By 1671 Playford's Psalms. Arranged by Charles Villiers Stanford. For Voices: SATB. Organ. Royal School of Church Music Sacred. Level: easy. 5 pages. Published by GIA Publications.

SATB choir, piano reduction - Early intermediate

SKU: GI.G-8142

Composed by Andrew Marshall. Lent 4 A, Easter 4 A, Ordinary Time 16 B, Ordinary Time 28 A, Christ the King A, Sacred Heart C. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #8142. Published by GIA Publications (GI.G-8142).

UPC: 785147814207. English. Text Source: Based on Psalm 23, KJV, and The Scottish Psalter, 1650, alt. Scripture: Psalm 23:1–2, 4–6.

Unison choir with descant, organ accompaniment - Beginning

SKU: GI.G-1575

Composed by George Brandon. Arranged by George Brandon. Choral. Choral. Sacred. Octavo. 4 pages. GIA Publications #1575. Published by GIA Publications (GI.G-1575).

Text source: from Scottish Psalter, 1650.

By 1635 Scottish Psalter. Arranged by C. V. Stanford. For Voices: SATB. Organ. Royal School of Church Music Sacred. Level: easy. 4 pages. Published by GIA Publications.

SATB choir, organ, and harp - Intermediate

SKU: MN.56-0041

Composed by Howard Goodall. 21st Century. Choral score. MorningStar Music Publishers #56-0041. Published by MorningStar Music Publishers (MN.56-0041).

UPC: 688670220463. English. Psalms 150.

May of 2012 saw celebrations for the refurbishment of Rosslyn Chapel in Midlothian, Scotland, including the first performance of this piece performed by the National Youth Choir of Scotland. Set for SATB choir, organ, and harp, the text is Psalm 150 from The Scottish Psalter of 1650. Full of exuberant syncopations, the music reflects the jubilance of the Psalm.

SATB Choir

SKU: BT.HU-3265-250

Arranged by H. Groeneweg. Harmonia-Mixed Choir. Choral Score. Harmonia #HU 3265-250. Published by Harmonia (BT.HU-3265-250).

Dutch.

(Based on Symphony No. 1, Movement 4 by Johannes Brahms). By Johannes Brahms; Tom Fettke. For SATB choir and piano (with optional trumpet (brass quintet, timpani)). General, Lent, Reformation, Sacred. Sacred Anthem

Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2

SKU: HL.44001742

Composed by Traditional. Arranged by Herman Oldenstijl. De Haske Concert Band. Festive and Solemn Music. Score Only. Composed 1991. Hal Leonard #910325. Published by Hal Leonard (HL.44001742).

UPC: 073999138429. 6.75x10.5 inches.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Falschlicherweise zunachst einem Geschaftsmann und Amateurmusiker zugeschrieben, stellte sich spater heraus, dass die Musik tatsachlich von Jessie Irvine, der Tochter eines Kusters, komponiert worden war. Die schone Melodie der sonst unbekannten Komponistin gelangte 1929 schliesslich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

By Hampson A. Sisler. For pipe organ. Organ. General. Medium. Published by MorningStar Music Publishers

Brass Band - Grade 2

SKU: BT.DHP-0910325-030

Composed by Traditional. Arranged by Herman Oldenstijl. Musica Sacra. Festive and Solemn Music. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910325-030. Published by De Haske Publications (BT.DHP-0910325-030).

This lovely Scottish hymn, also known as The Lord’s My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Fälschlicherweise zunächst einem Geschäftsmann und Amateurmusiker zugeschrieben, stellte sich später heraus, dass die Musik tatsächlich von Jessie Irvine, der Tochter eines Küsters, komponiert worden war. Die schöne Melodie der sonst unbekannten Komponistin gelangte 1929 schließlich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise für Brass Band bearbeitet.

Concert Band/Harmonie/Fanfare/Bra ss Band (Score) - Grade 2

SKU: HL.44001743

Composed by Traditional. Arranged by Herman Oldenstijl. De Haske Concert Band. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #910325. Published by De Haske Publications (HL.44001743).

UPC: 073999257281. 6.75x10.5 inches.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Falschlicherweise zunachst einem Geschaftsmann und Amateurmusiker zugeschrieben, stellte sich spater heraus, dass die Musik tatsachlich von Jessie Irvine, der Tochter eines Kusters, komponiert worden war. Die schone Melodie der sonst unbekannten Komponistin gelangte 1929 schliesslich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0910325-216

Composed by Traditional. Arranged by Herman Oldenstijl. Musica Sacra. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #DHP 0910325-216. Published by De Haske Publications (BT.DHP-0910325-216).

This lovely Scottish hymn, also known as The Lord’s My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Fälschlicherweise zunächst einem Geschäftsmann und Amateurmusiker zugeschrieben, stellte sich später heraus, dass die Musik tatsächlich von Jessie Irvine, der Tochter eines Küsters, komponiert worden war. Die schöne Melodie der sonst unbekannten Komponistin gelangte 1929 schließlich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

Books and Journals; Harp; Early Music

SKU: UT.LB-5

Composed by Anna Pasetti. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 5. Published by Ut Orpheus (UT.LB-5).

ISBN 9788881094516. 6.5 x 9.5 inches.

La storia dell’arpa ha inizio con la storia dell’umanità ; eppure la sua storia e quella del suo repertorio sono state fra le meno studiate in assoluto.
In questo studio, nato come tesi di laurea e più volte rielaborato e aggiornato, l’autrice si propone di riformulare almeno in parte la storia dell’arpa nel periodo critico della transizione dal mondo antico al mondo moderno. A tal fine si è reso necessario uno studio interdisciplinare che prendesse in considerazione tutte le fonti disponibili (iconografiche e letterarie) e le ponesse in relazione fra loro, così da estrapolarne il maggior numero di informazioni possibile. Ne è emerso un polittico ricchissimo e variopinto, nel quale non si può comprendere l’ultimo quadro senza far riferimento al primo e che ribadisce ancora una volta l’importanza avuta dall’arpa nelle diverse culture musicali via via succedutesi nel bacino del Mediterraneo e in Europa.