| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Volume 41 - Body and Soul Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
Volume 41 - Body and Soul by Jamey Aebersold. For any C, Eb, Bb, bass instrument...(+)
Volume 41 - Body and Soul
by Jamey Aebersold. For
any C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. A large selection
of famous standards that
everyone will rush home
from work to play.
Intermediate, advanced.
Book and 2 CDs. 88 pages.
Published by Jamey
Aebersold Jazz
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Klezmer Collection for C Instruments Instruments en Do [Partition] - Intermédiaire Mel Bay
by Stacy Phillips. For fiddle and violin. Jewish. Level: Intermediate. Book. Sol...(+)
by Stacy Phillips. For
fiddle and violin.
Jewish. Level:
Intermediate. Book.
Solos. Size 8.75x11.75.
192 pages. Published by
Mel Bay Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Volume 97 - Standards With Strings Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
Volume 97 - Standards With Strings by Jamey Aebersold. For any C, Eb, Bb, bass i...(+)
Volume 97 - Standards
With Strings by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jamey Aebersold
Play-A-Long series.
Intermediate, advanced.
Book and CD. 62 pages.
Published by Jamey
Aebersold Jazz
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Volume 92 - Lennie Niehaus Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire Jamey Aebersold Jazz
Volume 92 - Lennie Niehaus by Lennie Niehaus. Edited by Jamey Aebersold. For any...(+)
Volume 92 - Lennie
Niehaus by Lennie
Niehaus. Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jamey Aebersold
Play-A-Long series.
Intermediate, advanced.
Book and CD. 92 pages.
Published by Jamey
Aebersold Jazz
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Book - Volume VI Instruments en Do [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed
by
Various. Fake Book.
Softcover. Published by
Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| George Gershwin (Jazz Play-Along Volume 45 Book/2-CD Pack) Instruments Sib, Mib, Do et Bass clef [Partition + CD] Hal Leonard
(Jazz Play-Along Volume 45 Book/2-CD Pack). By George Gershwin (1898-1937). For ...(+)
(Jazz Play-Along Volume
45 Book/2-CD Pack). By
George Gershwin
(1898-1937). For C
Instruments, Bass Clef
Instruments, Bb
Instruments, Eb
Instruments. Jazz Play
Along. Softcover with CD.
160 pages. Published by
Hal Leonard
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Jewish Fake Book Fake Book [Fake Book] Tara Publications
Arranged by Velvel Pasternak. Fakebook for voice and C instrument. With vocal me...(+)
Arranged by Velvel
Pasternak. Fakebook for
voice and C instrument.
With vocal melody, lyrics
and chord names. Text
language Hebrew,
English*, Yiddish*,
Spanish*. 184 pages.
Published by Tara
Publications.
(4)$22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Wind Won't Listen Theodore Presser Co.
Bassoon, Viola, Violin 1, Violin 2, Violoncello SKU: PR.16400261S Compose...(+)
Bassoon, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.16400261S
Composed by Dan Welcher.
With Standard notation.
Duration 15 minutes.
Theodore Presser Company
#164-00261S. Published by
Theodore Presser Company
(PR.16400261S). UPC:
680160038411. Since
the bassoon is my own
instrument, many people
have asked me why I've
written so little for the
instrument. Beyond my
early Concerto Da Camera
for bassoon and small
orchestra, written for
Leonard Sharrow in 1975,
I've not written a single
piece that features the
bassoon as a solo vehicle
(though I have written
three woodwind quintets).
When I first began
composing seriously,
critics were quick to
point out that my
orchestral writing
revealed nothing of my
roots as a woodwind
player--and bassoonists
asked why my pieces
didn't have more bassoon
solos. Perhaps I was so
aware that people were
looking at me as a
bassoonist/composer that
I was determined to
remove that stigma. Now
that my transformation
from performer to
composer is complete,
however, it's time to
re-address my instrument.
I wanted this new piece
to be serious rather than
whimsical. The Wind Won't
Listen represents my
return to the bassoon as
the highly expressive,
poetic soul that it is.
As such, it
shouldn't come as a
surprise that the piece
is based on a poem, and
that the title of the
piece as well as both its
movement titles come from
lines in that poem. I
first read Beth Gylys'
poem Split at the
MacDowell Colony in the
summer of 2001, and it
made a big impression on
me. My personal life had
been ruptured by divorce
in the preceding year.
This poem, with its dry
insistence on observation
rather than feeling,
expressed the wrung-out
state of my emotions at
the time better than any
I had seen. I set it to
music, as a song,
immediately. In this
format, for voice and
piano, I was able to put
a musical note to every
word of the poem. The
first lines of the poem,
Everyone I know is
crying, or should be
crying, became a melody
that haunted me even
without the words.
The work for bassoon and
string quartet is an
outgrowth of the song.
The first movement is
labeled Romanza, and has
a loose formal arch
structure of A-B-C-B-A,
with B and C being fast
sections framed by the
lamenting A music. In
addition to hearing the
bassoon's first notes
attached to the lines
Everyone I know is
crying, there's a sense
of agitation, of loss, of
longing, and at times of
desperation in the music.
At one point, the opening
theme from Tristan even
appears in the strings.
The second
movement follows, without
a real pause--the
pizzicato final chords of
the first movement
becoming the increasingly
aggressive opening chords
of the second. The
recitative is actually a
foreshadowing of the
basic theme that will be
varied, again to the
words of the song: Life
makes itself without us.
Don't let me tell you how
it is. Go out. Look. The
recitative begins in an
anguished state, but
subsides into more gentle
singing by the end, when
it simply falls into an
ostinato 5/8-3/4 pattern
to begin the variations.
Marked Very steady tempo;
Dancing, this set of
variations consists of
three dances, each faster
than the previous. The
first, in the
aforementioned 5/8-3/4
meter, gives way to a 3/8
scherzo, which in turn
takes on a furious 2/4
scurrying motion. The
music becomes breathless,
almost pulse-less, and an
ethereal theme appears in
the violins while the
rushing music continues,
sotto voce in the
bassoon. This new theme
is also from the song:
Why do I do this? The
wind won't listen. The
bassoon re-states its
Everyone I know is crying
melody from the first
movement, and at length
the 5/8-3/4 music
returns, more subdued
this time. The piece ends
on a major-minor chord,
suspended. The
Wind Won't Listen is
dedicated to the man who
commissioned it,
bassoonist Steven
Dibner--who shares my
passion for poetry and
language. --Dan
Welcher. $41.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| J-Pop Hit 40: Original Song Key Scores - Flute Flûte traversière [Conducteur] Yamaha
Flute - Easy-Intermediate, Intermediate-Advanced SKU: YM.GTW01098116 Wood...(+)
Flute -
Easy-Intermediate,
Intermediate-Advanced
SKU:
YM.GTW01098116
Woodwinds. Score. Yamaha
Music Media #GTW01098116.
Published by Yamaha Music
Media (YM.GTW01098116).
ISBN
9784636981162. For
those who are looking for
scores written in the
original song keys for
wind and brass, here you
are! In this series,
40 popular J-POP songs
are transposed for each
instrument and can be
played in the same keys
as the original songs.
(For example, if the
original song is in C
major, the score for
trumpet in B-flat is
re-transposed and written
in D major to play in C
major.) It is a great
selection for a live
session with other
instruments such as piano
or guitar. *Please
note: the chord names are
indicated in real tone
notation for all scores
in the series. $16.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| J-Pop Hit 40: Original Song Key Scores - Trumpet Trompette [Conducteur] Yamaha
Trumpet - Easy-Intermediate, Intermediate-Advanced SKU: YM.GTW01098118 Br...(+)
Trumpet -
Easy-Intermediate,
Intermediate-Advanced
SKU:
YM.GTW01098118 Brass.
Score. Yamaha Music Media
#GTW01098118. Published
by Yamaha Music Media
(YM.GTW01098118). ISBN
9784636981186. For
those who are looking for
scores written in the
original song keys for
wind and brass, here you
are! In this series,
40 popular J-POP songs
are transposed for each
instrument and can be
played in the same keys
as the original songs.
(For example, if the
original song is in C
major, the score for
trumpet in B-flat is
re-transposed and written
in D major to play in C
major.) It is a great
selection for a live
session with other
instruments such as piano
or guitar. *Please
note: the chord names are
indicated in real tone
notation for all scores
in the series. $16.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| J-Pop Hit 40: Original Song Key Scores - Alto Saxophone [Conducteur] Yamaha
Alto Saxphone - Easy-Intermediate, Intermediate-Advanced SKU: YM.GTW01098117<...(+)
Alto Saxphone -
Easy-Intermediate,
Intermediate-Advanced
SKU:
YM.GTW01098117
Woodwinds. Score. Yamaha
Music Media #GTW01098117.
Published by Yamaha Music
Media (YM.GTW01098117).
ISBN
9784636981179. For
those who are looking for
scores written in the
original song keys for
wind and brass, here you
are! In this series,
40 popular J-POP songs
are transposed for each
instrument and can be
played in the same keys
as the original songs.
(For example, if the
original song is in C
major, the score for
trumpet in B-flat is
re-transposed and written
in D major to play in C
major.) It is a great
selection for a live
session with other
instruments such as piano
or guitar. *Please
note: the chord names are
indicated in real tone
notation for all scores
in the series. $16.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Introit for Pentecost A Rushing, Mighty Wind (Full Score & Instrumental Parts) [Conducteur et Parties séparées] MorningStar Music Publishers
Choir and various instruments SKU: MN.50-5005A Composed by David W. Music...(+)
Choir and various
instruments SKU:
MN.50-5005A Composed
by David W. Music. Full
score & instrument parts.
MorningStar Music
Publishers #50-5005A.
Published by MorningStar
Music Publishers
(MN.50-5005A). UPC:
688670004384. Instr
umental Parts include:
Trumpets I and II in
B-flat Trumpets III in
B-flat Trumpets I and II
in C Trumpet III in C
Bass Trombone/opt.
Tuba/opt. Timpani (ad
lib.) opt. Horn in F
(substitute for Trumpet
III). $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife [Conducteur] Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.11441998S Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S). UPC:
680160681730. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Real Book - Volume V
Instruments en Sib Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed
by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Five Seventeenth Century Pieces Music Sales
Denis Bloodworth. These anonymous pieces have been transcribed from a small manu...(+)
Denis Bloodworth. These
anonymous pieces have
been transcribed from a
small manuscript book of
music for virginals in
the British Library. Each
piece may be performed in
four versions: a) descant
solo, b) descant and
treble duet, c) descant
treble and tenor trio and
d) descant, treble, tenor
and bass quartet
$16.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nat Adderley - Jazz Play-Along Volume 136 Instruments Sib, Mib, Do et Bass clef [Partition + CD] Hal Leonard
(Jazz Play-Along Volume 136). By Nat Adderley. Jazz Play Along. Softcover with C...(+)
(Jazz Play-Along Volume
136). By Nat Adderley.
Jazz Play Along.
Softcover with CD. 64
pages. Published by Hal
Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fortissimo - Volume 2 Piano seul Lemoine, Henry
Piano SKU: LM.29083D Composed by Beata Suranyi, Beatrice Quoniam, and M.J...(+)
Piano SKU:
LM.29083D Composed by
Beata Suranyi, Beatrice
Quoniam, and M.J. Saladin
De Nuglar. Le repertoire
du pianiste. Classical.
CE. Editions Henry
Lemoine #29083D.
Published by Editions
Henry Lemoine
(LM.29083D). ISBN
9790231702545. ALBE
NIZ M. : Sonate en Re -
BACH C.P.E. : Sonata 6 -
BACH J.S. : Petite fugue
a 2 voix - BERKOWITSCH I.
: Variations - BOELY
A.P.F. : Allegretto -
BONIS M. : Romance sans
paroles - BROADY T.E. :
Mandy's Broadway Stroll -
FAURE G. : Improvisation
- GADE N. : Barcarolle -
GALUPPI B. : Sonate no. 5
- HAYDN J. : Adagio -
LISZT F. : Variation sur
une valse de A. Diabelli
- LISZT F. : Piece pour
piano no. 2 - LISZT F. :
Mazurek - LISZT F. : Avec
joie et souffrance -
LISZT F. : Krakowiak -
LONGO A. : Due momenti
musicali - RACHMANINOV S.
: Morceau de fantaisie -
ROTA N. : Pagina - SATIE
E. : Je te veux -
SCHUMANN R. : 7 pieces en
forme de fugue -
SCRIABINE A. : Prelude -
SIBELIUS J. : Etude -
SZYMANOWSKI K. : Prelude
- WEBER C.M. von :
Andante con variazioni -
YUYAMA A. : Rush Rush
Rush. $19.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Blues Guitar for Adults Guitare notes et tablatures [Partition + CD] Alfred Publishing
(The Grown-Up Approach to Playing Blues Guitar). By Wayne Riker. For Guitar. Boo...(+)
(The Grown-Up Approach to
Playing Blues Guitar). By
Wayne Riker. For Guitar.
Book; CD; Guitar Method
or Supplement;
Method/Instruction.
Blues. 96 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Page suivante 1 31 |