SATB choir, voice solo, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 1 in C, violin 1, violin 2, viola, cello, bass - Early intermediate

SKU: GI.G-10044

Composed by Carlos Colón. Tu Pueblo Canta. Sacred. Octavo. With guitar chord names. 24 pages. GIA Publications #10044. Published by GIA Publications (GI.G-10044).

UPC: 785147004417. English, Spanish. Text Source: English Tr. Martin Tel and Peter M. Kolar; Translation: Martin Tel. Text by María Eugenía Cornou. Scripture: Psalm 55.

Listen to Veo Violencia en la Ciudad as the first piece in a performance by the Duke Divinity School below:.

(Revised Edition) Performed by Tower Of Power. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and black and white photos. Funk rock and classic soul. 103 pages. 9x12 inches. Published by Cherry Lane Music.

Bass Clarinet & 21 Strings

SKU: SS.50600030

Composed by Fred Cohen. Study Score. Published by Seesaw Music Corp (SS.50600030).

Commissioned by the Colonial Symphony, Paul Hostetter, Music Director and Conductor. First performed in 2006. Composer's Note: My inspiration for Smiling Dennis is the great bass clarinet virtuoso Dennis Smylie. I have had the pleasure of getting to know Dennis over the past several years owing to our mutual affiliation at Montclair State University. We would meet unintentionally in the halls and begin conversations regarding all manners of topics: from the colorful history of the bass clarinet - and bass clarinetists - to the furious appetite of the New Jersey groundhog. Dennis inevitably finds the humor in things - he revels in discovering the comic story that can often be found, just underneath the topic. When Maestro Hostetter asked me to compose a new piece during his initial season with the Colonial Symphony, and mentioned the possibility of a work related to humor, I immediately thought of the Dennis. When I spoke with Maestro Hostetter the following day, I had already conceived of the title (very unusual for me - I'm much more a musical/visual thinker than a verbal one) as well as the overall musical narrative. Smiling Dennis is a concerto in one movement for one bass clarinetist and twenty string players. Somewhat unusually, each performer has a unique musical assignment - that is, the string players are not aligned into their typical alliances of first violins, second violins and so forth. This permits a more complex string texture, allowing each performer to assert his or her individuality. Indeed, the notion of individuality is essential to this concerto, as it often is in concerti. For example, Smiling Dennis begins with the bass clarinet not quite obeying the conventions of tuning to the orchestra. Rather than simply take the A offered by the Concertmaster, the soloist playfully performs a gently descending series of notes. Offered another A, the soloist repeats this gesture (though with a different descending series). This exchange occurs four times. In the final one, members of the string orchestra join the soloist in the first significant statement of one of the central melodies. The bass clarinet completes this introductory section alone, playing all the way down to a low A, a third below the lowest note in the celli. Following the introduction, Smiling Dennis consists of six sections, somewhat along the lines of a dance suite: an energetic Allegro, a lyric Arioso, a forward Piu mosso, a light-hearted and syncopated dance, a even more energetic passage for strings alone, and finally a modified return to the introduction. In the return, the string ensemble is no longer at all oppositional to the soloist. Rather, in response to the soloist's gentle cajoling and supportive commentary, the strings accompany - with pleasure, you might say - the quiet, individual playfulness of the bass clarinet. The work ends with a return to the soloist's substratum A, accompanied quietly by the strings.

By Wanda West Palmer. Text: Wanda West Palmer. For SSATTBB Choir. Level: Medium Difficult / Difficult (accompaniment). Published by Jackman Music Corporation.

Alto clarinet

SKU: GI.G-M498

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M498. Published by GIA Publications (GI.G-M498).

ISBN 9781579992255. English.

Now available on SmartMusic! The Alto Clarinet book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Albert Blaser (Cleveland State Unviersity) and Deborah Chodacki (Louisiana State University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

Tuba

SKU: GI.G-M518

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M518. Published by GIA Publications (GI.G-M518).

ISBN 9781579992354. English.

Now available on SmartMusic! The Tuba book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Fritz Kaenzig (University of Michigan). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

Bassoon

SKU: GI.G-M502

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M502. Published by GIA Publications (GI.G-M502).

ISBN 9781579992279. English.

Now available on SmartMusic! The Bassoon book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Richard Beene (Colburn School Conservatory of Music). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

Baritone horn B.C.

SKU: GI.G-M516

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M516. Published by GIA Publications (GI.G-M516).

ISBN 9781579992347. English.

Now available on SmartMusic! The Baritone/Euphonium book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Brian Bowman (Duquesne University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

Baritone horn T.C.

SKU: GI.G-M514

Composed by James Froseth. Band Method. Do It! Music Education. Book. 48 pages. GIA Publications #M514. Published by GIA Publications (GI.G-M514).

ISBN 9781579992330. English.

Now available on SmartMusic! The Baritone/Euphonium book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Brian Bowman (Duquesne University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.< /p>

SSAB vocal soli or choir, 2 trumpet, timpani, 2 violins, violin, basso continuo

SKU: CA.3603219

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. This edition: urtext. Stuttgart Urtext Edition: Buxtehude. Erfreue Dich, Erde 26. Sacred vocal music, Cantatas. Set of Orchestra Parts. BuxWV 26. Duration 17 minutes. Carus Verlag #CV 36.032/19. Published by Carus Verlag (CA.3603219).

ISBN 9790007144371. Language: German.

The cantata is a parody of the cantata of congratulations, Schlagt, Kunstler, die Pauken (BuxWV 122). Trumpets and timpani characterize the sound of the choral movements. In accordance with the scheme of the concerto-aria cantata, the concertante opening chorus is repeated at the end. The middle of the work consists of the aria, in which the four soloists assume allegorical roles, as well as the chorus So denket und danket. In addition to the Christmas text, text variants have survived which make an Easter Sunday performance possible. This text has been printed in the edition below the Christmas text. Score and parts available separately - see item CA.3603200.

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Jour ney back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteen th fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.

Soli o SSAB choir, 2 Tr, Timp, 2 Vl, Vne, Bc

SKU: CA.3603214

Composed by Dietrich Buxtehude. Edited by Thomas Schlage. Stuttgart Urtext Edition: Buxtehude. Basso continuo. Sacred vocal music, Cantatas. Single Part, basso continuo. BuxWV 26. 4 pages. Duration 17 minutes. Carus Verlag #CV 36.032/14. Published by Carus Verlag (CA.3603214).

Language: German.

The cantata is a parody of the cantata of congratulations, Schlagt, Kunstler, die Pauken (BuxWV 122). Trumpets and timpani characterize the sound of the choral movements. In accordance with the scheme of the concerto-aria cantata, the concertante opening chorus is repeated at the end. The middle of the work consists of the aria, in which the four soloists assume allegorical roles, as well as the chorus So denket und danket. In addition to the Christmas text, text variants have survived which make an Easter Sunday performance possible. This text has been printed in the edition below the Christmas text. Score and part available separately - see item CA.3603200.

SAB choir, assembly, piano accompaniment, C instrument, cello, guitar - Early intermediate

SKU: GI.G-9914

Arranged by Tony Alonso S.J. Celebration Series. Tune Name: In Babilone. Sacred. Octavo. 8 pages. GIA Publications #9914. Published by GIA Publications (GI.G-9914).

UPC: 781547991403. English. Text Source: Frederick W. Faber, 1814–1863, alt. Text by Frederick W. Faber.

Listen to the recording and see the score in the video below:.

SAB choir, assembly, piano accompaniment, C instrument, violin, cello, guitar - Early intermediate

SKU: GI.G-9904

Composed by Ralph Vaughan Williams. Arranged by Tony Alonso S.J. All Saints, All Souls. Celebration Series. Tune Name: Sine Nomine. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9904. Published by GIA Publications (GI.G-9904).

UPC: 785147990406. English. Text Source: William W. How, 1823&ndash,1897, alt. Text by William Walsham How.

From the second installment of the best-selling Revival series (Revival II: octavo collection, G-9900, spiral edition, G-9900S), Tony Alonso’s arrangement of the ever-popular SINE NOMINE offers a fresh treatment for contemporary ensembles with guitar- and piano-based bands. What a great way to invite your community into the tradition of hymn singing! Listen to the recording and see the score in the video below:.

SAB choir, assembly, piano accompaniment, trumpet in B-flat, trumpet in C, cello, guitar - Early intermediate

SKU: GI.G-9905

Arranged by Tony Alonso S.J. Trinity Sunday. Celebration Series. Tune Name: Grosser Gott. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9905. Published by GIA Publications (GI.G-9905).

UPC: 785147990505. English. Text Source:
Grosser Gott, wir loben dich, ascr. Ignaz Franz, 1719&ndash,1790, tr. Clarence Walworth, 1820&ndash,1900, alt.; Translation: Clarence Walworth. Text by Ignaz Franz.

Listen to the recording and see the score in the video below:.

SAB choir, assembly, piano accompaniment, C instrument, cello, guitar - Early intermediate

SKU: GI.G-9912

Arranged by Tony Alonso S.J. Advent, Advent 3 B. Celebration Series. Tune Name: Winchester New. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9912. Published by GIA Publications (GI.G-9912).

UPC: 785147991205. English. Text Source:
Jordanis oras praevia, Charles Coffin, 1676&ndash,1749, tr. John Chandler, 1806&ndash,1876, alt.; Translation: John Chandler. Text by Charles Coffin.

Listen to the recording and see the score in the video below:.

SAB choir, assembly, piano accompaniment, cello, guitar - Early intermediate

SKU: GI.G-9913

Arranged by Tony Alonso S.J. Lent. Celebration Series. Tune Name: Erhalt Uns Herr. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9913. Published by GIA Publications (GI.G-9913).

UPC: 785147991205. English. Text Source: Clarum decus jejunii, ascr. Gregory the Great, ca. 540&ndash,604, tr. Maurice F. Bell, 1862&ndash,1947, alt.; Translation: Maurice F. Bell. Text by St. Gregory the Great.

Listen to the recording and see the score in the video below:.

Tuba

SKU: HL.841331

Book/Online Audio. Edited by Linda Rutherford. Master Solos. Technique, Classical and Play Along. Softcover Audio Online. With introductory text, instructional text, illustrations, fingering chart, musical examples, solo parts, piano accompaniment and accompaniment CD. 32 pages. Published by Hal Leonard (HL.841331).

ISBN 9780793595556. UPC: 073999593716. 9x12 inches. Book/Online Audio.

Master Solos book/online audio packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famous performing artists and educators (see below), and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers â?? different for each instrument â?? and a piano accompaniment book. The accompanying audio is uniquely designed to serve in practice and performance situations, and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first track features the solo performance with piano accompaniment providing tempo and musical style, and the second track is the piano accompaniment only, designed for rehearsal. The recorded accompaniment can also be used in performances. Flute by Gary Sigurdson, Oboe by Don Jaeger, Bassoon by Leonard Sharrow, Bb Clarinet by Ramon Kireilis, Eb Alto Saxophone by Larry Teal, Bb Trumpet/Cornet by Robert Getchell, Horn by Louis Stout, Trombone by Buddy Baker, Baritone Horn by Larry Campbell, Tuba by Daniel Perantoni, Percussion by Peter Magadini. All books edited by Linda Rutherford. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Composed by Dix Bruce. Saddle-stitched, Style, Swing, Technique, Theory, Reference and Rhythm, Gypsy. Instructional video. Jazz; Play Along. Book/CD set. 44 pages. Musix #903BCD. Published by Musix

SAB choir, assembly, piano accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, guitar - Early intermediate

SKU: GI.G-9907

Composed by John Hatton. Arranged by Tony Alonso S.J. Eastertide, Easter Sunday. Celebration Series. Tune name: Duke Street. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9907. Published by GIA Publications (GI.G-9907).

UPC: 785147990703. English. Text by Samuel Medley.

Listen to the recording and see the score in the video below:.

ABar (TB) vocal soli, solo quintet of SAT, SATB choir, 2 violins, viola, basso continuo

SKU: CA.1000719

Composed by Alessandro Scarlatti. German title: Johannes-Passion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Carus Verlag #CV 10.007/19. Published by Carus Verlag (CA.1000719).

ISBN 9790007135270. Language: Latin/German.

With his Latin St. John Passion, written around 1770, Scarlatti strictly follows the contemporary conventions advanced for the Catholic liturgy: the continuo-supported evangelist's report is presented throughout as a monolodic recitation that is reminiscent of Carissimi and Monteverdi. Only for the words of Christ and the few four-voice choruses, as well as for some significant moments like the Judas scene or the death of Jesus, is a subtle string accompaniment added. An alternate German text is printed below the original Latin. Score and parts available separately - see item CA.1000700.

ABar (TB) vocal soli, solo quintet of SAT, SATB choir, 2 violins, viola, basso continuo

SKU: CA.1000714

Johannespassion. Composed by Alessandro Scarlatti. Violoncello/double bass. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Cello/Double Bass. 32 pages. Carus Verlag #CV 10.007/14. Published by Carus Verlag (CA.1000714).

ISBN 9790007015855. Language: Latin/German.

With his Latin St. John Passion, written around 1770, Scarlatti strictly follows the contemporary conventions advanced for the Catholic liturgy: the continuo-supported evangelist's report is presented throughout as a monolodic recitation that is reminiscent of Carissimi and Monteverdi. Only for the words of Christ and the few four-voice choruses, as well as for some significant moments like the Judas scene or the death of Jesus, is a subtle string accompaniment added. An alternate German text is printed below the original Latin. Score and part available separately - see item CA.1000700.

ABar (TB) vocal soli, solo quintet of SAT, SATB choir, 2 violins, viola, basso continuo

SKU: CA.1000712

Johannespassion. Composed by Alessandro Scarlatti. Violin 2. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Violin 2. 8 pages. Carus Verlag #CV 10.007/12. Published by Carus Verlag (CA.1000712).

ISBN 9790007015831. Language: Latin/German.

With his Latin St. John Passion, written around 1770, Scarlatti strictly follows the contemporary conventions advanced for the Catholic liturgy: the continuo-supported evangelist's report is presented throughout as a monolodic recitation that is reminiscent of Carissimi and Monteverdi. Only for the words of Christ and the few four-voice choruses, as well as for some significant moments like the Judas scene or the death of Jesus, is a subtle string accompaniment added. An alternate German text is printed below the original Latin. Score and part available separately - see item CA.1000700.

ABar (TB) vocal soli, solo quintet of SAT, SATB choir, 2 violins, viola, basso continuo

SKU: CA.1000713

Johannespassion. Composed by Alessandro Scarlatti. Viola. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Viola. 8 pages. Carus Verlag #CV 10.007/13. Published by Carus Verlag (CA.1000713).

ISBN 9790007015848. Language: Latin/German.

With his Latin St. John Passion, written around 1770, Scarlatti strictly follows the contemporary conventions advanced for the Catholic liturgy: the continuo-supported evangelist's report is presented throughout as a monolodic recitation that is reminiscent of Carissimi and Monteverdi. Only for the words of Christ and the few four-voice choruses, as well as for some significant moments like the Judas scene or the death of Jesus, is a subtle string accompaniment added. An alternate German text is printed below the original Latin. Score and part available separately - see item CA.1000700.

ABar (TB) vocal soli, solo quintet of SAT, SATB choir, 2 violins, viola, basso continuo

SKU: CA.1000705

Johannespassion. Composed by Alessandro Scarlatti. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Choral Score. 8 pages. Carus Verlag #CV 10.007/05. Published by Carus Verlag (CA.1000705).

ISBN 9790007015817. Language: Latin/German.

With his Latin St. John Passion, written around 1770, Scarlatti strictly follows the contemporary conventions advanced for the Catholic liturgy: the continuo-supported evangelist's report is presented throughout as a monolodic recitation that is reminiscent of Carissimi and Monteverdi. Only for the words of Christ and the few four-voice choruses, as well as for some significant moments like the Judas scene or the death of Jesus, is a subtle string accompaniment added. An alternate German text is printed below the original Latin. Score available separately - see item CA.1000700.