Composed by Stuart Hine. Arranged by Mary Mcdonald. For Vocal Duet (High and Low Voice - Key of A-flat). Vocal Solo Sheet Music. Worshiping, Hymntune. Published by Hope Publishing Company

Arranged by Joel Raney. For handbell choir (3-5 octaves) with optional handchimes (3-5 octaves). Christmas, Sacred. Grade 3. Handbells. 8 pages

By Stuart Hine. Arranged by Cynthia Dobrinski. For handbell choir (3-5 octaves). Contemporary, Sacred. Grade 3. Handbell score

Arranged by Joel Raney. For SATB choir. Octavo. 12 pages. Published by Hope Publishing Company

Children's choir

SKU: HP.8632

Composed by Allen Pote. Arranged by Thomas Long. Musicals. Youth Musicals. General Worship. Listening CD. Hope Publishing Company #8632. Published by Hope Publishing Company (HP.8632).

UPC: 763628186326. Tom S. Long.

Musical for Young voices
This new children's musical includes three Bible stories: Noah and the Great Flood, Jonah and the Great Fish, and Paul's Shipwreck. Each story features the ocean as a symbol for the chaos of life and shows how only the power of God is greater than the natural forces of wind and wave. Done in its entirety, the three stories flow into and reflect upon one another in an entertaining 45-min. program. As an option, each story can be performed separately as a 15-minute mini-musical. It's all done with a childlike playfulness full of humor and songs rich with catchy melodies. Done all at once or in parts, the theme that only God can bring peace to the hurricanes of life shines through with charm and resonance. The DVD includes just instruction for the choreography.

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Arranged by John Wilson. For SATB choir. Sacred, Church, Worshipping, Mission, Outreach, General. Octavo. Published by Hope Publishing Company Octavo Sacred, Church, Worshipping, Mission, Outreach, General

By Jonathan Crutchfield. For SATB choir, medium voice solo and organ, with optional solo horn or brass quartet. Presbyterian Association of Musicians Choral Series. Parts included: trumpets I and II in B-flat and C, horn, trombone and optional trombone (sub. for horn). Faith, Good Shepherd Sunday. Moderately easy. Instrumental parts. 12 pages. Published by MorningStar Music Publishers

Choral SATB choir; percussion (SATB choir)

SKU: HP.HO1827

Arranged by Hart Morris. Piano with Optional Guitar, Percussion. General Worship, Sacred. Octavo. 16 pages. Hope Publishing Company #HO1827. Published by Hope Publishing Company (HP.HO1827).

UPC: 763628141493. Psalms 22:19, Psalms 31:2, Psalms 38:22, Psalms 40:13, Psalms 55:1, Psalms 69:18, Psalms 70:1, Psalms 141:1, Psalms 95:1, 1 John 5:14-15, Romans 8:26.

African-Ameri can Spiritual The percussionists add a whole new dimension to this well-loved African spiritual. The Instrumental Parts: Bongos, Congas, Claves/Vibraslap, Guitar & Electric Bass.

Clarinet and Piano. By Carl-Maria Von Weber. Arranged by Pamela Weston. Fentone Play Along Books. Play Along. Size 8.25x11.75 inches. Published by Fentone Music.

By Jaime Cortez. Arranged by John Carter. (SATB). Scripture References: Deuteronomy 32:2 -- Isaiah 45:8 -- Isaiah 55:10-11 -- Romans 5:5. Celebration, Faithfulness, General Worship, Love, Worshiping, Blues-Gospel-Spirituals, Hymntune and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

By Daniel Pinkham. For Medium voice, Organ or Piano. General. Various New Testament. Vocal Music. Published by E.C. Schirmer Publishing.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.2443

Composed by Will Thompson. Arranged by Arnold B. Sherman and Joel Raney. Hymntune, General Worship, Sacred. Handbell score. 8 pages. Hope Publishing Company #2443. Published by Hope Publishing Company (HP.2443).

UPC: 763628124434. 1 John 1:9, Ephesians 2:1, John 11:28, John 13:1, John 3:16, Luke 15:11-32, Matthew 11:28, Romans 8:31-39.

Treasured Gospel Hymn This treasured gospel hymn setting for 3-5 octave handbells by Arnold Sherman is adapted from a piano arrangement by Joel Raney. The gentle, prayerful mood tugs at the heartstrings with its captivating harmonies and thoughtful progressions, making this a lovely addition to any worship experience.

SSATB choir; orchestra

SKU: HP.GC939O

Arranged by Bob Krogstad. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. Hope Publishing Company #GC939O. Published by Hope Publishing Company (HP.GC939O).

UPC: 763628247041. 1 John 4:7, 2 John 5:5, Isaiah 52:7, John 13:34, John 15:12, Luke 10:27, Luke 6:32-35, Mark 12:31-33, Matthew 2:1-12, Matthew 22:39, Matthew 5:43-44, Philippians 2:10, Romans 8:22.

Beloved Christmas carol
Choral Setting by Bob Krogstad.

Handbell Solo & Duet handbell; piano

SKU: HP.1587

Composed by William B. Bradbury. Arranged by Anna Laura Page and Christine D. Anderson. What if your art is part of a bigger picture, part of a daily grace God has in mind for someone else? -Emily P. Freeman. Christine Anderson Solo Handbells Series. General Worship, Sacred. Handbell Score. Hope Publishing Company #1587. Published by Hope Publishing Company (HP.1587).

UPC: 763628115876. By William Bradbury. Psalms 23:1-6, Psalms 31:3, Psalms 63:1, Psalms 80:1, John 10:1-40, John 12:20-33, John 13:1, John 8:32,36, 1 Corinthians 6:20, 1 Peter 5:1-4, Hebrews 13:20, Isaiah 40:11, Luke 15:4-6, Romans 6:18, 1 John 10:11-18.

Beloved hymntune by William Bradbury At the beginnning, the accompaniment sets a pastoral mood for this fine solo. Performance notes are most helpful.

Choral SATB choir

SKU: HP.VN100

Composed by Julia Ward Howe. Arranged by Vaclav Nelhybel. Piano Accompaniment. Patriotic, General Worship, Sacred. Octavo. 16 pages. Hope Publishing Company #VN100. Published by Hope Publishing Company (HP.VN100).

UPC: 763628141615. Words by Julia Ward Howe. 1 John 4:17, 2 Corinthians 5:10, Isaiah 30:28, Isaiah 52:7, Isaiah 63:1-4, John 8:32, Luke 2:30, Luke 21:27, Matthew 6:28-29, Psalms 43:3, Psalms 76:12, Revelation 19:15, Romans 14:10.

Traditional American Melody with words by Julia Ward Howe Choral Setting by Vaclac Nelhybel.

Composed by Michael Joncas. Arranged by Douglas Wagner. For Vocal Duet (Two Medium Voices - Key of E-flat). Comfort, Confidence, Encouragement, Guidance, Promise, Funeral, Hymntune, Sacred. Published by Hope Publishing Company

Choral (Studiotrax CD)

SKU: HL.322548

Composed by Charles H. Gabriel. Arranged by Brad Nix and Jon Paige. Shawnee Sacred. General Worship, Sacred. CD. Duration 275 seconds. Published by Shawnee Press (HL.322548).

UPC: 888680974879. 5.0x5.0x0.151 inches. Arr. Jon Paige/Brad Nix. Hebrews 10:22, I Corinthians 15:57, Romans 8:37.

One of the most requested hymns of the faith is the latest addition to this popular series. Flowing with confidence and power, this solid selection will add meaning to any worship gathering. Crafted to invigorate congregational singing, the choir provides the bookends and a freely harmonized second stanza creates an unforgettable corporate worship experience. An instant classic! Score and Parts (tpt 1-2, tbn 1-2, timp) available as a digital download. Part for Handbells (3 oct.) also available as a digital download.

SATB/opt. Violin Choral; Violin (SATB/VIOLIN)

SKU: HL.357343

Composed by Heather Sorenson. Brookfield Choral Series. Easter, General Worship, Lent. Octavo. Duration 255 seconds. Published by Brookfield Press (HL.357343).

UPC: 840126943252. 6.75x10.5x0.029 inches. Proverbs 16:9, Psalm 33:9-11, Romans 8:28.

The journey of faith is beautifully presented in this classic hymn text, reimagined with expressive new music. Hopeful and filled with teachable moments, this anthem is well-suited for Lent's 40 days of purpose or at any time spiritual and physical wellness are a part of your church's sacred dialogue.

By Keith Getty and Stuart Townend. Arranged by Jack Schrader. For SATB choir and piano accompaniment. (SATB). Contemporary and Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company.

(Handbells, Organ) - Level 3

SKU: HP.2361P

Composed by George Frideric Handel. Arranged by Albert Zabel and Jr. Christmas, Sacred. Instrumental Parts. 34 pages. Hope Publishing Company #2361P. Published by Hope Publishing Company (HP.2361P).

UPC: 763628323615. By G.F. Handel. Genesis 3:18-19, Isaiah 40:3, John 1:14, Luke 2:10, Matthew 3:3, Psalms 98:4-9, Revelation 11:15, Revelation 22:3, Romans 8:22.

Christmas carol by G.F. Handel This festive, versatile arrangement, may be done with organ and handbells or with handbells and almost any combination of string and/or wind instruments. Albert Zabel's setting provides a great deal of rhythm vitality, and incorporates a variety of inventive ringing techniques.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3

SKU: CF.CPS234

Composed by Travis Weller. Folio. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+8+4+4+8+8 +8+8+6+6+6+4+8+6+2+4+4+6+ 32 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CPS234. Published by Carl Fischer Music (CF.CPS234).

ISBN 9781491156346. UPC: 680160914883. 9 x 12 inches.

Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!.
Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!

Music, text adaptation and orchestration by Mark Hayes. For Choir. (SATB). Choral Octavo. Sing Praise. Sacred. Level: Level 4 (grade L4). Choral Octavo. 16 pages. Published by Alfred Publishing.