| Sittin' In with the Big Band Batterie [Partition + CD] Alfred Publishing
For Drums. Instrumental Series. Jazz, Play-Along. Level: 2. Book and CD. 28 page...(+)
For Drums. Instrumental
Series. Jazz, Play-Along.
Level: 2. Book and CD. 28
pages. Published by
Alfred Publishing.
(2)$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moonlight Serenade Ensemble de saxophones [Conducteur] - Intermédiaire Jazz Lines Publications
By Terry Gibbs on More Vibes on Velvet. Edited by Dylan Canterbury, Rob DuBoff, ...(+)
By Terry Gibbs on More
Vibes on Velvet. Edited
by Dylan Canterbury, Rob
DuBoff, and Rob DuBoff.
Arranged by Manny Albam.
For Jazz Saxophone
Ensemble with Featured
Soloist and Rhythm
Section. Ballad. Medium.
Full score and parts.
Published by Jazz Lines
Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chinese Folk Dance Suite Saxophone Soprano et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano,
soprano Saxophone SKU:
PR.114419290 Composed
by Chen Yi. Edited by
Chen Yi. Arranged by Wong
Tak Chiu. Sws. Score and
parts. 44 pages. Duration
20 minutes. Theodore
Presser Company
#114-41929. Published by
Theodore Presser Company
(PR.114419290). ISBN
9781491135235. UPC:
680160676118. 9 x 12
inches. Supported
by a major commissioning
award from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, my Chinese
Folk Dance Suite is
written for violin solo
and orchestra, and
premiered by The Women's
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San Francisco.
Inspired by various
Chinese traditional folk
dances, I've composed
three movements in the
suite: 1) Lion Dance.
Traditionally, people
dance with richly
decorated hand made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In the composition, I use
Chinese drum and other
percussion instruments in
the background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
traditional Guangdong
Music tune and Chaozhou
Music tune ; 2) YangKo.
Originated in northern
China, it's a major folk
dance form in mass
performance popularized
in the country. In YangKo
performance, people
always play rhythmic
patterns on the drums
hung around their waists
while singing and
dancing. In my second
movement, I have imagined
a warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members in the
orchestra sing the
non-pitch syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever going pulse. 3)
Muqam. It is a large
scale traditional music
and dance form from Uygur
nationality in Xinjiang
province, originated in
the 15th century. In my
third movement, I keep
the meter of seven eight
and the melodic style of
Muqam music. The fiery
dancing gesture cumulates
the sustained climax
section at the end of the
work, after a colorful
violin cadenza in both
improvisational singing
style and polyphonic
writing with woven lines.
Scored for 2 flutes (2nd
doubling piccolo), 2
oboes, 2 clarinets in Bb,
2 bassoons, 4 French
horns in F, 2 trumpets in
Bb, 3 trombones,
percussion 1 (3 congas,
low tom-tom, temple
block, paddle castanets),
percussion 2 (snare drum,
6 small Beijing opera
gong, 12 big Beijing
opera gong, crotales,
tambourine), percussion 3
(suspended cymbal, a pair
of 6 Chinese cymbals,
bass drum), solo violin,
violins I, violins II,
violas, cellos and double
basses. Duration is about
16 minutes. The work is
recorded on Bis [CD-1352]
and released in 2003,
performed by Cho-Liang
Lin and the Singapore
Symphony Orchestra, cond.
by Lan Shui. Reduction
for B-flat soprano
saxophone and piano by
Wong Tak Chiu (2017) and
edited by Chen Yi (2018)
The second movement
YangKo is premiered by
Dr. Wong and Korak
Lerpibulchai at the
Singapore Saxophone
Symposium on 8/13/2017.
The American premiere of
the saxophone and piano
reduction version of
Chinese Folk Dance Suite
is given by Chi Him Chik
and Hao Yin at the
Society for American
Music National Conference
in Kansas City, MO on
3/2/2018. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Contextures: Riots - Decade '60 Orchestre Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU:
PR.11641867L Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L). UPC:
680160683215. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Contextures: Riots - Decade '60 Orchestre [Conducteur] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU:
PR.11641867S Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S). UPC:
680160683208. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Young Jazz Ensemble Collection Ensemble Jazz [Partition] Alfred Publishing
For Drums. Jazz Ensemble Collection. Jazz. Book. 32 pages. Published by Alfred P...(+)
For Drums. Jazz Ensemble
Collection. Jazz. Book.
32 pages. Published by
Alfred Publishing.
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Circus Parade Duo, For Alto Saxophone Or Clarinet And Drums Clarinette Leduc, Alphonse
Clarinet SKU: HL.48182350 Composed by Pierre Max Dubois. Leduc. Classical...(+)
Clarinet SKU:
HL.48182350 Composed
by Pierre Max Dubois.
Leduc. Classical.
Softcover. 17 pages.
Alphonse Leduc #AL23509.
Published by Alphonse
Leduc (HL.48182350).
UPC: 888680840648.
9.25x12.25
inches. “Fren
ch composer, Pierre Max
Dubois (1930-1995)
significantly contributed
to the wind repertoire.
Circus Parade Duo for
Alto Saxophone or
Clarinet and Drums was
published in 1965 and
remains prominent as a
more unusual addition to
the ensemble repertoire.
Dubois' music is
characteristically
light-hearted with
unusual harmonic and
melodic textures. Circus
Parade Duo reflects
Dubois' compositional
characteristics with a
typical performance
lasting about fifteen
minutes. Dubois' work is
suitable for advanced
performers, addressing
virtuosic features, such
as complex rhythms,
constant changes of time
signature, chromaticism,
and exploitation of the
ensemble, amongst other
aspects. Circus Parade
Duo is essential to the
advanced Alto Saxophone,
Clarinet and Percussion
repertoire as Dubois'
work makes for an
exciting, varied and
enjoyable performance for
players and audiences
alike.&rdquo. $32.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymn for Africa Orchestre d'harmonie [Conducteur] - Facile G and M Brand Music Publishers
Concert band (Flute 1, Flute 2/Piccolo, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb C...(+)
Concert band (Flute 1,
Flute 2/Piccolo, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, Horn in F 1/2, Horn in
F 3/4, Trombone 1/2,
Trombone) - grade 3
SKU: CN.S11293
Composed by Peter
Meechan. Score only.
Duration 4:15. Published
by G & M Brand Music
Publishers (CN.S11293).
Inspired by the
release of Nelson Mandela
in the early 1990s, Hymn
for Africa pays tribute
to the sense of dignity
and peace that he brought
not only to South Africa,
but around the entire
globe. As the beautifully
lush chorale unfolds,
quietly undulating drums
murmur in the distance
and gradually build into
a rousing
climax.
Hymn for
Africa was written as
part of a project known
as Brass Band Aid. When I
was asked to compose a
piece with relevance to
Africa for the project, I
began to think of all the
things that I associate
with Africa. I have vivid
memories from my
childhood of the
hard-hitting news reports
from the famines of the
early/mid 1980's (and the
concerts that followed).
I also associate Africa
with amazing animal life
- the many species from
snakes to birds to lions,
with their many colours.
But more than these
associations, there is
one memory that stands
out amongst all others.
The release of Nelson
Mandela in the early
1990's had a profound
effect not only in South
Africa, but all over the
continent of Africa, as
well as the World as a
whole. The fact that one
man can achieve this with
peace and great dignity
will always be an
inspiration, not only to
me, but many, many
millions of humans around
the globe. Hymn for
Africa is inspired by
this sense of dignity and
peace. A simple eight bar
melody is the basis of
the composition. A drone
is then added, before a
chorale, and finally a
rousing climax when the
percussion and full band
enter. The piece
dedicated to Bob and
Briony Thompson in
admiration. $14.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Dimensions Orchestre d'harmonie Carl Fischer
Concert band Bandola SKU: CF.CFD11 Composed by Joseph Compello. Jewel Cas...(+)
Concert band Bandola
SKU: CF.CFD11
Composed by Joseph
Compello. Jewel Case.
Carl Fischer Concert Band
Recordings. Classical.
Audio CD. With Standard
notation. Carl Fischer
Music #CFD11. Published
by Carl Fischer Music
(CF.CFD11). ISBN
9780825853562. UPC:
798408053567. Josep
h Compello is known for
music that is both clever
and fun. This C.D. shows
the listener the true
dimensions of this fine
composer. Includes:
Dimensions, Rock to the
Max, Mr. Sax, Arena of
the Gladiators, Spanish
Rose, Heroes of the
Galaxy, Mr. Sax Rocks
Again, Trumpets Royale,
Prairie Lullaby, Alpine
March, Tango Marianna,
Meet the Masters, Safari
Drums Rock, Patapan,
Recess Rock, Legion of
Liberty, Jamaica Jack,
Kings of Christmas,
Basses are Aces, and many
more! $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joost At The Roost Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire/avancé Jazz Lines Publications
By Miles Davis. Arranged by Gerry Mulligan. For jazz ensemble - nonet [6 horns w...(+)
By Miles Davis. Arranged
by Gerry Mulligan. For
jazz ensemble - nonet [6
horns with rhythm
section]. Swing. Medium
Difficult. Full score and
set of parts. Published
by Jazz Lines
Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Move Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire/avancé Jazz Lines Publications
By Miles Davis. Arranged by John Lewis. For jazz ensemble - nonet [6 horns with ...(+)
By Miles Davis. Arranged
by John Lewis. For jazz
ensemble - nonet [6 horns
with rhythm section].
Swing. Medium Difficult.
Full score and set of
parts. Published by Jazz
Lines Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rocker [AKA Rock Salt] Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
By Miles Davis. Arranged by Gerry Mulligan. For jazz ensemble - nonet [6 horns w...(+)
By Miles Davis. Arranged
by Gerry Mulligan. For
jazz ensemble - nonet [6
horns with rhythm].
Swing. Medium. Full score
and set of parts.
Published by Jazz Lines
Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sideward Glance, A Ensemble Jazz - Facile Kendor Music Inc.
Jazz Ensemble standard jazz ensemble - Grade 3 SKU: KN.52809 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 3
SKU: KN.52809
Composed by Mike Tomaro.
Kendor Archive Editions.
Ballad. Kendor Music Inc
#52809. Published by
Kendor Music Inc
(KN.52809). UPC:
822795528091. A
gorgeous, introspective
ballad adapted from the
combo version recorded on
Mike's latest CD, this
solo feature for alto or
soprano sax presents all
member of medium-advanced
bands with sufficient
challenges. Two
fortissimo climaxes
punctuate the otherwise
delicate nature of this
piece, and short cadenzas
for three soloists
(piano, soprano sax,
drums) in the opening
bars give it a unique
start. In his score
notes, Mike emphasizes
the importance of playing
with rhythmic precision
in a chart that combines
a slow tempo with
16th-note figures. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sideward Glance, A (Full Score) Ensemble Jazz - Facile Kendor Music Inc.
Jazz Ensemble - Grade 3 SKU: KN.52809S Composed by Mike Tomaro. Kendor Ar...(+)
Jazz Ensemble - Grade 3
SKU: KN.52809S
Composed by Mike Tomaro.
Kendor Archive Editions.
Kendor Music Inc #52809S.
Published by Kendor Music
Inc (KN.52809S). UPC:
822795528091. A
gorgeous, introspective
ballad adapted from the
combo version recorded on
Mike's latest CD, this
solo feature for alto or
soprano sax presents all
member of medium-advanced
bands with sufficient
challenges. Two
fortissimo climaxes
punctuate the otherwise
delicate nature of this
piece, and short cadenzas
for three soloists
(piano, soprano sax,
drums) in the opening
bars give it a unique
start. In his score
notes, Mike emphasizes
the importance of playing
with rhythmic precision
in a chart that combines
a slow tempo with
16th-note figures. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |