|
| Concerto - Piano And Orchestra - Solo Part
Schott
Piano and orchestra - difficult SKU: HL.49046544 For piano and orchest...(+)
Piano and orchestra -
difficult SKU:
HL.49046544 For
piano and orchestra.
Composed by Gyorgy
Ligeti. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed
1985-1988. Duration 24'.
Schott Music #ED23178.
Published by Schott Music
(HL.49046544). ISBN
9781705122655. UPC:
842819108726.
9.0x12.0x0.224
inches. I composed
the Piano Concerto in two
stages: the first three
movements during the
years 1985-86, the next
two in 1987, the final
autograph of the last
movement was ready by
January, 1988. The
concerto is dedicated to
the American conductor
Mario di Bonaventura. The
markings of the movements
are the following: 1.
Vivace molto ritmico e
preciso 2. Lento e
deserto 3. Vivace
cantabile 4. Allegro
risoluto 5. Presto
luminoso.The first
performance of the
three-movement Concerto
was on October 23rd, 1986
in Graz. Mario di
Bonaventura conducted
while his brother,
Anthony di Bonaventura,
was the soloist. Two days
later the performance was
repeated in the Vienna
Konzerthaus. After
hearing the work twice, I
came to the conclusion
that the third movement
is not an adequate
finale; my feeling of
form demanded
continuation, a
supplement. That led to
the composing of the next
two movements. The
premiere of the whole
cycle took place on
February 29th, 1988, in
the Vienna Konzerthaus
with the same conductor
and the same pianist. The
orchestra consisted of
the following: flute,
oboe, clarinet, bassoon,
horn, trumpet, tenor
trombone, percussion and
strings. The flautist
also plays the piccoIo,
the clarinetist, the alto
ocarina. The percussion
is made up of diverse
instruments, which one
musician-virtuoso can
play. It is more
practical, however, if
two or three musicians
share the instruments.
Besides traditional
instruments the
percussion part calls
also for two simple wind
instruments: the swanee
whistle and the
harmonica. The string
instrument parts (two
violins, viola, cello and
doubles bass) can be
performed soloistic since
they do not contain
divisi. For balance,
however, the ensemble
playing is recommended,
for example 6-8 first
violins, 6-8 second, 4-6
violas, 4-6 cellos, 3-4
double basses. In the
Piano Concerto I realized
new concepts of harmony
and rhythm. The first
movement is entirely
written in bimetry:
simultaneously 12/8 and
4/4 (8/8). This relates
to the known triplet on a
doule relation and in
itself is nothing new.
Because, however, I
articulate 12 triola and
8 duola pulses, an
entangled, up till now
unheard kind of polymetry
is created. The rhythm is
additionally complicated
because of asymmetric
groupings inside two
speed layers, which means
accents are
asymmetrically
distributed. These
groups, as in the talea
technique, have a fixed,
continuously repeating
rhythmic structures of
varying lengths in speed
layers of 12/8 and 4/4.
This means that the
repeating pattern in the
12/8 level and the
pattern in the 4/4 level
do not coincide and
continuously give a
kaleidoscope of renewing
combinations. In our
perception we quickly
resign from following
particular rhythmical
successions and that what
is going on in time
appears for us as
something static,
resting. This music, if
it is played properly, in
the right tempo and with
the right accents inside
particular layers, after
a certain time 'rises, as
it were, as a plane after
taking off: the rhythmic
action, too complex to be
able to follow in detail,
begins flying. This
diffusion of individual
structures into a
different global
structure is one of my
basic compositional
concepts: from the end of
the fifties, from the
orchestral works
Apparitions and
Atmospheres I
continuously have been
looking for new ways of
resolving this basic
question. The harmony of
the first movement is
based on mixtures, hence
on the parallel leading
of voices. This technique
is used here in a rather
simple form; later in the
fourth movement it will
be considerably
developed. The second
movement (the only slow
one amongst five
movements) also has a
talea type of structure,
it is however much
simpler rhythmically,
because it contains only
one speed layer. The
melody is consisted in
the development of a
rigorous interval mode in
which two minor seconds
and one major second
alternate therefore nine
notes inside an octave.
This mode is transposed
into different degrees
and it also determines
the harmony of the
movement; however, in
closing episode in the
piano part there is a
combination of diatonics
(white keys) and
pentatonics (black keys)
led in brilliant,
sparkling quasimixtures,
while the orchestra
continues to play in the
nine tone mode. In this
movement I used isolated
sounds and extreme
registers (piccolo in a
very low register,
bassoon in a very high
register, canons played
by the swanee whistle,
the alto ocarina and
brass with a harmon-mute'
damper, cutting sound
combinations of the
piccolo, clarinet and
oboe in an extremely high
register, also
alternating of a
whistle-siren and
xylophone). The third
movement also has one
speed layer and because
of this it appears as
simpler than the first,
but actually the rhythm
is very complicated in a
different way here. Above
the uninterrupted, fast
and regular basic pulse,
thanks to the asymmetric
distribution of accents,
different types of
hemiolas and inherent
melodical patterns appear
(the term was coined by
Gerhard Kubik in relation
to central African
music). If this movement
is played with the
adequate speed and with
very clear accentuation,
illusory
rhythmic-melodical
figures appear. These
figures are not played
directly; they do not
appear in the score, but
exist only in our
perception as a result of
co-operation of different
voices. Already earlier I
had experimented with
illusory rhythmics,
namely in Poeme
symphonique for 100
metronomes (1962), in
Continuum for harpsichord
(1968), in Monument for
two pianos (1976), and
especially in the first
and sixth piano etude
Desordre and Automne a
Varsovie (1985). The
third movement of the
Piano Concerto is up to
now the clearest example
of illusory rhythmics and
illusory melody. In
intervallic and chordal
structure this movement
is based on alternation,
and also inter-relation
of various modal and
quasi-equidistant harmony
spaces. The tempered
twelve-part division of
the octave allows for
diatonical and other
modal interval
successions, which are
not equidistant, but are
based on the alternation
of major and minor
seconds in different
groups. The tempered
system also allows for
the use of the
anhemitonic pentatonic
scale (the black keys of
the piano). From
equidistant scales,
therefore interval
formations which are
based on the division of
an octave in equal
distances, the
twelve-tone tempered
system allows only
chromatics (only minor
seconds) and the six-tone
scale (the whole-tone:
only major seconds).
Moreover, the division of
the octave into four
parts only minor thirds)
and three parts (three
major thirds) is
possible. In several
music cultures different
equidistant divisions of
an octave are accepted,
for example, in the
Javanese slendro into
five parts, in Melanesia
into seven parts, popular
also in southeastern
Asia, and apart from
this, in southern Africa.
This does not mean an
exact equidistance: there
is a certain tolerance
for the inaccurateness of
the interval tuning.
These exotic for us,
Europeans, harmony and
melody have attracted me
for several years.
However I did not want to
re-tune the piano
(microtone deviations
appear in the concerto
only in a few places in
the horn and trombone
parts led in natural
tones). After the period
of experimenting, I got
to pseudo- or
quasiequidistant
intervals, which is
neither whole-tone nor
chromatic: in the
twelve-tone system, two
whole-tone scales are
possible, shifted a minor
second apart from each
other. Therefore, I
connect these two scales
(or sound resources), and
for example, places occur
where the melodies and
figurations in the piano
part are created from
both whole tone scales;
in one band one six-tone
sound resource is
utilized, and in the
other hand, the
complementary. In this
way whole-tonality and
chromaticism mutually
reduce themselves: a type
of deformed
equidistancism is formed,
strangely brilliant and
at the same time
slanting; illusory
harmony, indeed being
created inside the
tempered twelve-tone
system, but in sound
quality not belonging to
it anymore. The
appearance of such
slantedequidistant
harmony fields
alternating with modal
fields and based on
chords built on fifths
(mainly in the piano
part), complemented with
mixtures built on fifths
in the orchestra, gives
this movement an
individual, soft-metallic
colour (a metallic sound
resulting from
harmonics). The fourth
movement was meant to be
the central movement of
the Concerto. Its
melodc-rhythmic elements
(embryos or fragments of
motives) in themselves
are simple. The movement
also begins simply, with
a succession of
overlapping of these
elements in the mixture
type structures. Also
here a kaleidoscope is
created, due to a limited
number of these elements
- of these pebbles in the
kaleidoscope - which
continuously return in
augmentations and
diminutions. Step by
step, however, so that in
the beginning we cannot
hear it, a compiled
rhythmic organization of
the talea type gradually
comes into daylight,
based on the simultaneity
of two mutually shifted
to each other speed
layers (also triplet and
duoles, however, with
different asymmetric
structures than in the
first movement). While
longer rests are
gradually filled in with
motive fragments, we
slowly come to the
conclusion that we have
found ourselves inside a
rhythmic-melodical whirl:
without change in tempo,
only through increasing
the density of the
musical events, a
rotation is created in
the stream of successive
and compiled, augmented
and diminished motive
fragments, and increasing
the density suggests
acceleration. Thanks to
the periodical structure
of the composition,
always new but however of
the same (all the motivic
cells are similar to
earlier ones but none of
them are exactly
repeated; the general
structure is therefore
self-similar), an
impression is created of
a gigantic, indissoluble
network. Also, rhythmic
structures at first
hidden gradually begin to
emerge, two independent
speed layers with their
various internal
accentuations. This
great, self-similar whirl
in a very indirect way
relates to musical
associations, which came
to my mind while watching
the graphic projection of
the mathematical sets of
Julia and of Mandelbrot
made with the help of a
computer. I saw these
wonderful pictures of
fractal creations, made
by scientists from Brema,
Peitgen and Richter, for
the first time in 1984.
From that time they have
played a great role in my
musical concepts. This
does not mean, however,
that composing the fourth
movement I used
mathematical methods or
iterative calculus;
indeed, I did use
constructions which,
however, are not based on
mathematical thinking,
but are rather craftman's
constructions (in this
respect, my attitude
towards mathematics is
similar to that of the
graphic artist Maurits
Escher). I am concerned
rather with intuitional,
poetic, synesthetic
correspondence, not on
the scientific, but on
the poetic level of
thinking. The fifth, very
short Presto movement is
harmonically very simple,
but all the more
complicated in its
rhythmic structure: it is
based on the further
development of ''inherent
patterns of the third
movement. The
quasi-equidistance system
dominates harmonically
and melodically in this
movement, as in the
third, alternating with
harmonic fields, which
are based on the division
of the chromatic whole
into diatonics and
anhemitonic pentatonics.
Polyrhythms and harmonic
mixtures reach their
greatest density, and at
the same time this
movement is strikingly
light, enlightened with
very bright colours: at
first it seems chaotic,
but after listening to it
for a few times it is
easy to grasp its
content: many autonomous
but self-similar figures
which crossing
themselves. I present my
artistic credo in the
Piano Concerto: I
demonstrate my
independence from
criteria of the
traditional avantgarde,
as well as the
fashionable
postmodernism. Musical
illusions which I
consider to be also so
important are not a goal
in itself for me, but a
foundation for my
aesthetical attitude. I
prefer musical forms
which have a more
object-like than
processual character.
Music as frozen time, as
an object in imaginary
space evoked by music in
our imagination, as a
creation which really
develops in time, but in
imagination it exists
simultaneously in all its
moments. The spell of
time, the enduring its
passing by, closing it in
a moment of the present
is my main intention as a
composer. (Gyorgy
Ligeti). $34.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé
Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND
- A
reliable musical text
based on all available
sources
- A
description of the
sources
-
Information on the
genesis and history of
the work
- Valuable
notes on performance
practice
- Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL
-
Page-turns, fold-out
pages, and cues where you
need them
- A
well-presented layout and
a user-friendly
format
- Excellent
print quality
-
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Christmas Duet Fun Book for Violin and Viola
Violon, Alto (duo) - Intermédiaire
Childrens Music Workshop
Violin/Viola - Intermediate SKU: CZ.9798870828015 Composed by Various. Ed...(+)
Violin/Viola -
Intermediate SKU:
CZ.9798870828015
Composed by Various.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798870828015.
Published by Children's
Music Workshop
(CZ.9798870828015).
The Christmas
Duet Fun Book
Series is the ultimate
holiday music resource
for young music students
who want to enjoy the
magic of Christmas
through the joy of
playing music! In this
series, we've compiled a
collection of duet books
for flute, clarinet,
saxophone, trumpet,
french horn, trombone,
violin, viola, and cello
that are perfect for
beginners and
intermediate players. The
music is easy to play,
yet still engaging and
fun, making it the
perfect tool for music
educators looking to
introduce their students
to the world of duet
playing. The duet books
can be mixed and matched,
allowing for
heterogeneous groupings
of instruments, and the
songs included in the
series cover both
traditional hymns and
popular secular music.
With a variety of classic
and contemporary holiday
tunes, players can have
fun while developing
their technique,
intonation, and rhythm.
The series is designed to
inspire and motivate
young musicians during
the holiday season, as
they work together to
create beautiful music
and memories that will
last a lifetime. With the
Christmas Duet Fun Books,
young musicians can
experience the joy of
playing music with others
and the magic of the
holiday season. Whether
it's for a school
performance, family
gathering, or just for
fun, this series is the
perfect choice for anyone
who wants to celebrate
the holiday season with
music. Easy to play
Christmas and Hanukkah
duets for a festive
holiday season include O'
Come Little Children,
Bring a Torch, Jeanette
Isabella, Jolly Old St.
Nick, O Come, O Come
Emmanuel, Ding Dong
Merrily on High, Silent
Night, Jingle Bells, O
Come All Ye Faithful,
Angels We Have Heard on
High, We Three Kings, Joy
to the World, Hark, the
Herald Angels Sing, Up On
the Housetop, Toyland, O
Holy Night, Away in a
Manger, Go Tell It on the
Mountain, The First Noel,
I Have a Little Dreidel,
Dreidel Turn, and The
Hanukkah Song. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Santa's Little Helper for Trombone with CD
Trombone
Santorella Publications
Trombone SKU: SP.TS174 Composed by Tony Santorella. Arranged by Denise Ge...(+)
Trombone SKU:
SP.TS174 Composed by
Tony Santorella. Arranged
by Denise Gendron.
Collection; Christmas.
Book and CD. Santorella
Publications #TS174.
Published by Santorella
Publications (SP.TS174).
ISBN 9781585604562.
UPC:
649571101749. Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for
Trombone is written as
solos or duets in
accommodating keys for
Trumpet, Clarinet, Alto
Sax or Flute. The Piano
Accompaniment book for
Brass & Reed instruments
is sold separately.
Santorella's String
Edition is also available
for violin, viola, cello
and bass. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Sleep, My Child
Orchestre d'harmonie - Facile
Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece.
Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Duos for Trumpet and Baritone (or Trombone) (Baritone / Trombone / Trumpet)
Trompette, Trombone (duo) - Facile
EMB (Editio Musica Budapest)
for Beginners. EMB. Size 9.25x12.25 inches. 80 pages. Published by Editio Musica...(+)
for Beginners. EMB. Size
9.25x12.25 inches. 80
pages. Published by
Editio Musica Budapest.
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Stabat Mater D 383
Chorale SATB
Barenreiter
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice ...(+)
Solo voices, choir,
orchestra (Soprano Voice
Solo, Tenor Voice Solo,
Bass Voice Solo, SATB
Choir, 2 Fl, 2 Ob, 2
bassoon, bassoon-Co, 2
Hn, 3trombone, Str)
SKU: BA.BA05547
Oratorio: Jesus
Christus schwebt am
Kreuz. Composed by
Franz Schubert. Edited by
Manuela Jahrmärker.
This edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
I, Volume 7. Complete
edition, Score. D 383.
Baerenreiter Verlag
#BA05547_00. Published by
Baerenreiter Verlag
(BA.BA05547). ISBN
9790006497089. 33.1 x
25.6 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND
- A
reliable musical text
based on all available
sources
- A
description of the
sources
-
Information on the
genesis and history of
the work
- Valuable
notes on performance
practice
- Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL
-
Page-turns, fold-out
pages, and cues where you
need them
- A
well-presented layout and
a user-friendly
format
- Excellent
print quality
-
Superior paper and
binding
$196.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Santa's Little Helper for Bass with CD
Santorella Publications
Bass SKU: SP.TS179 Composed by Denise Gendron. Arranged by Denise Gendron...(+)
Bass SKU: SP.TS179
Composed by Denise
Gendron. Arranged by
Denise Gendron.
Collection; Christmas.
Book and CD. Santorella
Publications #TS179.
Published by Santorella
Publications (SP.TS179).
ISBN 9781585604616.
UPC:
649571101794. Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for Bass is
also written as solos or
duets in accommodating
keys for Violin, Viola
and Cello. This best
selling Santorella
collection includes a
piano accompaniment CD
with lyrics, so the whole
family can sing along.
The Piano Accompaniment
book for this Stringed
Instrument Edition is
sold separately.
Santorella's Horn Edition
is also available for
trumpet, clarinet, flute,
alto sax and trombone. .
Angels We Have Heard on
High - Away in a Manger -
Birthday of a King - Deck
the Halls - God Rest Ye,
Merry Gentlemen - Good
King Wenceslas - Hark!
The Herald Angels Sing -
I Saw Three Ships - It
Came Upon a Midnight
Clear - Jingle Bells -
Jolly Old Saint Nicholas
- Joy to the World - O
Christmas Tree - O Come
All Ye Faithful - O, Holy
Night - O Little Town of
Bethlehem - Silent Night
- We Wish You A Merry
Christmas - Good
Christian Men Rejoice - I
Heard The Bells On
Christmas Day - We Three
Kings Of Orient Are -
Star Of The East - The
First Noel - Here We Come
Awassailing. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Star Spangled and America for Flute
Flûte traversière [Partition + CD]
Santorella Publications
Santa's Little Helper for Bass (with CD) arranged by Denise Gendron. For bass. T...(+)
Santa's Little Helper for
Bass (with CD) arranged
by Denise Gendron. For
bass. This edition:
Paperback. Collection.
Christmas. Book with CD.
Text Language: English.
32 pages. Published by
Santorella Publications
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Mist
Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, English Horn...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
English Horn, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Oboe 1,
Oboe 2, Percussion,
Timpani, Trombone,
Trumpet, Tuba, Viola,
Violin 1, Violin 2,
Violoncello SKU:
PR.41641613L Composed
by Diane Wittry. Large
Score. With Standard
notation. Duration 16
minutes. Theodore Presser
Company #416-41613L.
Published by Theodore
Presser Company
(PR.41641613L). UPC:
680160642199. 11 x 17
inches. On the
island of Elba, off the
coast of Italy, I
composed this work as the
sun was rising over the
ocean in the mornings and
gently sifting through
the clouds against the
lingering fog. As the
piece developed, it took
on a shape of its own and
gradually became centered
around diminished chords
and the interval of a
tri-tone (diminished
5th). I love these chords
for their angst and for
their sadness, but also
for their flexibility. My
piece is very textural in
nature; and yes, it does
have a melody of sorts,
and yet, this melody
comes and goes, and is
never quite grasped until
the end. Portions of it
are repeated and spun out
creating layers of sound
without the heaviness of
form. It is indeed a
depiction of mist, where
one minute you see things
and the next they are
gone. As you move through
the piece, you find that
the trumpet is also an
antagonist, creeping in
with a haunting cry; a
reminder of things
unsettled. Throughout the
piece, we are quietly
searching. We search for
a tonal center for
stability, and also for a
melody that will make us
feel fulfilled. Once
found, we hold them for
an instant, and then like
the clouds and like life
itself, they are gone. We
are warmed by their
presence and saddened by
their loss. I hope that
you will reflect upon
your own memories of
life's quiet moments as
we enjoy the world
premiere of this new work
together. Mist is not a
piece to be analyzed, but
rather a piece to be
experienced and absorbed.
As you listen, release
your mind, embrace your
emotions, close your
eyes, and allow the mist
to creep in. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Mist
Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, English Horn...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
English Horn, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Oboe 1,
Oboe 2, Percussion,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.416416130
Composed by Diane Wittry.
Full score. With Standard
notation. Duration 16
minutes. Theodore Presser
Company #416-41613.
Published by Theodore
Presser Company
(PR.416416130). UPC:
680160642182. 9 x 12
inches. On the
island of Elba, off the
coast of Italy, I
composed this work as the
sun was rising over the
ocean in the mornings and
gently sifting through
the clouds against the
lingering fog. As the
piece developed, it took
on a shape of its own and
gradually became centered
around diminished chords
and the interval of a
tri-tone (diminished
5th). I love these chords
for their angst and for
their sadness, but also
for their flexibility. My
piece is very textural in
nature; and yes, it does
have a melody of sorts,
and yet, this melody
comes and goes, and is
never quite grasped until
the end. Portions of it
are repeated and spun out
creating layers of sound
without the heaviness of
form. It is indeed a
depiction of mist, where
one minute you see things
and the next they are
gone. As you move through
the piece, you find that
the trumpet is also an
antagonist, creeping in
with a haunting cry; a
reminder of things
unsettled. Throughout the
piece, we are quietly
searching. We search for
a tonal center for
stability, and also for a
melody that will make us
feel fulfilled. Once
found, we hold them for
an instant, and then like
the clouds and like life
itself, they are gone. We
are warmed by their
presence and saddened by
their loss. I hope that
you will reflect upon
your own memories of
life's quiet moments as
we enjoy the world
premiere of this new work
together. Mist is not a
piece to be analyzed, but
rather a piece to be
experienced and absorbed.
As you listen, release
your mind, embrace your
emotions, close your
eyes, and allow the mist
to creep in. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Then Sings My Soul (How Great Thou Art)
Voix duo
Hope Publishing Company
Composed by Stuart Hine. Arranged by Mary Mcdonald. For Vocal Duet (High and Low...(+)
Composed by Stuart Hine.
Arranged by Mary
Mcdonald. For Vocal Duet
(High and Low Voice - Key
of A-flat). Vocal Solo
Sheet Music. Worshiping,
Hymntune. Published by
Hope Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| Volume 29 - Play Duets With Jimmy Raney
Guitare [Partition + CD] - Intermédiaire/avancé
Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. Play duets with Jimmy
Raney!. Play-Along
Categories: Artists.
Level: intermediate,
advanced. Book with CD.
Published by Jamey
Aebersold Jazz.
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Santa's Little Helper for Trumpet with CD
Trompette
Santorella Publications
Trumpet SKU: SP.TS171 Composed by Tony Santorella. Arranged by Denise Gen...(+)
Trumpet SKU:
SP.TS171 Composed by
Tony Santorella. Arranged
by Denise Gendron.
Collection; Christmas.
Book. Santorella
Publications #TS171.
Published by Santorella
Publications (SP.TS171).
ISBN 9781585604531.
UPC:
649571101718. Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for Trumpet
is written as solos or
duets in accommodating
keys for Flute, Clarinet,
Alto Sax or Trombone.
This complete collection
of Christmas songs from
Santorella Publications
includes an accompaniment
CD and lyrics for the
whole family to enjoy.
The Piano Accompaniment
book for Brass and Reed
instruments is sold
separately. Santorella's
String Edition is also
available for violin,
viola, cello and bass.
Angels We Have Heard on
High - Away in a Manger -
Birthday of a King - Deck
the Halls - God Rest Ye,
Merry Gentlemen - Good
King Wenceslas - Hark!
The Herald Angels Sing -
I Saw Three Ships - It
Came Upon a Midnight
Clear - Jingle Bells -
Jolly Old Saint Nicholas
- Joy to the World - O
Christmas Tree - O Come
All Ye Faithful - O, Holy
Night - O Little Town of
Bethlehem - Silent Night
- We Wish You A Merry
Christmas - Good
Christian Men Rejoice - I
Heard The Bells On
Christmas Day - We Three
Kings Of Orient Are -
Star Of The East - The
First Noel - Here We Come
Awassailing. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Pre-Pulse Suspended
Carl Fischer
Chamber Music Bass Clarinet, Bassoon, Clarinet, Contrabass, Flute, Horn, Piano, ...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, Contrabass,
Flute, Horn, Piano,
Trombone, Viola, Violin
1, Violin 2, Violoncello,
alto Flute SKU:
CF.CY3303F Composed
by Lee Hyla. Full score.
With Standard notation.
76 pages. Duration 13
minutes. Carl Fischer
Music #CY3303F. Published
by Carl Fischer Music
(CF.CY3303F). ISBN
9780825876158. UPC:
798408076153. A
1984 composition, in
memoriam to Hyla's
father, who died in that
year, Pre-Pulse Suspended
is a tight piece
structurally, but it
covers a lot of ground in
its concise single
movement. The striking
opening, a gritty and
incisive duet for violin
and bass clarinet, with
each instrument
restricted to a very
narrow compass like a
genie struggling to
escape from a bottle, is
mined continually in the
course of the piece.
(Eric Moe,
counter)induction) Watch
a YouTube performance by
PendulumNewMusic. For
advanced performers.
Duration: c.12'. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Christmastime
Voix duo
Hope Publishing Company
Composed by Michael W. Smith / Joanna Carlson. Arranged by Lloyd Larson. For Voc...(+)
Composed by Michael W.
Smith / Joanna Carlson.
Arranged by Lloyd Larson.
For Vocal Duet (Two
Medium Voices - Key of
E-Flat). Christmas, Call
To Worship, Children,
Contemporary, Hymntune.
Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| Santa's Little Helper for Clarinet with CD
Clarinette
Santorella Publications
Clarinet SKU: SP.TS175 Composed by Tony Santorella. Arranged by Denise Ge...(+)
Clarinet SKU:
SP.TS175 Composed by
Tony Santorella. Arranged
by Denise Gendron.
Collection; Christmas.
Book and CD. Santorella
Publications #TS175.
Published by Santorella
Publications (SP.TS175).
ISBN 9781585604579.
UPC:
649571101756. Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for
Clarinet is written as
solos or duets in
accommodating keys for
Trumpet, Flute, Alto Sax
or Trombone. The Piano
Accompaniment book for
Brass & Reed instruments
is sold separately.
Santorella's String
Edition is also available
for violin, viola, cello
and bass. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Santa's Little Helper for Alto Sax with CD
Santorella Publications
Alto Sax SKU: SP.TS173 Composed by Tony Santorella. Arranged by Denise Ge...(+)
Alto Sax SKU:
SP.TS173 Composed by
Tony Santorella. Arranged
by Denise Gendron.
Collection; Christmas.
Book. Santorella
Publications #TS173.
Published by Santorella
Publications (SP.TS173).
ISBN 9781585604555.
UPC:
649571101732. Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for Alto
Sax is written as solos
or duets in accommodating
keys for Trumpet,
Clarinet, Flute or
Trombone. The Piano
Accompaniment book for
Brass & Reed instruments
is sold separately.
Santorella's String
Edition is also available
for violin, viola, cello
and bass. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Santa's Little Helper for Cello with CD
Violoncelle
Santorella Publications
Cello SKU: SP.TS178 Composed by Denise Gendron. Arranged by Denise Gendro...(+)
Cello SKU:
SP.TS178 Composed by
Denise Gendron. Arranged
by Denise Gendron.
Collection; Christmas.
Book. Santorella
Publications #TS178.
Published by Santorella
Publications (SP.TS178).
ISBN 9781585604609.
UPC:
649571101787. Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for Cello
is also written as solos
or duets in accommodating
keys for Violin, Viola &
Bass. The Piano
Accompaniment book for
this Stringed Instrument
Edition is sold
separately. Santorella's
Horn Edition is also
available for trumpet,
clarinet, flute, alto sax
& trombone. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| He Came (Orchestration - CD-Rom)
Chorale SATB
Lillenas Publishing Co.
SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1...(+)
SATB choir with vocal
duet (flute 1&2, oboe,
clarinet 1&2, F horn 1&2,
trumpet 1/2&3, trombone
1&2, trombone 3/tuba,
percussion, rhythm,
violin 1&2, viola,
cello/bassoon, string
bass) - Moderate SKU:
LP.765762204300
Composed by Ray Jones
Andrea Jones. Arranged by
Brian Duncan. Anthems.
Inspirational, Christmas
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762204300).
UPC:
765762204300. Soul-
stirring and evocative,
this new ballad from the
worship ministry of
Community Bible Church in
San Antonio, TX is a
tender reflection on the
birth of Christ and what
it means to us, the
miracle that He Came.
This soprano and tenor
duet with choir and
accompanying video will
make for a poignant
moment in any Christmas
celebration. $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| 5 Lessons in a Frame
Boosey and Hawkes
Chamber Ensemble (Score) SKU: HL.48024815 Ensemble Score. Composed...(+)
Chamber Ensemble (Score)
SKU: HL.48024815
Ensemble Score.
Composed by Harrison
Birtwistle. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 40
pages. Duration 1200
seconds. Boosey & Hawkes
#M060136139. Published by
Boosey & Hawkes
(HL.48024815). ISBN
9781784545277. UPC:
888680984168. These
five duets 'framed'
within the 5 Lessons were
developed from the five
instrumental duets
written for members of
the London Sinfonietta
between 2008 and 2014 -
The Message (Duet 1),
Bourdon (Duet 2) and
Duets 3-5. These are
available from the
publisher.
Instrumentation: Flute
(doubling Alto Flute),
Oboe (doubling Cor
Anglais), Clarinet in Eb
and Bb, Bassoon, Trumpet,
Horn, Trombone, Side Drum
(with snares), Violin I
Violin II, Viola, Cello,
Double Bass. $32.00 - Voir plus => Acheter | | | |
| Lord, Listen to Your Children
Hope Publishing Company
Vocal Duet (2 Med. Voices) SKU: HP.9141 Composed by Ken Medema. Arranged ...(+)
Vocal Duet (2 Med.
Voices) SKU:
HP.9141 Composed by
Ken Medema. Arranged by
Arr. By Jack Schrader.
Piano Accompaniment with
Optional Orchestra. Vocal
Score. 12 pages. Hope
Publishing Company #9141.
Published by Hope
Publishing Company
(HP.9141). UPC:
763628191412. Origi
nal anthem Jack
Schrader's blues-gospel
setting of this ever
popular Ken Medema song
continues to be one of
the top-selling choral
pieces in our catalog.
Available in multiple
voicings. The
Orchestration by Don Hart
contains a Conductor's
Score and parts for:
Flute, Oboe, Clarinet,
Horn 1 & 2, Trumpets 1, 2
& 3, Trombone 1 & 2,
Trombone 3 & Tuba,
Percussion 1 & 2, Harp,
Rhythm, Violin 1 & 2,
Viola, Cello, and
Bass. $7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | | |
| He Loved Us More with More Than Wonderful
Chorale SATB
Lillenas Publishing Co.
By Geron Davis. Arranged by Mike Speck. For SATB choir with vocal solo and duet ...(+)
By Geron Davis. Arranged
by Mike Speck. For SATB
choir with vocal solo and
duet (flute, oboe, F horn
1and2/3, trumpet 1/2and3,
trombone 1and2/3and4,
percussion, rhythm, harp,
violin 1, violin 2,
viola, cello/bassoon,
string bass). Christmas.
Moderate. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
$74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Oedipus Tex
Chorale SATB [Vocal Score]
Theodore Presser Co.
Dramatic Oratorio or Opera in One Cathartic Act. By PDQ Bach. Arranged by Peter ...(+)
Dramatic Oratorio or
Opera in One Cathartic
Act. By PDQ Bach.
Arranged by Peter
Schickele. Text by Peter
Schickele. For Flute,
Recorder, Clarinet,
Bassoon, Horn, 2 Trumpet,
Trombone, 5 Violin, 5
Viola, 4 Violoncello, 3
Viola Da Gamba, 2
Contrabass, Soprano,
Mezzo, Tenor, Baritone,
SATB, 11 Percussion, 3
Timpani, Keyboard. Piano
Reduction. S. 150.
Duration 30:0. Published
by Theodore Presser
Company.
$13.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Mary, Did You Know?
Chorale SATB [Vocal Score]
Hope Publishing Company
Composed by Buddy Greene. Arranged by Jack Schrader. For medium and high voice d...(+)
Composed by Buddy Greene.
Arranged by Jack
Schrader. For medium and
high voice duet (key of D
Minor). Hope's All-Time
Best Sellers series.
Christmas, Devotion,
Contemporary,
Contemporary Gospel.
Vocal score. 12 pages.
Published by Hope
Publishing Company
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
|
