Piano, 4-hands SKU: NR.10537 Das vierhändige Klavierspiel im Anfangsu...(+)
Piano, 4-hands
SKU:
NR.10537
Das
vierhändige Klavierspiel
im Anfangsunterricht.
Composed by Adolf
Ruthardt. Score. Noten
Roehr #10537. Published
by Noten Roehr
(NR.10537).
ISBN
9790014012403.
Absc
hied : deutsche
Volksweise, God save the
King, Das Ringlein :
deutsche Volksweise, Die
Aargauer Lieben :
schweizerisches
Volkslied, Wer nur den
lieben Gott lässt walten
: Choral, Serbisches
Tanzlied, A Welsh carol :
altes walisisches
Neujahrslied, Chor der
Sklaven aus Zauberflöte
/ Mozart, Schöne Minka :
russisches Volkslied,
Romanze aus Joseph und
seine Brüder / Mehul,
Altfranzösisches Lied,
Siegeschor aus Judas
Maccabäus / Händel,
Ständchen aus Don
Giovanni / Mozart,
Müllerlied / Schubert,
Domaredansen :
schwedische Volksweise,
Schottische Weise,
Sehnsuchtswalzer /
Schubert, Ochsen-Menuett
/ Haydn, O sanctissima :
italienisches Volkslied,
Walzer aus Freischütz /
Weber, Jägerchor aus
Freischütz / Weber,
Menuett aus Septett /
Beethoven.
2 trumpets, handbells (3 octaves) SKU: LO.30-2400L Quoting O Sanctissi...(+)
2 trumpets, handbells (3
octaves)
SKU:
LO.30-2400L
Quoting O Sanctissima
and In dulci jubilo.
Composed by Mark Hayes.
Conductor's score. Sacred
Anthem, Christmas. Score
and parts. Lorenz
Publishing Company
#30/2400L. Published by
Lorenz Publishing Company
(LO.30-2400L).
UPC:
000308120530.
Heral
d the joy of the
Christmas season with
this delightful medley by
Mark Hayes. Opening with
bell-like chords, it
quickly segues into an
energetic
call-and-response as all
of heaven and nature
sings the news. Flowing
quickly and easily
through a sumptuous
series of key changes,
the medley incorporates
phrases of beloved
traditional carols,
including “O
Sanctissima†(the
Sicilian
“Mariner’s
Hymnâ€) and
“In dulci
jubilo†(Good
Christians All, Rejoice).
The festive original
music returns, rising to
a brilliant finish as all
exclaim, “The Lord
is come!†For a
multi-generation
celebration,
children’s and/or
youth choirs can sing
along. Larger choirs will
rejoice in Mark’s
festive orchestration for
woodwinds, brass and
percussion. Smaller
choirs will love the
smaller orchestration for
2 trumpets and
handbells.
O Most Wonderful Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0075-96-010 Composed by Tradi...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0075-96-010
Composed by Traditional.
Arranged by Alfred Reed.
Young Band. Set (Score &
Parts). Composed 1996.
Curnow Music #CMP
0075-96-010. Published by
Curnow Music
(BT.CMP-0075-96-010).
This Christmas
carol of ancient European
origin begins O
Sanctissima and was
intended as a tribute to
the virgin Mary. A
19th-century translation
by Falk gave us the words
O How Joyfully
that are typically
associated with this
carol. In addition to its
colorful history, this
carol has a very warm and
expressive character. In
this setting by Alfred
Reed, the lilting melody
is interwoven with a
heroic trumpet
counter-melody.
Das
Weihnachtslied O du
fröhliche ist sehr
alt und war
ursprünglich einmal
ein Lied zu Ehren der
Jungfrau Maria. Sein
warmherziger und
ausdrucksvoller Charakter
machen es bis heute zu
einem der bekanntesten
und beliebtesten Lieder
der Weihnachtszeit.
Alfred Reed verwob in
seiner Bearbeitung die
fröhliche Melodie mit
einer heroischen
Trompeten-Gegenstimme und
schuf so einen einfachen,
aber wirkungsvollen
Programmpunkt für das
nächste
Weihnachtskonzert.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 60
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-11. Published by
Breitkopf and Haertel
(BR.OB-5589-11).
ISBN
9790004344170. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 36
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-16. Published by
Breitkopf and Haertel
(BR.OB-5589-16).
ISBN
9790004344200. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 28
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-27. Published by
Breitkopf and Haertel
(BR.OB-5589-27).
ISBN
9790004344231. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 36
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-12. Published by
Breitkopf and Haertel
(BR.OB-5589-12).
ISBN
9790004344187. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 108 pages.
Duration 60'. Breitkopf
and Haertel #OB 5589-30.
Published by Breitkopf
and Haertel
(BR.OB-5589-30).
ISBN
9790004344248. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 36
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-15. Published by
Breitkopf and Haertel
(BR.OB-5589-15).
ISBN
9790004344194. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Baroque. Full score. 316
pages. Duration 60'.
Breitkopf and Haertel #PB
5589. Published by
Breitkopf and Haertel
(BR.PB-5589).
ISBN
9790004213995. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-23. Published by
Breitkopf and Haertel
(BR.OB-5589-23).
ISBN
9790004344224. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-19. Published by
Breitkopf and Haertel
(BR.OB-5589-19).
ISBN
9790004344217. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 2.2.0.0. -
0.0.0.0. - str - bc)
SKU: BR.EB-8909
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Matthias (KlA) Grunert.
Choir; Softbound. Edition
Breitkopf. Mass; Baroque.
Piano/Vocal Score. 108
pages. Duration 60'.
Breitkopf and Haertel #EB
8909. Published by
Breitkopf and Haertel
(BR.EB-8909).
ISBN
9790004185759. 7.5 x 10.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive. Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung) Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Individual part,
viola. Composed by
Heribert Breuer.
Fröhliche Weihnachten!
Individual part. 2 pages.
Duration 4 minutes. Carus
Verlag #1021413.
Published by Carus Verlag
(CA.1021413).
ISBN
9790007312268. Key: D
major.
Latin/German.
A
perfect way to finish off
a Christmas concert.
Heribert Breuer, founder
and conductor of the
Berlin Bach Academy,
conceived this
four-minute piece as a
final farewell to follow
performances of the
Christmas Oratorio.
Alternatively it can
easily be programmed
together with other
Christmas pieces with
similar
scoring.The
Sicilian folk tune O
sanctissima gradually
emerges from a sustained
organ pedal point in the
orchestra. This melody
seems familiar to the
listeners ... and then
the mystery is solved:
hidden in the alto part
can be heard the first
verse of the German carol
O du fröhliche! The
second verse is given
over to the sopranos, and
the audience is invited
to sing along in the
third verse. After a
brief coda all the
performers wish the
audience “Merry
Christmas!â€.
Score and part available
separately - see item
CA.1021400.
(O How Joyfully). By Charles Thatcher. For SATB choir and piano/organ with optio...(+)
(O How Joyfully). By
Charles Thatcher. For
SATB choir and
piano/organ with optional
string quartet.
Christmas. String parts.
Published by MorningStar
Music Publishers
Arranged by
Volker Hempfling.
Separate edition with
choral collection. Sacred
vocal music, Christmas
Carols, Advent,
Christmas. Full score.
Composed 2015. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 03.300/50.
Published by Carus Verlag
(CA.330050).
ISBN
9790007168735. Key: D
major. Language:
Italian/German. Text:
Falk, Johannes /
Holzschuher, Heinrich.
Text by Johannes Falk /
Heinrich
Holzschuher.
Individual part,
violin 1. Composed by
Heribert Breuer.
Fröhliche Weihnachten!
Individual part. 2 pages.
Duration 4 minutes. Carus
Verlag #1021411.
Published by Carus Verlag
(CA.1021411).
ISBN
9790007312251. Key: D
major.
Latin/German.
A
perfect way to finish off
a Christmas concert.
Heribert Breuer, founder
and conductor of the
Berlin Bach Academy,
conceived this
four-minute piece as a
final farewell to follow
performances of the
Christmas Oratorio.
Alternatively it can
easily be programmed
together with other
Christmas pieces with
similar
scoring.The
Sicilian folk tune O
sanctissima gradually
emerges from a sustained
organ pedal point in the
orchestra. This melody
seems familiar to the
listeners ... and then
the mystery is solved:
hidden in the alto part
can be heard the first
verse of the German carol
O du fröhliche! The
second verse is given
over to the sopranos, and
the audience is invited
to sing along in the
third verse. After a
brief coda all the
performers wish the
audience “Merry
Christmas!â€.
Score and part available
separately - see item
CA.1021400.
O Sanctissima Chorale SATB SATB, Piano Fred Bock Music Company
Arranged by Doug Andrews. SATB. Fred Bock Publications. Anthem, Christmas, Con...(+)
Arranged by Doug Andrews.
SATB. Fred Bock
Publications.
Anthem, Christmas,
Concert.
Octavo. 8 pages. Fred
Bock
Music Company #BG2563.
Published by Fred Bock
Music
Company