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Seeking Light
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Quatuor à cordes: 2 violons, … (6)
Chorale SATB (3)
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Fuhr, sanftes Licht (Lead, kindly light) (RUTTER JOHN)
3.60
Fuhr, sanftes Licht (Lead, kindly light) (RUTTER JOHN)
Chorale SATB
SATB A Cappella
Oxford University Press
Par RUTTER JOHN. for SATB unaccompanied John Henry Newman's 'Lead, kindly light'...
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Par RUTTER JOHN. for SATB unaccompanied John Henry Newman's 'Lead, kindly light' is presented here in a German translation and is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the speaker seeking light in the darkness, slow but steady in their way out of the 'encircling gloom'. / Date parution : 2023-06-01/ Répertoire / SATB sans Accompagnement
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American Negro Songs
14.90
American Negro Songs
Piano, Voix
[Partition]
Dover Publications
230 folk songs and spirituals, religious and secular, arranged for piano and voi...
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230 folk songs and spirituals, religious and secular, arranged for piano and voice. From joyous gospel to deeply felt blues, this wonderful collection contains vintage songs sung and played through the years by black Americans - at work, in church and for pure entertainment. Included are spirituals, blues, work songs and a variety of social and dance songs. This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events and other gatherings where people want to play and sing these classic folk songs thatare an integral part of American musical history./ Recueil / Chant et Piano
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Now Ii (PINTSCHER MATTHIAS)
29.00
Now Ii (PINTSCHER MATTHIAS)
Violoncelle
-
Intermédiaire/avancé
Barenreiter
part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is th...
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part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities. This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'. / Niveau : 5 / Répertoire / Violoncelle
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10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
31.60
10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...
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10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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10 Fugues (BACH JOHANN-SEBASTIAN)
31.60
10 Fugues (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arran...
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For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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Dizzy Dogs And Curious Cats
38.70
Dizzy Dogs And Curious Cats
Chorale
[Partition + CD]
Alfred Publishing
Dizzy Dogs and Curious Cats is filled with engaging, easy-to-use, fun music acti...
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Dizzy Dogs and Curious Cats is filled with engaging, easy-to-use, fun music activities. Designed for both teachers with little or no music background and seasoned professionals seeking fresh ideas, Dizzy Dogs and Curious Cats will introduce your students to familiar tunes, chants, and delightful new songs and poems. With several of the enchanting activities connecting directly to popular preschool literature books, there is a consistent thread of language and literacy awareness throughout the book. The audio CD contains much of the music included in the book---music arrangements for singing and playing instruments in class, dancing music, music for listening, and other songs needed for teaching these activities. Additional songs are precisely referenced to be readily located on iTunes. Fully reproducible, patterns for corresponding manipulatives and fun crafts are also included. Engage and delight your students with the charming lessons in Dizzy Dogs and Curious Cats! Recommended for Pre-K--grade 1. / Choeur
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Classical Riffs For Guitar - Guitar
17.99
Classical Riffs For Guitar - Guitar
Guitare notes et tablatures
Guitare classique
[Partition]
Hal Leonard
Description 30 famous classical melodies from cartoons, movies, commercials a...
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Description 30 famous classical melodies from cartoons, movies, commercials and television. Presented in standard notation with tab, chords, performance tips, and background information, this is the book for guitarists seeking to incorporate quotes from the masterpieces of classical music into their solos. Spice up your solos the classical way - with the famous melodies you've heard in countless cartoons! Songlist A Little Night Music (First Movement) [Mozart, Wolfgang Amadeus] Air On The G String (Orchestral Suite No.3 In D) [Bach, Johann Sebastian] Ave Maria [Schubert, Franz] Can-Can (Orpheus In The Underworld) [Offenbach, Jacques] Clair De Lune (Suite Bergamasque) [Debussy, Claude] Funeral March Of A Marionette [Gounod, Charles] Habanera (Carmen) [Bizet, Georges] Hungarian Dance No.5 [Brahms, Johannes] In The Hall Of The Mountain King (Peer Gynt) [Grieg, Edvard] Jesu, Joy Of Man's Desiring (Cantata 147) [Bach, Johann Sebastian] Lullaby (Wiegenlied) [Brahms, Johannes] Marche Funebre (Sonata Op.35) [Chopin, Frederic] Minuet (String Quintet No.5) [Boccerini, Luigi] Morning (Peer Gynt) [Grieg, Edvard] Ode To Joy (Symphony No.9) [Beethoven, Ludwig Van] On The Beautiful Blue Danube [Strauss, Johann] Overture (Marriage Of Figaro) [Mozart, Wolfgang Amadeus] Overture (The Barber Of Seville) [Rossini, Gioacchino] Overture (William Tell) [Rossini, Gioacchino] Pavane [Faure, Gabriel] Piano Concerto No.21 In C (Second Movement Excerpt) [Mozart, Wolfgang Amadeus] Rondeau (Symphonic Suite No.1) [Mouret, Jean-Joseph] Second Movement (Symphony No.9 'The New World') [Dvorak, Antonin] Symphony No.40 In G Minor (First Movement Excerpt) [Mozart, Wolfgang Amadeus] Symphony No.5 In C Minor Op.67 (First Movement Excerpt) [Beethoven, Ludwig Van] The Flight Of The Bumble Bee [Rimsky-Korsakov, Nikolay] The Happy Farmer Op.68 No.10 (Album For The Young) [Schumann, Robert] The Prince Of Denmark's March [Clarke, Jeremiah] The Skater's Waltz [Waldteufel, Emile] Waltz Of The Flowers (The Nutcracker Suite) [Tchaikovsky, Pyotr Ilyich]
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Today's Choral Classics
33.10
Today's Choral Classics
Chorale SATB
Novello & Co Ltd.
Today's Choral Classics is a special collection of pieces from the most exciting...
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Today's Choral Classics is a special collection of pieces from the most exciting talents in choral composition today. From the church to the concert hall, it is the perfect volume for choruses seeking a contemporary choral repertoire, rich in accessible, modern arrangements in a variety of styles. Featuring Paul Mealor's Wherever You Are , a Christmas #1 for The Military Wives choir, and Ubi Caritas , his specially commissioned piece for the royal wedding of the Duke and Duchess of Cambridge - serene miniatures by John Tavener and Eric Whitacre - simple gems by Richard Rodney Bennett and Richard Blackford - and more substantial works by Judith Weir, James Whitbourn, Tarik O'Regan and Nico Muhly - choirs of all styles, sizes and abilities will discover a wealth of variety of inspiring pieces to delight singers and audiences alike. Today's Choral Classics is a fantastic addition to any music library or choral resource, and provides a solid and accessible basis for any contemporary choral concert programme. / SATB
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5 Bagatelles (AURIC GEORGES)
32.60
5 Bagatelles (AURIC GEORGES)
1 Piano, 4 mains
[Partition]
Heugel
Par AURIC GEORGES. French composer, Georges Auric (1899-1983) was a member of Le...
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Par AURIC GEORGES. French composer, Georges Auric (1899-1983) was a member of Les Six. His compositional career was mainly distinguished by his film music. However, his catalogue is varied and 5 Bagatelles is a delightful collection of Four Hand Piano Duets. The Five Bagatelles are; 1) Overture, 2) Little March, 3) Waltz, 4) Dream, and 5) Retreat. Suitable for intermediate level pianists, Auric 's compositions tend to reflect the current music scene in Paris at the time. For all intermediate pianists seeking exciting duet music, Auric 's 5 Bagatelles provide just that./ Répertoire / Piano 4 Mains
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Spirituals And Gospels
18.10
Spirituals And Gospels
Chorale SATB
SATB
Advance Music
The arrangements of these pieces use more jazz-based harmonies, rather than trad...
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The arrangements of these pieces use more jazz-based harmonies, rather than traditional. The effect is fresh and beautiful. / Choeur
18.10 EUR - vendu par LMI-partitions
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