Bassoon and Piano - easy SKU: BT.AMP-307-400 Arranged by Philip Sparke. A...(+)
Bassoon and Piano - easy
SKU:
BT.AMP-307-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2013. 16 pages.
Anglo Music Press #AMP
307-400. Published by
Anglo Music Press
(BT.AMP-307-400).
ISBN
9789043138154. 9x12
inches.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15 Easy
Classical Solos is
aimed at the young
instrumentalist who can
play just over an octave.
Specifically tailored to
suit the individual
instrument, this book
introduces the beginning
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range. The
carefully selected pieces
include music from the
16th to the 20th century
and cover a wide variety
of styles, from Bach to
Grieg and from Purcell to
Satie. This book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15 Easy
Classical Solos,
onderdeel van de Anglo
Music Play-Along
Series, is bedoeld
voor de jonge
instrumentalist die iets
meer dan een octaaf kan
spelen. Het boek sluit
qua instrumentaal bereik
en gebruikte
toonsoortenaan bij het
Artist Level van Hal
Leonards Essential
Elements ®, maar
kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën, die
specifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen:van Bach tot
Grieg en van Purcell tot
Satie.Het boek bevat
waardevol materiaal ter
aanvulling op elke
lesmethode en wordt
geleverd met
pianobegeleiding en een
cd met demo- en
meespeeltracks.
15 Easy Classical
Solos ist als
Ergänzung zur
bewährten Anglo
Music Play-Along
Reihe gedacht und richtet
sich an Schüler, die
ungefähr einen
Tonumfang von einer
Oktave beherrschen. Das
Niveau entspricht dem des
Artist Levels der
Essential Elements
® Methode von Hal
Leonard, kann aber auch
unabhängig davon
verwendet werden. Genau
auf jedes Instrument
zugeschnitten,
ermöglicht die
wohlüberlegte
Stückeauswahl ein
erstes Kennenlernen von
Melodien aus
verschiedenen Epochen der
Klassik von Grieg über
Purcell bis Satie. Jeder
Band bietet wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Il concetto della
collana Anglo Music
Play-Along Series
è quello di integrare
al più presto nel
processo di apprendimento
dei giovani strumentisti
la possibilit di poter
suonare accompagnati al
piano o con lâ??ausilio
di unâ??incisione su CD.
Ilchiaro vantaggio di
questo metodo è che
gli allievi imparano da
subito lâ??aspetto
fondamentale del suonare
insieme, vale a dire
tenere il tempo in modo
costante. 15 Easy
Classical Solos
consente agli allievi che
hanno una conoscenza
limitatadelle note di
suonare brani di Bach,
Schubert, Purcell, Grieg
e altri, grazie alle
versioni facilitate. Il
livello di 15
Intermediate Classical
Solos permette invece
agli allievi che
padroneggiano
lâ??estensione superiore
a unâ??ottava
dicimentarsi nei
â??primi concertiâ?
con brani di Haendel,
Clementi, Rameau, Glueck,
Beethoven e altri. Il CD
propone una traccia con
lâ??incisione completa e
una con il solo
accompagnamento.
(Wedding and Classical Favorites). Composed by Various. Arranged by Daniel Kelle...(+)
(Wedding and Classical
Favorites). Composed by
Various. Arranged by
Daniel Kelley. For
Flute/Oboe/Violin and
Cello/Bassoon. Duets.
Music for Two series. An
engaging new collection
for any occasion
including the best of
Bach, Chopin, Debussy,
Delibes, Dvorak, Holst,
Tschaikovsky and more!.
Wedding, Classical.
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing
Gavotte and Tarantelle Quintette : Hautbois, Clarinette, Cor, Basson et Piano Rosewood Publications
By Fritz Fuhrmeister. For wind quintet (flute, oboe, clarinet, horn, bassoon) an...(+)
By Fritz Fuhrmeister. For
wind quintet (flute,
oboe, clarinet, horn,
bassoon) and piano.
Facsimile Editions -
Winds and Piano. An
excellent romantic
companion piece to the
Thuille. Bargain price.
Romantic. Published by
Rosewood Publications
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oboe, bassoon and piano - difficult SKU: HL.49016219 Composed by Benjamin...(+)
Oboe, bassoon and piano -
difficult
SKU:
HL.49016219
Composed
by Benjamin Schweitzer.
This edition: Saddle
stitching. Sheet music.
Misc. Score (also
performance score).
Composed 2006. 73 pages.
Duration 10'. Schott
Music #ED 20121.
Published by Schott Music
(HL.49016219).
ISBN
9790001146449. UPC:
884088202538.
9.0x12.0x0.195
inches.
The
chiaroscuro-technique
developed by painters of
the Italian renaissance
served to intensify
contrasts and effects of
optical depth. In
Klar/Obskur, I tried to
transfer the general idea
of this technique on the
rather unusual
instrumentation of two
double-reed woodwinds and
piano. On the one hand, a
clear, well articulated
playing is characteristic
for these instruments, on
the other hand, they have
an often underestimated
potential of 'twilight':
air-sounds and fragile,
shady colours have a
especially attractive
when being produced by
double-reed instruments
(which are often, and
superficially regarded as
being less capable of
differentiated sounds
than flute or clarinet).
The piano, too, has a
broad bandwidth of
possibilities between
percussive and delicate
playing to complement the
woodwinds which, in
return, can absorb and
continue the fading piano
sounds.The beginning
introduces the two
contrasting elements that
form the basic material
for the piece: a clear,
sharp chord, followed by
fragile, dim sounds. The
changes between these
elements as well as their
combination and
amalgamation produce an
enormous spectrum of
colours and gesture.
After this 'motto-like'
opening follow four quite
clearly separated short
sections, each of them
being characterised by a
well-defined texture: a
partly almost
imperceptible air-sound
passage, a short sequence
of microintervallic
notes, a burst of
virtuosity and a recourse
to the fragile sounds of
the beginning.The second,
longer main part consists
of three sections merging
subtly into each other: a
short unisono-passage,
marked elastic [federnd],
is being dissolved into
its basic elements; from
these remainders, a
confrontation of low,
'arcane' bassoon and
piano sounds and a
strongly ornamented
melodic line of the oboe
emerges, leading to a
short but powerful
climax. The piece is
concluded by an extended,
relaxed epilogue,
containing a short piano
solo and a duet of oboe
and bassoon and, finally,
a quotation of the
'elastic' character of
the middle
section.Benjamin
Schweitzer.
Sounds Classical Basson, Piano (duo) [Partition + CD] - Facile Anglo Music
Bassoon and Piano - early intermediate SKU: BT.AMP-362-400 17 Graded S...(+)
Bassoon and Piano - early
intermediate
SKU:
BT.AMP-362-400
17
Graded Solos for Bassoon
and Piano. Arranged
by Philip Sparke.
Classical. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
362-400. Published by
Anglo Music Press
(BT.AMP-362-400).
ISBN
9789043138826. 9x12
inches.
English-German-French-Dut
ch.
Sounds
Classical for Bassoon
is a collection of graded
solos selected
specifically for the
developing
bassoonist.
Designed to
correlate with grades 1-4
of the exam syllabus of
the Associated Board of
the royal Schools of
Music, the pieces are
drawn from four centuries
of classical repertoire
ranging from Susato to
Sullivan, and will
provide ideal material
forpractice or
recital.
Also
available: Sounds
Classical for Oboe,
AMP
361-400
Sounds
Classical for Bassoon
is een verzameling van
solos die speciaal voor
fagotleerlingen zijn
geselecteerd - in
oplopend niveau.
De
stukken komen qua
moeilijkheidsgraad
overeen met niveau 1-4
van de examenbundel van
de Britse Associated
Board of the Royal
Schools of Music. Ze
bestrijken een periode
van vier eeuwen klassiek
repertoire - van Susato
tot Sullivan - en ze
vormenideaal materiaal
voor zowel lessen als
optredens.
Ook
verkrijgbaar: Sounds
Classical for Oboe,
AMP 361-400
SOUNDS
CLASSICAL ist eine
Sammlung von im
Schwierigkeitsgrad
fortschreitenden Soli,
die speziell für
werdende Fagottisten
ausgewählt wurden.
Philip Sparke wählte
für dieses Buch
Stücke aus dem
klassischen Repertoire
aus vier Jahrhunderten
aus - vonSusato über
Telemann, Händel,
Grieg, Purcell, Mozart
bis Sullivan - das ideale
Material zum Ãœben oder
Vorspielen!
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
Sounds Classical Hautbois, Piano (duo) [Partition + CD] - Facile Anglo Music
Oboe and Piano - early intermediate SKU: BT.AMP-361-400 17 Graded Solo...(+)
Oboe and Piano - early
intermediate
SKU:
BT.AMP-361-400
17
Graded Solos for Oboe and
Piano. Arranged by
Philip Sparke. Classical.
Book with CD. Composed
2013. 32 pages. Anglo
Music Press #AMP 361-400.
Published by Anglo Music
Press (BT.AMP-361-400).
ISBN 9789043136679.
9x12 inches.
English-German-French-Dut
ch.
Sounds
Classical for Oboe is
a collection of graded
solos selected
specifically for the
developing oboe
player.
Designed to
correlate with grades 1-4
of the exam syllabus of
the Associated Board of
the royal Schools of
Music, the pieces are
drawn from four centuries
of classical repertoire
ranging from Susato to
Sullivan, and will
provide ideal material
forpractice or
recital.
Also
available: Sounds
Classical for
Bassoon, AMP
362-400
Sounds
Classical for Oboe is
een verzameling van solos
die speciaal voor
hoboleerlingen zijn
geselecteerd - in
oplopend niveau.
De
stukken komen qua
moeilijkheidsgraad
overeen met niveau 1-4
van de examenbundel van
de Britse Associated
Board of the Royal
Schools of Music. Ze
bestrijken een periode
van vier eeuwen klassiek
repertoire - van Susato
tot Sullivan - en ze
vormenideaal materiaal
voor zowel lessen als
optredens.
Ook
verkrijgbaar: Sounds
Classical for
Bassoon, AMP
362-400
SOUNDS
CLASSICAL ist eine
Sammlung von im
Schwierigkeitsgrad
fortschreitenden Soli,
die speziell für
werdende Oboisten
ausgewählt wurden.
Philip Sparke wählte
für dieses Buch
Stücke aus dem
klassischen Repertoire
aus vier Jahrhunderten
aus - vonSusato über
Telemann, Händel,
Grieg, Purcell, Mozart
bis Sullivan - das ideale
Material zum Ãœben oder
Vorspielen!
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon)....(+)
Arranged by Daniel
Kelley. For Flute (or
Oboe or Violin) and Cello
(or Bassoon). Duets.
Music for Two. Wedding,
Classical. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Arranged by Daniel Kelley. For Cello (or Bassoon) and Cello (or Bassoon). Duets....(+)
Arranged by Daniel
Kelley. For Cello (or
Bassoon) and Cello (or
Bassoon). Duets. Music
for Two. Wedding,
Classical. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
15 Easy Solos for Contest and Performance with Online Audio and Printable Pian...(+)
15 Easy Solos for Contest
and
Performance with Online
Audio
and Printable Piano
Accompaniments. Composed
by
Various. Arranged by
Philip
Sparke. Essential
Elements
Band Folios. Classical.
Softcover Media Online.
16
pages. Published by Hal
Leonard
For Oboe, Clarinet in B-flat, Horn in E-flat, Bassoon and Piano. By Ludwig van B...(+)
For Oboe, Clarinet in
B-flat, Horn in E-flat,
Bassoon and Piano. By
Ludwig van Beethoven.
Edited by S. Kross.
Chamber Music with Winds.
Pages: Score(Pno) = 48 *
Oboe = 7 * Bassoon = 7 *
Clar B-flat = 7 * Horn
E-flat = 4. Urtext
edition-paper bound.
Published by G. Henle.
The Moerae Hautbois, Piano (duo) Theodore Presser Co.
Chamber Music Bassoon, Flute, Oboe, Piano SKU: PR.164002930 A Fantasy ...(+)
Chamber Music Bassoon,
Flute, Oboe, Piano
SKU: PR.164002930
A Fantasy For Flute,
Oboe, Bassoon, And
Piano. Composed by
Dan Welcher. Sws.
Premiered by Marianne
Gedigian, Rebecca
Henderson, Kristen Wolfe
Jensen, and Eugene
Rowley. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 2006. 40 8 8 12
pages. Duration 9
minutes, 15 seconds.
Theodore Presser Company
#164-00293. Published by
Theodore Presser Company
(PR.164002930).
UPC:
680160632251. 9x12
inches.
The Moerae
was written for Welcher's
long-time friend Robert
Freeman, director of the
Eastman School of Music
(1972 to 1996) and Dean
of the College of Fine
Arts at the University of
Texas at Austin (2000 to
2006). Its premiere was
given by the Westwood
Wind Quintet with Lisa
Bergman (piano), who
write, The Moerae, with
its interesting
instrumentation,
fascinating story line,
and beautiful melodies,
is a true work of art.
The Moerae are the three
fates who spin the thread
of life, measure it, and
cut it when they please.
The Westwood also
recorded the work on
their Crystal Records
CD790, Fate and Fire.
The Moerae Hautbois, Piano (duo) Theodore Presser Co.
Chamber Music Bassoon, Flute, Oboe, Piano SKU: PR.16400293S A Fantasy ...(+)
Chamber Music Bassoon,
Flute, Oboe, Piano
SKU: PR.16400293S
A Fantasy For Flute,
Oboe, Bassoon, And
Piano. Composed by
Dan Welcher. Sws.
Premiered by Marianne
Gedigian, Rebecca
Henderson, Kristen Wolfe
Jensen, and Eugene
Rowley. Contemporary.
Score. With Standard
notation. Composed 2006.
40 pages. Duration 9
minutes, 15 seconds.
Theodore Presser Company
#164-00293S. Published by
Theodore Presser Company
(PR.16400293S).
UPC:
680160632275. 9x12
inches.
The Moerae
was written for Welcher's
long-time friend Robert
Freeman, director of the
Eastman School of Music
(1972 to 1996) and Dean
of the College of Fine
Arts at the University of
Texas at Austin (2000 to
2006). Its premiere was
given by the Westwood
Wind Quintet with Lisa
Bergman (piano), who
write, The Moerae, with
its interesting
instrumentation,
fascinating story line,
and beautiful melodies,
is a true work of art.
The Moerae are the three
fates who spin the thread
of life, measure it, and
cut it when they please.
The Westwood also
recorded the work on
their Crystal Records
CD790, Fate and Fire.
Arranged by Daniel Kelley. Duets. Music for Two. Wedding, Classical. Level: Inte...(+)
Arranged by Daniel
Kelley. Duets. Music for
Two. Wedding, Classical.
Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Bassoon Duet SKU: IS.BD7528EM Composed by Sigrid Schuerweghs. Woodwinds -...(+)
Bassoon Duet
SKU:
IS.BD7528EM
Composed
by Sigrid Schuerweghs.
Woodwinds - Bassoon.
Metropolis Music
Publishers #BD7528EM.
Published by Metropolis
Music Publishers
(IS.BD7528EM).
ISBN
9790365075287.
Sigr
id Schuerweghs (°1967)
grew up in Kalmthout,
near a national park,
where she still lives
with her husband, a
bassoonist, and her 4
sons. At the age of 8,
Sigrid started to play
the piano, 7 years later
the oboe, and another 5
years later she
discovered the double
bass. She became a
professional musician at
the Conservatories of
Antwerp, Rotterdam and
the Lemmens Instituut at
Leuven. Afterwards she
studied the bassoon.
Sigrid played in several
orchestras and performed
in Belgium and abroad. As
oboe and bassoon teacher,
she started to write
music for her students.
Oboists and bassoonists
like her music because
they feel it is written
specifically for their
instrument.
Sigrid’s music is
romantic, with catchy
melodies, melancholic,
and with a touch of
humour.
Flute, oboe, bassoon and piano SKU: HL.49014882 For flute, oboe, basso...(+)
Flute, oboe, bassoon and
piano
SKU:
HL.49014882
For
flute, oboe, bassoon and
piano. Composed by
Anthony Gilbert. Sheet
music. Edition Schott.
Classical. Score and
Parts. Composed 1984. 56
pages. Duration 12'.
Schott Music #ED 12334.
Published by Schott Music
(HL.49014882).
Bassoon and piano SKU: VD.ED88632 Composed by Franz Schubert. Arranged by...(+)
Bassoon and piano
SKU:
VD.ED88632
Composed
by Franz Schubert.
Arranged by Adrian
Connell. Adrian's Song
Album Series. Classical.
Score, solo part. 22 S.
Part. + 2x7 S. Stimme
pages. Verlag Dohr
#ED88632. Published by
Verlag Dohr (VD.ED88632).
By Tomaso Giovanni Albinoni (1671-1751). Arranged by David Marlatt. For 2 Trumpe...(+)
By Tomaso Giovanni
Albinoni (1671-1751).
Arranged by David
Marlatt. For 2 Trumpets
and Keyboard. Brass -
Cornet (Trumpet) Duet;
Duet or Duo; Masterworks.
Baroque. Part(s).
Duration 00:03:20