By Gaelic Melody. Arranged by Gary Daigle. For Voices: Unison, assembly. Keyboard accompaniment. Celebration Series Sacred. Level: easy. 3 pages. Published by GIA Publications.

(Vocal Solos for Medium Voice). By Larry Carrier. For medium voice, piano. Solo collection. Sacred. Published by SoundForth . Sacred.

Choral (SATB divisi)

SKU: HL.1436076

Composed by Evelyn Simpson-Curenton. Gentry Publications. Octavo. Gentry Publications #JG2718. Published by Gentry Publications (HL.1436076).

UPC: 196288203773.

Are you looking for a unique setting by a mutifaceted composer? Look no further. Explore Evelyn Simpson-Curenton's remarkable adaptation, “Prayer for the Congregation,” blending St. Francis of Assisi's text into a reverent SATB div, piano, organ, bass guitar, and drum set piece. With Simpson-Curenton's unique fusion of acappella sections and unconventional instruments, this composition transitions seamlessly between reverence and a swung jazz-inspired section, providing space for keyboard improvisation. Perfect for advanced choirs seeking a fresh take on timeless text. Simpson-Curenton's innovative style breathes new life into choral music, making this piece a must-perform for those seeking captivating musical experiences.

Piano and congregation

SKU: HP.9085

Composed by Daniel Charles Damon. Author Collections. General Worship. Hymn Collection. 144 pages. Hope Publishing Company #9085. Published by Hope Publishing Company (HP.9085).

UPC: 763628190859.

In Little Seeds you will find new hymns from my heart. My devotional life is given to you in my hymnwriting. During the past three years I have been writing songs for the unity of the church - songs reminding us of our baptism. I have been writing biblical story hymns for lesser-known characters. I have written paperless songs that may be easily memorized. I set a Rumi poem. There are new hymns for Christian missions from everywhere to everywhere. You will find new texts and musical settings for folk songs from around the world. I hope I have treated these with the love and respect they deserve. You will find alternate arrangements of some songs that may be useful in different settings. Lim Swee Hong composed three tunes for this collection at my request. I am also pleased to include Lianne Tan's first published hymn tune in Little Seeds.

Movement I from To Shiver the Sky. Composed by Christopher Tin. BH Secular Choral. Concert, Festival, Games / Video and Electronic, Italian. Octavo. Duration 230 seconds. Boosey and Hawkes #979-0-051- 48598-7. Published by Boosey and Hawkes

Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more.

SKU: PR.11642143L

Composed by Stacy Garrop. Spiral. Large Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143L. Published by Theodore Presser Company (PR.11642143L).

UPC: 680160693320. 11 x 17 inches.

For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.
For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Timpani, Trombone 1 and more. - Grade 3

SKU: CF.CPS214

Composed by John Pasternak. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+16+16+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+8+4+2+4+ 4+24+4 pages. Duration 4 minutes, 4 seconds. Carl Fischer Music #CPS214. Published by Carl Fischer Music (CF.CPS214).

ISBN 9781491152409. UPC: 680160909902.

Adven ture Express is about a train heading out to the old west, seeking new adventures and new opportunities. The piece focuses on the beautiful country sides, breathtaking vistas and the hard work of building a new land. It is a contest style piece by budding composer John Pasternak. It is tuneful and well-scored. Perfect for your next contest/festival performance.
Adventure Express is about a train heading out to the old west, seeking new adventures and new opportunities. The piece focuses on the beautiful countrysides, breathtaking vistas and the hard work of building a new land.The beginning of the piece should have a very marcato feel. Measure 18 should have a lighter feel than the beginning, with the snare drum playing the part of the rail cars going over the tracks. Be sure to pay attention to the accents in the trumpet, xylophone and snare drum lining up with the accents played by the rest of the ensemble. At m. 55, the xylophone should ring out and should be played with intention. At m. 71, the piece returns to a marcato style, and remains until the end of the piece. There are a few sudden dynamic changes that are crucial for effect, so pay close attention to those changes.

(A Hide-and-Seek Christmas Musical). Composed by Anna Laura Page. Arranged by Jean Anne Shafferman. For unison/2-part choir, piano, Reproducible. Cantatas. Christmas, Sacred. Choral octavo and performance/accompaniment CD. Published by Lorenz Publishing Company

Horn (Horn)

SKU: HL.48182227

Composed by Lucien Thévet. Leduc. Classical. Softcover. 21 pages. Alphonse Leduc #AL23275. Published by Alphonse Leduc (HL.48182227).

UPC: 888680837068. 9.0x12.0x0.127 inches.

â??Lucien Thévet (1914-2007), a virtuoso Horn player of his day, provides 60 progressive studies and exercises for the Horn. 60 Studies for Horn is essential to all Horn advanced players seeking to improve their technique on the instrument. Thévet's book focuses on elements including scales, chromaticism, intervals, arpeggios, diligence, articulation, tone, vibrato, dynamics, legato passages, ornamentation and extended techniques, among other musical aspects. Moreover, 60 Studies for Horn also contains exercises in a range of key and time signatures to ensure versatility. Thévet's 60 Studies for Horn is crucial to the progress of any advanced Horn player seeking to improve their entire technique.â?.

Easy

SKU: WD.080689627170

Composed by Dale Mathews. Choral collection. Sacred, Choral. Book. Word Music #080689627170. Published by Word Music (WD.080689627170).

UPC: 080689627170.

New from the best-selling, trusted Very Simply Word Series, WORD MUSIC & CHURCH RESOURCES is proud to present THE WORSHIP FAVORITES COLLECTION Vol. 2! Featuring 8 exciting, non-seasonal worship favorites for Unison/2-Part choirs, this new collection is a valuable resource guaranteed to meet the needs of any choir—The small choir seeking well-designed, easy-sing arrangements, and the large choir seeking “practically-no-reh earsal-needed” selections!

SKU: HL.14007795

A Descriptive Catalogue Of His Works. Composed by Ronald Crichton. Music Sales America. Pop & Rock. Book Only. Chester Music #CB55396. Published by Chester Music (HL.14007795).

Ronald Crichton (1913-2005) Was A Highly Respected Music Critic And Writer, Working For The Financial Times From 1962 Until His Retirement In 1978. Having Read French At Oxford, He Worked For The British Council In Europe For 26 Years After The War, And Was Always Intently Aware Of The Music Of The Continent. Manuel De Falla Was One Of His Favourite Composers, And The Subject Of Two Of His Books. The First Of These, A Descriptive Catalogue Of His Works (1976) Is Considered By Many To Be His Magnum Opus . An Invaluable Tome By One Of The Great Falla Scholars, This Book Is Indispensable For Anyone Seeking To Find Out More About This Elusive Composer.

Ronald Crichton (1913-2005) was a highly respected music critic and writer, working for the Financial Times from 1962 until his retirement in 1978. Having read French at Oxford, he worked for the British Council inEurope for 26 years after the war, and was always intently aware of the music of the continent. Manuel De Falla was one of his favourite composers, and the subject of two of his books. The first of these, ADescriptive Catalogue Of His Works (1976) is considered by many to be his Magnum Opus.

An invaluable tome by one of the great Falla scholars, this book is indispensable for anyone seeking to findout more about this elusive composer.

Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more.

SKU: PR.11642143S

Composed by Stacy Garrop. Sws. Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143S. Published by Theodore Presser Company (PR.11642143S).

UPC: 680160693313. 11 x 17 inches.

For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.
For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Timpani, Trombone 1 and more. - Grade 3

SKU: CF.CPS214F

Composed by John Pasternak. Concert Band (CPS). Full score. With Standard notation. 24 pages. Carl Fischer Music #CPS214F. Published by Carl Fischer Music (CF.CPS214F).

ISBN 9781491153086. UPC: 680160910588.

Adven ture Express is about a train heading out to the old west, seeking new adventures and new opportunities. The piece focuses on the beautiful country sides, breathtaking vistas and the hard work of building a new land. It is a contest style piece by budding composer John Pasternak. It is tuneful and well-scored. Perfect for your next contest/festival performance.
Adventure Express is about a train heading out to the old west, seeking new adventures and new opportunities. The piece focuses on the beautiful countrysides, breathtaking vistas and the hard work of building a new land.The beginning of the piece should have a very marcato feel. Measure 18 should have a lighter feel than the beginning, with the snare drum playing the part of the rail cars going over the tracks. Be sure to pay attention to the accents in the trumpet, xylophone and snare drum lining up with the accents played by the rest of the ensemble. At m. 55, the xylophone should ring out and should be played with intention. At m. 71, the piece returns to a marcato style, and remains until the end of the piece. There are a few sudden dynamic changes that are crucial for effect, so pay close attention to those changes.

(The Awe and Mystery of God with Us). By Pepper Choplin. For SATB choir and piano (with optional orchestra). Christmas, Sacred. Cantata

By Pepper Choplin. Sacred Anthem, Christmas, Epiphany. Performance/accompaniment CD. Published by Lorenz Publishing Company

Edited by Paul Harvey and Rob Hughes. For Clarinet, Tenor Saxophone. Schott. Book with CD. 32 pages. Schott Music #ED13375. Published by Schott Music

String Quartet - advanced

SKU: BT.BB3474

Set (Score & Parts). 106 pages. Bote & Bock #BB3474. Published by Bote & Bock (BT.BB3474).

ISBN 9783793141716.

F or Isang Yun, String Quartet No. 3 from 1959 marked the beginning of his European creative phase and of his official canon of works. Now it is possible to encounter Yun's early works from his Korean period inthe form of his String Quartet No. 1 (1955). Three important 10-minute movements containing references not only to Asia but also to Ravel, Bartók and Eastern European folk music and having an idiosyncraticstructure: Yun lines up forms and figures, makes them emerge from each other in a contrasting manner and assembles them into a mosaic-like whole, seeking for integration, laying down his material in layer upon layer and endingthemovements with a rhythmic unison. […] Even then, he probably regarded a work of art as an energetic stream of sounds and as a reflection of a world whose diverging parts weave into a harmonic whole. (Walter-WolfgangSparrer)< /p>

Edited by Paul Harvey and Rob Hughes. For Trombone. Schott. Book with CD. 32 pages. Schott Music #ED13378. Published by Schott Music

(The Awe and Mystery of God with Us). By Pepper Choplin. For SAB choir and piano (with optional orchestra). Christmas, Sacred. Cantata

SKU: GI.G-7192

Composed by Scott Lang. Leadership. Instructional. 248 pages. GIA Publications #7192. Published by GIA Publications (GI.G-7192).

ISBN 9781579996871. English.

Scott Lang’s Leadership Travel Guide is a must-have for anyone seeking to encourage student leadership in a musical group or other school organization. This inviting leadership method book is an interactive journey for all stakeholders in your program. Scott Lang’s exceptionally effective process encourages significant personal and program growth. His proven approach is equally effective with high school and college-aged students. This hands-on manual is essential for any educator looking to improve student performance in the classroom, on the stage, and beyond! A Companion DVDproduced by Scott Lang and featuring interviews with students and teachers, will be sent free to anyone who orders 10 or more books. Scott Langis a nationally recognized speaker on the development of student leadership. He is the author of Leadership Success: A Holistic Approach to Developing Your Student Leadership Program(GIA Publications, DVD-608), an interactive DVD/CD-ROM also featuring Tim Lautzenheiser, Patrick Sheridan, and Jon Gomez.

Bcl - Advanced

SKU: FT.FM912

Composed by Philip Joy. Contemporary solo, some extended techniques. Classical. Score. Forton Music #FM912. Published by Forton Music (FT.FM912).

ISBN 9790570488117. 8.25 x 11.75 inches.

SATTB/SATTB choir, SSAATTBB vocal soli, orchestra (SSAATTTTBB - 2rec.2.0.0 - 0.3.3.0 - 2vl.4va da brazzo.vagb(db) - bc)

SKU: BR.EOS-8024-23

Vesper on Marian Feasts. Composed by Claudio Monteverdi. Edited by Jerome Roche. Choir; Softcover. Eulenburg Orchestral Series. Renaissance/early Baroque. Part. 8 pages. Duration 70'. Breitkopf and Haertel #EOS 8024-23. Published by Breitkopf and Haertel (BR.EOS-8024-23).

ISBN 9790004789506. 8.5 x 11.5 inches.

Monteverdi' s Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at MantUrauffuhrung for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.

By Ivan Hrus=Ovsky;. For SATB Instrumental accompaniment sold separately. Choral music. Level: Difficult. Published by Santa Barbara Music Publishing. (SBMP 319)

(Dizzy Dogs and Curious Cats). Composed by Dena C. Adams and Claire D. Clark. Book; CD; Classroom/Pre-School; General Music and Classroom Publications; Other Classroom; Reproducible. This Is Music!. 128 pages. Published by Alfred Music

SKU: HL.456815

Cherry SB Chambered Ebony FB. Michael Kelly Guitars. Guitars. Michael Kelly Guitar Co. #MKPDSCSJRA. Published by Michael Kelly Guitar Co. (HL.456815).

UPC: 809164026952. 16.5x41.0x4.0 inches.

Patriot Decree Guitar Player Magazines Editor's Pick for Under $500! The Patriot Decree has been an award winner for years. We have packed it with great features all to make it fun to play, great sounding and guitar-lust-worthy. The Decree is a feature packed single cutaway for sure. The deeply carved top is figured maple on a mahogany body with a mahogany neck. The construction is set neck for that vintage tone and sustain you are seeking. The pickups are voiced specifically for this model, they are over-wound PAF-inspired. Try to pick a color from the many great options and get your Decree.

Bass trombone solo

SKU: P2.80079

Composed by James Grant. Solo music, 20th century. Published by Potenza Music (P2.80079).

Stuff is the first of four recital pieces commissioned by and dedicated to 78 adventure-seeking tubists representing 30 states and three countries, who fearlessly joined the 2001 Solstice/Equinox Commissioning Consortium. As each solstice and equinox approached during the year 2001, a new piece was sent out to the participants. All four pieces (Stuff, High Autumn, Just a Thought and Endorphins) now exist in multiple versions for orchestral and band instruments and are programmed frequently at conferences and on student and faculty recitals throughout the year.