For men's voice solo and piano solo. Format: vocal/piano songbook. With vocal melody, lyrics and piano accompaniment. Broadway. 184 pages. 9x12 inches. Published by Hal Leonard.

Performed by Frank Loesser. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, black & white photos and introductory text. Broadway. 280 pages. 9x12 inches. Published by Frank Music Corp..

37 Songs from Stage and Film. Composed by Various. Vocal Collection. Broadway, Movies and Play Along. Softcover Audio Online. With vocal melody, lyrics, piano accompaniment, chord names and guitar chord diagrams. 184 pages. Published by Hal Leonard

Accompaniment CD. By Various. Vocal Collection. CD only. Size 9x12 inches. 4 pages. Published by Hal Leonard.

Grade 1

SKU: CL.023-4800-01

Composed by Neeck. Young Concert Band. Extra full score. C.L. Barnhouse #023-4800-01. Published by C.L. Barnhouse (CL.023-4800-01).

Get ready to Rumble and Roar! This fun and unique piece features your band’s beasts – trombones, baritones, tubas, bass clarinets, tenor, and bari sax - in a fun, easy, and full-sounding original work. Putting the bottom of the band out front, this music builds technique and enthusiasm in the sections that don’t always get a chance to shine. The colorful interplay with the rest of the band allows everyone to be part of the action, while the solid rock groove will captivate students and audience alike.

By Michael Sweeney. (Score and Parts). MusicWorks Grade 4. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.

Grade 1

SKU: CL.023-4800-00

Composed by Neeck. Young Concert Band. Score and set of parts. C.L. Barnhouse #023-4800-00. Published by C.L. Barnhouse (CL.023-4800-00).

Get ready to Rumble and Roar! This fun and unique piece features your band’s beasts – trombones, baritones, tubas, bass clarinets, tenor, and bari sax - in a fun, easy, and full-sounding original work. Putting the bottom of the band out front, this music builds technique and enthusiasm in the sections that don’t always get a chance to shine. The colorful interplay with the rest of the band allows everyone to be part of the action, while the solid rock groove will captivate students and audience alike.

Multiple Percussion - 2-4

SKU: KN.13606

Composed by Joel Smales. Multiple Percussion Solo. Multiple Percussion Solo. Kendor Music Inc #13606. Published by Kendor Music Inc (KN.13606).

UPC: 822795136067.

In this fun collection of 6 solos for the multiple percussionist, only common instruments are required. A perfect collection for students, as it contains a nice variety of grade levels (2-4) that the students can use for multiple years.

Contents:Up In The Air; Triplicity; Roundabout; Rumble City; Romans; Cyms.

(Hal Leonard Student Piano Library Showcase Solo Level 3/Late Elementary). Composed by Jennifer Linn. For Piano/Keyboard. Educational Piano Library. Late Elementary. 4 pages. Published by Hal Leonard

By Michael Sweeney. (Score). MusicWorks Grade 4. Concert Band. Score and full set of parts. Size 9x12 inches. 41 pages. Published by Hal Leonard.

By Stephen Bulla. Easy Pops Specials For Strings. Size 9x12 inches. Published by Hal Leonard.

By Ruth Elaine Schram. For TTB/TBB choir and piano. Congregation, Multicultural, Novelty. Octavo

Arranged by Rosephanye Powell. (TTBB). Choral. Festival. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

By Ruth Elaine Schram. For SATB choir and piano. Concert, Novelty, Multicultural. Octavo. Published by Heritage Music Press. (15/2112H)

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55

Composed by Paul Lansky. Set of Score and Parts. 8+8+8+8+8+32 pages. Duration 17:55. Carl Fischer Music #MXE55. Published by Carl Fischer Music (CF.MXE55).

ISBN 9781491153864. UPC: 680160911363.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55F

Composed by Paul Lansky. Full score. 32 pages. Duration 17:55. Carl Fischer Music #MXE55F. Published by Carl Fischer Music (CF.MXE55F).

ISBN 9781491153895. UPC: 680160911394.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. Octavo. 16 pages. Published by Shawnee Press

Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, musical examples, illustrations and performance notes. Instructional. This level introduces cross-hand arpeggios and the full major scale in the keys of C, G, and F.. 55 pages. 9x12 inches. Published by FJH.

Concert Band Concert Band - Grade 3

SKU: XC.RCB1911FS

Composed by Steve Parsons. Rhapsody Band Series. Concert and Contest. Classical, Acoustic. Score. Excelcia Music Publishing #RCB1911FS. Published by Excelcia Music Publishing (XC.RCB1911FS).

UPC: 812598031584. 9 x 12 inches.

Distant Thunder depicts the ever-changing world of a rainforest, with sparkling textures glistening like rainwater on leaves giving way to the fierce rumble of a storm. This highly dramatic work is written to showcase the percussion section, using energetic, syncopated rhythms and simple mixed meter patterns. Students will love playing Distant Thunder!

(Ten Action-Packed Assessment Activities). By Jeanette Morgan. Book and CD-ROM. Published by Heritage Music Press

SKU: HL.1753724

Royer Labs. Microphone. Hal Leonard #R-10. Published by Hal Leonard (HL.1753724).

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

By Various. Easy Guitar (Simplified arrangements for guitar). With notes and tablature. Size 9x12 inches. 56 pages. Published by Hal Leonard.

Arranged by Dallas Burke. Marching Band. Jalen Marching Band. Level: Grade 2 (Easy). Score and set of parts. Composed 2004. Published by Jalen Publishing.

Composed by Benny Carter. Arranged by Benny Carter. For jazz ensemble (5-4-3-4 with optional 4th trombone). The Benny Carter Big Band Series. Shuffle. Grade 4. Score and set of parts. Published by Sierra Music

Lyrics by Stephen Sondheim, music by Leonard Bernstein (1918-1990). For SATB voices and piano accompaniment. From the Broadway musical and motion picture "West Side Story". Format: vocal score. With vocal melody, lyrics, piano reduction and introductory text. Broadway, movies and 20th century. 222 pages. 9x12 inches. Published by Leonard Bernstein Music Publishing Co.

(Music from the Motion Picture Soundtrack). By James Horner (1953-). Piano Solo Songbook. Softcover. 40 pages. Published by Hal Leonard