| Der Signal [Conducteur] Carl Fischer
Chamber Music Clarinet, Contrabass, Cornet, Flute, Mezzo-soprano voice, Narrator...(+)
Chamber Music Clarinet,
Contrabass, Cornet,
Flute, Mezzo-soprano
voice, Narrator,
Percussion, Trombone,
Viola, Violoncello,
soprano voice, soprano
Saxophone SKU:
CF.CY3160F Full
Score. Composed by
Martin Bresnick.
Contemporary. Full score.
With Standard notation.
Composed 1982. 62 pages.
Duration 15 minutes. Carl
Fischer Music #CY3160F.
Published by Carl Fischer
Music (CF.CY3160F).
ISBN 9780825886591.
UPC: 798408086596. 8.5 x
11
inches. Bresnick's
multi-media work for
three singers, an actor,
instrumental ensemble,
and shadow puppets tells
a Russian folk tale about
a dangerous incident
along the railroad. It is
in Russian, Yiddish, and
English. Der Signal has
been performed (and
championed) by Le Train
Bleu, and ensemble formed
and conducted by Ransom
Wilson.. Der Signal is,
as Bresnick allows, low
art, which was
misconstrued by music
critics, leading directly
to Bresnick's later
composition, High Art.
Perhaps the use of shadow
puppets should have been
a clue. Duration:
15'. $37.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pyramind Training -- Three-Book Set [DVD] Alfred Publishing
(Signal Flow, Work Flow, and Cash Flow). Book; Books and DVDs; DVD; Method/Instr...(+)
(Signal Flow, Work Flow,
and Cash Flow). Book;
Books and DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. Pyramind
Training Series.
Published by Alfred Music
$119.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Andante Piano seul [Conducteur] - Intermédiaire Van de Velde
Piano - Level 3 SKU: LM.VV039 Composed by Farid Ouali. Piano a portee de ...(+)
Piano - Level 3 SKU:
LM.VV039 Composed by
Farid Ouali. Piano a
portee de mains.
Classical. Score.
Editions Van de Velde
#VV039. Published by
Editions Van de Velde
(LM.VV039). ISBN
9790560050393. PACH
ELBEL J. : Sarabande -
BACH J.S. : Petit prelude
- MOZART W.A. :
Contredanse - BEETHOVEN
L.V. : Sonatine -
SCHUBERT F. : Valses -
CHOPIN F. : Valse en Ut
min. - SCHUMANN R. :
Premier chagrin -
TCHAIKOVSKI P.I. : Douce
reverie - LIADOV A. :
Prelude - CHOSTAKOVITCH :
La poupee mecanique -
BRION D. : Teddy's saloon
- DESORMIERES B. :
Ballade pour Maxime -
Java Jazz - GAGNEUX R. :
Signal continu -
LAURICELLA M. : En blanc
et noir. $23.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Signal Drop [Conducteur] - Débutant Excelcia Music Publishing
Jazz Band Jazz Band - Grade 0.5 SKU: XC.EJE2102FS #2 in the Smart Phon...(+)
Jazz Band Jazz Band -
Grade 0.5 SKU:
XC.EJE2102FS #2 in
the Smart Phone
Series. Composed by
Steve Wiest. Swing,
Concert, Festival. Jazz
Exploration. Swing,
Concert, Festival. Score.
Excelcia Music Publishing
#EJE2102FS. Published by
Excelcia Music Publishing
(XC.EJE2102FS). UPC:
812598037777. 9 x 12
inches. Long known
for his compositions for
advanced ensembles
composer Steve Wiest has
turned his creative
genius to an easier level
to come up with music
that is hip but is
accessible to younger
bands. Students and
audiences will love the
programmatic nature of
this chart. The second
offering in his Smart
Phone series is all about
that dreaded call failed
signal drop. Aside from
the story behind the
music, the blues-tinged
melody along with the
minor harmony sound very
cool. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Signal Drop - Débutant Excelcia Music Publishing
Jazz Band Jazz Band - Grade 0.5 SKU: XC.EJE2102 #2 in the Smart Phone ...(+)
Jazz Band Jazz Band -
Grade 0.5 SKU:
XC.EJE2102 #2 in
the Smart Phone
Series. Composed by
Steve Wiest. Swing,
Concert, Festival. Jazz
Exploration. Swing,
Concert, Festival. Set of
parts. Excelcia Music
Publishing #EJE2102.
Published by Excelcia
Music Publishing
(XC.EJE2102). UPC:
812598037999. 9 x 12
inches. Long known
for his compositions for
advanced ensembles
composer Steve Wiest has
turned his creative
genius an to an easier
level to come up with
music that is hip but is
accessible to younger
bands. Students and
audiences will love the
programmatic nature of
this chart. The second
offering in his Smart
Phone series is all about
that dreaded call failed
signal drop. Aside from
the story behind the
music, the blues-tinged
melody along with the
minor harmony sound very
cool. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| PURE TUBE Essential Set Aucune valeur Hal Leonard
SKU: HL.1247352 Lewitt Audio. Microphone. Hal Leonard #PURETUBE-ES. Publi...(+)
SKU: HL.1247352
Lewitt Audio. Microphone.
Hal Leonard #PURETUBE-ES.
Published by Hal Leonard
(HL.1247352). UPC:
847986002365.
12.0x15.0x5.0
inches. PURE TUBE
is perfectly optimized
for vocal recordings.
PURE TUBE was
holistically designed to
allow you to deliver your
best vocal performance
and spark your
creativity. Its
gold-sputtered 1-inch
true condenser capsule is
powered by a
revolutionary circuit to
add warmth, depth, and
intimacy to your voice,
technically unmatched by
other microphone
classics. To ensure that
clarity is retained, a
transformer-based filter
balances the proximity
effect, and musically
rounds out the sonic
image perfectly for vocal
recordings. Absolutely
every design detail shows
that the PURE TUBE was
designed for professional
vocal recording. Unique
signal path for highest
signal integrity and
ultra-low noise
performance. PURE TUBE
uses an entirely new
circuit to create its
timeless sound quality.
The unique signal path is
completely free from
semiconductors and
capacitors, so you hear
all the character of the
hand-selected tube with
an ultra-low noise floor.
PURE TUBE's ultra-low
noise level of 7 dB (A)
will never negatively
affect your signal, even
with heavy
post-processing used for
contemporary music
production. This
combination of innovative
circuitry, high-quality
components, and
hand-selected ECC82/12AU7
tubes makes the PURE TUBE
a high-performance
microphone that is
difficult to compare to
conventional studio
microphones, whether FET
or tube. Finally, 100
years after the first
tube microphone was
invented, there is a tube
microphone without
technical tradeoffs
compared to FET or other
tube microphones. With
its outstanding sound
quality and
specifications, PURE TUBE
will serve all those
looking for a premium
upgrade in their sound.
10-year warranty Buying a
$1,000 microphone is a
giant leap for many
looking to elevate their
craft, and LEWITT offers
a 10-year warranty (and
industry-leading customer
service) to ensure peace
of mind. Features: •
Studio microphone with
timeless, premium sound
• Optimized for
professional vocal
recordings • Cardioid
polar pattern • Signal
path free from capacitors
and semiconductors •
Hand-selected 12AU7/ECC82
tube • Ultra-low noise
performance of 7 dB (A)
• Transformer-based
filter to musically
balance the proximity
effect • Compact,
energy-saving PSU works
worldwide • Including
microphone mount, 7-pin
XLR cable, transport bag
• Optional accessories:
shock mount, pop filter
• 10-year LEWITT
warranty. $999.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Martin Paraloop Hal Leonard
SKU: HL.438847 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0111. Pu...(+)
SKU: HL.438847
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0111. Published by Hal
Leonard (HL.438847).
UPC: 852940000417.
4.5x7.25x2.606
inches. The Carl
Martin Paraloop helps to
bridge the gap between
digital effects and
analog signals. When
using digital
multi-effects through
amplifiers with only
serial fx-loops, using
the Paraloop will allow
you to adjust the amount
of digital fx signal or
the amount of analog
signal you prefer (with
the Wet/Dry Control
Knob), or with a Bypass
switch to take the entire
digital effects unit out
of the loop. Allowing a
certain percentage of
analog signal to remain
under your digitally
affected signal, creates
a fuller, richer
tone....just ask
Carl! $179.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lovely Sirens Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.11540239L I. from Mythology Suite. Compo...(+)
Band Concert Band SKU:
PR.11540239L I.
from Mythology Suite.
Composed by Stacy Garrop.
Large Score. Duration
5:30. Theodore Presser
Company #115-40239L.
Published by Theodore
Presser Company
(PR.11540239L). UPC:
680160680221. The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lovely Sirens Theodore Presser Co.
Orchestra Orchestra SKU: PR.416416210 III. from Mythology Symphony...(+)
Orchestra Orchestra
SKU: PR.416416210
III. from Mythology
Symphony. Composed by
Stacy Garrop. Study
Score. With Standard
notation. Duration 5:30.
Theodore Presser Company
#416-41621. Published by
Theodore Presser Company
(PR.416416210). UPC:
680160642908. 9 x 12
inches. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens'
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mythology Suite Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Clarinet 5, Clarinet 6,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Flute
4, Flute 5, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1 and more. SKU:
PR.415411560 Composed
by Stacy Garrop. Study
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156. Published by
Theodore Presser Company
(PR.415411560). UPC:
680160642946. 9 x 12
inches. The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Honey Comp Compressor Pedal Hal Leonard
SKU: HL.731522 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0231. Pu...(+)
SKU: HL.731522
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0231. Published by Hal
Leonard (HL.731522).
UPC: 852940000974.
3.25x5.5x2.75
inches. Carl
started years back with
the Compressor
Limiter...that big black
hand-made-in-Denmark
compressor that brought
studio comps to the pedal
board. The word got out
that it was just too big
for modern pedal boards,
so Carl redesigned that
pedal into a much smaller
format, preset (or fixed)
the Threshold and
Response leaving just two
knobs for Comp and Level.
The feedback we got was
overwhelming...players
were telling us the Comp
Limiter had the same
sonic clarity, the same
headroom and the same
quietness that the big
studio comps had but was
so quick and easy to use.
Carl could have left it
there, but that's not
Carl! Welcome to the
Honey Comp, and it's as
sweet as ... well, you
know ... honey. This
pedal is the same as the
Comp Limiter in every
way... same Gray anodized
finish, same footprint
and the same simplicity
of use with one
compression control and
one level control. It is
pretty much the perfect
compressor, so what could
Carl possible upgrade?
Easy! Carl added a Dry
volume which allows you
parallel processing with
three knobs! Parallel
Processing is a studio
technique which takes a
heavily compressed signal
(which through
compression loses some
dynamics if not all) and
allows you to add a clean
(Dry) signal on top
replacing those dynamics
giving your guitar
three-dimensionality and
allowing the guitar to
cut through the mix. For
those of you used to
studio work, this is a
very well-known
technique, but usually
too complex for a pedal
board! The three knobs
allow you to balance the
Compressed signal with
the Dry signal quickly
and efficiently for a
very pro sound! The Carl
Martin Honey Comp
incorporates the special
CM developed DC/DC
converter circuitry. This
enables us to run the
pedal with +-12V
internally, which is
necessary, in order to
maintain the same sonic
quality and headroom as
on the “oldâ€
Compressor/Limiter, using
a regular 9V DC 200mA
external power
supply. $189.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lovely Sirens Theodore Presser Co.
Orchestra Orchestra SKU: PR.41641621L III. from Mythology Symphony...(+)
Orchestra Orchestra
SKU: PR.41641621L
III. from Mythology
Symphony. Composed by
Stacy Garrop. Large
Score. With Standard
notation. Duration 5:30.
Theodore Presser Company
#416-41621L. Published by
Theodore Presser Company
(PR.41641621L). UPC:
680160642915. 11 x 17
inches. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens'
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mythology Suite Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Clarinet 5, Clarinet 6,
Contrabassoon, English
Horn, Euphonium, Flute 1,
Flute 2, Flute 3, Flute
4, Flute 5, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1 and more. SKU:
PR.41541156L Composed
by Stacy Garrop. Large
Score. With Standard
notation. 66 pages.
Duration 19 minutes.
Theodore Presser Company
#415-41156L. Published by
Theodore Presser Company
(PR.41541156L). UPC:
680160642953. 11 x 17
inches. The
Mythology Suite consists
of three movements of my
Mythology Symphony, which
I arranged for large wind
ensemble. The
arrangements of The
Lovely Sirens and
Penelope Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra's 2017
Japan tour. I added
Pandora Undone to
complete the set; Stephen
Squires and the Chicago
College of Performing
Arts gave the premiere of
the entire Suite in
February 2017. Movement
1: The Lovely Sirens The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.
Movement 2: Penelope
Waits This quiet movement
represents Queen
Penelope, the faithful
wife of Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches. Movement 3:
Pandora Undone This
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naive
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new
burden. The Mytholo
gy Suite consists of
three movements of
my Mythology
Symphony, which I
arranged for large wind
ensemble. The
arrangements of The
Lovely
Sirens and Penelope
Waits were
commissioned by James
Ripley and Carthage
College for the Carthage
Wind Orchestra’s
2017 Japan tour. I
added Pandora
Undone to complete the
set; Stephen Squires and
the Chicago College of
Performing Arts gave the
premiere of the entire
Suite in February
2017.Movement 1:Â The
Lovely
SirensThe Sirens were
sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise.Movement
2:Â Penelope WaitsThis
quiet movement represents
Queen Penelope, the
faithful wife of
Odysseus, as she
patiently waits twenty
years for her husband's
return from fighting the
Trojan Wars. Penelope
herself is represented as
an oboe. She is
accompanied by the
ensemble as she keeps at
bay the suitors who wish
to marry her and inherit
her riches.Movement
3:Â Pandora UndoneThis
movement is, in turns,
both lighthearted and
serious. The music
depicts a young, naïve
Pandora who, while
dancing around her house,
spies a mysterious box.
She tries to resist
opening it, but her
curiosity ultimately gets
the best of her. When she
cracks the lid open and
looks inside, all evils
escape into the world.
Dismayed by what she has
done, she looks inside
the box once more. She
discovers hope still in
the box and releases it
to temper the escaped
evils and assuage
mankind's new burden. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lovely Sirens Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Band Concert Band SKU: PR.11540239S I. from Mythology Suite. Compo...(+)
Band Concert Band SKU:
PR.11540239S I.
from Mythology Suite.
Composed by Stacy Garrop.
Full score. Duration
5:30. Theodore Presser
Company #115-40239S.
Published by Theodore
Presser Company
(PR.11540239S). UPC:
680160680214. The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Ultimate Live Sound Operator's Handbook - 3rd Edition Livre - Pas de partitions [Livre] Hal Leonard
Music Pro Guides. Audio Technology. Softcover Media Online. 456 pages. Publi...(+)
Music Pro Guides. Audio
Technology. Softcover
Media
Online. 456 pages.
Published
by Hal Leonard
$56.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Omni AC Hal Leonard
SKU: HL.301329 Acoustic Simulator Guitar Pedal. Hotone Pedals. Gui...(+)
SKU: HL.301329
Acoustic Simulator
Guitar Pedal. Hotone
Pedals. Guitar Pedal. Hal
Leonard #OMP-5. Published
by Hal Leonard
(HL.301329). UPC:
888506090059.
5.5x4.25x2.25
inches. Designed
for both acoustic and
electric instruments, the
Hotone Omni AC is a
compact, acoustic
simulator pedal that
delivers realistic
acoustic instrument
emulations. These
exceptionally authentic
sounds are the result of
new Black-Tek acoustic
simulation technology,
which is built on
Hotone's CDCM
(Comprehensive Dynamic
Circuit Modeling)
architecture. The Omni AC
offers 15 high-quality
acoustic simulations,
including steel and nylon
string guitars, mandolin,
acoustic fretless
acoustic bass, and
classic double basses. A
detailed 4-band
semi-parametric EQ is
included to further
tailor the sound. An
internal voltage boost
circuit provides tons of
headroom ensuring the
input signal will stay
clean, regardless of the
instrument's output
level. A high-contrast
OLED screen makes editing
and recalling setting
easy in high and low
light environments. Omni
AC has 15 editable
presets which can be
adjusted on the pedal or
managed via free Mac/PC
software. The footswitch
can be assigned to bypass
the effect or mute the
signal. A 1/4″ thru
jack provides an
unprocessed dry signal to
other devices or
amplifiers. The pedal
includes a 1/4″
output, a balanced XLR
out to connect to mixers
or audio interfaces, an
1/8″ headphone
monitor and an 1/8″
stereo aux input making
the Omni AC perfect for
both live and recording
setups. Features include:
• Compact,
easy-to-use acoustic
simulator pedal •
Advanced DSP-powered
platform ensures high
sound quality •
24-bit AD/DA conversion,
great dynamic response
• Internal voltage
boost circuit for
exceptional headroom
• 15 high-quality
acoustic simulations via
Hotone's new Black-Tek
modeling • Detailed
4-band semi-parametric EQ
with 12dB maximum boost
and cut • Micro USB
jack for updating
firmware and
loading/managing presets
via free Mac/PC software
• 1/4″ input
and thruput • XLR
and 1/4″ outputs
• Ground/Lift
switch • 1/8″
stereo Aux In for line
level devices (unaffected
by Omni AC) •
1/8″ headphone
output for practicing and
jamming • 15
presets •
High-contrast OLED screen
• Assignable
footswitch with LED
• 9V DC (center
positive) power supply
and USB micro cable
included. $149.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Omni IR Hal Leonard
SKU: HL.301330 Impulse Response Cabinet Simulator Guitar Pedal. Ho...(+)
SKU: HL.301330
Impulse Response
Cabinet Simulator Guitar
Pedal. Hotone Pedals.
Guitar Pedal. Hal Leonard
#OMP-6. Published by Hal
Leonard (HL.301330).
UPC: 888506090066.
5.5x4.0x2.25
inches. The Hotone
Omni IR is a compact,
Impulse Response-based
cabinet simulator pedal
that delivers realistic
emulation of classic
guitar and bass miked
speaker cabinets. The
Omni IR includes 40
high-quality legendary
guitar and bass cabinet
impulse responses, along
with a detailed 4-band
semi-parametric EQ. An
internal voltage boost
circuit provides tons of
headroom ensuring the
input signal will stay
clean, regardless of the
instrument's output
level. A high-contrast
OLED screen makes editing
and recalling setting
easy in high and low
light environments. Omni
IR has 40 editable
presets which can be
adjusted on the pedal or
managed via free Mac/PC
software. The footswitch
can be assigned to bypass
the effect or mute the
signal. A 1/4″ thru
jack provides an
unprocessed dry signal to
other devices or
amplifiers. The pedal
includes a 1/4″
output, a balanced XLR
out to connect to mixers
or audio interfaces, an
1/8″ headphone
monitor and an 1/8″
stereo aux input making
the Omni IR perfect for
both live and recording
setups. Features include:
•Compact,
easy-to-use IR cabinet
simulator pedal •
Advanced DSP-powered
platform ensures high
sound quality •
24-bit AD/DA conversion
• Internal voltage
boost circuit for
exceptional headroom
• 40 high-quality
legendary guitar and bass
cabinet impulse responses
• Support for
third-party IR files
• Detailed 4-band
semi-parametric EQ with
12dB maximum boost and
cut • Micro USB
jack for updating
firmware and
loading/managing impulse
responses via free Mac/PC
software •
1/4″ input and
thruput • XLR and
1/4″ outputs
• Ground/Life
switch • 1/8″
stereo Aux In for line
level devices (unaffected
by Omni IR) •
1/8″ headphone
output for practicing and
jamming • 40
presets •
High-contrast OLED screen
• Assignable
footswitch with LED
• 9V DC (center
positive) power supply
and USB micro cable
included. $149.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Farewell Orchestre d'harmonie - Facile Molenaar Edition
Concert Band - Grade 3 SKU: ML.013777070 Composed by Eric Swiggers. Full ...(+)
Concert Band - Grade 3
SKU: ML.013777070
Composed by Eric
Swiggers. Full set.
Molenaar Edition
#013777070. Published by
Molenaar Edition
(ML.013777070).
Farewell was
composed at the farewell
of Fanfare
Trompetterkorps Der
Cavalerie in 1993. The
work is based on 2 of the
most famous tattoo
signals in military
music: Reveille and
Tattoo. Farewell opens
festively with blasting
trumpets and then
continues with a somewhat
melancholy melody based
on the reveille theme.
After interweaving all
the signals and themes in
the work's climax, the
work ends quietly, with
in the distance a lone
trumpet playing the
tattoo
signal....
Farew
ell werd gecomponeerd bij
het afscheid van Fanfare
Trompetterkorps Der
Cavalerie in 1993. Het
werk is gebaseerd op 2
van de bekendste
taptoesignalen uit de
militaire muziek:
Reveille en Taptoe.
Farewell opent feestelijk
met stralende trompetten
en vervolgt dan met een
wat melancholieke
melodie, gebaseerd op het
reveille thema. Nadat in
het hoogtepunt van het
werk alle signalen en
thema's met elkaar
verweven zijn eindigt het
werk verstild, met 'in de
verte' een eenzame
trompet die het
taptoesignaal
speelt....
Farewel
l a été composée à
l'occasion des adieux de
la Fanfare
Trompetterkorps Der
Cavalerie en 1993.
L'œuvre est basée sur
deux des signaux de
tatouage les plus
célèbres de la musique
militaire : Reveille et
Tattoo. Farewell s'ouvre
de manière festive avec
des trompettes explosives
et se poursuit avec une
mélodie quelque peu
mélancolique basée sur
le thème du Réveil.
Après que tous les
signaux et thèmes se
sont entremêlés dans le
point culminant de
l'œuvre, celle-ci se
termine tranquillement,
avec au loin une
trompette solitaire
jouant le signal de
tatouage....
Farew
ell wurde anlässlich der
Verabschiedung des
Fanfaren Trompetterkorps
Der Cavalerie im Jahr
1993 komponiert. Das Werk
basiert auf 2 der
berühmtesten
Zapfenstreichsignale in
der Militärmusik:
Reveille und Tattoo.
Farewell beginnt
feierlich mit
schmetternden Trompeten
und setzt dann mit einer
etwas melancholischen
Melodie fort, die auf dem
Reveille-Thema basiert.
Nachdem alle Signale und
Themen im Höhepunkt des
Werks miteinander
verwoben sind, endet das
Werk ruhig, wobei in der
Ferne eine einsame
Trompete das
Tätowierungssignal
spielt.... $118.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Way to Heaven Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-010 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.AMP-426-010
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Set
(Score & Parts). Composed
2017. Anglo Music Press
#AMP 426-010. Published
by Anglo Music Press
(BT.AMP-426-010).
English-German-French-
Dutch. The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€
motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert.
The Way to Heaven
beginnt mit einer
unruhigen Figur in den
Holzbläsern und mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt, um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
The Way
to Heaven est une
commande des services de
musique de la Royal Air
Force. 2015 a marqué
le 75e anniversaire de la
Bataille
d’Angleterre qui
eut lieu de juillet
octobre 1940, et durant
laquelle les courageux
pilotes de chasse de
laRoyal Air Force
entravèrent les
ambitions d’Hitler
d’envahir le
Royaume-Uni. The
Way to Heaven
commence par des motifs
tremblants pour bois et
des fanfares de cuivres
qui se développent
vers une apogée ;
ensuite une modulation
introduit une courte
citation de
l’hymne national
polonais, Mazurek
Dbrowskiego. Alorsque ces
idées
s’affaiblissent,
on entend le signal pour
décoller en urgence,
puis le son rauque des
moteurs Merlin de
l’escadron mis en
marche, avant que les
avions ne
s’alignent pour
décoller. Ceci mène
au matériel
thématique principal
de l’œuvrequi
dépeint le vol vers le
ciel de l’escadron
303 alors qu’il
monte pour intercepter
les Messerschmitt 109
entrants. Une brève
allusion l’hymne
national polonais mène
la fin triomphante de
l’œuvre. Way to Heaven
(La strada per il
Paradiso) è stata
commissionato dai Servizi
Musicali della Royal Air
Force britannica. Nel
2015 è stato ricordato
il 75° anniversario
della Battaglia
d'Inghilterra, che ebbe
luogo tra luglio e
ottobre del 1940, quando
i coraggiosi piloti della
RAF impedirono le
ambizioni di Hitler, che
voleva invadere il Regno
Unito. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Way to Heaven Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-140 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.AMP-426-140
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Score
Only. Composed 2017.
Anglo Music Press #AMP
426-140. Published by
Anglo Music Press
(BT.AMP-426-140).
English-German-French-
Dutch. The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven<+O> is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€
motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert.
The Way to
Heaven beginnt mit
einer unruhigen Figur in
den Holzbläsern und
mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
The Way
to Heaven est une
commande des services de
musique de la Royal Air
Force. 2015 a marqué
le 75e anniversaire de la
Bataille
d’Angleterre qui
eut lieu de juillet
octobre 1940, et durant
laquelle les courageux
pilotes de chasse de
laRoyal Air Force
entravèrent les
ambitions d’Hitler
d’envahir le
Royaume-Uni. The
Way to Heaven
commence par des motifs
tremblants pour bois et
des fanfares de cuivres
qui se développent
vers une apogée ;
ensuite une modulation
introduit une courte
citation de
l’hymne national
polonais, Mazurek
Dbrowskiego. Alorsque ces
idées
s’affaiblissent,
on entend le signal pour
décoller en urgence,
puis le son rauque des
moteurs Merlin de
l’escadron mis en
marche, avant que les
avions ne
s’alignent pour
décoller. Ceci mène
au matériel
thématique principal
de l’œuvrequi
dépeint le vol vers le
ciel de l’escadron
303 alors qu’il
monte pour intercepter
les Messerschmitt 109
entrants. Une brève
allusion l’hymne
national polonais mène
la fin triomphante de
l’œuvre. Way to Heaven
(La strada per il
Paradiso) è stata
commissionato dai Servizi
Musicali della Royal Air
Force britannica. Nel
2015 è stato ricordato
il 75° anniversario
della Battaglia
d'Inghilterra, che ebbe
luogo tra luglio e
ottobre del 1940, quando
i coraggiosi piloti della
RAF impedirono le
ambizioni di Hitler, che
voleva invadere il Regno
Unito. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Seven Signals Bote and Bock
Score and Parts Chamber Ensemble; Piano Accompaniment (Score & Parts) SKU: HL...(+)
Score and Parts Chamber
Ensemble; Piano
Accompaniment (Score &
Parts) SKU:
HL.48024906
Violin, Clarinet,
Cello, Piano Score and
Parts. Composed by
Brett Dean. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Duration 1200 seconds.
Bote & Bock #M202535592.
Published by Bote & Bock
(HL.48024906). ISBN
9783793142560. UPC:
840126931587.
9.0x12.0x0.334
inches. Signals and
signs beyond the spoken
language are the theme of
the one commissioned by
the Chamber Music Society
of Lincoln Center and
dedicated to the
choreographer Jiri
Kylian. In seven
movements, the Australian
composer Brett Dean
explores the musical and
poetic potential of the
coded communication
channels that are
omnipresent, but all too
often not perceived as
language. The rhythm is
the link between physical
information channels and
the sound scenes derived
from them. Moving themes
and symbols - including
Morse signals from the
sinking Titanic - are
Dean's source of
inspiration. The music
develops with a variety
of means, references to
Robert Schumann such as
advanced
playingtechniques, a
physically perceptible
strength and harbors a
quality close to the
dance. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up, Shepherd! Carl Fischer
Choral Bass 1, Bass 2, baritone voice tenor 1, tenor 2 SKU: CF.CM9634 Com...(+)
Choral Bass 1, Bass 2,
baritone voice tenor 1,
tenor 2 SKU:
CF.CM9634 Composed by
Traditional Christmas
Spiritual. Arranged by
Ken Berg. Sws.
Performance Score. 16
pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CM9634.
Published by Carl Fischer
Music (CF.CM9634).
ISBN 9781491157060.
UPC: 680160915620. 6.875
x 10.5 inches. Key: G
major. English, English.
Traditional Christmas
Spiritual. Berg's
fantastic setting of this
beloved American
Christmas spiritual for
advanced tenor-bass
choirs tells a story of
hope and meaning. The
various textures
throughout the a cappella
arrangement with solos
add much variety and
musical interest. A
holiday programming
must!. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!) The entrance at m.
8 from the upper three
voices (we'll call them
the trio part henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song. The trio
part, basically tenors 1
& 2 and baritones,
take on the role of the
keyboard providing
chordal structure and
syncopation. Their job is
to fill the listener's
ear with sound and
rhythm. The soloist tells
the story using the known
melody and text with
appropriate improv
opportunities to keep the
listeners focused on the
message of the song.
There is enough
repetition to make for
easy learning, but this
also means that the
chords need to snap into
position cleanly every
time. The Verses are
easily identified (there
are three) and presented
with some small
variations in Verse 3
(see mm. 56-58...this
only happens once). The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the Jazz Trio role
and actually become a
Men's Choral Ensemble.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2
& 3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the listeners!
Measures 72-75 is known
in the business as a
vamp. It can be repeated
once and then move on, OR
it can be repeated
multiple times, depending
on the comfort level of
the soloist and the
response of the audience.
It is important that
there be a clear signal
from the conductor as to
how to end the vamp and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon! Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!)The entrance at m.
8 from the upper three
voices (we’ll call
them the “trio
part†henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song.The
“trio partâ€,
basically tenors 1 & 2
and baritones, take on
the role of the keyboard
providing chordal
structure and
syncopation. Their job is
to fill the
listener’s ear
with sound and rhythm.The
soloist tells the story
using the known melody
and text with appropriate
improv opportunities to
keep the listeners
focused on the message of
the song.There is enough
repetition to make for
easy learning, but this
also means that the
chords need to
“snap into
position†cleanly
every time. The Verses
are easily identified
(there are three) and
presented with some small
variations in Verse 3
(see mm. 56-58…this
only happens once).The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the “Jazz
Trio†role and
actually become a
“Men’s
Choral Ensembleâ€.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2 &
3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the
listeners!Measures 72-75
is known in the business
as a “vampâ€.
It can be repeated once
and then move on, OR it
can be repeated multiple
times, depending on the
comfort level of the
soloist and the response
of the audience.It is
important that there be a
clear signal from the
conductor as to how to
end the
“vamp†and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon!Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Reveille March Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet, Tuba, alto
Saxophone and more. -
Grade 1 SKU:
CF.BPS120 Composed by
Chris Ferguson. Beginning
Band (BPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+3+6+3+1+1
+2+1+16+2 pages. Duration
1:43. Carl Fischer Music
#BPS120. Published by
Carl Fischer Music
(CF.BPS120). ISBN
9781491152065. UPC:
680160909568. An
exceptionally clever
idea, to combine the
standard bugle calls into
an easy march for
beginning students.Â
It is something they
already know, and can be
successful on right
away. We are
delighted to welcome
composer/educator Chris
Ferguson to the Carl
Fischer catalog. He
brings a wealth of
experience working with
beginners that has
translated into this
wonderful new march for
young
students. Reveille
March is inspired by the
bugle calls found
throughout military
history.The “Rev
eille†call is the
signal used to awaken the
troops for morning roll
call and accompanies the
raising of the
flag. At the
conductor’s
discretion, the soli
sections (measures 29 and
37) may also be performed
as solos in reference to
the traditional solo
bugle call.“To the
Color†(measure 49)
is used to signal the end
of a soldier’s
day. It is also used when
a full band is not
available to render
honors and commands all
the same courtesies as
our National Anthem. $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| HM-4 4-Channel Headphone Amplifier Hal Leonard
SKU: HL.1112596 Mackie. Studio & Rehearsal Support. Hal Leonard #2049177-...(+)
SKU: HL.1112596
Mackie. Studio &
Rehearsal Support. Hal
Leonard #2049177-00.
Published by Hal Leonard
(HL.1112596). UPC:
663961054057. 7.0x6.0x3.0
inches. When you
need more monitoring
capacity, the Mackie HM-4
four-channel headphone
amplifier has you
covered. Perfect for
studios, practice spaces,
quiet stages and more,
HM-4 can simply and
effectively split a
single audio signal to
your entire band while
maintaining full signal
integrity. Whether you
need to increase your
home studio headphone
monitoring capability or
add robust cue mix
distribution, the
affordable HM-4
four-channel headphone
amplifier offers the
sound quality,
reliability and
flexibility you need to
expand your setup. It's
also simple to use and
wildly versatile. Use it
to do everything from
quickly demoing a mix in
the studio to recording
and monitoring a
round-table podcast. $39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| RFC-XL Hal Leonard
SKU: HL.1243146 Chauvet Lighting. Lighting. Hal Leonard #RFCXL. Published...(+)
SKU: HL.1243146
Chauvet Lighting.
Lighting. Hal Leonard
#RFCXL. Published by Hal
Leonard (HL.1243146).
UPC: 781462223571.
2.25x8.0x1.13
inches. Unprecedent
ed lighting control power
is in the palm of your
hand with RFC-XL, a
handheld remote control
for compatible RF-enabled
lighting fixtures. The RF
signal is omnidrectional
and doesn't require
line-of-sight operation.
RFC-XL works with
different fixture types
such as washes and moving
heads and controls up to
4 different fixture
groups simultaneously.
Rubberized and backlit
buttons ensure they are
accessbile in dark
environments and the
telescopic antenna
ensures the signal
reaches its
destination. $99.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Martin Buff DeLuxe Hal Leonard
SKU: HL.438844 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0108. Pu...(+)
SKU: HL.438844
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0108. Published by Hal
Leonard (HL.438844).
UPC: 852940000387.
4.5x7.0x2.75
inches. Multiple
effects, True-Bypass
Switching and large
stages (with long cable
runs) are some of your
tone's greatest
enemies... yes
pedal-boards with all
their advantages can
become tone-thiefs! Long
cable runs and multiple
pedals using True-Bypass
switching, tend to
'muddy' our sound and
reduce the higher
frequencies that help
define our sound. Even
wah pedals on their own
can also be suspected of
stealing certain
frequencies from your
tone. By plugging your
guitar into Buff Deluxe
(1) and out to your
pedals, then from your
pedals back into Buff
Deluxe (2) and out to
your amp, you can protect
your tone. The results
are stunning with your
guitar coming back to
life as if there was
nothing between it and
the amp. There is also a
Mute switch which directs
your signal to the Tuner
Out....this allows us to
remove even the tuner
from the signal chain and
mute the guitar for
silent tuning! $179.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Martin Dual Injection Pedal Hal Leonard
SKU: HL.438860 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0221. Pu...(+)
SKU: HL.438860
EAST SOUND RESEARCH.
Guitar Pedal. Hal Leonard
#CM0221. Published by Hal
Leonard (HL.438860).
UPC: 852940000615.
4.75x7.0x2.75
inches. As guitar
players, we all have that
moment where we think,
'How can I do this and
still remain analogue?'
Once we have achieved the
'ultimate tone, how can
we boost that same tone
without changing the
quality? What if we want
to boost the signal
before your drive effect
in order to increase
sustain, or have a boost
in front of your gain
channel and another after
the pre-amp in the
effects loop?' Well, Carl
thought about this for
quite a while and is now
happy to introduce the
super cool...'Dual
Injection'! Carl took the
high quality, transparent
boost from the Hot
Drive'n Boost, and put
two of them into one
pedal. Each has it's own
level control and 'True
Bypass' switch, plus
there is another toggle
which switches the Dual
Injection between Serial
and Parallel modes. In
Serial mode, you use the
Input/Output 1 on the
back of the pedal and
place the boost wherever
you want in the signal
chain. In Parallel mode,
connect the Output 1
before your Drive or
Preamp, and then use the
Input/Output 2 on the
side of the pedal to
connect to your effects
loop on the amp. So, what
does all this do for you?
Well, the Dual Injenction
gives you 4 different
Boost settings... 1)Your
normal set up either
clean or with effects
2)Boost 1 engaged to a
desired setting 3)Boost 2
engaged to a different
setting than Boost 1 4)
Both Boost 1 and Boost 2
engaged at the same time!
The Dual Injection is a
high quality effect that
can be powered by 9v
battery or with the
correct power transformer
(we always recommend that
you use a regulated power
supply like the Carl
Martin Pro Power). The
effect is housed in our
diecast case with custom
paint, True Bypass
Switching, large easy to
use knobs and bright LED
indicators for Boost 1 or
2. $139.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Blessing by Fire Chorale 2 parties - Facile GIA Publications
2-part mixed voices, cantor, assembly, keyboard accompaniment, guitar - Early in...(+)
2-part mixed voices,
cantor, assembly,
keyboard accompaniment,
guitar - Early
intermediate SKU:
GI.G-10022 Composed
by Diana Macalintal.
Pentecost. Celebration
Series. Sacred. Octavo.
With guitar chord names.
12 pages. GIA
Publications #10022.
Published by GIA
Publications
(GI.G-10022). UPC:
785147002215.
English. A
beautiful sung blessing
featuring an ostinato
refrain. The chanted
opening and concluding
prayers should be sung by
a cantor in a prayerful
manner that clearly
communicates the text.
Especially appropriate
when used as a blessing
on those embarking on
significant work on
behalf of Christ’s
mission.choir supports
the assembly’s
ostinato refrain. The
molto rit. at measure 38
is very important in
order to signal to the
assembly the end of the
ostinato. Listen to this
piece and follow the
score in the video
below: A beautiful
sung blessing featuring
an ostinato refrain. The
chanted opening and
concluding prayers should
be sung by a cantor in a
prayerful manner that
clearly communicates the
text. Especially
appropriate when used as
a blessing on those
embarking on significant
work on behalf of
Christ's mission. Choir
supports the assembly's
ostinato refrain. The
molto rit. at measure 38
is very important in
order to signal to the
assembly the end of the
ostinato. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Murmures de classe 4 Guitares (Quatuor) [Conducteur et Parties séparées] - Débutant Productions OZ
Guitar quartet - beginning SKU: DZ.DZ-4268 Composed by Luc Levesque. Scor...(+)
Guitar quartet -
beginning SKU:
DZ.DZ-4268 Composed
by Luc Levesque. Score
and parts. Les
Productions d'OZ #DZ
4268. Published by Les
Productions d'OZ
(DZ.DZ-4268). ISBN
9782898521850. Murm
ures de classe (Classroom
wispers), est un paysage
sonore de nos classes de
musique. Dans un premier
temps, les jeunes
guitaristes
sâ??installent au son
dâ??un ostinato à la
guitare 4. Le son de la
cloche, sur le thème
du Big Ben, annonce le
début des cours. Ce
projet est issu dâ??une
demande de Mme Amélie
Grenier. Lâ??aspect
théâtral de cette
pièce a pour objectif
de stimuler le travail
collectif dans leur
milieu
scolaire.
Suggesti
on lors dâ??une
prestation
publique:
Les
guitares sâ??installent
et commencent à jouer.
Tous les autres
guitaristes entrent en
parlant, sâ??accordant,
en jouant et au signal du
chef à la mesure 5 la
pièce
débute.
Bon
spectacle
Classroo
m wispers, is a
soundscape of our music
classes. First, the young
guitarists settle in to
the sound of an ostinato
on guitar 4. The sound of
the bell, on the theme of
Big Ben, announces the
start of lessons. This
project came from a
request from Ms.
Amélie Grenier. The
theatrical aspect of this
play aims to stimulate
collective work in their
school
environment.
Sugge
stion during a public
performance:
The
guitars settle in and
start playing. All the
other guitarists enter
talking, tuning, playing
and at the signal of the
conductor in measure 5
the piece
begins.
Good
show. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pedalboard Buffer Interface Vertex Effects
SKU: HL.1158247 Vertex Effects. Guitar Pedal. Duration 162 seconds. Verte...(+)
SKU: HL.1158247
Vertex Effects. Guitar
Pedal. Duration 162
seconds. Vertex Effects
#BI. Published by Vertex
Effects (HL.1158247).
UPC: 749350578400.
6.25x4.0x3.0
inches. VERTEX
BUFFERS NOW AVAILABLE TO
THE MASSES! For over a
decade, every buffer
that's come out of Vertex
Effects has been custom
made, bespoke, for the
pedalboard it was
designed for or the
customer that ordered it.
Needless to say, our
buffers were very
limited, with only a few
hundred made over the
last ten years. Over that
time, and through
hundreds of custom buffer
interfaces being made,
several common
applications for buffer
combinations and routing
emerged as the most
common uses as it comes
to placing buffers on a
pedalboard for the most
optimal results. Routing
schemes such as mono,
stereo, audition loops
(inserts), four-cable
method, five-cable
method, and wet/dry/wet
were all common requests
from our customers, but
there was never an
all-in-one solution that
provided all of these
options for buffering and
routing your pedalboard
in a pedalboard-friendly
enclosure – until
now. Introducing the
Vertex Buffer Interfaces
and Buffer Modules. The
first all-in-one solution
that covers 99% of all
pedalboard routing
options, whether you have
multiple amps, amps with
effects loop, a
wet/dry/wet rig, an
impedence sensitive fuzz,
or want to side-chain
pedals off the board in
the middle of your signal
path with an insert loop,
these boxes have a
solution for you that
won't compromise on tone.
WHY ARE OUR BUFFERS
BETTER? Firstly, our
buffers are designed to
have no sound of their
own – totally
transparent, no color, no
EQ, no distortion
– just your tone
as though you plugged
your guitar directly into
your amp with a 10ft
cable (even if you're
running a dozen or more
pedals between the guitar
and amp with over 100 ft.
of cable). So often
buffers in our industry
will be described by the
manufacturers with words
like “warmâ€
or “fat†when
really the buffer should
NOT be imparting anything
to the sound other than
1) loading the guitar
pickups properly with the
same loading as your
guitar would see if
plugged into a tube amp
and 2) converting the
signle to low impedence,
driving the line so it is
the least susceptible to
environmental factors
that might alter the
tone. Unfortunately, 99%
of the buffers available
on the market don't do
this – they add a
color to the signal and
lack the proper
specifications to dive
even 20 feet of cable
without introducing
artifacts into the
sound. $249.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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