SKU: M7.GRG-105624101

ISBN 9783872523297. German.

Paganini und Bach, Mozart und Rimski-Korsakov haben mitreißende Musik geschrieben, die man nicht allein den klassischen Musikern u?berlassen sollte. Wieland Harms hat insgesamt 13 klassische Stu?cke fu?r E-Gitarre eingerichtet und auf der beiliegenden CD mit seiner Band eingespielt.

SKU: MB.30667M

ISBN 9781513463971. 8.75 x 11.75 inches.

Johann Sebastian Bachâ??s arrangements of the â??69 Sacred Songsâ? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachâ??s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.

A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the â??69 Sacred Songsâ? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.

Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachâ??s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.

This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes â??Scores in their Original Keys,â? and stand-alone â??Guitar Accompaniment,â? and â??Bass Parts.

SKU: M7.DUX-918

ISBN 9783868493818.

Sait enwege für zwei Gitarren - Band 1 führt durch sechs Jahrhunderte Gitarrenmusik verschiedenster Stile und Epochen. Thema von Band 1 ist der Einstieg in die Literatur für zwei Gitarren. NachSchwierigkeitsgrad gereiht mit detaillierten Fingersätzen. Mit Audio-Download. Alle Titel dieses Bucheswurden vom Gitarren-Duo Michael Langer and Sabine Ramusch eingespielt und können über denbeigefügten Download-Link heruntergeladenbzw. auf allen gängigen Streaming-Plattformen angehört werden (z.B. Spotify).

SKU: HL.51481639

UPC: 196288215851. 8.25x11.75x0.074 inches.

Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title “Méditation” , then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that “[we] have heard this sweet melody innumerable times from the best lady singers”, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of “Ave Maria” is also offered in two transpositions for the lower register.

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What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
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• page-turns, fold-out pages, and cues where you need them 
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