(SATB and Organ/Piano). By Karl Jenkins. SATB. BH Sacred Choral. Book only. 64 pages

By Josef Gabriel Rheinberger. For Strings version: SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: SATB Choir, Organ. Full score available separately - see item CA.5013800. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Lent and Passiontide, Holy Week. Choral score. Language: Latin. Composed 1884. 138. 8 pages. Duration 14 min. Published by Carus Verlag (German import).

By Cecilia Mcdowall. For baritone voice solo, SATB chorus, children's choir (or semi-chorus), and small orchestra (or piano/organ) (flute, clarinet, bassoon, 2 horns, harp, strings). Contemporary. Vocal score. Duration 30 minutes. Published by Oxford Uni

Composed by Emanuele Gioacchino Cesare Astorga. Edited by Cor Back. For SATB soli, SATB choir, strings and organ. Choral music. Score. Language: Latin. Published by Noten Roehr

Composed by Giuseppe Verdi (1813-1901). Arranged by Zsigmond Szathmary. This edition: Paperbound. Choir & Organ. Arrangement for choir/ organ. Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Score. Composed 1896/97. 20 pages. Carus Verlag #CV 27.294/45. Published by Carus Verlag (CA.2729445).

Soli SATB, SATB Choir, 2 Ob (auch Eh), 2 Vl, Va, Bc

SKU: CA.5199149

Composed by Franz Joseph Haydn. Edited by Clemens Harasim. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Organ. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1767. Hob. XXbis. 36 pages. Duration 60 minutes. Carus Verlag #CV 51.991/49. Published by Carus Verlag (CA.5199149).

ISBN 9790007225575. Language: Latin.

Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and part available separately - see item CA.5199100.

By Antonin Dvorak. Edited by Feldigl. For SATB soli, SATB, 23 (english horn) 22 4231 timpani, organ, strings. Op.58(Lat). Sacred Choral Works. Duration 90'. Published by C.F. Peters.

Choral (Unison choir)

SKU: HL.114536

Composed by Philip Stopford. Henry Leck Creating Artistry. Concert, Lent. Octavo. 8 pages. Published by Hal Leonard (HL.114536).

UPC: 884088875008. 6.75x10.5 inches.

Originally written as a solo work, this unison setting for treble voices and organ depicts Mary standing at the foot of the cross. In the music, the falling phrases represent Mary's weeping – and the rising phrases, her grief and great sadness of heart.

SATB/SATB choir

SKU: CA.7003705

Composed by Franz Lachner. Stabat Mater Op.154. Sacred vocal music, Holy Week. Choral Score. Op. 154. 24 pages. Duration 25 minutes. Carus Verlag #CV 70.037/05. Published by Carus Verlag (CA.7003705).

ISBN 9790007103750. Language: Latin.

Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.7003700.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729419

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Complete orchestral parts. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1896/97. Carus Verlag #CV 27.294/19. Published by Carus Verlag (CA.2729419).

ISBN 9790007137137. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729414

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Violoncello. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/14. Published by Carus Verlag (CA.2729414).

ISBN 9790007201197. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729412

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Violin 2. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/12. Published by Carus Verlag (CA.2729412).

ISBN 9790007201173. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729415

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Double bass. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Double Bass. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/15. Published by Carus Verlag (CA.2729415).

ISBN 9790007201203. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729413

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Viola. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/13. Published by Carus Verlag (CA.2729413).

ISBN 9790007201180. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

By Josef Gabriel Rheinberger. For Choir. (SATB or SAATTB with S,T,Bar,B Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred, Christmas. Book. 80 pages. Published by Alfred Publishing.

Intermediate

SKU: GI.G-9657

Arranged by Robert J. Powell. Tune Name: Jesu, Dulcis Memoria, Ecce Jam Noctis, Jesu, Redemptor Omnium, Stabat Mater Dolorosa, Tantum Ergo Sacramentum. Sacred. 16 pages. GIA Publications #9657. Published by GIA Publications (GI.G-9657).

UPC: 785147965763.

Chara cteristic of Powellâ??s writing style, Five Organ Preludes on Plainsong Tunes is very musical and expressive throughout. The melodies flow smoothly in and outâ?? sometimes in a polyphonic texture and sometimes clearly stated with a solo organ stop. The unmeasured notation and beaming of each tune matches the style of the original chants. Most of the sections are written for three manuals, but they can easily be adapted to a two-manual instrument. Registration suggestions are provided.

By Josef Gabriel Rheinberger. For Strings version: SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: SATB Choir, Organ. Full score available separately - see item CA.5013800. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Lent and Passiontide, Holy Week. Part: Viola. Language: Latin. Composed 1884. 138. 4 pages. Duration 14 min. Published by Carus Verlag (German import).

By Josef Gabriel Rheinberger. For Strings version: SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: SATB Choir, Organ. Full score available separately - see item CA.5013800. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Lent and Passiontide, Holy Week. Part: Violoncello/Contrabass. Language: Latin. Composed 1884. 138. 4 pages. Duration 14 min. Published by Carus Verlag (German import).

By Josef Gabriel Rheinberger. For Strings version: SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: SATB Choir, Organ. Full score available separately - see item CA.5013800. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Lent and Passiontide, Holy Week. Part: Violin 2. Language: Latin. Composed 1884. 138. 4 pages. Duration 14 min. Published by Carus Verlag (German import).

By Tommaso Traetta (1727-1779). Edited by Trinca. For SA Soli, SATB Chorus, Strings, Organ. Score and performance materials

SS vocal soli, [SS choir], 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 violins, viola, basso continuo

SKU: CA.2729949

Composed by Carl Joseph Rodewald. Edited by Klaus Melber. Arranged by Eberhard Klotz. Organ. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1856. 28 pages. Duration 47 minutes. Carus Verlag #CV 27.299/49. Published by Carus Verlag (CA.2729949).

ISBN 9790007201265. Language: Latin.

Why some masterpieces which were highly praisedand widely disseminated at the time they werecomposed are today regarded as lost, is not alwayscomprehensible. In the case of the Stabat MaterofCarl Joseph Rodewald, it is certainly not the musi-cal quality. If someone is looking for alternatives totoday's established Stabat Mater settings here is aspecial musical gem. Score and part available separately - see item CA.2729900.

SAB choir, organ or piano - Early Intermediate

SKU: MN.CH-1126

Composed by Antonin Dvorak and Robert Van Howten. Arranged by Robert Van Howten. Choral Masterworks for Small Choirs Series. Easter, Romantic. Octavo. Duration 5 minutes, 43 seconds. Laurendale Associates #CH-1126. Published by Laurendale Associates (MN.CH-1126).

From Stabat Mater, which was well received by both the public and the critics when it was published in 1883. Its simple and brooding melodic lines complement the pity, sympathy, and sorrow of the text. Optional MIDI file available separately (on MIDI disk LMF-1001)

Duration 5:43.

Orchestra violin, piano

SKU: CF.B3470

Composed by Julia Perry. Set of Score and Parts. 26+13 pages. Duration 17 minutes. Carl Fischer Music #B3470. Published by Carl Fischer Music (CF.B3470).

ISBN 9781491159460. UPC: 680160918058.

The awardee of two Guggenheim fellowships, Julia Perry studied composition with Luigi Dallapiccola and Nadia Boulanger, and conducted her works on a tour throughout Europe with the Vienna Philharmonic and the BBC Orchestra. She would become one of the first African-American female composers to have an orchestral work performed by the New York Philharmonic. Although she had an auspicious and promising career in her early life, it was tragically cut short by a series of strokes leading to partial paralysis and eventually, her death, at age 55 in 1979.Perry’s catalog is widely varied, featuring thirteen symphonies, numerous chamber and solo works, pieces for band, choral and vocal music, and four operas. Her Violin Concerto, completed in 1968, shows the influence of Dallapiccola’s teachings: sharp harmonic dissonances organized around specific pitch centers, short repetitive patterns that establish significant musical materials, and contrapuntal textures. Her fastidious performance markings in the solo violin part indicate her profound understanding of the instrument. Angular, muscled, and sparkling by turns, this piece is a sophisticated entry to the serious violinist's concert repertoire.There is no evidence or documentation that the Violin Concerto was ever premiered or performed during her lifetime, despite the fact that the composer prepared a full score, piano reduction and orchestral parts. Regrettably, this is the case with the majority of her works composed in the final decade of her life.
What is extraordinary about Julia Perry’s musical career was the astonishing success she attained in her early years. In her youth she studied piano, voice, violin and cello. She began to compose in her teenage years, her first publication being a choral work in 1947 by Carl Fischer. Her Stabat Mater was published in 1951 and would become one of her most often performed pieces, with performances in Europe and the United States. In 1953 she was awarded a Guggenheim fellowship to study with the Italian composer Luigi Dallapiccola, first at the Berkshire Music Center in Tanglewood, later in Florence, Italy. During this time, she also pursued studies with Nadia Boulanger in Paris and was awarded a second Guggenheim fellowship. She studied conducting at this time, touring Europe in 1957 to conduct her own works with the Vienna Philharmonic and the BBC Orchestra. During her European sojourns, she learned and mastered French, German and Italian. She would become one of the first African-American female composers to have an orchestral work performed by the New York Philharmonic.Perry� �s circumstances would change dramatically once she reached forty years of age, having returned permanently to the United States. At some point in the spring of 1970, she suffered the first of two strokes that would paralyze her right side and confine her to a wheelchair for the rest of her life. Nonetheless, she continued to compose and to promote her works with publishers and conductors. A second stroke contributed to her death in 1979 at age 55. She likely endured harsh ethnic and gender discrimination in the course of her career, and her later years would witness a period of extreme civil unrest. These matters and the significance of music in her life are undoubtedly what led her to say, “Music has a great role to play in establishing the brotherhood of man.”Perry’s catalog is widely varied, featuring thirteen symphonies, numerous chamber and solo works, pieces for band, choral and vocal music, and four operas. Her Violin Concerto, completed in 1968, is indicative of the influence of Dallapiccola’s teachings: sharp harmonic dissonances organized around specific pitch centers, short repetitive patterns that establish significant musical materials, and contrapuntal textures. The work is a single movement of 392 measures organized around three alternating tempos: Slow (Œ = 60), Moderate (Œ = 84) and Fast (Œ = 120). The opening thirty-measure cadenza for the solo violin introduces most of the thematic material for the piece. The orchestration commonly features antiphonal writing between orchestral groups, for example, strings alternating with brass, or strings alternating with winds. The harp and piano generally appear as solo instruments, rather than as members of the orchestra. Her fastidious performance markings in the solo violin part indicate her profound understanding of the instrument.There is no evidence or documentation that the Violin Concerto was ever premiered or performed during her lifetime, despite the fact that the composer prepared a full score, piano reduction and orchestral parts. Regrettably, this is the case with the majority of her works composed in the final decade of her life.

(study score). Composed by Antonin Dvorak (1841-1904). Edited by Klaus Doge. For SATB soli, SSAATTB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 trumpets, 2 horns, 3 trombones, timpani, organ, strings. This edition: urtext. Partitur-Bibliothek (Score Library). Parts. 244 pages. Published by Breitkopf and Haertel

By Antonin Dvorak. Arranged by Josef Zubaty. For SATB solists, SSAATTB Choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 trumpets, 2 horns, 3 Trombones, Timpani, Organ, Strings. Edition Breitkopf. Paperback. 112 pages. Published by Breitkopf and Haertel (German import).