Cello

SKU: HL.48185954

Composed by Ivan Jevti? Leduc. Softcover. 6 pages. Alphonse Leduc #AL29722. Published by Alphonse Leduc (HL.48185954).

UPC: 888680842918. 9.0x12.0x0.06 inches.

Jevtic Ivan Via Dolorosa Cello & Piano Book.

SKU: CA.4029970

Composed by Max Reger. German title: Rosastock, Holderbluat (2). Secular choral music. Full score. 8 pages. Carus Verlag #CV 40.299/70. Published by Carus Verlag (CA.4029970).

ISBN 9790007066642.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1206227-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2020. 29 pages. De Haske Publications #DHP 1206227-140. Published by De Haske Publications (BT.DHP-1206227-140).

English-German-French- Dutch.

Rosa Gallica has been written to commemorate the centenary of the First World War. The work focuses largely on France as a lot of the fighting took place there. With the title Rosa Gallica (French rose), the composer wishes to emphasize the poetic image of the rose. The stem represents the years gone by such as those taken up by the First World War - and the thorns refer to the conflict and the pain that the victims had to endure. The rose itself forms the picture of beauty and symbolises opening up to a peaceful world. The piece depicts France from the end of the 19th century through to its role at the heart of the First World War and beyond. A spectacular anddramatic new work by Jacob de Haan.

Rosa Gallica is geschreven ter gelegenheid van de honderdjarige herdenking van de Eerste Wereldoorlog. Het werk gaat met name over Frankrijk, waar een groot deel van de strijd zich afspeelde. Met de titel Rosa Gallica (Franse roos) wilde de componist de poëtische symboliek van de roos benadrukken. De stengel staat voor het verstrijken van de jaren, een dramatische periode die de Eerste Wereldoorlog besloeg. De doornen verwijzen naar de oorlogen, conflicten en de pijn van slachtoffers. De bloem van de roos vormt het beeld van schoonheid en symboliseert het openstaan voor een vreedzame wereld. De compositie presenteert het Frankrijk van eind 19e eeuw, geeftdaarna een belangrijke rol in het hart van de Eerste Wereldoorlog weer tot de jaren nadien. Een spectaculair en dramatisch nieuw werk van Jacob de Haan.

Rosa Gallica wurde zum Gedenken an den hundertsten Jahrestag des Ersten Weltkriegs geschrieben. In diesem Werk steht Frankreich im Mittelpunkt, da ein Großteil der Kämpfe dort stattfand. Mit dem Titel Rosa Gallica (Französische Rose“) möchte der Komponist das poetische Bild einer Rose hervorheben. Der Stamm steht für die vergangenen Jahre wie sie der Erste Weltkrieg mit sich brachte und die Dornen verweisen auf den Konflikt und den Schmerz, den die Opfer erdulden mussten. Die Rose selbst steht für die Schönheit und symbolisiert die Möglichkeit einer friedlichen Welt. Das Stück beschreibt Frankreich vom Ende des 19. Jahrhunderts über seine Rolle im Zentrumdes Ersten Weltkriegs bis in die Zeiten danach. Dies ist ein großartiges und dramatisches neues Werk von Jacob de Haan.

Rosa Gallica est une composition qui commémore le centenaire de la Première Guerre mondiale. Elle est axée principalement sur la France, où se sont déroulés de nombreux combats. En choisissant le titre Rosa Gallica (rose française), le compositeur souhaitait souligner l’image poétique d’une rose. La tige représente les années passées comme celles assombries par la guerre tandis que les épines symbolisent les conflits et la douleur que les victimes ont endurés. La rose elle-même exprime la beauté, ainsi que le concept d’un monde vivant en paix. Cette pièce dépeint la France la fin du XIXe siècle, puis son rôle au cœur de la Première Guerre mondiale et au-del .Une nouvelle œuvre dramatique et originale de Jacob de Haan.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1206227-010

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2020. De Haske Publications #DHP 1206227-010. Published by De Haske Publications (BT.DHP-1206227-010).

English-German-French- Dutch.

Rosa Gallica has been written to commemorate the centenary of the First World War. The work focuses largely on France as a lot of the fighting took place there. With the title Rosa Gallica (French rose), the composer wishes to emphasize the poetic image of the rose. The stem represents the years gone by such as those taken up by the First World War - and the thorns refer to the conflict and the pain that the victims had to endure. The rose itself forms the picture of beauty and symbolises opening up to a peaceful world. The piece depicts France from the end of the 19th century through to its role at the heart of the First World War and beyond. A spectacular anddramatic new work by Jacob de Haan.

Rosa Gallica is geschreven ter gelegenheid van de honderdjarige herdenking van de Eerste Wereldoorlog. Het werk gaat met name over Frankrijk, waar een groot deel van de strijd zich afspeelde. Met de titel Rosa Gallica (Franse roos) wilde de componist de poëtische symboliek van de roos benadrukken. De stengel staat voor het verstrijken van de jaren, een dramatische periode die de Eerste Wereldoorlog besloeg. De doornen verwijzen naar de oorlogen, conflicten en de pijn van slachtoffers. De bloem van de roos vormt het beeld van schoonheid en symboliseert het openstaan voor een vreedzame wereld. De compositie presenteert het Frankrijk van eind 19e eeuw, geeftdaarna een belangrijke rol in het hart van de Eerste Wereldoorlog weer tot de jaren nadien. Een spectaculair en dramatisch nieuw werk van Jacob de Haan.

Rosa Gallica wurde zum Gedenken an den hundertsten Jahrestag des Ersten Weltkriegs geschrieben. In diesem Werk steht Frankreich im Mittelpunkt, da ein Großteil der Kämpfe dort stattfand. Mit dem Titel Rosa Gallica (Französische Rose“) möchte der Komponist das poetische Bild einer Rose hervorheben. Der Stamm steht für die vergangenen Jahre wie sie der Erste Weltkrieg mit sich brachte und die Dornen verweisen auf den Konflikt und den Schmerz, den die Opfer erdulden mussten. Die Rose selbst steht für die Schönheit und symbolisiert die Möglichkeit einer friedlichen Welt. Das Stück beschreibt Frankreich vom Ende des 19. Jahrhunderts über seine Rolle im Zentrumdes Ersten Weltkriegs bis in die Zeiten danach. Dies ist ein großartiges und dramatisches neues Werk von Jacob de Haan.

Rosa Gallica est une composition qui commémore le centenaire de la Première Guerre mondiale. Elle est axée principalement sur la France, où se sont déroulés de nombreux combats. En choisissant le titre Rosa Gallica (rose française), le compositeur souhaitait souligner l’image poétique d’une rose. La tige représente les années passées comme celles assombries par la guerre tandis que les épines symbolisent les conflits et la douleur que les victimes ont endurés. La rose elle-même exprime la beauté, ainsi que le concept d’un monde vivant en paix. Cette pièce dépeint la France la fin du XIXe siècle, puis son rôle au cœur de la Première Guerre mondiale et au-del .Une nouvelle œuvre dramatique et originale de Jacob de Haan.

Choral Piano, Tambourine, Voice 1, Voice 2, Voice 3

SKU: CF.CM9602

Composed by Brazilian Folk Song. Arranged by Eduardo Lakschevitz Elisa Dekaney. Fold. Performance Score. 12 pages. Duration 2 minutes, 28 seconds. Carl Fischer Music #CM9602. Published by Carl Fischer Music (CF.CM9602).

ISBN 9781491154243. UPC: 680160912742. 6.875 x 10.5 inches. Key: Gb major. Portuguese. Brazilian Folk Song.

According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the houses owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [? k? li'sensa olele e] E com licenca do dono da casa [? k? li'sensa du d?nu da kaza].
According to Ermelinda Paz , Marujo do RosA!rio (literally translated from the Portuguese as aSailor of the Rosarya) comes from the hydrographic region of the SAPSo Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called acheganASSa-de-marujoa (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics aA com licenASSa Aa, A'lelAa, A(c) com licenASSa do dono da casa, A' Aa com licenASSa Aaa means aplease excuse me, I have permission from the houseas owner to come in.a This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final ama or an.a Just nasalize them. IPA Transcription A com licenASSa olelAa Aa [E kE li'sensa oleale e] A com licenASSa do dono da casa [E kE li'sensa du adEnu da akaza].
According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza].
According to Ermelinda Paz, Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza].
According to Ermelinda Paz, Marujo do Rosário (literally translated from the Portuguese as “Sailor of the Rosary”) comes from the hydrographic region of the São Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called “chegança-de-mar ujo” (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics “É com licença ê, ôlelê, é com licença do dono da casa, ô ê com licença ê” means “please excuse me, I have permission from the house’s owner to come in.”This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final “m” or “n.” Just nasalize them.IPA TranscriptionÉ com licença olelê ê[ɛ kʌ li'sensa ole‘le e]É com licença do dono da casa[ɛ kʌ li'sensa du ‘dʌnu da ‘kaza].

1 or 2 harps

SKU: LM.25376

Composed by Catherine Garson and Yvon Rivoal. Yvon Rivoal. Classical. Score. Editions Henry Lemoine #25376. Published by Editions Henry Lemoine (LM.25376).

ISBN 3327850253767.

Ojos Azules (Chili) - A Rosa Vermelha (Bresil) - La Sandunga (Mexique) - Carneirinho (Bresil) - O Cravo e a Rosa (Bresil) - Por un Beso (Bolivie) - Accordai Doncela (Bresil) - El Copihue (Chili) - Chorinho (Bresil) - Mi Linda Mariquita (Mexique) (2 harpes) - Bailecito (Argentine) (2 harpes) - El Trote Tarapaqueno (Bolivie) (2 harpes).

Piano - Level 1

SKU: LM.28105

Composed by Massanori Kobiki and Yvon Rivoal. Pop, jazz. Score. Editions Henry Lemoine #28105. Published by Editions Henry Lemoine (LM.28105).

ISBN 9790230981057.

A Casinha Pequinina - A Rosa Vermelha - Acordai Doncella - Cae, Cae Balao - Canto Antigo - Carneirinho - Cururu - La Mulatinha - Maninha - Nesta Rua - O cravo e a Rosa - Romance.

Concert Band (SCORE+PARTS) - Level 3.5

SKU: HL.4006429

Composed by Jacob De Haan. De Haske Concert Band. Concert. Softcover. Duration 510 seconds. De Haske Publications #DHP 1206227. Published by De Haske Publications (HL.4006429).

UPC: 888680989880. 9.0x12.0 inches.

Rosa Gallica has been written to commemorate the centenary of the First World War. The work focuses largely on France as a lot of the fighting took place there. With the title Rosa Gallica (French rose), the composer wishes to emphasize the poetic image of the rose. The stem represents the years gone by - such as those taken up by the First World War - and the thorns refer to the conflict and the pain that the victims had to endure. The rose itself forms the picture of beauty - and symbolizes opening up to a peaceful world. The piece depicts France from the end of the 19th century through to its role at the heart of the First World War and beyond. A spectacular and dramatic new work by Jacob de Haan.

Concert Band (SCORE) - Level 3.5

SKU: HL.4006430

Composed by Jacob De Haan. De Haske Concert Band. Concert. Softcover. Duration 510 seconds. De Haske Publications #DHP 1206227. Published by De Haske Publications (HL.4006430).

UPC: 888680989897.

Rosa Gallica has been written to commemorate the centenary of the First World War. The work focuses largely on France as a lot of the fighting took place there. With the title Rosa Gallica (French rose), the composer wishes to emphasize the poetic image of the rose. The stem represents the years gone by - such as those taken up by the First World War - and the thorns refer to the conflict and the pain that the victims had to endure. The rose itself forms the picture of beauty - and symbolizes opening up to a peaceful world. The piece depicts France from the end of the 19th century through to its role at the heart of the First World War and beyond. A spectacular and dramatic new work by Jacob de Haan.

Pevets, Noch', Kinzhal, Zhelanie, Azra, Blestit rosa, Chto ty roza krasnaia, Skin' chadru, Klubitsia volnoiu, Nad morem solntse bleshchet, Kak uvizhu tvoi nozhki, Ballada, a

By Mychael Danna, Lyrics by Elizabeth Danna. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Sheet. Movie. Sheet. 4 pages. Published by Alfred Publishing.

Craig Hella Johnson Choral Series. Composed by Rene Clausen. Craig Hella Johnson Series. Concert, Festival, Folk. Octavo. 16 pages. Published by G. Schirmer

Guitar

SKU: LM.28593

Composed by Ines Peragallo. Delia Estrada. Classical. Score. Editions Henry Lemoine #28593. Published by Editions Henry Lemoine (LM.28593).

ISBN 9790230985932.

Canc ion - El dia que yo naci - Cacharpaya - Caramba - Zumba que zumba - A rosa bonitinha.

By Johann Pachelbel (1653-1706). Arranged by Bob Chilcott. For SSSATB choir, a cappella/with guitar. This edition: BC98. Mixed Voices. Secular Choral Leaflet. Vocal score. 12 pages. Duration 3'

A Lisa : canzone, La Barchetta : canzone, Rondinella pellegrina : canzone, Cecco Io re dei merli : storiella, Io ti sognai bell'Angiolo, La Sigaraia : canzonetta, Un bimbo vide un frate : storiella, Cincirinella : canzonetta, La Lavandara : rispetto, La Sentinella : canzone, La Bersagliera : canzonetta, Ninna nanna, il bambino e della mamma, Fiorin del monte : stornello, La buona sera : stornello, Dispetti : rispetto, Stornelli a vanvera, Novelletta, La venditrice di Fontebranda, Antica maggiolata, Angiolina, mia bell'Angiolina : a solo e coro di, La Livornese : rispetto nanni, La rosa di Novara, La partenza del volontario, Domenica : stornello, E sai perche : canzonetta toscana

Piano - Level 2

SKU: LM.28108

Composed by Massanori Kobiki and Yvon Rivoal. Pop, jazz. Score. Editions Henry Lemoine #28108. Published by Editions Henry Lemoine (LM.28108).

ISBN 9790230981088.

Adeu s - Cancao - El Cachimbo - Faz hoje um ano - Las Mananitas - Maninha - Mi Linda Mariquita - O Cravo e a Rosa - San Pedro - Variations sur Corazon de la Madera.

Piano - Level 2

SKU: LM.28111

Composed by Massanori Kobiki and Yvon Rivoal. Pop, jazz. Score. Editions Henry Lemoine #28111. Published by Editions Henry Lemoine (LM.28111).

ISBN 9790230981118.

A Canoa Virou - Carneirinho - Danza Aymara - El Gato - Por un Beso - Quisiera que se Muera - Rosa Amarella - Senhora Pastora - Tutu Maramba - La Valentina.

Guitar Duet. By Carlos Surinach. Guitar Duet. Published by G. Schirmer (Associated Music Publishers).

Piano - Level 5

SKU: LM.P1811

Composed by Franz Liszt. Les Classiques favoris. Classical. Score. Editions Henry Lemoine #P1811. Published by Editions Henry Lemoine (LM.P1811).

ISBN 9790230926782.

Pays age (3e etude transcendante, livre I) - Mazeppa (4e etude transcendante, livre I) - Eroica (7e etude transcendante, livre I) - Melodie hongroise en Re b (L'Album du voyageur) - Impromptu en fa# majeur - Lamento (n. 2 des Trois Caprices poetiques) - Ballade en Si mineur - Le Lac de Wallenstadt (Annee de pelerinage en Suisse) - Vallee d'Obermann (Annee de pelerinage en Suisse) - Canzonetta del Salvator Rosa (Annee de pelerinage en Italie) - Sposalizio (Annee de pelerinage en Italie) - 10e etude transcendante en Fa mineur (livre II) - 5e etude, Il Flauto (d'apres Paganini) - Evocation (n. 1 des Consolations) - Chant elegiaque (n. 4 des Consolations) - Funerailles (des Harmonies poetiques et religieuses) - Pensees des Morts (des Harmonies poetiques et religieuses) - Fantaisie et Fugue sur B.A.C.H. - La Mort d'Iseult (Wagner) - 10e Rhapsodie.

SATB Choir (Vocal Score) - Grade 3

SKU: HL.14011517

Composed by Per Norgard. Music Sales America. Contemporary, 20th Century, Choral. Vocal Score. Composed 2005. 4 pages. Edition Wilhelm Hansen #WH3016136. Published by Edition Wilhelm Hansen (HL.14011517).

ISBN 9788759854617. UPC: 884088594206. 8.25x11.75x0.011 inches.

Work for SSATB chorus a cappella by Per Norgard.

By Faure, Massenet, Bizet and Rosa. Edited by Ervin Monroe. Arranged by Ervin Monroe And Patty Masri-Fletcher. For flue and harp. Classical. Published by Little Piper.

SATB Choir

SKU: HL.14023397

Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. 20 pages. Music Sales #KP00991. Published by Music Sales (HL.14023397).

ISBN 9788759871904. 8.25x11.75x0.09 inches. English.

Teaching Materials textbook

SKU: PR.UE026330

This edition: German text. Textbook - Student. With Standard notation. 130 pages. Universal Edition #UE026330. Published by Universal Edition (PR.UE026330).

ISBN 9783702472351. UPC: 803452069478. Text: Andreas Michalek. Andreas Michalek.

Rosa Papier, famed opera singer and teacher, became a major advocate of composer Gustav Mahler, even successfully lobbying for his appointment to the Vienna Court Opera. Michalek presents a well-documented and indexed view of correspondence between the two (and others) at the close of the 19th century and the beginning of the 20th. Universal Edition says, The immediacy of this correspondence throws an incomparable light on the vibrant nature of a relationship in which professional and personal lives appear to mix freely. (Paperback, 128pp, German text).