in Lenten
liturgies or during the
Easter Vigil.
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. RV
587. 7 pages.
Baerenreiter Verlag
#BA08950_07. Published by
Baerenreiter Verlag
(BA.BA08950-07).
ISBN
9790006541515. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_16. Published by
Baerenreiter Verlag
(BA.BA08958-16).
ISBN
9790006557646. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Basso continuo, coro II
(Basso continuo (Choir
II))
SKU:
BA.BA08950-14
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. RV
587. 7 pages.
Baerenreiter Verlag
#BA08950_14. Published by
Baerenreiter Verlag
(BA.BA08950-14).
ISBN
9790006541522. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First oboe, second oboe, first horn (Coro I), second horn (Coro I), trumpet, sec...(+)
First oboe, second oboe,
first horn (Coro I),
second horn (Coro I),
trumpet, second trumpet
(1. Oboe, 2. Oboe, 1.
Horn (Choir I), 2. Horn
(Choir I), Trumpet, 2.
Trumpet) - Level 3
SKU: BA.BA08958-65
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Folded.
Barenreiter Urtext. Set
of wind parts.
4/4/3/3/1/1 pages.
Baerenreiter Verlag
#BA08958_65. Published by
Baerenreiter Verlag
(BA.BA08958-65).
ISBN
9790006557622. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. RV
587. 5 pages.
Baerenreiter Verlag
#BA08950_19. Published by
Baerenreiter Verlag
(BA.BA08950-19).
ISBN
9790006541034. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_17. Published by
Baerenreiter Verlag
(BA.BA08958-17).
ISBN
9790006557653. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 11 pages.
Baerenreiter Verlag
#BA08958_27. Published by
Baerenreiter Verlag
(BA.BA08958-27).
ISBN
9790006557691. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Viola, coro II (Viola (Choir II)) SKU: BA.BA08950-18 Composed by Antonio ...(+)
Viola, coro II (Viola
(Choir II))
SKU:
BA.BA08950-18
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. RV
587. 3 pages.
Baerenreiter Verlag
#BA08950_18. Published by
Baerenreiter Verlag
(BA.BA08950-18).
ISBN
9790006541027. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Second violin, coro II (2. Violin (Choir II)) - Level 3 SKU: BA.BA08958-26(+)
Second violin, coro II
(2. Violin (Choir II)) -
Level 3
SKU:
BA.BA08958-26
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_26. Published by
Baerenreiter Verlag
(BA.BA08958-26).
ISBN
9790006557684. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Antonio
Vivaldi. Edited by
Caroline Ritchie and
Malcolm Bruno. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. RV
587. 5 pages.
Baerenreiter Verlag
#BA08950_06. Published by
Baerenreiter Verlag
(BA.BA08950-06).
ISBN
9790006540990. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
