| Hal Leonard Student Piano Library Adult Piano Method Piano seul [Partition + Accès audio] - Facile Hal Leonard
Lessons, Solos, Technique, and Theory. Educational Piano Library. Instruction, M...(+)
Lessons, Solos,
Technique, and Theory.
Educational Piano
Library. Instruction,
Method. Softcover Audio
Online. 116 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Note Pictures: A Coloring Note Speller
Piano seul - Débutant Kjos Music Company
By Jane Smisor Bastien. Bastien Piano. Bastien Supplementary Books. Level: Grade...(+)
By Jane Smisor Bastien.
Bastien Piano. Bastien
Supplementary Books.
Level: Grade 1. Music
Book. Published by Neil
A. Kjos Music Company.
(2)$6.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Andrew Lloyd Webber: The Essential Andrew Lloyd Webber Collection Piano, Voix [Partition] - Intermédiaire Hal Leonard
Composed by Andrew Lloyd Webber. For voice and piano. Format: piano/vocal/chords...(+)
Composed by Andrew Lloyd
Webber. For voice and
piano. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Broadway.
238 pages. 9x12 inches.
Published by Hal Leonard.
(2)$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Noche del Gitano Piano seul Alfred Publishing
By Ted Cooper. For Piano. Piano Solo; Sheet; Solo. Signature Series. Latin. Late...(+)
By Ted Cooper. For Piano.
Piano Solo; Sheet; Solo.
Signature Series. Latin.
Late Elementary. 4 pages.
Published by Alfred Music
Publishing
$3.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alfred's Basic Adult Piano Course - Sight Reading Book (Level 1) Piano seul - Facile Alfred Publishing
(Carefully Sequenced Examples Designed to Enhance Music Reading Skills for a Lif...(+)
(Carefully Sequenced
Examples Designed to
Enhance Music Reading
Skills for a Lifetime of
Piano Enjoyment) Written
by E. L. Lancaster, Gayle
Kowalchyk. For piano.
Format: instructional
book. With easy piano
notation, fingerings and
introductory text. Note
Reading. Series: Alfred's
Basic Piano Library. 48
pages. 9x12 inches.
Published by Alfred
Publishing.
(1)$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solo Book for Winds - Trumpet Trompette, Piano [Partition + CD] - Facile Imagine Music
Composed by David Marchand and Elizabeth Borowsky. For trumpet and piano (with o...(+)
Composed by David
Marchand and Elizabeth
Borowsky. For trumpet and
piano (with optional CD
accompaniment). Level
1-2. Book and CD.
Published by Imagine
Music
$16.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Yamaha Band Student, Book 3 Piano seul [Partition] Alfred Publishing
By John O'reilly, John Kinyon. For Piano Acc. Band Method. Yamaha Band Method. B...(+)
By John O'reilly, John
Kinyon. For Piano Acc.
Band Method. Yamaha Band
Method. Book. 60 pages.
Published by Alfred
Publishing.
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Frederic Chopin : Etude in E Major, Op. 10, No. 3 Piano seul [Feuillet] - Avancé Alfred Publishing
By Frederic Chopin. Edited by Willard A. Palmer. For Piano. Piano Solo. Masterwo...(+)
By Frederic Chopin.
Edited by Willard A.
Palmer. For Piano. Piano
Solo. Masterwork. Level:
Early Advanced (grade 6
). 8 pages. Published by
Alfred Publishing.
(1)$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hope Remains Within - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Brake Drum, Chimes,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum and more. -
Grade 2.5 SKU:
CF.YPS217F Composed
by Zachary Cairns. Sws.
Yps. Full score. 24
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #YPS217F.
Published by Carl Fischer
Music (CF.YPS217F).
ISBN 9781491156551.
UPC: 680160915095. 9 x 12
inches. Hope
Remains Within was
commissioned by and
composed for the Mount
Nittany Middle School 7th
and 8th Grade Concert
Bands. Having heard the
students of Mount Nittany
perform another work of
mine, I was very excited
when their director,
Johanna Steinbacher,
approached me about
writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn't exactly sure
how, or what. Johanna
talked to some of her
students and learned
that, in 7th grade, the
students spend a good
deal of time studying
mythology in their
English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora. As
such, I decided to use
that story as the basis
of this composition. Hope
Remains Within doesn't
attempt to re-tell the
story, event by event, in
musical terms. Instead,
my goal was to address
what seems to be one of
the central issues of the
Pandora myth. Though
there are some
variations, we probably
all know the basics as
told by the ancient Greek
poet Hesiod. Zeus decides
to punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus's brother
Epimetheus as a bride.
Pandora is herself given
a jar (according to many
sources, jar seems to be
a more accurate
translation for what we
commonly call Pandora's
box) which contained
numerous evils, diseases,
and other pains. Out of
curiosity, Pandora opens
the jar and releases all
of these evils into the
world. But one thing
remains in the jar: hope.
The issue of hope seems
to be one of the big
interpretive questions of
the Pandora myth. Why
does hope remain within
the jar? Why doesn't it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place? I'm not enough of
a mythological scholar to
claim to have definitive
answers to those
questions, but these are
the questions that I've
tried to engage from a
musical perspective in
Hope Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed. Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope's
beginning played by alto
saxophones and chimes,
comes from the opening
measures of Skyrabin's
work. Given the important
role that Prometheus
plays in the Pandora
myth, this seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key. Additionally,
I have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the piece's
slow opening, I have
allowed these minor key
pitches to mingle freely
within the Bb major
tonality, adding extra
color and (I hope!)
beauty. As the piece
progresses, though, the
tempo increases, and we
lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn't
resist.). Hope Remains
Within was commissioned
by and composed for the
Mount Nittany Middle
School 7th and 8th Grade
Concert Bands. Having
heard the students of
Mount Nittany perform
another work of mine, I
was very excited when
their director, Johanna
Steinbacher, approached
me about writing a piece
specifically for them. I
knew right away that I
wanted to write something
that would tie in with
their non-music
curriculum in some way,
but I wasn’t
exactly sure how, or
what. Johanna talked to
some of her students and
learned that, in 7th
grade, the students spend
a good deal of time
studying mythology in
their English class. In
particular, two clarinet
students mentioned how
much they enjoyed the
story of Pandora.As such,
I decided to use that
story as the basis of
this composition. Hope
Remains Within
doesn’t attempt to
re-tell the story, event
by event, in musical
terms. Instead, my goal
was to address what seems
to be one of the central
issues of the Pandora
myth. Though there are
some variations, we
probably all know the
basics as told by the
ancient Greek poet
Hesiod. Zeus decides to
punish Prometheus for
stealing fire from heaven
and giving it to humans.
He and the other gods
create Pandora, a
beautiful and deceitful
woman, and they give her
to Prometheus’s
brother Epimetheus as a
bride. Pandora is herself
given a jar (according to
many sources,
“jar†seems
to be a more accurate
translation for what we
commonly call
“Pandora’s
boxâ€) which
contained numerous evils,
diseases, and other
pains. Out of curiosity,
Pandora opens the jar and
releases all of these
evils into the world. But
one thing remains in the
jar: hope.The issue of
hope seems to be one of
the big interpretive
questions of the Pandora
myth. Why does hope
remain within the jar?
Why doesn’t it
come out of the jar to
help humanity? Is hope
being held on a pedestal
of some sort? Is hope
deliberately withheld
from humanity? Why was
hope in the jar with all
those evils in the first
place?I’m not
enough of a mythological
scholar to claim to have
definitive answers to
those questions, but
these are the questions
that I’ve tried to
engage from a musical
perspective in Hope
Remains Within. I
encourage the students
and listeners to consider
their own ideas of what
hope is, and where you
can find your own hope
when needed.Musically,
Hope Remains Within draws
one of its main themes
from the Prometheus
Symphony by Alexander
Skryabin (Scriabin). The
note sequence F-D-Gb -F,
heard near Hope’s
beginning played by alto
saxophones and chimes,
comes from the opening
measures of
Skyrabin’s work.
Given the important role
that Prometheus plays in
the Pandora myth, this
seemed like an
appropriate musical
gesture to quote. This
Prometheus motive is
varied throughout the
course of the piece, and
even provides closure at
the end, recast in a
major key.Additionally, I
have tried to involve a
manageable amount of
chromaticism in this
piece. I have worked from
the key of Bb major, no
doubt familiar to every
student who has ever
played an instrument in a
band. But I have added
three extra notes: Db,
Gb, and Ab, which are
drawn from the key of Bb
minor. During the
piece’s slow
opening, I have allowed
these minor key pitches
to mingle freely within
the Bb major tonality,
adding extra color and (I
hope!) beauty. As the
piece progresses, though,
the tempo increases, and
we lose sense of the Bb
major key entirely, and
these extra notes play a
more important role. But
finally, Bb major returns
triumphantly and all the
extra notes are gone,
except for a brief memory
near the very end. (Ok,
there are a couple of
E-naturals that sneak in
there along the way. I
couldn’t
resist.). $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classics for Students -- Bach, Mozart and Beethoven, Book 1 Piano seul - Intermédiaire Alfred Publishing
(Standard Repertoire for the Developing Pianist). Edited by Jane Magrath. For ...(+)
(Standard Repertoire for
the
Developing Pianist).
Edited
by Jane Magrath. For
Piano.
Book; Graded Standard
Repertoire; Masterworks;
Piano Collection.
Classics
for Students. Masterwork;
Recital. Early
Intermediate.
32 pages. Published by
Alfred Music
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bossa Novas [Partition] Hal Leonard
Tenor Saxophone - Difficulty: medium SKU: HL.672377 Tenor Saxophone(+)
Tenor Saxophone -
Difficulty: medium
SKU: HL.672377
Tenor Saxophone.
By Stan Getz. Hal Leonard
Artist Transcriptions.
Jazz and Latin Jazz.
Tenor saxophone solo
songbook. With chord
names, alternate
fingerings and
introductory text. 94
pages. Published by Hal
Leonard (HL.672377).
ISBN 9780793581795.
UPC: 073999953527. 9x12
inches. 18 Bossa
Novas transcribed note
for note, including:
Balanco No Samba (Street
Dance) • Ebony
Samba (Sambanegro)
• The Girl from
Ipanema (Garôta De
Ipanema) • How
Insensitive (Insensatez)
• One Note Samba
(Samba De Uma Nota So)
• Quiet Nights of
Quiet Stars (Corcovado)
• Samba De Duas
Notas (Two Note Samba)
• Slightly Out of
Tune (Desafinado) •
and more.
About Hal
Leonard Artist
Transcriptions
p> Artist
Transcriptions are
authentic, note-for-note
transcriptions of the
hottest wind, electronic,
guitar and keyboard
artists. These
outstanding, accurate
arrangements are in an
easy-to-read format which
includes all essential
lines. Artist
Transcriptions can be
used to perform, sequence
or reference. (1)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Moments musicaux Flûte traversière et Piano Breitkopf & Härtel
Flute, piano SKU: BR.EB-8285 Composed by York Holler. Solo instruments; S...(+)
Flute, piano SKU:
BR.EB-8285 Composed
by York Holler. Solo
instruments; Softcover.
Edition Breitkopf. World
premiere Cologne,
February 26, 1984. Music
post-1945. Score.
Composed 1979. 20 pages.
Duration 10'. Breitkopf
and Haertel #EB 8285.
Published by Breitkopf
and Haertel (BR.EB-8285).
ISBN 9790004176016. 9
x 12 inches. World
premiere Cologne,
February 26, 1984 For me,
one of the most
interesting aspects of
composition is to draw
the most varied
consequences from one and
the same musical idea.
Thus my pieces Umbra,
Mythos, Resonance and
Moments Musicaux, for all
their disparity, form a
group of works in that
they are based on a
common Klanggestalt, a
34-note melodic-harmonic
structure from whose
formal basis the overall
shape of the piece is
derived by projection. I
have called the method
'Gestalt composition',
Thus there are 12 clearly
differentiated formal
characters or motives,
which appear frequently
in irregular sequence and
are variously
interconnected. The
'bell' motives play a
special role here: the
piano part frequently
bears the instruction
quasi Campane,
Campanelli, Campane
grandi.(York Holler,
translated by Niall
Hoskin)
World
premiere Cologne,
February 26, 1984. $40.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Don Mock's Modal Mojo Guitare notes et tablatures [Partition + CD] Alfred Publishing
Don Mock's Modal Mojo. (The "No Mystery" Approach to Modal Improvising). By Don ...(+)
Don Mock's Modal Mojo.
(The "No Mystery"
Approach to Modal
Improvising). By Don
Mock. For Guitar. Guitar
Method or Supplement;
Method/Instruction. Audio
Workshop Series. Book and
CD. 84 pages. Published
by Alfred Music
Publishing
(1)$19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Killer Pentatonics for Guitar Guitare notes et tablatures [DVD] Centerstream
(Innovative and Diverse Ways of Playing Penatonic Scales in Blues, Rock, and Hea...(+)
(Innovative and Diverse
Ways of Playing Penatonic
Scales in Blues, Rock,
and Heavy Metal). Guitar.
DVD. Guitar tablature.
Published by Centerstream
Publications
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Columba aspexit Chorale 3 parties SSA, Piano [Octavo] Oxford University Press
By Tarik O'Regan. For SSA choir and optional piano. This edition: NH8. Upper Voi...(+)
By Tarik O'Regan. For SSA
choir and optional piano.
This edition: NH8. Upper
Voices. New Horizons No.
8. Sacred Choral Leaflet.
Vocal score. 12 pages.
Duration 4'
$3.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lord, Send Out Your Spirit / Señor, Envía Tu Espiritu Chorale 3 parties SAB, Piano - Débutant GIA Publications
SAB choir, assembly, piano accompaniment - Beginning SKU: GI.G-7241 Compo...(+)
SAB choir, assembly,
piano accompaniment -
Beginning SKU:
GI.G-7241 Composed by
Tony Alonso S.J.
Pentecost Vigil,
Pentecost, Pentecost A,
Pentecost B, Pentecost C.
Oramos cantando series.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#7241. Published by GIA
Publications (GI.G-7241).
UPC: 785147724100.
English, Spanish. Text
Source: Psalm 104, adapt.
TA, Pentecost Sequence.
Text by Tony Alonso.
Scripture: Psalm
104. This edition
contains the verses for
the Pentecost psalm in
both languages and also
the complete sequence in
English and
Spanish—to be sung
with the psalm refrain.
The 3-part refrain is an
ostinato that can be
quietly sung under the
solo verses. Ostinato
refrain. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eine kleine Nachtmusik Piano seul Schott
Piano - difficult SKU: HL.49032518 For Piano. Composed by Peteris ...(+)
Piano - difficult SKU:
HL.49032518 For
Piano. Composed by
Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1978.
16 pages. Duration 14'.
Schott Music #ED8046.
Published by Schott Music
(HL.49032518). ISBN
9790001082839. UPC:
884088576653.
9.0x12.0x0.105
inches. Peteris
Vask's Eine kleine
Nachtmusik, composed in
1978, is an example of
the tragedy of past eras
and a small-scale requiem
for the hope of people of
all ages. The title
borrowed from Mozart is
here coloured in a
poignantly ironical hue.
The greater the musical
experience of the
listener, the deeper is
the understanding of this
music and its composer.
For example, the Latvian
speech melody and the
proximity of the diatonic
folk song to the
mediaeval sequence Dies
irae suddenly reveals
itself as a concept of
night music from a more
general aspect. The
rhythmically constant
pulsation in the piano
bass subsequently assumes
a semantic significance
and could possibly be an
elegy for Schubert's
Erlkonig. $15.99 - Voir plus => Acheter | | |
| Rock Chops for Guitar Guitare notes et tablatures [CD] National Guitar Workshop Publications
(Technique Exercises for the Aspiring Guitarist) Edited by Tobias Hurwitz. Inst...(+)
(Technique Exercises for
the Aspiring Guitarist)
Edited by Tobias Hurwitz.
Instructional book & CD
package for guitar. With
introductory text. Rock
Chops deals with all the
important soloing
techniques, such as speed
picking, sweeping,
tapping, harmonics, and
scale sequencing. Series:
Chop Series. 79 pages.
Published by The National
Guitar Workshop.
$19.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Fountain Piano seul Alfred Publishing
By Lynn Freeman Olson. For Piano. Piano Solo. 8 pages. Published by Alfred Publi...(+)
By Lynn Freeman Olson.
For Piano. Piano Solo. 8
pages. Published by
Alfred Publishing.
$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Computer Talk Piano seul Alfred Publishing
By Martha Mier. For Piano. Piano Solo; Sheet; Solo. Signature Series. Recital. E...(+)
By Martha Mier. For
Piano. Piano Solo; Sheet;
Solo. Signature Series.
Recital. Elementary. 4
pages
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sequence Four Quatuor à cordes: 2 violons, alto, violoncelle Chester
Score and Parts String Quartet; Synthesizer (Score & Parts) SKU: HL.280397(+)
Score and Parts String
Quartet; Synthesizer
(Score & Parts) SKU:
HL.280397 String
Quartet and Synthesizer
Score and Parts.
Composed by Peter
Gregson. Music Sales
America. Classical.
Duration 240 seconds.
Chester Music #CH87714.
Published by Chester
Music (HL.280397).
9.0x12.0
inches. Peter
Gregson's Sequence Four
for String Quartet and
Juno Synthesiser.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you. $16.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Exercises for Three Finger Banjo Banjo - Débutant Mel Bay
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay ...(+)
Composed by Jack
Hatfield. Squareback
saddle stitch. Book.
Published by Mel Bay
Publications, Inc
(MB.99783).
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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