| Road Trip to Rio Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.42074S Composed by Bert Ligon. Performance Mu...(+)
Orchestra - Grade 3
SKU: AP.42074S
Composed by Bert Ligon.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Alternatives. Jazz;
Multicultural. Score. 24
pages. Highland/Etling
#00-42074S. Published by
Highland/Etling
(AP.42074S). UPC:
038081472072.
English. This
upbeat party-time piece
could open or close a
concert perfectly. Every
section gets a soli and
there is an optional
section for
improvisation. Everyone
will be singing the
melody on the road trip
home from the
concert. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Road Trip to Rio Orchestre à Cordes - Intermédiaire Highland/Etling
Composed by Bert Ligon. Orchestra. Part(s); Score; String Orchestra. Highland St...(+)
Composed by Bert Ligon.
Orchestra. Part(s);
Score; String Orchestra.
Highland String
Alternatives. Jazz. Grade
3. 136 pages. Published
by Highland/Etling
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dystopia - Avancé Hal Leonard
Score and Parts Woodwind Quintet (Score & Parts) - Grade 5 SKU: HL.4008710(+)
Score and Parts Woodwind
Quintet (Score & Parts) -
Grade 5 SKU:
HL.4008710 Double
Wind Quintet, Grade 5
Score and Parts.
Composed by Gauthier
Dupertuis. FC Music
Publishing. Chamber,
Concert. Softcover. Hal
Leonard #FCMP006-ENS.
Published by Hal Leonard
(HL.4008710). ISBN
9798350115758. UPC:
196288190905. A
trip to India inspired
Gauthier Dupertuis to
write Dystopia for double
wind quintet, a
composition commissioned
to him by the Swiss
conductor Felix
Hauswirth, on the
occasion of the aVENTura
Festival in Lucerne in
September 2023 dedicated
to Swiss composers. In
October 2018 Gauthier
Dupertuis had the
opportunity of
accompanying the Wind
Orchestra La Landwehr de
Fribourg, (Switzerland),
asan instrumentalist
during a concert tour
around India. Travel
between the different
cities was punctuated by
the horns of the
different vehicles on the
road, which appeared to
be in competition with
each other in terms of
their creativity. Their
bus was no exception to
this rule, and the
composer ended up letting
himself be inspired by
this five-note pattern
which, through
repetition, ended up
anchoring itself deeply
in his brain, until it
served as a musical basis
for this work. Dystopia
exploits the notion of
duality: in two parts (I.
Preludio and II.
Toccata), the work uses
the double wind quintet
sometimes as a single
entity and sometimes as
two or three groups in
constant rhythmic,
harmonic, or writing
contrast. Like in a
dystopia, where the hero
constantly struggles
against an oppressive
society, the thematic
group linked to motif A
(that of the car horns,
set out at the beginning
of the Prelude) confronts
that linked to motif B
(exposed at bar 25)
throughout the piece.
Similarly, the free form
of the Prelude contrasts
with the more defined
structure of the Toccata
where the atmospheres
linked to the two
thematic groupsalternate.
Two short episodes
highlight a third motif,
more arioso, serving as
divertissement and
rhythmic appeasement
within the Toccata. $48.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dystopia - Avancé Hal Leonard
Woodwind Quintet (Score) - Grade 5 SKU: HL.4008711 Double Wind Quintet...(+)
Woodwind Quintet (Score)
- Grade 5 SKU:
HL.4008711 Double
Wind Quintet, Grade 5
Score. Composed by
Gauthier Dupertuis. FC
Music Publishing.
Chamber, Concert.
Softcover. Hal Leonard
#FCMP006-SC. Published by
Hal Leonard (HL.4008711).
UPC:
196288190912. A
trip to India inspired
Gauthier Dupertuis to
write Dystopia for double
wind quintet, a
composition commissioned
to him by the Swiss
conductor Felix
Hauswirth, on the
occasion of the aVENTura
Festival in Lucerne in
September 2023 dedicated
to Swiss composers. In
October 2018 Gauthier
Dupertuis had the
opportunity of
accompanying the Wind
Orchestra La Landwehr de
Fribourg, (Switzerland),
asan instrumentalist
during a concert tour
around India. Travel
between the different
cities was punctuated by
the horns of the
different vehicles on the
road, which appeared to
be in competition with
each other in terms of
their creativity. Their
bus was no exception to
this rule, and the
composer ended up letting
himself be inspired by
this five-note pattern
which, through
repetition, ended up
anchoring itself deeply
in his brain, until it
served as a musical basis
for this work. Dystopia
exploits the notion of
duality: in two parts (I.
Preludio and II.
Toccata), the work uses
the double wind quintet
sometimes as a single
entity and sometimes as
two or three groups in
constant rhythmic,
harmonic, or writing
contrast. Like in a
dystopia, where the hero
constantly struggles
against an oppressive
society, the thematic
group linked to motif A
(that of the car horns,
set out at the beginning
of the Prelude) confronts
that linked to motif B
(exposed at bar 25)
throughout the piece.
Similarly, the free form
of the Prelude contrasts
with the more defined
structure of the Toccata
where the atmospheres
linked to the two
thematic groupsalternate.
Two short episodes
highlight a third motif,
more arioso, serving as
divertissement and
rhythmic appeasement
within the Toccata. $20.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Canyonland Skies - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS80
Composed by Deborah Baker
Monday. Carl Fischer
Concert String Orchestra
Series. Set of Score and
Parts. With Standard
notation.
16+8+5+2+5+5+4+12 pages.
Duration 3 minutes, 43
seconds. Carl Fischer
Music #CAS80. Published
by Carl Fischer Music
(CF.CAS80). ISBN
9780825894817. UPC:
798408094812. 9 x 12
inches. Key: D
major. Composer
Deborah Baker Monday
provides us with an
exciting new composition
that contains all of the
grandeur of the American
West. With wide open
spaces, reminiscent of
pieces from the Americana
composers of the last
century, this will be a
perfect choice to
highlight your group at
contest and festival
performances. Canyonla
nd Skies is a
programmatic work which
was composed for the 2013
Utah/American String
Teachers Association
(ASTA) composition
competition. The required
element for the contest
was that the entry should
have a theme based on
something native to the
state of Utah.This
original work attempts to
represent the brilliance
of the Utah sky; the
clearest blue by day,
with its blinding bright
sun and the deepest dark
blue of night, with a
palette of stars which
are breathtaking. The
sunrise and sunset
scenarios are uniquely
remarkable from wherever
one may be observing. At
any one moment or
another, these
magnificent visions of
color are always fresh
and different.Canyonland
Skies uses the bright key
of D major to maximize
the sonority of the
string instruments.
Excellent opportunities
for drone-like intonation
practices abound.
Scalewise passages build
and build for the strong
harmonic changes which
drive the piece to a
contrasting section.G
major dominates the
jaunty middle section,
which suggests a smooth
ride on an open road.
Melodic opportunities
abound while the piece
soars to a satisfying
reflection of the opening
material.Canyonland Skies
is the winning
Composition of the 2013
Composition Contest
sponsored by the Utah
Chapter of the American
String Teachers
Association.Sit back and
begin a road trip with
your students. With your
navigation they will
create a soundtrack for
this beautiful
journey.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Big Band Ballads Trombone [Partition + CD] Music Minus One
Trombone (Trombone) SKU: HL.400136 Composed by Various. Sheet music. Musi...(+)
Trombone (Trombone)
SKU: HL.400136
Composed by Various.
Sheet music. Music Minus
One. Edition with CD.
Music Minus One #MMO
3907. Published by Music
Minus One (HL.400136).
ISBN 1596154659. UPC:
884088203658. 9.25x12.25
inches. Performed
by George Roberts,
trombone
Accompaniment: The MMO
Orchestra
Relive
the era of the big bands
with this album of
beautiful ballads
arranged for solo
trombone and orchestra.
You'll thrill to the
great George Roberts as
he demonstrates these
arrangements – then
try them yourself and
take a trip back to
heaven! Includes a
high-quality printed
music score; and a
compact disc with
complete versions (with
soloist) followed by the
orchestral accompaniments
to each piece, minus the
soloist. (4)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Excursions Violon et Piano Theodore Presser Co.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin SKU:
PR.414411630 Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630). ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches. EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982. $80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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