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1001 All-Time Hit Songs
60.30
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
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Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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Piano Treasury Of Easy Classical Music Cd
30.20
Piano Treasury Of Easy Classical Music Cd
Piano seul
[Partition + CD]
Amsco Wise Publications
Compilation. The Piano Treasury of Easy Classical Music is designed to be the co...
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Compilation. The Piano Treasury of Easy Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's favourite inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Niveau : Elémentaire / Rép Classique / Recueil / Piano
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The Piano Bench Of Easy Classical Music
30.20
The Piano Bench Of Easy Classical Music
Piano seul
[Sheet music]
-
Facile
Music Sales
The Piano Bench Of Easy Classical Music is a tremendous piano collection contain...
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The Piano Bench Of Easy Classical Music is a tremendous piano collection containing 400 pages of great music literature, specially selected and edited for the developing pianist who loves classical music. Here you will find the world's favorite preludes, minuets, sonata movements, nocturnes, waltzes, gavottes, mazurkas, romantic short pieces, impressionistic works, and light classics- as well as themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Piano
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Coffret Great
115.30
Coffret Great
Piano seul
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Intermédiaire
Amsco Wise Publications
Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards...
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Une superbe collection de 180 solos de piano. Ce coffret rassemble des standards de jazz, de blues et de pop mais aussi des BO de film, des comédies musicales, des piéces classiques et populaires. Consiste en un ensemble de quatre livres (noir, bleu, violet et rouge) de cette collection dans un coffret en édition spéciale. Les quatres volumes sont également disponibles séparément. / Piano/Vocal/Guitare (PVG) / Partition
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America's All-Time Favorite Piano Pieces Amy Appleby
34.20
America's All-Time Favorite Piano Pieces Amy Appleby
Piano seul
[Partition]
Amsco Wise Publications
Over 160 of the best-loved piano pieces together in one comprehensive volume! Th...
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Over 160 of the best-loved piano pieces together in one comprehensive volume! This is a celebration of easy and rewarding solos for the American pianist. Nowhere else will you find gathered together in one piano treasury so many of America's favorite folk songs, patriotic solos, ragtime gems, blues instrumentals, and jazz standards - along with the beloved classical masterpieces of Bach, Beethoven, Brahms, Chopin, Debussy, Handel, Mendelssohn, Mozart, Schubert, Schumann, Strauss, and Tchaikovsky. / Niveau : Elémentaire / Rép International / Recueil / Piano
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Mozart W.a. - Piano Sonata C Major K. 309 (284b)
11.10
Mozart W.a. - Piano Sonata C Major K. 309 (284b)
G. Henle
Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Mart...
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Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozartâs great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda
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John Thompson's Easiest Piano Course: First Mozart
12.00
John Thompson's Easiest Piano Course: First Mozart
Piano seul
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Facile
Willis Music
This latest, classically-flavoured songbook for John Thompson's Easiest Piano Co...
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This latest, classically-flavoured songbook for John Thompson's Easiest Piano Course introduces easy works by one of the greatest composers ever to have lived, Wolfgang Amadeus Mozart. Featuring some very fine compositions, First Mozart is perfect for pupils reaching parts 2 to 4 of the world-renowned Piano course.These fun repertoire books contain some amazing pieces that have been specially collected and graded to be used in conjunction with the Easiest Piano Course. Pieces like The Birdcatcher Song, Eine Klein Nachtmusik (1st Movement), A Musical Joke and Sonata Facile will reinforce essential technical ability, while simultaneously enhancing a general sense of musicality and melodic playing. First Mozart is ideal for pupils who've worked through the course at levels 2 to 4, but it's also a great set of pieces for sight reading practice for more advanced students.The pieces in this songbook become progressively more difficult, and, to this end, dynamics and phrasing have been omitted for the earlier pieces, since they're not introduced until Part 3 of the course. Early pieces like Ave Verum Corpus and Dies Irae (From 'Requiem Mass In D Minor) help to reinforce what pupils learn in the beginning of the John Thompson Method, with a focus on playing notes and rhythms accurately. Towards of the end of the songbook, more challenging pieces like Piano Sonata #21 and #11 will help pupils to enhance their technical skills, play more melodically, and, most importantly, enjoy playing!Generally, these pieces stay in the 5-finger position, with handy hints and suggestions when a different fingering is called for. The pieces in this songbook are beautiful to hear and to play, making First Mozart a really great beginner's songbook for pupils who want to learn some of the finest music ever composed. As an introduction for beginners to classical music and Mozart in particular, this songbook is rewarding and enjoyable, these pieces being timeless and never going out of fashion.The John Thompson's Easiest Piano Course First Mozart songbook is the ideal beginning book for classical music fans. It's tailor-made for pupils working through the renowned and revered Piano method, so it's authoritative and accurate, helping you to enhance your technique and learn some amazing music. / Piano
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100 Sublime Classics For Piano
22.70
100 Sublime Classics For Piano
Piano seul
Kevin Mayhew
/ Piano
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Library Of Easy Piano Favorites
31.50
Library Of Easy Piano Favorites
Piano seul
[Sheet music]
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Facile
Music Sales
A collection of the world's finest classical and popular music set for the devel...
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A collection of the world's finest classical and popular music set for the developing pianist. Here you will find the great masterpieces from every musical era, in rewarding piano arrangements that are easy to play. Turn these pages to enjoy three centuries of all-time favorite piano solos - the classic genius of Bach, Beethoven and Brahms - the expressive beauty of Chopin and Debussy - the elegant syncopations of Scott Joplin - the timeless melodies of Irving Berlin, Jerome Kern and many, many more. This expansive music library will provide years of playing pleasure for any pianist. Nowhere else will you find such a rich array of classical, ragtime, popular and folk music in a single volume. These easy and rewarding piano arrangements make it truly a joy to explore the world's most beloved piano music. Spiral Bound. / Piano
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Dip In 100 Graded Classical Pieces For Clarinet
30.41
Dip In 100 Graded Classical Pieces For Clarinet
Clarinette
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Amsco Wise Publications
A great collection of classical music arranged for Clarinet, specially graded fr...
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A great collection of classical music arranged for Clarinet, specially graded from easy-to-play tunes to more challenging pieces. This book is specially bound to help the pages to lie flat while you are playing. / Clarinette
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Music for Children Vol. 5 (ORFF CARL / KEETMAN GUNILD)
17.60
Music for Children Vol. 5 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Conducteur]
Schott
Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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88 PIANO CLASSICS FOR BEGINNERS
22.90
88 PIANO CLASSICS FOR BEGINNERS
Piano Facile
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Débutant
Dover Publications
Par . Beginning pianists of all ages will cherish this excellent compilation of ...
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Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano
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Recorders With Orff Ensemble Vol.1
Flûtes A Bec Et Orff-Instruments
Schott
Cette série de trois livres est conçu pour combler un besoin pour un répertoi...
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Cette série de trois livres est conçu pour combler un besoin pour un répertoire (pentatonique et diatonique) pour les joueurs enregistreur début et intermédiaires, tant musicalement exigeante et enrichissante, disposés séquentiellement et parallèlement à la progression de base de la série américaine Orff-Schulwerk. La plupart des pièces est destinée à être joué et dansé et accompaniements simples pour diverses combinaisons d'instruments Orff (avec violoncelle et guitare) sont fournis. / Flûtes A Bec Et Orff-Instruments
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Easiest Book of Piano Classics
32.50
Easiest Book of Piano Classics
Piano seul
[Partition]
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Amsco Wise Publications
32.50 EUR - vendu par Note4Piano
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101 Classical Themes For Violin
21.70
101 Classical Themes For Violin
Violon
[Partition]
Hal Leonard
This huge collection offers instrumentalists the chance to play 101 classical th...
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This huge collection offers instrumentalists the chance to play 101 classical themes, including: Ave Maria (Bach/Gounod and Schubert) - Bist du bei mir (You Are with Me) (Stözel) - Canon in D (Pachelbel) - Clair de Lune (Debussy) - Dance of the Sugar Plum Fairy (Txhaikovsky) - 1812 Overture (Tchaikovsky) - Eine Kleine Nachtmusik (' Serenade”), First Movement Excerpt (Mozart) - The Flight of the Bumble Bee (Rimsky-Korsakov) - Funeral March of a Marionette (Gounod) - Für Elise (Beethoven) - Gymnopedie No. 1 (Satie) - Jesu, Joy of Mans Desiring (Bach) - Lullaby (Brahms) - Minuet in G (Bach) - Ode to Joy (Beethoven) - Piano Sonata in C (Mozart) - Pie Jesu (Fauré) - Rondeau (Mouret) - Swan Lake (Tchaikovsky) - Wedding March (Mendelssohn) - William Tell Overture (Rossini) - and many more./ Recueil / Violon
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Quatuor (BACEWICZ GRAZYNA)
42.40
Quatuor (BACEWICZ GRAZYNA)
Quatuor à cordes: 2 violons, alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers...
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Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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The Piano Bench Of Classical Music
36.90
The Piano Bench Of Classical Music
Piano seul
[Sheet music]
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Facile
Music Sales
The Piano Bench Of Classical Music is designed to be the cornerstone of your per...
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The Piano Bench Of Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's greatest inventions, movements, nocturnes, valses, mazurkas, intermezzos, romantic short pieces, impressionist works, and light classics - as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas and ballets by the master composers of the past four centuries. / Piano
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The Pianist's Treasury
27.40
The Pianist's Treasury
Piano seul
Kevin Mayhew
/ Piano
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Piano Pieces For Children 2
23.90
Piano Pieces For Children 2
Piano seul
[Sheet music]
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Facile
Music Sales
A classic repertoire book for young pianists, which provides a wealth of piano f...
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A classic repertoire book for young pianists, which provides a wealth of piano favourites. As with volume one, the scope of the material included is broad and thorough, ranging from the works of the great masters, to the folk tunes and dances of many lands. This collection encompasses grades one through to four. / Piano
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More Easy Classics To Moderns
20.60
More Easy Classics To Moderns
Piano seul
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Facile
Amsco Wise Publications
More Easy Classics to Moderns is a sequel to widely popular first volume, presen...
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More Easy Classics to Moderns is a sequel to widely popular first volume, presenting 148 pieces by masters from the Baroque to the Modern period. As a result of the extended period of music history covered in this volume, beginning Pianists of all ages will discover material suited to their particular need. The pieces are simple enough to appeal to the beginning student as a first sight reading book. Even at University level, the student will find a rich source of material to supplement his study of theory and composition. Students, teachers, and all pianists should find these original miniatures valuable for study, recital, sight reading, or just relaxing musical entertainment of the highest caliber. / Piano
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Recorders With Orff Ensemble Vol.2
Flûtes A Bec Et Orff-Instruments
Schott
Cette série de trois livres est conçu pour combler un besoin pour un répertoi...
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Cette série de trois livres est conçu pour combler un besoin pour un répertoire (pentatonique et diatonique) pour les joueurs enregistreur début et intermédiaires, tant musicalement exigeante et enrichissante, disposés séquentiellement et parallèlement à la progression de base de la série américaine Orff-Schulwerk. La plupart des pièces est destinée à être joué et dansé et accompaniements simples pour diverses combinaisons d'instruments Orff (avec violoncelle et guitare) sont fournis. / Flûtes A Bec Et Orff-Instruments
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Masterpieces Of Piano Music
40.70
Masterpieces Of Piano Music
Piano seul
[Partition]
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The most popular collection of classical Piano music ever published. This author...
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The most popular collection of classical Piano music ever published. This authoritative volume contains over 140 selections, covering all fields of Classic, Romantic, Modern, Light, Sacred and Operatic music. / Rép International / Recueil / Piano
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